🔥Growing Artists | Pitch your song |
Suite Buenos Aires: No. 3, San Telmo cover art

Maximo Diego Pujol, Csaba Szabo, Accord Quartet

Suite Buenos Aires: No. 3, San Telmo

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
99 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
E min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-13.79db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 27% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
18%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
53%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
49%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
5%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
8%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
97%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
88%




Discover songs similar to Suite Buenos Aires: No. 3, San Telmo


Rodrigo: Invocación y danza cover art
Joaquín Rodrigo - Rodrigo: Invocación y danza
3% popularity • 99 bpm • D Maj • 07:07 • 3/4
Dance of the Orient cover art
Mark Houghton - Dance of the Orient
35% popularity • 99 bpm • D Maj • 04:20 • 4/4
Revoir Paris cover art
Roland Dyens - Revoir Paris
16% popularity • 99 bpm • D Maj • 03:06 • 3/4
Suite Buenos Aires: No. 3, San Telmo cover art
Maximo Diego Pujol - Suite Buenos Aires: No. 3, San Telmo
25% popularity • 99 bpm • E min • 03:00 • 4/4
Andante No. 1, Op. 320 cover art
Ferdinando Carulli - Andante No. 1, Op. 320
30% popularity • 99 bpm • G Maj • 02:19 • 4/4
Un domingo en La Boca: Un domingo en La Boca cover art
María Isabel Siewers - Un domingo en La Boca: Un domingo en La ...
0% popularity • 99 bpm • E min • 04:35 • 4/4
Sonidos de aquel dia (Sounds from That Day) cover art
Quique Sinesi - Sonidos de aquel dia (Sounds from That D...
12% popularity • 99 bpm • D Maj • 03:52 • 4/4
4 Valses Venezolanos: Vals No. 2 cover art
Antonio Lauro - 4 Valses Venezolanos: Vals No. 2
39% popularity • 99 bpm • E min • 01:06 • 3/4
36 Caprices, Op. 20: XV. Presto cover art
Luigi Legnani - 36 Caprices, Op. 20: XV. Presto
32% popularity • 100 bpm • B min • 01:14 • 4/4
Bardenklange, Op. 13: Unruhe (Restlessness) cover art
Johann Kaspar Mertz - Bardenklange, Op. 13: Unruhe (Restlessne...
32% popularity • 98 bpm • E Maj • 01:49 • 4/4
Castillos de Espana II: No. 3. Alcaniz cover art
Federico Moreno Torroba - Castillos de Espana II: No. 3. Alcaniz
32% popularity • 100 bpm • E Maj • 01:44 • 4/4
Cielo Abierto cover art
Victor Villadangos - Cielo Abierto
15% popularity • 98 bpm • B min • 05:37 • 4/4
Fantasia X cover art
Alonso Mudarra - Fantasia X
14% popularity • 100 bpm • D Maj • 01:51 • 4/4
Carcassi Op.60 N.4 Allegretto cover art
Matteo Carcassi - Carcassi Op.60 N.4 Allegretto
31% popularity • 98 bpm • D Maj • 01:34 • 3/4
Suite Buenos Aires: No. 3, San Telmo is a song by Maximo Diego Pujol, released on 2015. It is track number 5 in the album Cross The Line. Suite Buenos Aires: No. 3, San Telmo has a BPM/tempo of 99 beats per minute, is in the key of E min and has a duration of 3 minutes, 520 milliseconds.

Suite Buenos Aires: No. 3, San Telmo is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is pretty easy to dance to.


Suite Buenos Aires: No. 3, San Telmo info

Name
Suite Buenos Aires: No. 3, San Telmo
Release Date
27th April 2024
ISRC
HUA181623805
Key
E min
Tempo
99
Loudness (db)
-13.79db
Time signature
4/4
Length
03:00
Song Number
5 of 10
Explicit
No