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Ancient Suite
Songs like
Ancient Suite
by
Hildegard von Bingen
Based on a tempo of (+/- 10%) and a similar genre
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Kjartan Sveinsson
Teil III
132 bpm • C Maj • 07:00 • -18.45db
20% Popularity • 16% Danceability • 19% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
L'hiver
132 bpm • C min • 08:43 • -29.72db
19% Popularity • 25% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Hildegard von Bingen
Ancient Suite
132 bpm • E min • 03:30 • -21.35db
23% Popularity • 22% Danceability • 11% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: Miserere mei
132 bpm • G min • 04:35 • -24.72db
9% Popularity • 20% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 - Arr. for cello ...
131 bpm • G min • 03:54 • -27.85db
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
32% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Josquin des Prez
Missa Hercules dux Ferrariae: Sanctus
133 bpm • C# min • 03:43 • -19.49db
16% Popularity • 19% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Sequence. O Ecclesia
132 bpm • A# min • 10:12 • -27db
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Agnus Dei, Op. 11 (Barber Adagio...
133 bpm • A# min • 08:00 • -24db
26% Popularity • 16% Danceability • 9% Energy • 34% Liveness
81% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
133 bpm • C# min • 04:55 • -15.61db
13% Popularity • 46% Danceability • 36% Energy • 33% Liveness
68% Instrumentalness • 50% Positiveness
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La Capella Reial De Catalunya
La Folia: Yo Soy la Locura
131 bpm • A min • 02:37 • -23db
18% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: III. Abîm...
131 bpm • G Maj • 08:09 • -22db
19% Popularity • 29% Danceability • 0% Energy • 9% Liveness
12% Instrumentalness • 20% Positiveness
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Gabriel Fauré
Requiem, Op. 48: I. Introitus
131 bpm • D min • 01:44 • -27.11db
26% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Richard Rodgers
It Never Entered My Mind
133 bpm • F Maj • 05:13 • -17.44db
12% Popularity • 50% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Johannes Brahms
Clarinet Sonata in F Minor, Op. 120, No....
131 bpm • G# Maj • 04:57 • -30db
16% Popularity • 20% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Franz Schubert
Schubert: Schwanengesang, D. 957: No. 4,...
131 bpm • C min • 04:27 • -28.93db
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VII. Fouil...
134 bpm • E Maj • 07:28 • -17db
15% Popularity • 27% Danceability • 21% Energy • 4% Liveness
30% Instrumentalness • 3% Positiveness
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Karl Jenkins
Chorale: Elegia
130 bpm • G Maj • 04:18 • -14.55db
31% Popularity • 16% Danceability • 30% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Ferenc Farkas
Danses hongroises du 17ème Siècle: II....
134 bpm • C Maj • 01:25 • -25.58db
12% Popularity • 32% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
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Henry Purcell
Dido & Aeneas, Z. 626: Dido & Aeneas, Z....
134 bpm • F# min • 04:09 • -26db
24% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: Sì dolce è'l tormento, SV ...
134 bpm • G Maj • 03:48 • -22.14db
29% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Hildegard von Bingen
Ave generosa
134 bpm • A min • 06:32 • -28.47db
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (arr. G. Fros...
135 bpm • G min • 03:07 • -22db
11% Popularity • 37% Danceability • 12% Energy • 11% Liveness
50% Instrumentalness • 60% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
135 bpm • D Maj • 06:40 • -23.12db
46% Popularity • 16% Danceability • 3% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Jan Garbarek
Parce Mihi Domine
129 bpm • A# Maj • 06:42 • -19.24db
48% Popularity • 19% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Alonso Lobo
Versa est in luctum
135 bpm • G min • 05:32 • -22.04db
37% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: V. "Nyne otpushchayeshi...
135 bpm • F# Maj • 03:43 • -35db
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: I....
129 bpm • A Maj • 12:20 • -20.06db
22% Popularity • 33% Danceability • 12% Energy • 29% Liveness
26% Instrumentalness • 18% Positiveness
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Hildegard von Bingen
O viridissima virga, Ave
135 bpm • C Maj • 03:53 • -27db
5% Popularity • 23% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ubi Caritas
129 bpm • F# min • 03:48 • -25.64db
32% Popularity • 21% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Kjartan Sveinsson
Teil II
129 bpm • G min • 08:21 • -23db
23% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
129 bpm • A min • 02:43 • -28db
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
128 bpm • E Maj • 05:48 • -27.47db
26% Popularity • 22% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Karin Rehnqvist
On a Distant Shore: II. The Light
128 bpm • A min • 05:14 • -28.11db
0% Popularity • 17% Danceability • 5% Energy • 18% Liveness
78% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O Frondens Virga
129 bpm • G Maj • 02:52 • -23.42db
16% Popularity • 22% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
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Karl Jenkins
The Armed Man - A Mass for Peace: Benedi...
136 bpm • D Maj • 05:45 • -21db
19% Popularity • 19% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigali, Libro VIII "Guerr...
136 bpm • A min • 03:13 • -19.77db
36% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Henry Purcell
Burial Service: Thou knowest, Lord, the ...
128 bpm • A# Maj • 02:30 • -30.13db
25% Popularity • 19% Danceability • 2% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Ave Maria, O auctrix vite
128 bpm • G min • 08:59 • -26db
13% Popularity • 24% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Rebecca Dale
Materna Requiem: 6. Paradisum Interlude
137 bpm • C# Maj • 02:37 • -29.72db
33% Popularity • 15% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Pérotin
Beata Viscera II (Arr. Paul Smith / Apol...
137 bpm • G Maj • 02:56 • -14db
19% Popularity • 16% Danceability • 16% Energy • 18% Liveness
15% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Hermann Contractus
Salve Regina
137 bpm • C# Maj • 03:22 • -31.31db
29% Popularity • 20% Danceability • 1% Energy • 18% Liveness
69% Instrumentalness • 4% Positiveness
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Olivier Messiaen
O sacrum convivium!
127 bpm • F# Maj • 04:31 • -30.76db
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Nunc aperuit nobis
127 bpm • A Maj • 01:52 • -26db
13% Popularity • 24% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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César Franck
Mass, Op. 12: V. Panis Angelicus
137 bpm • F Maj • 03:50 • -19.15db
20% Popularity • 24% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
138 bpm • A Maj • 08:09 • -19.67db
16% Popularity • 38% Danceability • 9% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
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Johannes Brahms
Trio in A Minor, Op. 114: I. Allegro
126 bpm • A min • 07:55 • -22.43db
15% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Alleluia, O virga mediatrix
138 bpm • A Maj • 03:37 • -29.7db
26% Popularity • 21% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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The King's Singers
Spem In Alium (Tallis)
138 bpm • A# Maj • 08:31 • -18.66db
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
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James Whitbourn
Luminosity: I. Lux in tenebris
138 bpm • D Maj • 06:55 • -20db
14% Popularity • 16% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
138 bpm • E min • 04:29 • -22.33db
43% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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USSR Ministry of Culture Chamber Choir
Hymn of the Cherubim (Excerpt)
126 bpm • D# min • 07:41 • -22.31db
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Þorkell Sigurbjörnsson
Nú hverfur sól à haf
126 bpm • G# min • 03:22 • -28.42db
18% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Henry Villca suntura
Improvisation for Sikus, Bass and Guitar
138 bpm • B Maj • 02:53 • -26db
22% Popularity • 70% Danceability • 11% Energy • 9% Liveness
64% Instrumentalness • 56% Positiveness
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Jan Garbarek
Beata viscera
138 bpm • G Maj • 06:34 • -26db
24% Popularity • 22% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 4% Positiveness
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Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Johannes Brahms
Hungarian Dances, WoO 1: No. 14 in D Min...
125 bpm • D Maj • 02:37 • -16.52db
12% Popularity • 19% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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Louis Andriessen
Un beau baiser
139 bpm • D Maj • 04:08 • -31.76db
11% Popularity • 15% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Paolo Pandolfo
sopra Passemezzo moderno
139 bpm • G Maj • 01:33 • -20.72db
34% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (version for choir and or...
139 bpm • F# min • 07:05 • -31.97db
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Fredrik Sjölin
Shore
139 bpm • G min • 02:50 • -21.53db
23% Popularity • 15% Danceability • 7% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Ordo virtutum: O vivens fons
125 bpm • D min • 03:03 • -38.31db
4% Popularity • 18% Danceability • 1% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Granville Bantock
Hamabdil for Cello and Harp (Hebrew Melo...
140 bpm • G min • 05:04 • -27.74db
9% Popularity • 19% Danceability • 2% Energy • 8% Liveness
60% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Piano Trio No. 2 in E-Flat Major, K. 498...
140 bpm • D# Maj • 05:46 • -24.62db
17% Popularity • 27% Danceability • 2% Energy • 10% Liveness
65% Instrumentalness • 15% Positiveness
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John Tavener
Song for Athene
140 bpm • A# Maj • 06:10 • -25.5db
29% Popularity • 14% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Isaac Albéniz
Mallorca (Barcarola), Op. 202
124 bpm • F min • 06:14 • -27.05db
21% Popularity • 33% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Hildegard von Bingen
Antiphon Caritas habundant in omnia
125 bpm • F min • 02:18 • -26.93db
22% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
141 bpm • G# Maj • 02:51 • -27.78db
41% Popularity • 17% Danceability • 6% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
141 bpm • C# Maj • 02:09 • -23.08db
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Piano Trio No. 2 in E-Flat Major, K. 498...
140 bpm • D# Maj • 08:04 • -22.65db
15% Popularity • 30% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 34% Positiveness
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Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Rihards Dubra
Ave Maria 1
141 bpm • E Maj • 03:44 • -22.41db
24% Popularity • 17% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Spiritus Sanctus Vivificans
124 bpm • C# min • 02:50 • -29.86db
43% Popularity • 23% Danceability • 2% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Bernhard Henrik Crusell
Introduction and Variations on a Swedish...
141 bpm • A# Maj • 09:37 • -16db
15% Popularity • 34% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 40% Positiveness
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Toby Hession
She walks in beauty
124 bpm • D Maj • 04:53 • -21.28db
24% Popularity • 21% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
140 bpm • A Maj • 08:05 • -20.6db
19% Popularity • 33% Danceability • 12% Energy • 9% Liveness
24% Instrumentalness • 39% Positiveness
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John Dowland
Come Again, Sweet Love Doth Now Invite
123 bpm • G Maj • 05:12 • -21db
26% Popularity • 55% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
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Ensemble Concerto
Settimo Libro de Madrigali: Non vedrò m...
123 bpm • A min • 03:31 • -20db
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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David Lang
I lie
143 bpm • C# Maj • 05:12 • -31.99db
32% Popularity • 20% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Traditional
Jag vet en dejlig rosa
123 bpm • A min • 04:52 • -25.38db
10% Popularity • 24% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, Cantata...
144 bpm • D# Maj • 05:56 • -19.9db
53% Popularity • 15% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 16% Positiveness
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Jan Garbarek
Parce Mihi Domine - Var. 1
144 bpm • A# Maj • 05:35 • -28.76db
24% Popularity • 14% Danceability • 3% Energy • 12% Liveness
12% Instrumentalness • 3% Positiveness
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Owain Park
Phos hilaron: II. Phos hilaron
144 bpm • E min • 02:12 • -34.55db
33% Popularity • 16% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Rebecca Dale
Materna Requiem: 2. Kyrie
121 bpm • B min • 04:02 • -22.64db
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Ancient Suite