Songs like Becquerianas: No. 2. Los invisibles atomos del aire by Federico Mompou
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
Sechs KlavierstĂĽcke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Cantabile in B-Flat Major
69 bpm • A# Maj • 01:08 • -37.43db
47% Popularity • 41% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
47% Popularity • 41% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
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Alexander Scriabin
PROLOGUE (Quasi Niente from Piano Sonata...
69 bpm • D# min • 01:30 • -46.85db
56% Popularity • 23% Danceability • 0% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
56% Popularity • 23% Danceability • 0% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Mikhail Glinka
Mazurka in C Major
69 bpm • A min • 01:26 • -32.89db
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
69 bpm • E min • 01:38 • -32.76db
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
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Johannes Brahms
Brahms / Transcr. Reger: 5 Lieder, Op. 4...
69 bpm • D# Maj • 01:41 • -24.98db
41% Popularity • 39% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
41% Popularity • 39% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Franz Schubert
Piano Sonata No. 20 in A Major, D. 959: ...
69 bpm • B min • 08:55 • -26.58db
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Reynaldo Hahn
Poèmes "Le rossignol éperdu" (Excerpts...
68 bpm • F# Maj • 01:56 • -38db
34% Popularity • 43% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
34% Popularity • 43% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
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Federico Mompou
MĂşsica callada, Book 1: No. 3, Placide
70 bpm • A# Maj • 01:07 • -25.78db
39% Popularity • 24% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
39% Popularity • 24% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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BĂ©la BartĂłk
I. Rubato - Grand Piano
68 bpm • A Maj • 01:11 • -29.61db
33% Popularity • 35% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 30% Positiveness
33% Popularity • 35% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 30% Positiveness
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Fanny Mendelssohn
Mendelssohn-Hensel: 6 MĂ©lodies, Opp. 4 ...
68 bpm • C# min • 03:08 • -29db
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
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Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Chilly Gonzales
NO ROADMAP TO ADULTHOOD / Chilly Gonzale...
70 bpm • D# min • 03:02 • -31.77db
37% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Federico Mompou
Tercer cuaderno: XVIII. Luminoso
70 bpm • G min • 02:07 • -25.67db
4% Popularity • 49% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 25% Positiveness
4% Popularity • 49% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 25% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Frédéric Chopin
Nocturnes, Op. 27: No. 2 in D Flat Major...
68 bpm • C# Maj • 07:13 • -28.52db
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Federico Mompou
Cuarto cuaderno: XXII. Molto lento e tra...
70 bpm • D Maj • 02:20 • -31.03db
4% Popularity • 59% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 21% Positiveness
4% Popularity • 59% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 21% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: 1. Arietta
70 bpm • D# Maj • 01:07 • -32db
27% Popularity • 43% Danceability • 2% Energy • 16% Liveness
91% Instrumentalness • 22% Positiveness
27% Popularity • 43% Danceability • 2% Energy • 16% Liveness
91% Instrumentalness • 22% Positiveness
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Alexander Scriabin
7 Preludes, Op. 17: No. 3 in D-Flat Majo...
70 bpm • C# Maj • 02:07 • -36.87db
43% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
43% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act 2: Dance...
68 bpm • B min • 03:09 • -25.08db
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 10 Elegiaco
68 bpm • C# min • 02:05 • -29db
39% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
39% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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William Alwyn
2 Irish Pieces: No. 1. From the Countrys...
70 bpm • G Maj • 02:18 • -34db
30% Popularity • 30% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
30% Popularity • 30% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Charles-Valentin Alkan
Recueil de chants, Op. 65: No. 6, Barcar...
70 bpm • G min • 03:36 • -36.61db
48% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
48% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 10 in C-Sharp M...
70 bpm • C# min • 01:12 • -25.51db
42% Popularity • 52% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
42% Popularity • 52% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Robert Schumann
3 Romanzen, Op. 28: No. 2 in F-Sharp Maj...
70 bpm • F# Maj • 03:50 • -30db
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
65% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
65% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Ignaz Friedman
Orfeo ed Euridice: Ballet des Ombres Heu...
70 bpm • F# Maj • 03:58 • -33db
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Valentin Silvestrov
2 Bagatelles, Op. 173: No. 2. Andantino
70 bpm • C Maj • 02:06 • -43db
31% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
31% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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William Grant Still
Three Visions: II. Summerland
68 bpm • G Maj • 04:37 • -32.28db
42% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
42% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
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Robert Schumann
Davidsbündlertänze, Op. 6: No. 2. Inni...
70 bpm • B Maj • 01:26 • -40.72db
45% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
45% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
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Edvard Grieg
Lyric Pieces, Livre 5, Op. 54: IV. Nottu...
68 bpm • C Maj • 04:17 • -30.4db
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Ottorino Respighi
3 Preludi Sopra Melodie Gregoriane, P. 1...
70 bpm • G# min • 05:19 • -28.17db
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Federico Mompou
Cançons i Danses: Cançons i Danses, No...
70 bpm • G Maj • 04:11 • -22.12db
3% Popularity • 35% Danceability • 12% Energy • 15% Liveness
87% Instrumentalness • 19% Positiveness
3% Popularity • 35% Danceability • 12% Energy • 15% Liveness
87% Instrumentalness • 19% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Robert Schumann
Kreisleriana, Op. 16: No. 4, Sehr langsa...
70 bpm • A# Maj • 04:22 • -32.66db
44% Popularity • 28% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
44% Popularity • 28% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
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Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
6 Pezzi, P. 44: No. 1. Valse Caressante
70 bpm • D# Maj • 03:24 • -29.87db
44% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
44% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
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Francis Poulenc
MĂ©lancolie
70 bpm • D Maj • 05:25 • -25db
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 2 in D Minor. And...
70 bpm • D# Maj • 03:43 • -25db
26% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
26% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Valentin Silvestrov
Naive Music: No. 2. Nocturne
68 bpm • A# Maj • 02:35 • -36db
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Robert Schumann
Abendlied, Op. 85 No. 12 (Arr. Grosvenor...
68 bpm • C# Maj • 03:27 • -32.77db
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
41% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Leoš Janáček
Intimate Sketches: No. 13, Lord Jesus Ch...
67 bpm • G Maj • 01:02 • -47db
26% Popularity • 21% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 56% Positiveness
26% Popularity • 21% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 56% Positiveness
► Preview
Valentin Silvestrov
2 Waltzes, Op. 153: No. 2. Allegretto
71 bpm • A min • 02:27 • -41db
26% Popularity • 28% Danceability • 0% Energy • 6% Liveness
89% Instrumentalness • 20% Positiveness
26% Popularity • 28% Danceability • 0% Energy • 6% Liveness
89% Instrumentalness • 20% Positiveness
► Preview
Erik Satie
Gnossienne: No. 2
71 bpm • D min • 01:40 • -26.31db
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Fanny Mendelssohn
6 Melodies, Op. 4: No. 2. Melodie in C-S...
67 bpm • C# min • 01:47 • -31db
37% Popularity • 36% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
37% Popularity • 36% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus LiebesfrĂĽhlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Federico Mompou
MĂşsica callada, Book 1: No. 1, Angelico
67 bpm • A min • 02:05 • -35db
39% Popularity • 54% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 58% Positiveness
39% Popularity • 54% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 58% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: No. 6...
67 bpm • F# min • 02:52 • -32.82db
39% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Berceuse, Op. 16
67 bpm • D Maj • 03:28 • -32.42db
43% Popularity • 18% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 21% Positiveness
43% Popularity • 18% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 21% Positiveness
► Preview
William Grant Still
3 Visions: No. 2, Summerland
67 bpm • F# Maj • 04:53 • -28.12db
59% Popularity • 46% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
59% Popularity • 46% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Germaine Tailleferre
Valses pour 2 pianos: Valse lente
71 bpm • B min • 01:15 • -30.06db
44% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
44% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Alexander Scriabin
24 Preludes for piano, Op. 11: No. 11 In...
67 bpm • B Maj • 01:31 • -32.01db
43% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
43% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Federico Mompou
Variations sur un thème de Chopin: Var....
71 bpm • F Maj • 02:47 • -24.99db
2% Popularity • 38% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
2% Popularity • 38% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Robert Schumann
Abendlied, Op. 85, No. 12 (Arr. for Stri...
71 bpm • C# Maj • 03:22 • -31.71db
55% Popularity • 21% Danceability • 2% Energy • 12% Liveness
29% Instrumentalness • 3% Positiveness
55% Popularity • 21% Danceability • 2% Energy • 12% Liveness
29% Instrumentalness • 3% Positiveness
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Franz Liszt
Wiegenlied, S. 198
67 bpm • A min • 03:09 • -40db
32% Popularity • 30% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
32% Popularity • 30% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
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Germaine Tailleferre
Valse lente
67 bpm • A Maj • 02:18 • -28db
35% Popularity • 47% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
35% Popularity • 47% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Federico Mompou
MĂşsica Callada - Book 1: 1. Angelico
71 bpm • A min • 02:01 • -41db
29% Popularity • 45% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 46% Positiveness
29% Popularity • 45% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 46% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Anja Lechner
Vague / E la nave va
67 bpm • C min • 06:58 • -26.61db
39% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
39% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Vladimir Horowitz
Etude-fantasie in E-Flat Major, Op. 4, "...
67 bpm • G min • 02:45 • -25.09db
34% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Federico Mompou
Segundo cuaderno: XI. Allegretto
67 bpm • G min • 01:25 • -24.26db
5% Popularity • 51% Danceability • 7% Energy • 14% Liveness
92% Instrumentalness • 24% Positiveness
5% Popularity • 51% Danceability • 7% Energy • 14% Liveness
92% Instrumentalness • 24% Positiveness
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Ferruccio Busoni
Elegies BV 249: VII. Berceuse
67 bpm • C Maj • 05:14 • -41db
32% Popularity • 18% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Lamento (After "When I Am Laid in Earth"...
67 bpm • G min • 02:00 • -33db
36% Popularity • 36% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
36% Popularity • 36% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Valentin Silvestrov
Bagatelle, Op. 1: No. 1, Allegretto
72 bpm • D# Maj • 02:19 • -35.31db
44% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 4 Nottu...
72 bpm • D min • 04:04 • -29.45db
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Germaine Tailleferre
Pastorale
72 bpm • C Maj • 04:06 • -29.51db
14% Popularity • 15% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Federico Mompou
Variations on a Theme by Chopin: Var. 1....
66 bpm • A Maj • 01:01 • -34.74db
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
► Preview
Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
49% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
49% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
Sonata for Cello and Piano No. 4 in C Ma...
66 bpm • C Maj • 02:59 • -33db
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
► Preview
Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: Prelu...
66 bpm • F# min • 03:17 • -32db
29% Popularity • 40% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 15% Positiveness
29% Popularity • 40% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 15% Positiveness
