Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists | Pitch your song |
Three Visions: II. Summerland cover art

William Grant Still, Natalie Hinderas

Three Visions: II. Summerland

Piano Music by African-American Composers
Preview
Home >> William Grant Still >> Three Visions: II. Summerland

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
68 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
G Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-32.28db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 42% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
42%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
2%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
49%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
19%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
14%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
99%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
89%




Discover songs similar to Three Visions: II. Summerland


3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) cover art
Clara Schumann - 3 Romances, Op. 22: No. 1, Andante molto...
51% popularity • 68 bpm • C# Maj • 03:10 • 3/4
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) cover art
Christoph Willibald Gluck - Orfeo ed Euridice, Wq. 30 / Act 2: Dance...
37% popularity • 68 bpm • B min • 03:09 • 5/4
5 Pieces, Op. 75,
Jean Sibelius - 5 Pieces, Op. 75, "The Trees": No. 5 Gra...
48% popularity • 68 bpm • D Maj • 03:38 • 4/4
Nocturnes, Op. 27: No. 2 in D Flat Major. Lento sostenuto cover art
Frédéric Chopin - Nocturnes, Op. 27: No. 2 in D Flat Major...
43% popularity • 68 bpm • C# Maj • 07:13 • 4/4
Three Visions: II. Summerland cover art
William Grant Still - Three Visions: II. Summerland
43% popularity • 68 bpm • G Maj • 04:37 • 3/4
Lyric Pieces, Livre 5, Op. 54: IV. Notturno (Andante) cover art
Edvard Grieg - Lyric Pieces, Livre 5, Op. 54: IV. Nottu...
24% popularity • 68 bpm • C Maj • 04:17 • 3/4
Sometimes I Feel Like a Motherless Child cover art
Samuel Coleridge-Taylor - Sometimes I Feel Like a Motherless Child
43% popularity • 68 bpm • C Maj • 04:01 • 3/4
I. Rubato (from 3 Hungarian Folksongs from Csík, Sz. 35a/1) - Grand Piano cover art
Béla Bartók - I. Rubato - Grand Piano
32% popularity • 68 bpm • A Maj • 01:11 • 3/4
Faded Leaves Fall cover art
Gabríel Ólafs - Faded Leaves Fall
48% popularity • 68 bpm • E min • 02:42 • 4/4
Naive Music: No. 2. Nocturne cover art
Valentin Silvestrov - Naive Music: No. 2. Nocturne
46% popularity • 68 bpm • A# Maj • 02:35 • 3/4
Selections from Littler Folk Suites: II. Wade in the Water cover art
William Grant Still - Selections from Littler Folk Suites: II....
4% popularity • 68 bpm • E min • 01:50 • 4/4
Abendlied, Op. 85 No. 12 (Arr. Grosvenor) cover art
Robert Schumann - Abendlied, Op. 85 No. 12 (Arr. Grosvenor...
50% popularity • 68 bpm • C# Maj • 03:27 • 3/4
Ave verum corpus, K.618 (Arr. for Piano by Franz Liszt) cover art
Wolfgang Amadeus Mozart - Ave verum corpus, K.618 (Arr. for Piano ...
60% popularity • 69 bpm • B Maj • 03:15 • 4/4
Lyric Pieces Book II, Op. 38: I. Berceuse cover art
Edvard Grieg - Lyric Pieces Book II, Op. 38: I. Berceus...
42% popularity • 67 bpm • D Maj • 02:46 • 5/4
Click to view more similar songs to Three Visions: II. Summerland
Discover more songs by William Grant Still
Three Visions: II. Summerland is a song by William Grant Still, released on 2007-01-01. It is track number 8 in the album Piano Music by African-American Composers. Three Visions: II. Summerland has a BPM/tempo of 68 beats per minute, is in the key of G Maj and has a duration of 4 minutes, 37 seconds.

Three Visions: II. Summerland is very popular on Spotify, being rated between 30 and 90% popularity on Spotify right now. It is likely that this track is being shared by many people across the world, played on the radio and on a number of Spotify playlists receiving thousands of streams, is not very energetic, being quite a low energy/chill track and is somewhat easy to dance to.


Three Visions: II. Summerland info

Name
Three Visions: II. Summerland
Artist(s)
William Grant Still, Natalie Hinderas
Album
Piano Music by African-American Composers
Release Date
1st January 2007
ISRC
USZC70662908
Key
G Maj
Tempo
68
Loudness (db)
-32.28db
Time signature
3/4
Length
04:37
Song Number
8 of 19
Explicit
No