Songs like Canzona decimasesta a 2 bassi "detta la samminiata" by Girolamo Frescobaldi
Based on a tempo of (+/- 10%) and a similar genre
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Dietrich Buxtehude
Herzlich Lieb hab' ich dich, O Herr, Bux...
76 bpm • C Maj • 04:11 • -21db
14% Popularity • 9% Danceability • 8% Energy • 19% Liveness
13% Instrumentalness • 6% Positiveness
14% Popularity • 9% Danceability • 8% Energy • 19% Liveness
13% Instrumentalness • 6% Positiveness
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Girolamo Frescobaldi
Frescobaldi: Messa sopra l'aria della mo...
76 bpm • F Maj • 03:57 • -25.79db
6% Popularity • 12% Danceability • 8% Energy • 6% Liveness
3% Instrumentalness • 19% Positiveness
6% Popularity • 12% Danceability • 8% Energy • 6% Liveness
3% Instrumentalness • 19% Positiveness
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John Dowland
M. George Whitehead his Almand from Lach...
76 bpm • A# Maj • 01:31 • -25db
16% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
16% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
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Benedetto Marcello
Sonata in D Minor, Op. 2, No. 2: III. La...
76 bpm • E Maj • 01:21 • -23.48db
28% Popularity • 21% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
28% Popularity • 21% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
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Giulio Segni Da Modena
Ricercar 13
76 bpm • D# min • 01:51 • -21db
7% Popularity • 22% Danceability • 8% Energy • 16% Liveness
88% Instrumentalness • 36% Positiveness
7% Popularity • 22% Danceability • 8% Energy • 16% Liveness
88% Instrumentalness • 36% Positiveness
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Jean Boyer
Airs à quatre parties, Livre I: Que fer...
76 bpm • D min • 06:17 • -17db
8% Popularity • 14% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 14% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVb. Ad la...
76 bpm • C# min • 01:05 • -24.71db
20% Popularity • 32% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 32% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Girolamo Frescobaldi
Canzona decimasesta a 2 bassi "detta la ...
76 bpm • A min • 02:33 • -23.35db
5% Popularity • 18% Danceability • 13% Energy • 29% Liveness
10% Instrumentalness • 53% Positiveness
5% Popularity • 18% Danceability • 13% Energy • 29% Liveness
10% Instrumentalness • 53% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Johann Michael Bach
Ach bleib bei uns, Herr Jesu Christ
77 bpm • A# Maj • 06:23 • -19db
9% Popularity • 12% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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Johann Heinrich Schmelzer
Harmonia a cinque con basso continuo in ...
77 bpm • A Maj • 05:59 • -26.97db
8% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Antonio Vivaldi
Stabat Mater, RV 621 for Alto Solo: No. ...
75 bpm • B min • 02:47 • -21.41db
8% Popularity • 44% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 44% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Andrea Falconieri
Folias echa para mi Señora Doña Taroli...
77 bpm • C Maj • 03:26 • -16db
11% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Girolamo Frescobaldi
Fiori musicali, Op. 12, F 12.35: No. 35,...
76 bpm • D min • 04:22 • -24.79db
3% Popularity • 14% Danceability • 2% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
3% Popularity • 14% Danceability • 2% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
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Heinrich Schütz
Historia der Auferstehung Jesu Christi, ...
75 bpm • D# min • 01:04 • -22.9db
26% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
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William Byrd
Byrd: O Lord, Within Thy Tabernacle
75 bpm • C min • 04:16 • -18.37db
7% Popularity • 13% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: VI. Gimel
77 bpm • F# min • 00:51 • -24.97db
15% Popularity • 7% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Michel Richard Delalande
Deitatis Majestatem: I. Deitatis Majesta...
75 bpm • C min • 04:39 • -20db
9% Popularity • 9% Danceability • 16% Energy • 35% Liveness
93% Instrumentalness • 10% Positiveness
9% Popularity • 9% Danceability • 16% Energy • 35% Liveness
93% Instrumentalness • 10% Positiveness
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Thomas Simpson
Suite from Taffel-Consort: Volta
75 bpm • G# Maj • 01:05 • -22.15db
14% Popularity • 44% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
14% Popularity • 44% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
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Girolamo Frescobaldi
Frescobaldi: Messa sopra l'aria della mo...
76 bpm • G min • 07:37 • -25.81db
5% Popularity • 11% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 15% Positiveness
5% Popularity • 11% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 15% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Charivari Agréable
Henry Purcell: Two in one upon a Ground
77 bpm • G# min • 03:42 • -21.82db
8% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
8% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Robert de Visée
De Visée: Pièces de théorbe et de lut...
75 bpm • C# Maj • 00:50 • -25.4db
15% Popularity • 40% Danceability • 21% Energy • 18% Liveness
63% Instrumentalness • 60% Positiveness
15% Popularity • 40% Danceability • 21% Energy • 18% Liveness
63% Instrumentalness • 60% Positiveness
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Tobias Hume
The First Part of Ayres, 1605: Love's Fa...
75 bpm • F# Maj • 01:52 • -27.24db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Gregorio Allegri
Motets: Cantate domino
77 bpm • F Maj • 03:11 • -18db
21% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Girolamo Frescobaldi
Canzona prima a 2 bassi
75 bpm • D Maj • 03:11 • -21db
10% Popularity • 28% Danceability • 16% Energy • 12% Liveness
21% Instrumentalness • 49% Positiveness
10% Popularity • 28% Danceability • 16% Energy • 12% Liveness
21% Instrumentalness • 49% Positiveness
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William Byrd
In Nomine No. 2
75 bpm • C# min • 03:07 • -28.64db
11% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
11% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
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Arcangelo Corelli
Violin Sonata in E Major, Op. 5 No. 11 (...
78 bpm • C# Maj • 02:42 • -17db
21% Popularity • 10% Danceability • 16% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
21% Popularity • 10% Danceability • 16% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
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John Jenkins
Pavan in F-Major
75 bpm • A Maj • 04:02 • -22db
7% Popularity • 7% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 14% Positiveness
7% Popularity • 7% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 14% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Act III Scene 3: Pa...
78 bpm • C Maj • 02:44 • -16.53db
13% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
13% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
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Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
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Girolamo Frescobaldi
Canzona terza a canto solo "detta la Don...
77 bpm • C Maj • 02:19 • -22db
26% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
26% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Alessandro Grandi
O Domine Jesu Christe
74 bpm • D Maj • 01:48 • -24.6db
10% Popularity • 18% Danceability • 2% Energy • 11% Liveness
48% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 2% Energy • 11% Liveness
48% Instrumentalness • 5% Positiveness
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Philippe Verdelot
Ogn'hor per voi sospiro
78 bpm • G min • 02:22 • -22db
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
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Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 148
74 bpm • C Maj • 06:32 • -27db
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: III. Ad...
78 bpm • A Maj • 01:12 • -16.83db
26% Popularity • 23% Danceability • 14% Energy • 40% Liveness
96% Instrumentalness • 22% Positiveness
26% Popularity • 23% Danceability • 14% Energy • 40% Liveness
96% Instrumentalness • 22% Positiveness
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Richard Farrant
O Jove, from stately throne
78 bpm • C# min • 02:14 • -22.6db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye I
75 bpm • C# min • 01:03 • -15.16db
19% Popularity • 7% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
19% Popularity • 7% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
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![Folias (Imperfectas) [Harp] cover art](https://i.scdn.co/image/ab67616d00001e02ee51bb12c37d93e807a54227)
La Capella Reial De Catalunya
Folias (Imperfectas) [Harp]
78 bpm • A min • 01:19 • -37.48db
17% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
17% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Tobias Hume
The First Part of Ayres: Captaine Humes ...
74 bpm • F# min • 07:09 • -23.43db
9% Popularity • 23% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
30% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
30% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
78 bpm • C min • 01:07 • -14db
21% Popularity • 22% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
34% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
34% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
74 bpm • F# min • 10:29 • -20.65db
7% Popularity • 15% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 8% Positiveness
7% Popularity • 15% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 8% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
78 bpm • G# Maj • 01:34 • -20db
40% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
40% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Girolamo Frescobaldi
Canzona quarta a 4, due canti e due bass...
74 bpm • C Maj • 03:05 • -19db
6% Popularity • 21% Danceability • 13% Energy • 10% Liveness
42% Instrumentalness • 37% Positiveness
6% Popularity • 21% Danceability • 13% Energy • 10% Liveness
42% Instrumentalness • 37% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: IV. Ad lat...
74 bpm • C# min • 08:13 • -22.74db
9% Popularity • 15% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Jean-Baptiste Lully
Trios pour le coucher du roi, LWV 35: Ch...
79 bpm • A# Maj • 03:35 • -19.81db
9% Popularity • 20% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Johann Joachim Quantz
Fantasies and Preludes, Giedde I.45: Viv...
79 bpm • A Maj • 01:30 • -30db
9% Popularity • 53% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 93% Positiveness
9% Popularity • 53% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 93% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Girolamo Frescobaldi
Canzoni, libro 1b: Toccata per spinettin...
78 bpm • G# min • 03:53 • -23db
8% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Giulio Caccini
L'Euridice, prologo: Aria di Romanesca
79 bpm • G min • 01:17 • -33db
19% Popularity • 24% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
19% Popularity • 24% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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Marc-Antoine Charpentier
Messe de Minuit, H. 9: Agnus Dei
79 bpm • C Maj • 03:35 • -22.58db
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
37% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
37% Instrumentalness • 7% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Franz Tunder
Dominus illuminatio mea: Sinfonia
79 bpm • A min • 00:57 • -26.73db
25% Popularity • 19% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
25% Popularity • 19% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
► Preview
Girolamo Frescobaldi
Arie musicali, Book 1, F 7: No. 22, Cori...
73 bpm • F Maj • 00:59 • -16.71db
0% Popularity • 36% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 36% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
73 bpm • G# min • 02:45 • -16.74db
25% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
25% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
► Preview
Monsieur de Sainte-Colombe
XLIV. Tombeau des regrets: Tombeau Les R...
79 bpm • F min • 08:56 • -24.84db
7% Popularity • 14% Danceability • 2% Energy • 35% Liveness
46% Instrumentalness • 7% Positiveness
7% Popularity • 14% Danceability • 2% Energy • 35% Liveness
46% Instrumentalness • 7% Positiveness
► Preview
Claudio Monteverdi
Maria, quid ploras
80 bpm • D min • 03:27 • -17.87db
10% Popularity • 19% Danceability • 13% Energy • 13% Liveness
16% Instrumentalness • 7% Positiveness
10% Popularity • 19% Danceability • 13% Energy • 13% Liveness
16% Instrumentalness • 7% Positiveness
► Preview
Carl Friedrich Abel
Viola da Gamba Suite in D Major: X. Minu...
79 bpm • C# Maj • 01:15 • -35.05db
15% Popularity • 38% Danceability • 1% Energy • 11% Liveness
80% Instrumentalness • 44% Positiveness
15% Popularity • 38% Danceability • 1% Energy • 11% Liveness
80% Instrumentalness • 44% Positiveness
► Preview
Johann Pachelbel
Ciaccona
80 bpm • A min • 06:36 • -21db
12% Popularity • 12% Danceability • 12% Energy • 11% Liveness
39% Instrumentalness • 10% Positiveness
12% Popularity • 12% Danceability • 12% Energy • 11% Liveness
39% Instrumentalness • 10% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 3, "The Nati...
80 bpm • A# min • 01:56 • -18.97db
15% Popularity • 23% Danceability • 4% Energy • 12% Liveness
41% Instrumentalness • 8% Positiveness
15% Popularity • 23% Danceability • 4% Energy • 12% Liveness
41% Instrumentalness • 8% Positiveness
► Preview
Girolamo Frescobaldi
Era l'anima mia
80 bpm • G Maj • 02:14 • -21.6db
0% Popularity • 28% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 28% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Henri Desmarets
Circé, Prologue Scene 2: Deuxième menu...
72 bpm • F min • 01:06 • -30.87db
13% Popularity • 32% Danceability • 3% Energy • 14% Liveness
83% Instrumentalness • 33% Positiveness
13% Popularity • 32% Danceability • 3% Energy • 14% Liveness
83% Instrumentalness • 33% Positiveness
► Preview
Dietrich Buxtehude
Trio Sonata in A Minor, BuxWV 254: V. La...
80 bpm • F# Maj • 01:04 • -19.53db
25% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
► Preview
Antonio Vivaldi
Nisi Dominus, RV 608: IV. Cum dederit
80 bpm • C# Maj • 04:40 • -26.57db
22% Popularity • 10% Danceability • 2% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 2% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Monsieur de Sainte-Colombe
Tombeau Les Regrets
80 bpm • F# Maj • 08:51 • -33.74db
7% Popularity • 9% Danceability • 1% Energy • 32% Liveness
87% Instrumentalness • 6% Positiveness
7% Popularity • 9% Danceability • 1% Energy • 32% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Girolamo Frescobaldi
Canzona La Bernardinia
72 bpm • A min • 03:20 • -22.72db
2% Popularity • 46% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 39% Positiveness
2% Popularity • 46% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 39% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier: Auprès du feu l'on fait l'...
80 bpm • F# Maj • 01:53 • -22.99db
13% Popularity • 38% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 38% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Claudin de Sermisy
Tant que vivray
72 bpm • E Maj • 02:19 • -18.77db
14% Popularity • 34% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 34% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: Gloria Patri: And...
80 bpm • C# Maj • 02:10 • -25.16db
11% Popularity • 16% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 16% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Michelangelo Falvetti
Nabucco: Prologo / Siamo a riva
80 bpm • C Maj • 02:16 • -30.21db
16% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
16% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
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Hopkinson Smith
Three Feminine Portraits - Lady Hunsdon'...
80 bpm • A# Maj • 01:36 • -20.04db
24% Popularity • 34% Danceability • 17% Energy • 21% Liveness
89% Instrumentalness • 53% Positiveness
24% Popularity • 34% Danceability • 17% Energy • 21% Liveness
89% Instrumentalness • 53% Positiveness
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Girolamo Frescobaldi
Canzona undecima a due canti "detta la p...
72 bpm • A min • 02:14 • -23.01db
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: VIII. Daleth
72 bpm • G# min • 01:26 • -23db
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Canon a 3 voc. in unisono, Cantio Sacra
80 bpm • A# min • 02:33 • -34db
12% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
12% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
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Juan de Araujo
Los coflades de la estleya
81 bpm • F# Maj • 04:09 • -22.24db
3% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Giacomo Carissimi
Jephte: XVIII. Coro a 6
81 bpm • G min • 03:42 • -25db
14% Popularity • 8% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
14% Popularity • 8% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
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Cristobal de Morales
Kyrie: I. Kyrie
72 bpm • G# Maj • 00:57 • -26.47db
15% Popularity • 25% Danceability • 5% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 5% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye II
81 bpm • C# min • 01:16 • -24.02db
24% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
24% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
30% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
30% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Francois Devienne
Sonate pour basson en do majeur, Op. 24 ...
71 bpm • F Maj • 02:56 • -30.96db
7% Popularity • 11% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
7% Popularity • 11% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Tobias Hume
The First Part of Ayres, French, Pollish...
81 bpm • G# Maj • 02:59 • -30.78db
9% Popularity • 8% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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John Dowland
Lachrimae or Seven Tears: XX. Mrs Nichol...
81 bpm • B Maj • 01:10 • -20db
17% Popularity • 24% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 87% Positiveness
17% Popularity • 24% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 87% Positiveness
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Gregorio Allegri
Motets: De ore prudentis
71 bpm • D min • 01:52 • -19.5db
32% Popularity • 27% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 27% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Girolamo Frescobaldi
Quintadecima a 2 Bassi "detta la Lieuora...
81 bpm • F Maj • 03:22 • -21.38db
5% Popularity • 18% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 18% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Jan Pieterszoon Sweelinck
Echo fantasia in Dorian mode, SwWV 261
71 bpm • G# min • 04:32 • -24.58db
8% Popularity • 22% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 11% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 11% Positiveness
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Georg Philipp Telemann
Sonata in F, TWV 41 F3: I. Andante
81 bpm • F Maj • 02:06 • -13.81db
8% Popularity • 38% Danceability • 15% Energy • 15% Liveness
93% Instrumentalness • 30% Positiveness
8% Popularity • 38% Danceability • 15% Energy • 15% Liveness
93% Instrumentalness • 30% Positiveness
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Emilio de' Cavalieri
Prime die Lectio secunda: XI. Vau
81 bpm • G# min • 00:59 • -19.47db
18% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Nicola Matteis
Suite in G Minor: Andamento malinconico
81 bpm • F# min • 01:48 • -19.31db
14% Popularity • 14% Danceability • 7% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 7% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Surrexit Christus a 11 (C66)
81 bpm • F Maj • 03:27 • -21db
25% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
25% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
► Preview
Johann Jakob Froberger
Partita in A Minor, FbWV 628: I. Alleman...
81 bpm • D# min • 03:19 • -25db
12% Popularity • 25% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
12% Popularity • 25% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
► Preview
Girolamo Frescobaldi
Fiori musicali, Op. 12, F 12.44: No. 44,...
81 bpm • A min • 03:01 • -30.54db
2% Popularity • 16% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 8% Positiveness
2% Popularity • 16% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 8% Positiveness
