Songs like Cherubini: Requiem in C Minor: Pie Jesu by Luigi Cherubini
Based on a tempo of (+/- 10%) and a similar genre
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Luigi Cherubini
Medea (Medee) (Sung in Italian): Act II:...
134 bpm • D# Maj • 04:59 • -16.85db
1% Popularity • 33% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 33% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Henry Purcell
Dido & Aeneas, Z. 626: Dido & Aeneas, Z....
134 bpm • F# min • 04:09 • -26db
25% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Gabriel Fauré
Madrigal, Op. 35
134 bpm • D min • 03:23 • -32.18db
14% Popularity • 17% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
134 bpm • F Maj • 09:59 • -22.21db
18% Popularity • 16% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Luigi Cherubini
Medea (Medee) (Sung in Italian): Act I: ...
134 bpm • E min • 07:48 • -18.95db
2% Popularity • 34% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 34% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: V. "Nyne otpushchayeshi...
135 bpm • F# Maj • 03:43 • -35db
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VII. Libera me
134 bpm • G min • 04:26 • -22.55db
18% Popularity • 19% Danceability • 8% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 8% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: XXIII. Agnus Dei...
132 bpm • C min • 02:08 • -26.61db
22% Popularity • 18% Danceability • 5% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 5% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Luigi Cherubini
Cherubini: Medea, Act 1: "Che? Quando gi...
133 bpm • A# Maj • 06:55 • -24db
9% Popularity • 29% Danceability • 10% Energy • 82% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 29% Danceability • 10% Energy • 82% Liveness
0% Instrumentalness • 10% Positiveness
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Maurice Duruflé
Requiem, Op. 9 (1961 version): Sanctus
136 bpm • G min • 03:09 • -21db
15% Popularity • 15% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
15% Popularity • 15% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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George Frideric Handel
Water Music, Suite No. 2, HWV 349: No. 1...
132 bpm • C# Maj • 03:43 • -16.46db
41% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
41% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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Luigi Cherubini
Cum invocarem: Signatum est super nos lu...
133 bpm • A# Maj • 01:53 • -23.3db
0% Popularity • 31% Danceability • 9% Energy • 15% Liveness
9% Instrumentalness • 30% Positiveness
0% Popularity • 31% Danceability • 9% Energy • 15% Liveness
9% Instrumentalness • 30% Positiveness
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Joseph Haydn
Haydn: The Creation, Hob. XXI:2, Pt. 1: ...
131 bpm • C min • 05:23 • -27.36db
6% Popularity • 16% Danceability • 1% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
6% Popularity • 16% Danceability • 1% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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George Frideric Handel
Giulio Cesare / Act I: Va tacito e nasco...
132 bpm • F Maj • 06:16 • -20.03db
12% Popularity • 47% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 47% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part I: Chora...
137 bpm • F# min • 09:24 • -17.84db
37% Popularity • 17% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
37% Popularity • 17% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Tomaso Albinoni
L'Eraclea: Dopo i nembi e le procelle
137 bpm • D min • 05:04 • -20.84db
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
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Luigi Cherubini
Cum invocarem: Cum invocarem exaudivit m...
133 bpm • D Maj • 04:34 • -19.11db
0% Popularity • 32% Danceability • 14% Energy • 14% Liveness
24% Instrumentalness • 34% Positiveness
0% Popularity • 32% Danceability • 14% Energy • 14% Liveness
24% Instrumentalness • 34% Positiveness
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Jean-Philippe Rameau
Zaïs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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AntonÃn Dvořák
Symphony No. 6 in D Major, Op. 60, B. 11...
137 bpm • D Maj • 07:41 • -18db
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
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Carl Orff
Carmina Burana: Stetit puella
131 bpm • B min • 01:43 • -33.68db
22% Popularity • 31% Danceability • 2% Energy • 24% Liveness
30% Instrumentalness • 5% Positiveness
22% Popularity • 31% Danceability • 2% Energy • 24% Liveness
30% Instrumentalness • 5% Positiveness
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Luigi Cherubini
Medea (Medee) (Sung in Italian): Act II:...
133 bpm • F Maj • 12:11 • -16.81db
1% Popularity • 25% Danceability • 22% Energy • 73% Liveness
3% Instrumentalness • 8% Positiveness
1% Popularity • 25% Danceability • 22% Energy • 73% Liveness
3% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Requiem, Op. 48: I. Introitus
131 bpm • D min • 01:44 • -27.11db
26% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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AntonÃn Dvořák
Stabat Mater, Op. 58, B.71: 3. "Eia mate...
131 bpm • C min • 07:04 • -17.69db
9% Popularity • 18% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Cum invocarem: Sacrificate sacrificium j...
132 bpm • F Maj • 01:40 • -20.48db
0% Popularity • 30% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 30% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Cesar Hernandez
Messa da Requiem: VII Requiem aeternam
130 bpm • D# min • 02:58 • -30db
34% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
34% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Violin Concerto BWV 1041 in A Minor: Vio...
130 bpm • G# min • 03:35 • -14.32db
29% Popularity • 52% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 52% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Antonio Vivaldi
Oboe Concerto in C Major, RV 452: II. Ad...
130 bpm • A min • 02:03 • -18db
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: I. Ov...
138 bpm • E Maj • 03:12 • -21.04db
39% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
39% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Dies irae
137 bpm • F min • 10:25 • -19db
19% Popularity • 21% Danceability • 6% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 6% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Anton Bruckner
Mass No. 2 In E Minor, WAB 27: VI. Agnus...
139 bpm • E min • 06:10 • -25db
13% Popularity • 15% Danceability • 3% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 3% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Kyrie. Kyrie e...
138 bpm • A# min • 10:39 • -20.19db
26% Popularity • 16% Danceability • 12% Energy • 34% Liveness
71% Instrumentalness • 7% Positiveness
26% Popularity • 16% Danceability • 12% Energy • 34% Liveness
71% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Lauda Jerusalem (Salmo 147), RV 609
138 bpm • E min • 06:28 • -15db
16% Popularity • 41% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 41% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (version for choir and or...
139 bpm • F# min • 07:05 • -31.97db
14% Popularity • 15% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Conquassabit
129 bpm • A Maj • 01:16 • -15.69db
17% Popularity • 62% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 67% Positiveness
17% Popularity • 62% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 67% Positiveness
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Luigi Cherubini
Cherubini: Medea, Act 1: "Qui tremar dev...
137 bpm • B min • 02:14 • -16db
6% Popularity • 36% Danceability • 29% Energy • 34% Liveness
1% Instrumentalness • 38% Positiveness
6% Popularity • 36% Danceability • 29% Energy • 34% Liveness
1% Instrumentalness • 38% Positiveness
► Preview
Francesco Geminiani
Concerto grosso, Op. 3 (revised), No. 6 ...
129 bpm • D# min • 02:29 • -20.16db
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244 - Part One:...
139 bpm • E min • 08:00 • -16.88db
30% Popularity • 18% Danceability • 27% Energy • 9% Liveness
69% Instrumentalness • 16% Positiveness
30% Popularity • 18% Danceability • 27% Energy • 9% Liveness
69% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
Oboe Concerto in D Minor, Op. 8, No. 9, ...
129 bpm • D min • 02:52 • -18db
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
► Preview
Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
129 bpm • A min • 02:43 • -28db
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
► Preview
Luigi Cherubini
Les Abencérages, Act I: Duo. Qu’il es...
131 bpm • A# Maj • 06:00 • -19.51db
0% Popularity • 30% Danceability • 20% Energy • 41% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 30% Danceability • 20% Energy • 41% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: II. ...
130 bpm • A# min • 04:38 • -18db
35% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
35% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
► Preview
Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Luigi Cherubini
Nunc dimittis: Gloria Patri
130 bpm • D Maj • 02:25 • -17.72db
0% Popularity • 32% Danceability • 16% Energy • 12% Liveness
37% Instrumentalness • 35% Positiveness
0% Popularity • 32% Danceability • 16% Energy • 12% Liveness
37% Instrumentalness • 35% Positiveness
► Preview
Felix Mendelssohn
Paulus: I. Teil: Nr. 1 Chor "Herr, der d...
125 bpm • A Maj • 04:30 • -17.54db
19% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
19% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons: Concerto No. 3 in F Ma...
139 bpm • D Maj • 02:56 • -30.45db
36% Popularity • 14% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
36% Popularity • 14% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
► Preview
Cologne Chamber Orchestra
Brandenburg Concerto No. 2 In F Major, B...
124 bpm • D min • 03:12 • -22db
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Johann Sebastian Bach
Mass in B Minor, BWV 232: Kyrie eleison ...
124 bpm • A# min • 09:14 • -20.27db
14% Popularity • 17% Danceability • 14% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
14% Popularity • 17% Danceability • 14% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
► Preview
Luigi Cherubini
Medea (Medee) (Sung in Italian): Act I: ...
139 bpm • B min • 01:55 • -14.64db
0% Popularity • 33% Danceability • 36% Energy • 40% Liveness
31% Instrumentalness • 32% Positiveness
0% Popularity • 33% Danceability • 36% Energy • 40% Liveness
31% Instrumentalness • 32% Positiveness
► Preview
Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
► Preview
Franz Schubert
Mass No. 6 in E-Flat Major, D. 950: Sanc...
146 bpm • D# Maj • 01:59 • -15db
30% Popularity • 24% Danceability • 14% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 14% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Gloria in D Major, RV 589: 1. Gloria in ...
128 bpm • C# Maj • 02:21 • -13.47db
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
► Preview
Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
► Preview
Henry Purcell
Dido and Aeneas: Overture
147 bpm • C min • 02:09 • -21.61db
25% Popularity • 70% Danceability • 34% Energy • 38% Liveness
88% Instrumentalness • 64% Positiveness
25% Popularity • 70% Danceability • 34% Energy • 38% Liveness
88% Instrumentalness • 64% Positiveness
► Preview
Luigi Cherubini
Medea (Medee) (Sung in Italian): Act III...
139 bpm • D min • 04:24 • -18.84db
1% Popularity • 16% Danceability • 14% Energy • 36% Liveness
77% Instrumentalness • 16% Positiveness
1% Popularity • 16% Danceability • 14% Energy • 36% Liveness
77% Instrumentalness • 16% Positiveness
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Arcangelo Corelli
Concerto grosso No. 1 in D Major, Op. 6:...
146 bpm • C# Maj • 02:24 • -14db
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 1, Ball...
122 bpm • G Maj • 01:56 • -19db
21% Popularity • 39% Danceability • 32% Energy • 58% Liveness
56% Instrumentalness • 38% Positiveness
21% Popularity • 39% Danceability • 32% Energy • 58% Liveness
56% Instrumentalness • 38% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: IV. ...
125 bpm • B min • 01:41 • -19db
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
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Luigi Cherubini
Medea (Medee) (Sung in Italian): Act II:...
139 bpm • G min • 07:47 • -23.15db
2% Popularity • 23% Danceability • 2% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 23% Danceability • 2% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Judicabit - After...
121 bpm • F# min • 01:00 • -15.36db
28% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
28% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
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Antonio Vivaldi
Violin Concerto in D Major, RV 228: I. A...
123 bpm • D Maj • 02:46 • -20db
49% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
49% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Christoph Willibald Gluck
Danza Degli Spettri e Delle Furie: Alleg...
149 bpm • A Maj • 04:06 • -15db
13% Popularity • 31% Danceability • 45% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
13% Popularity • 31% Danceability • 45% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
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Luigi Cherubini
Inclina, Domine: Inclina, Domine, aurem ...
129 bpm • A# Maj • 07:01 • -26.85db
0% Popularity • 25% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
120 bpm • E min • 08:36 • -21db
33% Popularity • 33% Danceability • 5% Energy • 9% Liveness
53% Instrumentalness • 10% Positiveness
33% Popularity • 33% Danceability • 5% Energy • 9% Liveness
53% Instrumentalness • 10% Positiveness
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Johann Christian Bach
Magnificat, W. E22: Et misericordia eius...
120 bpm • B min • 01:10 • -22db
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
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Jean Sibelius
Sibelius: Finlandia, Op. 26
150 bpm • G# Maj • 08:05 • -19.17db
42% Popularity • 18% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 18% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30: Dance Of The ...
150 bpm • D min • 04:04 • -14db
41% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
41% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
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Luigi Cherubini
Il Giulio Sabino, Sinfonia: III. Allegro...
139 bpm • D Maj • 02:40 • -17.78db
1% Popularity • 51% Danceability • 12% Energy • 13% Liveness
89% Instrumentalness • 48% Positiveness
1% Popularity • 51% Danceability • 12% Energy • 13% Liveness
89% Instrumentalness • 48% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Weinen, Klagen, Sorgen, Zagen, BWV 12: S...
119 bpm • E min • 02:30 • -23db
45% Popularity • 19% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
► Preview
Gioachino Rossini
Petite Messe solennelle, Kyrie: III. Kyr...
119 bpm • A Maj • 02:22 • -30db
28% Popularity • 27% Danceability • 4% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
28% Popularity • 27% Danceability • 4% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Luigi Cherubini
Les Abencérages, Act III: Combat. Il tr...
141 bpm • A Maj • 04:24 • -19.32db
0% Popularity • 39% Danceability • 18% Energy • 68% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 39% Danceability • 18% Energy • 68% Liveness
0% Instrumentalness • 12% Positiveness
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Henry Purcell
Purcell: March and Canzona for Queen Mar...
152 bpm • C min • 01:48 • -21.19db
14% Popularity • 66% Danceability • 8% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
14% Popularity • 66% Danceability • 8% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
