Songs like Children's Corner: II. Jimbo's Lullaby by Claude Debussy
Based on a tempo of (+/- 10%) and a similar genre
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
71 bpm • C# Maj • 05:33 • -32.9db
47% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
47% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus LiebesfrĂĽhlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 1 in C Major
71 bpm • C Maj • 01:02 • -21db
55% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
55% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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![Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) cover art](https://i.scdn.co/image/ab67616d00001e02369f6761d1cccba9a34f05cf)
Johann Sebastian Bach
Organ Sonata No. 4, BWV 528: II. Andante...
71 bpm • B min • 05:26 • -23.02db
52% Popularity • 38% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
52% Popularity • 38% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
44% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
44% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
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Arvo Pärt
Spiegel im Spiegel - Version for Violin ...
71 bpm • F Maj • 10:36 • -42.24db
51% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
51% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Variations on an Original Theme, ...
70 bpm • D# Maj • 03:54 • -18.17db
49% Popularity • 6% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
49% Popularity • 6% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Rik
Prelude in G-Flat Major, La Fille Aux Ch...
70 bpm • F# Maj • 02:18 • -27db
43% Popularity • 43% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
43% Popularity • 43% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
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Giacomo Puccini
Crisantemi
70 bpm • F# min • 07:22 • -28.12db
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
36% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
36% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Francis Poulenc
MĂ©lancolie
70 bpm • D Maj • 05:25 • -25db
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Symphony in B Minor (arr. T. Finno for o...
72 bpm • D Maj • 02:45 • -24.78db
52% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
52% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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JoaquĂn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: Aquarium
70 bpm • A min • 02:46 • -28.43db
48% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Franz Liszt
Liebestraum (Love Dream)
70 bpm • G# Maj • 04:39 • -15.14db
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 1. Valse Caressante
70 bpm • D# Maj • 03:24 • -29.87db
45% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
45% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
47% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
47% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Claude Debussy
Prélude à l’après-midi d’un faune
70 bpm • B Maj • 08:53 • -30db
17% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Alena Cherny
Gnossienne No. 1
72 bpm • F min • 04:56 • -31.62db
50% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
50% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
2 Bagatelles, Op. 173: No. 2. Andantino
70 bpm • C Maj • 02:06 • -43db
32% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
32% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2 Etude
72 bpm • A min • 01:11 • -26.24db
62% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
62% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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AntonĂn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Instrumental Ver...
70 bpm • F# min • 06:19 • -24.45db
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Scriabin
7 Preludes, Op. 17: No. 3 in D-Flat Majo...
70 bpm • C# Maj • 02:07 • -36.87db
42% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
42% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Frédéric Chopin
Nocturne in C-sharp minor, B. 49
72 bpm • F# min • 03:59 • -31.6db
58% Popularity • 28% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
60% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
60% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
33% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 3 Carillon
72 bpm • F Maj • 01:35 • -31.25db
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Jules Massenet
MĂ©ditation de ThaĂŻs (Arr. Cullen for C...
72 bpm • D Maj • 04:53 • -26db
41% Popularity • 11% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Peter Schmalfuss
Deux Arabesques: No. 2 in G Major
70 bpm • G Maj • 03:40 • -25.98db
17% Popularity • 44% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
17% Popularity • 44% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
73 bpm • F Maj • 04:44 • -27db
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Claude Debussy
RĂŞverie, L. 68: RĂŞverie
69 bpm • G min • 04:17 • -31.95db
59% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
59% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Samuel Barber
Barber: Adagio for Strings
73 bpm • A# min • 08:57 • -24db
49% Popularity • 6% Danceability • 7% Energy • 28% Liveness
86% Instrumentalness • 3% Positiveness
49% Popularity • 6% Danceability • 7% Energy • 28% Liveness
86% Instrumentalness • 3% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Waltz in C-sharp minor, Op. 64 No. 2
73 bpm • C# min • 03:19 • -36.25db
54% Popularity • 19% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
54% Popularity • 19% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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George Gershwin
Song Book: The Man I Love. Slow and in s...
69 bpm • F min • 02:25 • -36.03db
52% Popularity • 45% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
52% Popularity • 45% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Montero: Adagio (After Bach's Violin Con...
73 bpm • F# min • 05:01 • -35.44db
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Claude Debussy
Debussy: Suite bergamasque, CD 82, L. 75...
69 bpm • C# Maj • 04:18 • -21.73db
43% Popularity • 39% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
43% Popularity • 39% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Waltz No. 19 in A minor, Op. posth.
69 bpm • A min • 02:12 • -37.24db
56% Popularity • 31% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 15% Positiveness
56% Popularity • 31% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
69 bpm • E min • 01:38 • -32.76db
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
Sechs KlavierstĂĽcke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Francis Poulenc
Nocturnes n°4 en ut mineur
73 bpm • C Maj • 01:28 • -28.78db
45% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
45% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
► Preview
Philharmonic Orchestra
Pavane for a Dead Princess
73 bpm • G Maj • 06:56 • -29db
37% Popularity • 7% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 7% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Préludes / Book 1, L. 117: 8. La fille ...
73 bpm • D# min • 02:30 • -38.22db
52% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
52% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
► Preview
John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Claude Debussy
Deux Arabesques, L. 66, CD 74: I. Premiďż˝...
69 bpm • E Maj • 04:04 • -32.34db
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
► Preview
Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
► Preview
Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Claude Debussy
Estampes, L. 100: I. Pagodes (modéréme...
69 bpm • B Maj • 06:08 • -29.37db
39% Popularity • 24% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake (Suite), Op. 20a, TH. 219: I. ...
74 bpm • E min • 03:03 • -16db
55% Popularity • 13% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
55% Popularity • 13% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Aram Khachaturian
Ivan Sings "Andantino"
74 bpm • G# Maj • 01:49 • -25.63db
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
54% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
54% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Frédéric Chopin
Waltz in A Minor, Op. Posth., B. 150
74 bpm • A min • 02:28 • -28.4db
53% Popularity • 46% Danceability • 5% Energy • 6% Liveness
91% Instrumentalness • 12% Positiveness
53% Popularity • 46% Danceability • 5% Energy • 6% Liveness
91% Instrumentalness • 12% Positiveness
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Claude Debussy
Deux Arabesques, L66: No. 1: Andantino c...
73 bpm • E Maj • 04:32 • -28.85db
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Gayane Suite No. 3: IV. Gayane's Adagio
74 bpm • F min • 04:56 • -23.68db
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Liebesleid
74 bpm • A Maj • 03:41 • -25db
41% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
41% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 11 in B Major
74 bpm • B Maj • 01:43 • -33.14db
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Claude Debussy
Debussy: 2 Arabesques, CD 74, L. 66: No....
68 bpm • E Maj • 03:50 • -23.94db
25% Popularity • 30% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
25% Popularity • 30% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
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![For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] cover art](https://i.scdn.co/image/ab67616d00001e029ba7f8d4d73c109135eb5341)
BĂ©la BartĂłk
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
45% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
45% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
56% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
56% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Serenade in B-Flat Major, K. 361 "Gran P...
68 bpm • D# Maj • 05:30 • -25.19db
60% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
60% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Concerto en ré mineur, BWV 974: II. Ada...
68 bpm • D min • 04:13 • -27db
57% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
57% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Claude Debussy
Reverie
68 bpm • F Maj • 04:25 • -34db
47% Popularity • 27% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
47% Popularity • 27% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 5 Gra...
68 bpm • D Maj • 03:38 • -27.55db
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
65% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
65% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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William Grant Still
Three Visions: II. Summerland
68 bpm • G Maj • 04:37 • -32.28db
43% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
43% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
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Sergei Rachmaninoff
13 Preludes, Op. 32: No. 5 in G Major. M...
74 bpm • G Maj • 03:13 • -38db
41% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, Son...
74 bpm • D# Maj • 02:18 • -35db
51% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
51% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
