Songs like Dido and Aeneas, Z.626 - Arr. for cello and choir: When I am laid in earth by Henry Purcell
Based on a tempo of (+/- 10%) and a similar genre
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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La Capella Reial De Catalunya
La Folia: Yo Soy la Locura
131 bpm • A min • 02:37 • -23db
17% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
Stabat Mater, Op. 58, B.71: 3. "Eia mate...
131 bpm • C min • 07:04 • -17.69db
9% Popularity • 18% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 - Arr. for cello ...
131 bpm • G min • 03:54 • -27.85db
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Thomas Hengelbrock
Miserere in C minor: Misere I
131 bpm • B min • 02:27 • -16db
19% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Ancient Suite
132 bpm • E min • 03:30 • -21.35db
23% Popularity • 22% Danceability • 11% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 11% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
A Chloris
133 bpm • E Maj • 03:00 • -18.56db
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
129 bpm • F# min • 02:08 • -20.34db
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Purcell
O dive custos, Z. 504
132 bpm • B min • 07:35 • -24.9db
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
6 Romances, Op. 4 - Transcr. for cello a...
129 bpm • D Maj • 02:19 • -18.92db
12% Popularity • 24% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
12% Popularity • 24% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Francesco Geminiani
Concerto grosso, Op. 3 (revised), No. 6 ...
129 bpm • D# min • 02:29 • -20.16db
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
129 bpm • A min • 02:43 • -28db
32% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629, Act V: The Plai...
130 bpm • F# min • 07:32 • -21db
10% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Andreas Scholl
Quando Corpus
133 bpm • D min • 02:57 • -17.95db
21% Popularity • 22% Danceability • 6% Energy • 19% Liveness
8% Instrumentalness • 7% Positiveness
21% Popularity • 22% Danceability • 6% Energy • 19% Liveness
8% Instrumentalness • 7% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
128 bpm • E Maj • 05:48 • -27.47db
26% Popularity • 22% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 22% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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John Blow
Lovely Selina
128 bpm • F# Maj • 02:12 • -27db
24% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
134 bpm • C# min • 02:28 • -21.36db
27% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
27% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Vivaldi: Stabat Mater, RV 621: II. Cujus...
134 bpm • B min • 01:43 • -14.35db
22% Popularity • 28% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 28% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "Shake the clou...
129 bpm • A Maj • 01:02 • -22.52db
21% Popularity • 39% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 39% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Agnus Dei
128 bpm • C Maj • 07:24 • -26db
21% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: Sì dolce è'l tormento, SV ...
134 bpm • G Maj • 03:48 • -22.14db
28% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
128 bpm • G# Maj • 03:30 • -22db
26% Popularity • 32% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 32% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Henry Purcell
Fly, Bold Rebellion, Z. 324: Be Welcome ...
135 bpm • E Maj • 03:34 • -30db
18% Popularity • 24% Danceability • 2% Energy • 13% Liveness
6% Instrumentalness • 20% Positiveness
18% Popularity • 24% Danceability • 2% Energy • 13% Liveness
6% Instrumentalness • 20% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14, Lentamente can...
135 bpm • E min • 05:22 • -22.94db
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
41% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
41% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigali, Libro VIII "Guerr...
136 bpm • A min • 03:13 • -19.77db
36% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Henry Purcell
Fantasy Upon One Note
133 bpm • E Maj • 02:45 • -20db
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Karl Jenkins
The Armed Man - A Mass for Peace: Benedi...
136 bpm • D Maj • 05:45 • -21db
18% Popularity • 19% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
18% Popularity • 19% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Vivaldi: Giustino, RV 717, Act 1: "Vedr�...
126 bpm • A# min • 05:12 • -28.05db
34% Popularity • 46% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 46% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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George Frideric Handel
Handel: Ode for the Birthday of Queen An...
137 bpm • C# Maj • 03:10 • -17db
16% Popularity • 19% Danceability • 19% Energy • 11% Liveness
3% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 19% Energy • 11% Liveness
3% Instrumentalness • 7% Positiveness
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César Franck
Mass, Op. 12: V. Panis Angelicus
137 bpm • F Maj • 03:50 • -19.15db
20% Popularity • 24% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Franz Schubert
Schwanengesang, D. 957: IV. Ständchen
124 bpm • D Maj • 04:14 • -26db
31% Popularity • 30% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 30% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: IV. ...
125 bpm • B min • 01:41 • -19db
35% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
35% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
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Cologne Chamber Orchestra
Brandenburg Concerto No. 2 In F Major, B...
124 bpm • D min • 03:12 • -22db
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
138 bpm • E min • 04:29 • -22.33db
42% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Kyrie eleison ...
124 bpm • A# min • 09:14 • -20.27db
13% Popularity • 17% Danceability • 14% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "See, your Roya...
128 bpm • C Maj • 05:17 • -20.47db
16% Popularity • 45% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 45% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Antonio Vivaldi
Vivaldi: Filiae Mestae Jerusalem, RV 638...
138 bpm • F min • 06:26 • -28.93db
30% Popularity • 45% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 45% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: V. Agnus Dei
139 bpm • D min • 06:29 • -26db
14% Popularity • 14% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 14% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
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Ensemble Concerto
Settimo Libro de Madrigali: Non vedrò m...
123 bpm • A min • 03:31 • -20db
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
17% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
17% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: Timon of Athens, ...
128 bpm • D Maj • 02:48 • -16.26db
15% Popularity • 63% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 63% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (version for choir and or...
139 bpm • F# min • 07:05 • -31.97db
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
121 bpm • G# min • 01:49 • -27db
44% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
44% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
► Preview
The Scholars Baroque Ensemble
The Indian Queen, Z. 630: First Music - ...
121 bpm • E Maj • 01:27 • -25db
31% Popularity • 37% Danceability • 5% Energy • 15% Liveness
83% Instrumentalness • 58% Positiveness
31% Popularity • 37% Danceability • 5% Energy • 15% Liveness
83% Instrumentalness • 58% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626: Act I: Belinda,...
128 bpm • B min • 01:04 • -19db
18% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Rebecca Dale
Materna Requiem: 2. Kyrie
121 bpm • B min • 04:02 • -22.64db
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Philip Glass
Glassworks - Arr. for piano and cello by...
142 bpm • D# Maj • 06:26 • -26.46db
20% Popularity • 16% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
20% Popularity • 16% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Kim André Arnesen
MAGNIFICAT: III. Quia fecit
120 bpm • G Maj • 05:48 • -24.42db
14% Popularity • 22% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
14% Popularity • 22% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Giovanni Battista Pergolesi
Pergolesi: Confitebor: IV. Redemptionem ...
120 bpm • F# min • 01:00 • -17.77db
28% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
120 bpm • A Maj • 02:06 • -24db
41% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
41% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
► Preview
Henry Purcell
Dido & Aeneas, Z. 626: Dido & Aeneas, Z....
134 bpm • F# min • 04:09 • -26db
24% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Clair De Lune Opus 46/2
143 bpm • C min • 02:47 • -23db
20% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, Cantata...
144 bpm • D# Maj • 05:56 • -19.9db
52% Popularity • 15% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 16% Positiveness
52% Popularity • 15% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 16% Positiveness
► Preview
Jean-Baptiste Lully
Marche pour la cérémonie des Turcs (Je...
144 bpm • A Maj • 02:19 • -10.3db
45% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
45% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
► Preview
François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
► Preview
Henry Purcell
Burial Service: Thou knowest, Lord, the ...
128 bpm • A# Maj • 02:30 • -30.13db
25% Popularity • 19% Danceability • 2% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 2% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
145 bpm • G Maj • 05:14 • -24.21db
11% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Jean-Philippe Rameau
Les sauvages
118 bpm • G min • 01:23 • -20.31db
42% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
42% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
► Preview
Christopher Palmer
From Jewish Life (arr. C. Palmer): III. ...
119 bpm • F Maj • 03:00 • -29db
11% Popularity • 18% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Vesperae solennes de confessore,...
146 bpm • C Maj • 04:13 • -30.68db
10% Popularity • 17% Danceability • 2% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Filiae maestae Jerusalem, RV 638: II. Si...
146 bpm • E min • 06:02 • -23.03db
11% Popularity • 38% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
11% Popularity • 38% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Henry Purcell
12 Sonatas of III parts Z790-801: Sonata...
137 bpm • F# min • 07:03 • -22.09db
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
44% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
44% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie
118 bpm • C Maj • 02:29 • -14db
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
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Johann Sebastian Bach
Passion selon Saint-Matthieu, BWV 244: "...
118 bpm • E min • 06:09 • -17db
23% Popularity • 18% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Henry Purcell
Timon of Athens, Masque: Curtain Tune on...
125 bpm • F# min • 02:20 • -27.13db
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
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Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
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Claudio Monteverdi
Monteverdi / Arr Pluhar: Zefiro torna e ...
117 bpm • F Maj • 07:03 • -19.78db
29% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie. Kyrie...
116 bpm • C Maj • 02:32 • -28.98db
29% Popularity • 22% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 14% Positiveness
29% Popularity • 22% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 14% Positiveness
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Jean-Philippe Rameau
Zoroastre, RCT 62, Acte III, Scène VII:...
116 bpm • G# min • 02:13 • -22.16db
32% Popularity • 31% Danceability • 8% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
32% Popularity • 31% Danceability • 8% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Henry Purcell
Purcell: Remember Not, Lord, Our Offence...
140 bpm • A min • 02:51 • -24.62db
16% Popularity • 16% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Stabat Mater, RV 621: I. Stabat Mater do...
116 bpm • E min • 02:54 • -23.96db
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IX. Sancta Mater
115 bpm • A# Maj • 05:59 • -22.73db
34% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Gabriel Fauré
Fauré: Super flumina Babylonis
115 bpm • A min • 09:59 • -20.4db
16% Popularity • 20% Danceability • 12% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 12% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Dies irae dies illa
115 bpm • F min • 01:07 • -13db
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Dixit Dominus - A...
115 bpm • F# Maj • 02:02 • -17db
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
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Henry Purcell
Dido and Aeneas / Act 2: Prelude for the...
122 bpm • E Maj • 01:26 • -21db
15% Popularity • 34% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 34% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
114 bpm • E Maj • 03:24 • -15db
22% Popularity • 25% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 25% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: V. Quis est hom...
114 bpm • B min • 02:57 • -17.51db
32% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act III - Thi...
114 bpm • G# Maj • 02:06 • -27db
6% Popularity • 24% Danceability • 3% Energy • 24% Liveness
68% Instrumentalness • 34% Positiveness
6% Popularity • 24% Danceability • 3% Energy • 24% Liveness
68% Instrumentalness • 34% Positiveness
