Songs like Echo la primavera by Francesco Landini
Based on a tempo of (+/- 10%) and a similar genre
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Léonin
Viderunt omnes
85 bpm • C Maj • 09:05 • -24.37db
3% Popularity • 22% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 22% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Einhorn
Voices of Light: XIV. The Fire of the Do...
85 bpm • G min • 03:55 • -17.12db
8% Popularity • 36% Danceability • 26% Energy • 14% Liveness
77% Instrumentalness • 10% Positiveness
8% Popularity • 36% Danceability • 26% Energy • 14% Liveness
77% Instrumentalness • 10% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
27% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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David Lang
love fail: the wood and the vine
85 bpm • A min • 08:01 • -15.48db
1% Popularity • 25% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 25% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Francisco Guerrero
Virgo prudentissima
85 bpm • A min • 03:14 • -20db
15% Popularity • 25% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 8% Positiveness
15% Popularity • 25% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
85 bpm • E min • 07:50 • -23.81db
31% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
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Gherardello da Firenze
I' vo' bene
84 bpm • E min • 02:21 • -17.37db
10% Popularity • 35% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 35% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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William B. Bradbury
Angel Band (Arr. Rose & Genensky)
86 bpm • A Maj • 03:09 • -24.72db
6% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
6% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Gregorio Allegri
Miserere: II. Tibi soli peccavi
84 bpm • F min • 02:59 • -22.78db
17% Popularity • 17% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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David Lang
love fail: Forbidden Subjects
85 bpm • F Maj • 02:57 • -18.57db
0% Popularity • 55% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 55% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: III. Gloria
86 bpm • A# min • 05:59 • -24db
15% Popularity • 11% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 11% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Einhorn
Voices of Light: III. Interrogation - Vo...
84 bpm • A min • 06:44 • -29db
9% Popularity • 15% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
15% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Phos Hilaron
86 bpm • C min • 01:48 • -22.54db
26% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Otcze Nasz
84 bpm • C Maj • 01:54 • -24.65db
30% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
30% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
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Francisco Guerrero
Maria Magdalene
86 bpm • A Maj • 08:20 • -21.25db
19% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Einhorn
Voices of Light: II. Victory at Orleans ...
84 bpm • D min • 05:04 • -40.48db
9% Popularity • 14% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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David Lang
love fail: Right and Wrong
84 bpm • A# Maj • 02:22 • -17.91db
2% Popularity • 55% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
2% Popularity • 55% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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John Dowland
George Whitehead
84 bpm • C Maj • 01:17 • -26.18db
13% Popularity • 57% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
13% Popularity • 57% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
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Baude Cordier
Tout par compas, Fol. 12 (Rondeau/Canon)
84 bpm • D# Maj • 02:49 • -20.68db
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Pérotin
Viderunt omnes: ...salutare suum ante co...
86 bpm • C# Maj • 03:37 • -16.76db
14% Popularity • 15% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 15% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Philippe de Monte
Missa super mon coeur se recomande: Sanc...
86 bpm • C# Maj • 03:10 • -22db
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Jan Pieterszoon Sweelinck
Psalm 96, "Chantez a Dieu chanson nouvel...
86 bpm • E min • 01:55 • -24.05db
18% Popularity • 28% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 28% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria, No. 60: Entre A...
84 bpm • F Maj • 03:20 • -20.89db
20% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
14% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Antiphon, O quam mirabilis est
83 bpm • A Maj • 03:31 • -27.57db
31% Popularity • 24% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Victor Kalinnikov
Hymn To The Mother Of God (Bogoroditse D...
87 bpm • D min • 01:23 • -42db
30% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
30% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
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Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Richard Einhorn
Voices of Light: XI. Anima - Voice
87 bpm • A# min • 05:29 • -23.03db
6% Popularity • 9% Danceability • 7% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 7% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
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Juan del Encina
Si abra en este baldres
83 bpm • F Maj • 01:28 • -15db
17% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Bartolomeo Tromboncino
Ostinato vos seguire
87 bpm • F Maj • 03:32 • -15db
16% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Andrés Barea
Miserere mei Deus (psaume L) – à 8, a...
87 bpm • E min • 09:32 • -20db
9% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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David Lang
love fail: he was and she was
83 bpm • D Maj • 08:38 • -15.42db
2% Popularity • 16% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: X. Agnus Dei
87 bpm • F# Maj • 03:27 • -28db
23% Popularity • 18% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 18% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Orlande de Lassus
Prophetiae Sibyllarum: Prologue
83 bpm • G Maj • 01:18 • -26db
29% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes No. 2: Notum fecit... (2-...
83 bpm • C# Maj • 00:48 • -25.52db
25% Popularity • 20% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
83 bpm • D Maj • 04:18 • -28.45db
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
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Kassia
Doxazomen sou Christe (We Praise, Oh Chr...
83 bpm • C Maj • 01:40 • -14.51db
7% Popularity • 34% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 34% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Choir of the Monks of Chevetogne
Akathistos Hymn: Kontakion
83 bpm • B Maj • 06:17 • -22.34db
20% Popularity • 15% Danceability • 11% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 11% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Francesco Landini
Sì dolce non sonò
87 bpm • C Maj • 04:48 • -28.1db
1% Popularity • 23% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 23% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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B.R. Hanby
Darling Nelly Gray
83 bpm • D Maj • 05:32 • -19.41db
5% Popularity • 39% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
5% Popularity • 39% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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A.Gitnik
Unfailing Light-(A.Gitnik)
82 bpm • G# Maj • 02:46 • -14db
15% Popularity • 8% Danceability • 18% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 18% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Hymn O ignee spiritus
82 bpm • F min • 10:06 • -27.83db
20% Popularity • 16% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 16% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Antoine Brumel
Missa "Et ecce terrae motus" A 12 voce: ...
82 bpm • C Maj • 01:38 • -18db
19% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
19% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
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Francesco Landini
Lasso! per mie fortuna
82 bpm • A# min • 03:34 • -27.93db
5% Popularity • 14% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Cor meum conturbatum est, IOL 58
82 bpm • D min • 01:48 • -23.29db
24% Popularity • 20% Danceability • 10% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
24% Popularity • 20% Danceability • 10% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Gilles Binchois
Binchois: Amours mercy de trespout non p...
88 bpm • C# min • 03:55 • -23db
9% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
34% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Kiev Chamber Choir
Kyrie Eleison In G Minor, Kcc 089
82 bpm • G min • 02:38 • -20.11db
22% Popularity • 24% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Antoine Brumel
Du tout plongiet/Fors seulement
82 bpm • C min • 12:28 • -26.43db
24% Popularity • 12% Danceability • 6% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
24% Popularity • 12% Danceability • 6% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
29% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
31% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Christopher Tye
Miserere mei, Deus
82 bpm • D Maj • 10:12 • -23.8db
14% Popularity • 8% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 8% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Heinrich Isaac
Argentum et aurum
88 bpm • A min • 03:08 • -14.68db
16% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Thomas Fabri
Ach Vlaendere vrie
89 bpm • A# Maj • 02:58 • -22.01db
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Adam de la Halle
De ma dame vient
82 bpm • C Maj • 02:23 • -18.68db
6% Popularity • 39% Danceability • 16% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
6% Popularity • 39% Danceability • 16% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
30% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Gregorio Allegri
Motets: Repleti sunt omnes
81 bpm • D min • 01:41 • -17.4db
32% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
32% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Walter Kittredge
Tenting on the Old Camp Ground
81 bpm • A Maj • 04:36 • -22.18db
4% Popularity • 23% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
4% Popularity • 23% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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James Christopher
Wondrous Love
81 bpm • A Maj • 02:40 • -19.84db
8% Popularity • 30% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 30% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Adam de la Halle
Mout me fu grief li departir / Robin m'a...
89 bpm • G Maj • 01:01 • -19db
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Andrea da Firenze
Dolce speranza d'amoroso foco
81 bpm • A min • 03:13 • -24.7db
8% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Orlande de Lassus
Al dolce soun
81 bpm • G# Maj • 03:05 • -24.45db
20% Popularity • 11% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Diego Pisador
Si la noche haze escura
89 bpm • G min • 02:46 • -25db
10% Popularity • 22% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Francesco Landini
Chosì pensoso
81 bpm • D min • 02:25 • -20.44db
8% Popularity • 29% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 29% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Ludwig Senfl
Ach Elslein, liebes Elselein mein
81 bpm • D Maj • 02:16 • -17db
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
30% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
30% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: I. Introït Suscepi...
81 bpm • A min • 04:59 • -24.82db
15% Popularity • 19% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 19% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Anonymous
Canticle "Magnificat anima mea - O rubor...
90 bpm • G# Maj • 05:03 • -29.8db
13% Popularity • 28% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 28% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Landini
Se pronto non sarÃ
81 bpm • A Maj • 04:23 • -30.14db
5% Popularity • 15% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
5% Popularity • 15% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Pierre de la Rue
Autant en emporte
80 bpm • G# min • 01:17 • -25db
23% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
23% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Richard I of England
Ja nus hons pris
80 bpm • D min • 02:27 • -29db
12% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Stevie Wishart
Magnificat
80 bpm • D min • 04:57 • -22.28db
12% Popularity • 16% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
33% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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Francesco Landini
Angelica biltÃ
81 bpm • A Maj • 02:11 • -28db
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Anonymous
Offertory, Ascendens Ihesus in montem (P...
80 bpm • C min • 03:46 • -26.69db
8% Popularity • 18% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Unicorn Ensemble
Saltarello No. 1
80 bpm • E min • 02:36 • -17db
23% Popularity • 39% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 39% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Bernat De Ventadorn
Can vei la lauzeta mover
80 bpm • C# Maj • 05:58 • -31.53db
7% Popularity • 27% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 27% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Baude Cordier
Tout par compas suy composés
90 bpm • E min • 02:11 • -24.4db
32% Popularity • 24% Danceability • 5% Energy • 12% Liveness
82% Instrumentalness • 33% Positiveness
32% Popularity • 24% Danceability • 5% Energy • 12% Liveness
82% Instrumentalness • 33% Positiveness
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Francesco Landini
Francesco Landini: Quanto più caro fai
90 bpm • F min • 02:37 • -20db
0% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Trio Mediæval
RÃs upp, drottni dýrð
91 bpm • C Maj • 01:06 • -28.26db
26% Popularity • 26% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 26% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Einhorn
Voices of Light: IX. Abjuration - Voice
80 bpm • D min • 07:36 • -29.23db
7% Popularity • 8% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
91 bpm • C Maj • 06:06 • -17.19db
15% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Anthonello de Caserta
Amour m'a le cuer mis en tel martire (ba...
80 bpm • A# min • 07:53 • -23.35db
9% Popularity • 13% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
9% Popularity • 13% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
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Guillaume Costeley
J'ayme trop mieux souffrir la mort
80 bpm • C Maj • 02:09 • -26.87db
13% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Landini
Per allegreça
90 bpm • G min • 01:55 • -27.35db
5% Popularity • 25% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
5% Popularity • 25% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
