Songs like Estudios sencillos: Second Series: IX by Leo Brouwer
Based on a tempo of (+/- 10%) and a similar genre
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Andrés Segovia
Estudio sin luz
103 bpm • B min • 03:56 • -26.8db
19% Popularity • 41% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
19% Popularity • 41% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
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AgustÃn Barrios Mangoré
Preludio in C Minor
103 bpm • F min • 02:13 • -30.47db
33% Popularity • 34% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
33% Popularity • 34% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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Gaspar Sanz
Canarios
103 bpm • D Maj • 02:10 • -24db
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
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Philip Glass
Orphée's Bedroom
103 bpm • F min • 01:29 • -25.64db
30% Popularity • 38% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
30% Popularity • 38% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Pepe Romero
Suite Espanola (arr. for guitar)
103 bpm • G Maj • 09:27 • -20.15db
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
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JoaquÃn Rodrigo
Sonata giocosa: II. Andante moderato
102 bpm • A min • 04:19 • -24.79db
33% Popularity • 48% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
33% Popularity • 48% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Miguel Llobet Solés
El Testament d' Amelia - Rev. Celedonio ...
102 bpm • G min • 02:06 • -37.58db
17% Popularity • 45% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
17% Popularity • 45% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Mario Castelnuovo-Tedesco
Ronsard (De Platero y Yo)
102 bpm • D Maj • 03:10 • -26.68db
37% Popularity • 57% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
37% Popularity • 57% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
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VÃkingur Ólafsson
Prelude in G Major
102 bpm • G Maj • 03:54 • -34.4db
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Leo Brouwer
Canción de cuna (Berceuse)
104 bpm • G Maj • 03:26 • -27.21db
16% Popularity • 38% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
16% Popularity • 38% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
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Sergio Assad
Aquarelle: II. Valseana
102 bpm • D Maj • 02:55 • -33.94db
25% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
25% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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John C. Williams
Prelude No. 1 in E Minor (Andantino expr...
102 bpm • C Maj • 04:15 • -25.93db
22% Popularity • 40% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
22% Popularity • 40% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Xuefei Yang
丹尼男å©
102 bpm • E Maj • 03:32 • -26db
43% Popularity • 46% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
43% Popularity • 46% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Antonio Lauro
El Marabino
102 bpm • A Maj • 01:18 • -27.48db
37% Popularity • 48% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 90% Positiveness
37% Popularity • 48% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 90% Positiveness
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Reynaldo Hahn
Douze valses, Le ruban dénoué: No. 1, ...
104 bpm • F# min • 01:26 • -26.49db
51% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
51% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Sylvain Luc
Âmes d'antan
102 bpm • G Maj • 02:26 • -29db
24% Popularity • 43% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
24% Popularity • 43% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Murga
102 bpm • E min • 01:53 • -26db
26% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
26% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Domenico Scarlatti
Scarlatti: Keyboard Sonata in D Major, K...
102 bpm • E min • 04:35 • -21.87db
5% Popularity • 48% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 54% Positiveness
5% Popularity • 48% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 54% Positiveness
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Friedrich Burgmüller
3 Nocturnes for Cello and Guitar: Noctur...
104 bpm • A Maj • 03:37 • -26db
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Antonio Lauro
La gatica
104 bpm • A min • 01:19 • -28.31db
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 91% Positiveness
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 91% Positiveness
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Heitor Villa-Lobos
Bachianas brasileiras No. 5: I. Aria (Ca...
105 bpm • E min • 05:17 • -19db
42% Popularity • 22% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 22% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les cyclopes, RCT 3/8 (Arr. Grizard for ...
101 bpm • E min • 03:48 • -19.27db
22% Popularity • 39% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 58% Positiveness
22% Popularity • 39% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 58% Positiveness
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Leo Brouwer
Danza Caracteristica
101 bpm • D min • 01:57 • -11.45db
4% Popularity • 46% Danceability • 45% Energy • 10% Liveness
86% Instrumentalness • 31% Positiveness
4% Popularity • 46% Danceability • 45% Energy • 10% Liveness
86% Instrumentalness • 31% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 11 in G Major
101 bpm • G Maj • 01:22 • -26db
32% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
32% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: III. Duma...
105 bpm • G min • 01:17 • -25db
44% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
44% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Matteo Carcassi
Carcassi op.60 n.2 moderato con espressi...
105 bpm • A min • 01:48 • -14.6db
30% Popularity • 23% Danceability • 52% Energy • 15% Liveness
86% Instrumentalness • 43% Positiveness
30% Popularity • 23% Danceability • 52% Energy • 15% Liveness
86% Instrumentalness • 43% Positiveness
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Sigvaldi Kaldalóns
Ave MarÃa (Arr. VÃkingur Ólafsson) - ...
101 bpm • D# Maj • 03:36 • -33.14db
62% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
62% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Claude Debussy
La Fille aux Cheveux de Lin
101 bpm • F# Maj • 02:51 • -32.06db
35% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Leo Brouwer
Estudios sencillos: No. 6. Lo mas rapido...
101 bpm • A Maj • 01:01 • -23.22db
18% Popularity • 14% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
18% Popularity • 14% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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Antonio Lauro
Pasaje aragueno
106 bpm • A Maj • 02:03 • -23db
30% Popularity • 35% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 73% Positiveness
30% Popularity • 35% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 73% Positiveness
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Antonio Vivaldi
12 Concertos, Op. 3 "L'estro armonico", ...
100 bpm • B min • 01:07 • -20.25db
42% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
42% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
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Domenico Scarlatti
Scarlatti: Keyboard Sonata in D Minor, K...
106 bpm • D min • 01:59 • -21.66db
5% Popularity • 41% Danceability • 37% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
5% Popularity • 41% Danceability • 37% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
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Jorge Morel
Danza Brasileira
106 bpm • E min • 02:43 • -23.06db
24% Popularity • 37% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 40% Positiveness
24% Popularity • 37% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 40% Positiveness
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Jose Luis Merlin
Suite del recuerdo: I. Evocacion
100 bpm • E min • 01:17 • -24.41db
37% Popularity • 35% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
37% Popularity • 35% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
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Francis Poulenc
Sarabande for Guitar, FP 179
106 bpm • E min • 02:38 • -34.47db
24% Popularity • 41% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 39% Positiveness
24% Popularity • 41% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 39% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: Torija (Elegia)
100 bpm • D Maj • 03:34 • -35db
29% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
29% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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Claude Debussy
Preludes, Book I: VII. La fille aux chev...
100 bpm • A Maj • 02:13 • -28.01db
27% Popularity • 36% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
27% Popularity • 36% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Preludio
107 bpm • D min • 01:34 • -31db
41% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
41% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Fernando Sor
Étude No. 5 (arr. of F. Sor: 24 Very Ea...
100 bpm • B min • 02:42 • -24.47db
20% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
20% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: XV. Presto
100 bpm • B min • 01:14 • -27db
32% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
32% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
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Carlo Domeniconi
Koyunbaba, Op. 19: II. Mosso
107 bpm • C# min • 01:30 • -31.74db
30% Popularity • 27% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
30% Popularity • 27% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: No. 3. Alcaniz
100 bpm • E Maj • 01:44 • -27.18db
31% Popularity • 37% Danceability • 15% Energy • 17% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 37% Danceability • 15% Energy • 17% Liveness
85% Instrumentalness • 12% Positiveness
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Miguel Llobet Solés
Canco Del Lladre
107 bpm • D Maj • 01:54 • -22.84db
30% Popularity • 36% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
30% Popularity • 36% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Maximo Diego Pujol
Suite Buenos Aires: No. 3, San Telmo
99 bpm • E min • 03:00 • -13.79db
25% Popularity • 53% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
25% Popularity • 53% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.1 Allegro
107 bpm • G Maj • 00:58 • -13.32db
31% Popularity • 42% Danceability • 60% Energy • 19% Liveness
83% Instrumentalness • 49% Positiveness
31% Popularity • 42% Danceability • 60% Energy • 19% Liveness
83% Instrumentalness • 49% Positiveness
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François Couperin
Les barricades mystérieuses
99 bpm • C Maj • 03:44 • -25.31db
18% Popularity • 31% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 31% Positiveness
18% Popularity • 31% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 31% Positiveness
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AgustÃn Barrios Mangoré
Barrios Mangoré: La Catedral: I. Prelud...
107 bpm • B min • 02:16 • -30.28db
23% Popularity • 32% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
23% Popularity • 32% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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Leo Brouwer
Estudios sencillos: First Series: II
107 bpm • C Maj • 01:11 • -25db
29% Popularity • 60% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
29% Popularity • 60% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
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Mark Houghton
Dance of the Orient
99 bpm • D Maj • 04:20 • -23.1db
35% Popularity • 36% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
35% Popularity • 36% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
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Roland Dyens
Revoir Paris
99 bpm • D Maj • 03:06 • -28.64db
17% Popularity • 36% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
17% Popularity • 36% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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Ferdinando Carulli
Andante No. 1, Op. 320
99 bpm • G Maj • 02:19 • -26db
31% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 9
99 bpm • G min • 01:03 • -44db
51% Popularity • 39% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
51% Popularity • 39% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 2
99 bpm • E min • 01:06 • -28.82db
40% Popularity • 29% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
40% Popularity • 29% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 4. Standchen...
108 bpm • A Maj • 03:41 • -29.48db
29% Popularity • 50% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
29% Popularity • 50% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Leonard Bernstein
5 Anniversaries: No. 5, For Susanna Kyle
98 bpm • C Maj • 01:56 • -41db
51% Popularity • 40% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 54% Positiveness
51% Popularity • 40% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 54% Positiveness
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Abel Carlevaro
Musica Incidental para Cine
108 bpm • E min • 09:37 • -16.46db
13% Popularity • 42% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
13% Popularity • 42% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Leo Brouwer
Guitar Sonata No. 1: II. Sarabanda de Sc...
108 bpm • F Maj • 03:37 • -30.92db
2% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
2% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Unruhe (Restlessne...
98 bpm • E Maj • 01:49 • -27db
34% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
34% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
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Fernando Sor
24 Studies, Op. 35, "Exercises": Study N...
108 bpm • E min • 00:54 • -27.86db
33% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
33% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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William Walton
Five Bagatelles No. 2: Lento
108 bpm • G min • 03:26 • -28db
29% Popularity • 54% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
29% Popularity • 54% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.4 Allegretto
98 bpm • D Maj • 01:34 • -17db
30% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
30% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
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Victor Villadangos
Hora libre (Free Hour)
98 bpm • G Maj • 01:46 • -28db
33% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
33% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: I. Andante sostenuto
98 bpm • B min • 06:12 • -24db
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Miguel Llobet Solés
Romanza
109 bpm • C Maj • 05:09 • -27db
37% Popularity • 44% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
37% Popularity • 44% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
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François Couperin
Troisième livre de pièces de clavecin:...
97 bpm • A# Maj • 02:17 • -24db
34% Popularity • 25% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
34% Popularity • 25% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Carnavalito - Evocac...
98 bpm • B min • 06:22 • -20.95db
19% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
19% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Eliseo Grenet
Drume Negrita (arr. L. Brouwer)
109 bpm • G Maj • 03:05 • -36.11db
5% Popularity • 38% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
5% Popularity • 38% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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Leo Brouwer
Guitar Sonata No. 1: I. Fandangos y bole...
97 bpm • G Maj • 06:48 • -21.99db
4% Popularity • 32% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 32% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
109 bpm • F# min • 06:30 • -33.64db
23% Popularity • 41% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
23% Popularity • 41% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Antonio Lauro
Angostura
97 bpm • G Maj • 02:01 • -27db
26% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
26% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
► Preview
Manuel Ponce
Ponce: Estrellita
97 bpm • D Maj • 02:46 • -33.51db
40% Popularity • 37% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 30% Positiveness
40% Popularity • 37% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 30% Positiveness
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Malcolm Arnold
Fantasy for Guitar Op. 107: III. Arietta...
109 bpm • D Maj • 02:03 • -38db
40% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
40% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Norbert Kraft
8 Etudes: 24 Studies, Op. 35, "Exercises...
109 bpm • B min • 02:52 • -25db
28% Popularity • 35% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
28% Popularity • 35% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
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John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
48% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
48% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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AgustÃn Barrios Mangoré
Preludio Saudade: La Catedral
97 bpm • B min • 02:23 • -29.77db
31% Popularity • 34% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
31% Popularity • 34% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
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Regino Sáinz de la Maza
La Frontera de Dios: III. Idilio
110 bpm • B Maj • 01:29 • -25db
33% Popularity • 35% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
33% Popularity • 35% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
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Alberto Ginastera
Danzas Argentinas: No. 2, Danza de la mo...
97 bpm • A min • 03:05 • -28.07db
29% Popularity • 42% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
29% Popularity • 42% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Leo Brouwer
Un Dia de Noviembre
97 bpm • A min • 04:26 • -18.16db
40% Popularity • 39% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
40% Popularity • 39% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Norbert Kraft
Rosita
97 bpm • D Maj • 01:30 • -21.84db
33% Popularity • 56% Danceability • 15% Energy • 16% Liveness
88% Instrumentalness • 83% Positiveness
33% Popularity • 56% Danceability • 15% Energy • 16% Liveness
88% Instrumentalness • 83% Positiveness
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Jason Vieaux
Recuerdos de viaje, Op. 71: No. 8. Rumor...
97 bpm • A min • 04:14 • -21db
24% Popularity • 36% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
24% Popularity • 36% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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Domenico Scarlatti
Scarlatti: Keyboard Sonata in E Major, K...
110 bpm • E min • 05:09 • -21.13db
3% Popularity • 52% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
3% Popularity • 52% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 3 (Vals c...
96 bpm • E Maj • 01:36 • -30.31db
35% Popularity • 32% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
35% Popularity • 32% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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Federico Moreno Torroba
Jaranera
110 bpm • A Maj • 01:27 • -29db
28% Popularity • 39% Danceability • 5% Energy • 11% Liveness
70% Instrumentalness • 58% Positiveness
28% Popularity • 39% Danceability • 5% Energy • 11% Liveness
70% Instrumentalness • 58% Positiveness
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Jorge Cardoso
Milonga - De 24 Piezas Sudamericanas
110 bpm • D min • 04:22 • -21db
27% Popularity • 50% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
27% Popularity • 50% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Leo Brouwer
Un dia de Noviembre
96 bpm • A min • 03:14 • -24.75db
20% Popularity • 37% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
20% Popularity • 37% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
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Francis Poulenc
Poulenc: Sarabande pour guitare, FP 179
111 bpm • A min • 02:16 • -36.03db
13% Popularity • 54% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 77% Positiveness
13% Popularity • 54% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 77% Positiveness
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Akira Nakata
12 Songs for Guitar: No. 7, A Song of Ea...
111 bpm • A Maj • 03:42 • -36.03db
23% Popularity • 36% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 19% Positiveness
23% Popularity • 36% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 19% Positiveness
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Jason Vieaux
Suite espanola No. 1, Op. 47 (arr. J. Vi...
111 bpm • G Maj • 05:02 • -22.67db
22% Popularity • 37% Danceability • 19% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
22% Popularity • 37% Danceability • 19% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
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Isaac Albéniz
Granada
111 bpm • E Maj • 05:02 • -23db
42% Popularity • 43% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 43% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Robert de Visée
Sarabande
95 bpm • C# Maj • 02:12 • -42.19db
35% Popularity • 31% Danceability • 0% Energy • 21% Liveness
92% Instrumentalness • 13% Positiveness
35% Popularity • 31% Danceability • 0% Energy • 21% Liveness
92% Instrumentalness • 13% Positiveness
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Leo Brouwer
Berceuse [Drume Negrito]
96 bpm • G Maj • 03:50 • -21.05db
22% Popularity • 38% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
22% Popularity • 38% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Hector Ayala
Serie Americana: Preludio
96 bpm • E min • 02:36 • -33db
33% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
33% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Erik Satie
Gnossienne No. 4
111 bpm • A min • 02:04 • -23.01db
37% Popularity • 30% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
37% Popularity • 30% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Jorge Morel
Danza in E Minor
111 bpm • E min • 03:33 • -28db
23% Popularity • 28% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
23% Popularity • 28% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.19 Allegro Moderato
95 bpm • G Maj • 01:26 • -20db
33% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
33% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Sérgio Assad
Preludio Fuga e Vivace: III. Vivace
111 bpm • G Maj • 02:56 • -16.55db
11% Popularity • 47% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
11% Popularity • 47% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Leo Brouwer
Paisaje cubano con lluvia
111 bpm • G Maj • 05:18 • -14.24db
1% Popularity • 41% Danceability • 41% Energy • 5% Liveness
92% Instrumentalness • 7% Positiveness
1% Popularity • 41% Danceability • 41% Energy • 5% Liveness
92% Instrumentalness • 7% Positiveness