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Fantasia para un gentilhombre: Canario
Songs like
Fantasia para un gentilhombre: Canario
by
Joaquín Rodrigo
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
108 bpm • A min • 09:01 • -26.34db
14% Popularity • 37% Danceability • 5% Energy • 26% Liveness
93% Instrumentalness • 15% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
30% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Miguel Llobet Solés
Romanza
109 bpm • C Maj • 05:09 • -27db
37% Popularity • 44% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Peter Breiner
Valses poeticos (arr. Peter Breiner): Va...
107 bpm • D Maj • 02:17 • -38db
27% Popularity • 27% Danceability • 1% Energy • 14% Liveness
41% Instrumentalness • 18% Positiveness
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AgustÃn Barrios Mangoré
Barrios Mangoré: La Catedral: I. Prelud...
107 bpm • B min • 02:16 • -30.28db
23% Popularity • 32% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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Enrique Granados
12 Danzas españolas: No. 2, Oriental
107 bpm • C min • 03:52 • -25db
28% Popularity • 24% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. A...
109 bpm • G min • 07:31 • -17db
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Dmitri Shostakovich
Suite No. 2 for Jazz Orchestra: VII. Wal...
107 bpm • C min • 02:14 • -18db
33% Popularity • 32% Danceability • 20% Energy • 8% Liveness
75% Instrumentalness • 69% Positiveness
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Jean-Philippe Rameau
Rameau: Hippolyte et Aricie, RCT 43, Act...
107 bpm • C min • 01:40 • -26db
38% Popularity • 51% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
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Jorge Augusto Dias Cardoso
24 Piezas sudamericanas: Milonga
110 bpm • D min • 04:46 • -30db
18% Popularity • 28% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
110 bpm • A min • 05:00 • -32db
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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JoaquÃn Turina
Sonata, Op. 61: II. Andante
106 bpm • A min • 04:09 • -18db
23% Popularity • 57% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Manuel Ponce
Intermezzo No. 1 in E Minor
106 bpm • E min • 02:54 • -25db
27% Popularity • 31% Danceability • 10% Energy • 71% Liveness
86% Instrumentalness • 6% Positiveness
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Manuel de Falla
La vida breve, Act II: Danza
106 bpm • D min • 03:35 • -22db
28% Popularity • 21% Danceability • 14% Energy • 15% Liveness
95% Instrumentalness • 34% Positiveness
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JoaquÃn Rodrigo
En los trigales: En Los Trigales
110 bpm • C min • 03:47 • -29.97db
1% Popularity • 34% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Anonymous
Romance d'amour (Forbidden Games)
105 bpm • E min • 02:49 • -27.08db
33% Popularity • 32% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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JoaquÃn Rodrigo
Concierto Madrigal for 2 Guitars and Orc...
105 bpm • G min • 02:00 • -22.68db
10% Popularity • 64% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
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Isaac Albéniz
Granada
111 bpm • E Maj • 05:02 • -23db
42% Popularity • 43% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Bedřich Smetana
Má vlast: The Moldau
105 bpm • A# min • 10:08 • -21db
20% Popularity • 32% Danceability • 10% Energy • 15% Liveness
73% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Concerto for Flute and Harp in C Major, ...
111 bpm • F Maj • 07:32 • -22db
43% Popularity • 33% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Ralph Vaughan Williams
Sir John in Love: Fantasia on Greensleev...
105 bpm • C min • 05:01 • -26db
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
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Friedrich Burgmüller
3 Nocturnes for Cello and Guitar: Noctur...
104 bpm • A Maj • 03:37 • -26db
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Manuel de Falla
Spanish Dance No. 1
112 bpm • A Maj • 03:21 • -13db
18% Popularity • 53% Danceability • 32% Energy • 4% Liveness
25% Instrumentalness • 59% Positiveness
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Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Fernando Sor
24 Studies, Op. 35, "Exercises": No. 17 ...
112 bpm • D Maj • 01:26 • -26.99db
27% Popularity • 37% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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JoaquÃn Rodrigo
En Tierras de Jerez
112 bpm • G Maj • 05:00 • -26.29db
5% Popularity • 41% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Suite espagnole, Op. 47: III. Sevilla
112 bpm • G Maj • 05:18 • -15.78db
26% Popularity • 49% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Andrés Segovia
12 Danzas espanolas (Spanish Dances), Op...
104 bpm • G Maj • 04:17 • -20db
32% Popularity • 39% Danceability • 22% Energy • 14% Liveness
87% Instrumentalness • 57% Positiveness
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Manuel de Falla
La vida breve, Act II: Danse espagnole N...
104 bpm • D min • 03:45 • -36db
29% Popularity • 28% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 58% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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AgustÃn Barrios Mangoré
Preludio in C Minor
103 bpm • F min • 02:13 • -30.47db
33% Popularity • 34% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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JoaquÃn Rodrigo
Tres Pequeñas Piezas: 3. Pequeña sevil...
104 bpm • D Maj • 03:38 • -20.55db
8% Popularity • 53% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Isaac Albéniz
Asturias (Leyenda)
104 bpm • C Maj • 07:14 • -17.33db
21% Popularity • 32% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 16% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Manuel de Falla
Nana
113 bpm • A min • 02:08 • -26.38db
28% Popularity • 17% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Gaspar Sanz
Canarios
103 bpm • D Maj • 02:10 • -24db
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
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George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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JoaquÃn Rodrigo
Concierto de Aranjuez: I. Allegro con sp...
112 bpm • G Maj • 06:33 • -23.57db
15% Popularity • 60% Danceability • 10% Energy • 8% Liveness
62% Instrumentalness • 41% Positiveness
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Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
49% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Miguel Llobet Solés
El Testament d' Amelia - Rev. Celedonio ...
102 bpm • G min • 02:06 • -37.58db
17% Popularity • 45% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Mario Castelnuovo-Tedesco
Ronsard (De Platero y Yo)
102 bpm • D Maj • 03:10 • -26.68db
37% Popularity • 57% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55, No. 4...
102 bpm • D Maj • 02:44 • -17.69db
27% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
103 bpm • A Maj • 04:48 • -22.87db
14% Popularity • 36% Danceability • 9% Energy • 14% Liveness
82% Instrumentalness • 24% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Two Mandolins in G...
114 bpm • D# min • 02:49 • -24db
26% Popularity • 67% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Evocacion
114 bpm • E min • 01:36 • -28db
43% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Isaac Albéniz
V. Asturias
114 bpm • E min • 06:32 • -20.53db
37% Popularity • 36% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 22% Positiveness
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Federico Moreno Torroba
Suite Castellana: Suite Castellana I. Fa...
115 bpm • E min • 01:40 • -19db
26% Popularity • 42% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
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JoaquÃn Rodrigo
Sonata giocosa: II. Andante moderato
102 bpm • A min • 04:19 • -24.79db
33% Popularity • 48% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Alberto Ginastera
Milonga
115 bpm • F Maj • 02:17 • -33.77db
23% Popularity • 40% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Stabat Mater, RV 621: I. Stabat Mater do...
116 bpm • E min • 02:54 • -23.96db
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
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Henry Purcell
Suite From Abdelzar: I. Rondeau
101 bpm • C# min • 01:29 • -21db
45% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
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Wojciech Kilar
Moving to the Ghetto Oct. 31, 1940
101 bpm • A min • 01:45 • -41db
41% Popularity • 15% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
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Manuel de Falla
Danse espagnole No. 1
100 bpm • A min • 03:41 • -20db
15% Popularity • 42% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
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JoaquÃn Rodrigo
Concierto Andaluz for 4 Guitars and Orch...
101 bpm • D Maj • 06:11 • -19.7db
6% Popularity • 56% Danceability • 29% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: II. Lento
100 bpm • C min • 03:41 • -22.63db
38% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
12 Concertos, Op. 3 "L'estro armonico", ...
100 bpm • B min • 01:07 • -20.25db
42% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
100 bpm • A Maj • 06:38 • -20.69db
22% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
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Johannes Brahms
Six Songs for Cello and Piano: 4. Wiegen...
116 bpm • F Maj • 02:05 • -39db
33% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: Torija (Elegia)
100 bpm • D Maj • 03:34 • -35db
29% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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JoaquÃn Rodrigo
Concierto Andaluz for 4 Guitars and Orch...
115 bpm • E min • 09:56 • -30db
6% Popularity • 36% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Fernando Sor
Étude No. 5 (arr. of F. Sor: 24 Very Ea...
100 bpm • B min • 02:42 • -24.47db
20% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
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Anonymous
Spanish Romance
117 bpm • E min • 03:34 • -17db
35% Popularity • 36% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: No. 3. Alcaniz
100 bpm • E Maj • 01:44 • -27.18db
31% Popularity • 37% Danceability • 15% Energy • 17% Liveness
85% Instrumentalness • 12% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
117 bpm • E min • 04:43 • -24.42db
6% Popularity • 39% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Isaac Albéniz
Suite española No. 1, Op. 47: Sevilla (...
117 bpm • D Maj • 04:37 • -28db
28% Popularity • 38% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Alexander Glazunov
2 Pieces for Cello & Orchestra, Op. 20: ...
99 bpm • D Maj • 02:49 • -19db
21% Popularity • 27% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 40% Positiveness
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Aram Khachaturian
Oriental Dance
99 bpm • A min • 02:13 • -18.49db
24% Popularity • 60% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
99 bpm • D Maj • 06:51 • -23.37db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
49% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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JoaquÃn Rodrigo
Zapataedo
101 bpm • B min • 03:00 • -23.42db
0% Popularity • 49% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 81% Positiveness
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Isaac Albéniz
Suite espagnole, Op. 47: I. Granada
118 bpm • E Maj • 05:43 • -19.43db
26% Popularity • 55% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Slovak Chamber Orchestra
Orchestral Suite No. 2 in B Minor, BWV 1...
118 bpm • B min • 02:45 • -19.03db
38% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Concerto for Flute and Harp, K. ...
99 bpm • F Maj • 08:30 • -20.33db
26% Popularity • 26% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
99 bpm • E min • 06:55 • -25db
16% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 7% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre: I. Villa...
101 bpm • D Maj • 04:59 • -16.06db
5% Popularity • 38% Danceability • 18% Energy • 12% Liveness
80% Instrumentalness • 34% Positiveness
► Preview
Jean-Philippe Rameau
Les sauvages
118 bpm • G min • 01:23 • -20.31db
42% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
► Preview
Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
45% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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John Rutter
Suite antique (Version for Guitar) [Exce...
119 bpm • A min • 02:25 • -30.87db
33% Popularity • 27% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
► Preview
George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
JoaquÃn Rodrigo
Fantasia para un Gentilhombre: IV. Alleg...
118 bpm • C Maj • 02:05 • -17db
19% Popularity • 70% Danceability • 16% Energy • 24% Liveness
92% Instrumentalness • 65% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Jérémy Jouve
4 Piano Pieces: No. 2. Fandango del vent...
120 bpm • F min • 01:41 • -28db
34% Popularity • 52% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
► Preview
Isaac Albéniz
Chants d'Espagne, Op. 232 - Córdoba
120 bpm • D min • 06:31 • -17db
30% Popularity • 56% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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George Frideric Handel
Solomon, HWV 67: The Arrival Of The Quee...
120 bpm • A# Maj • 03:09 • -18db
41% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
► Preview
JoaquÃn Rodrigo
FantasÃa para un gentilhombre: II. Espa...
99 bpm • A min • 09:49 • -19.68db
6% Popularity • 41% Danceability • 12% Energy • 25% Liveness
86% Instrumentalness • 18% Positiveness
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Fantasia para un gentilhombre: Canario