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Solomon, HWV 67: The Arrival Of The Queen Of Sheba cover art

George Frideric Handel, Robert Haydon Clark, Consort of London

Solomon, HWV 67: The Arrival Of The Queen Of Sheba

Baroque Orchestral Music
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Home >> George Frideric Handel >> Solomon, HWV 67: The Arrival Of The Queen Of Sheba

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
120 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
A# Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-18db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 42% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
42%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
31%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
59%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
60%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
30%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
85%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
83%




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Discover more songs by George Frideric Handel
Solomon, HWV 67: The Arrival Of The Queen Of Sheba is a song by George Frideric Handel, released on 2011-01-04. It is track number 1 in the album Baroque Orchestral Music. Solomon, HWV 67: The Arrival Of The Queen Of Sheba has a BPM/tempo of 120 beats per minute, is in the key of A# Maj and has a duration of 3 minutes, 9 seconds.

Solomon, HWV 67: The Arrival Of The Queen Of Sheba is very popular on Spotify, being rated between 30 and 90% popularity on Spotify right now. It is likely that this track is being shared by many people across the world, played on the radio and on a number of Spotify playlists receiving thousands of streams, is fairly energetic and is pretty easy to dance to.


Solomon, HWV 67: The Arrival Of The Queen Of Sheba info

Name
Solomon, HWV 67: The Arrival Of The Queen Of Sheba
Artist(s)
George Frideric Handel, Robert Haydon Clark, Consort of London
Album
Baroque Orchestral Music
Release Date
4th January 2011
ISRC
GBVVQ1024015
Key
A# Maj
Tempo
120
Loudness (db)
-18db
Time signature
4/4
Length
03:09
Song Number
1 of 13
Explicit
No