Songs like Faure.Nocturne No.1 in E Flat Minor by Philharmonia La Seine
Based on a tempo of (+/- 10%) and a similar genre
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Mikhail Glinka
Kamarinskaya (Excerpt)
125 bpm • E min • 00:54 • -23.45db
17% Popularity • 54% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
17% Popularity • 54% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: I. G...
125 bpm • A Maj • 02:23 • -11db
19% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
19% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
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Philharmonia La Seine
Faure.Nocturne No.1 in E Flat Minor
125 bpm • G# min • 06:59 • -15.74db
0% Popularity • 38% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
0% Popularity • 38% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
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Fried Walter
Sombreros: II. Tango Dramatico
125 bpm • G min • 02:10 • -13.19db
7% Popularity • 36% Danceability • 32% Energy • 23% Liveness
93% Instrumentalness • 23% Positiveness
7% Popularity • 36% Danceability • 32% Energy • 23% Liveness
93% Instrumentalness • 23% Positiveness
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Traditional
Dark Eyes - Instrumental
125 bpm • A min • 03:31 • -20.04db
18% Popularity • 24% Danceability • 12% Energy • 32% Liveness
77% Instrumentalness • 9% Positiveness
18% Popularity • 24% Danceability • 12% Energy • 32% Liveness
77% Instrumentalness • 9% Positiveness
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George Frideric Handel
Zadok the Priest
126 bpm • D Maj • 01:54 • -18.1db
35% Popularity • 44% Danceability • 3% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
35% Popularity • 44% Danceability • 3% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
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Rodion Shchedrin
Carmen Suite: VIII. Bolero (after G. Biz...
124 bpm • A# Maj • 02:11 • -18.83db
27% Popularity • 42% Danceability • 32% Energy • 18% Liveness
76% Instrumentalness • 54% Positiveness
27% Popularity • 42% Danceability • 32% Energy • 18% Liveness
76% Instrumentalness • 54% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 3...
126 bpm • D Maj • 07:06 • -17.59db
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
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Aram Khachaturian
Spartacus Suite No. 2: Adagio of Spartac...
124 bpm • G# Maj • 08:36 • -15.32db
10% Popularity • 22% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: I. Alborada
127 bpm • A Maj • 01:13 • -16.19db
28% Popularity • 46% Danceability • 34% Energy • 22% Liveness
82% Instrumentalness • 51% Positiveness
28% Popularity • 46% Danceability • 34% Energy • 22% Liveness
82% Instrumentalness • 51% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
127 bpm • D Maj • 06:11 • -16db
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
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Franz von Suppé
Overture "Light Cavalry" Ouverture "Die ...
123 bpm • A Maj • 07:05 • -13.79db
8% Popularity • 34% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 16% Positiveness
8% Popularity • 34% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 16% Positiveness
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Rodion Shchedrin
Carmen Ballet Suite (after Bizet): II. D...
124 bpm • D Maj • 02:11 • -15.66db
11% Popularity • 39% Danceability • 37% Energy • 33% Liveness
52% Instrumentalness • 64% Positiveness
11% Popularity • 39% Danceability • 37% Energy • 33% Liveness
52% Instrumentalness • 64% Positiveness
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Emmanuel Chabrier
España
127 bpm • F Maj • 06:20 • -23db
8% Popularity • 32% Danceability • 14% Energy • 6% Liveness
63% Instrumentalness • 26% Positiveness
8% Popularity • 32% Danceability • 14% Energy • 6% Liveness
63% Instrumentalness • 26% Positiveness
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Francesco Morlacchi
Il Pastore Svizzero
127 bpm • G Maj • 08:48 • -23.61db
7% Popularity • 43% Danceability • 8% Energy • 6% Liveness
90% Instrumentalness • 34% Positiveness
7% Popularity • 43% Danceability • 8% Energy • 6% Liveness
90% Instrumentalness • 34% Positiveness
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The Vienna Chamber Ensemble
Der Erlkönig
123 bpm • C Maj • 03:50 • -15.91db
11% Popularity • 37% Danceability • 36% Energy • 17% Liveness
89% Instrumentalness • 32% Positiveness
11% Popularity • 37% Danceability • 36% Energy • 17% Liveness
89% Instrumentalness • 32% Positiveness
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Edward Elgar
Elgar: 5 Pomp and Circumstance Marches, ...
127 bpm • D Maj • 05:53 • -16.24db
14% Popularity • 31% Danceability • 27% Energy • 12% Liveness
81% Instrumentalness • 24% Positiveness
14% Popularity • 31% Danceability • 27% Energy • 12% Liveness
81% Instrumentalness • 24% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Berceuse Op. 16
127 bpm • D Maj • 05:25 • -27.11db
20% Popularity • 20% Danceability • 5% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 5% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
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Robert Burrell
Serenade for Strings: I. First Movement
123 bpm • G Maj • 07:24 • -11.79db
7% Popularity • 44% Danceability • 23% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
7% Popularity • 44% Danceability • 23% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
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The Gerst Ensemble
Practical Exercises for Beginners, Op. 5...
127 bpm • C Maj • 01:12 • -26db
14% Popularity • 17% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 32% Positiveness
14% Popularity • 17% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 32% Positiveness
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Edvard Grieg
Lyrical Pieces, Op. 65: No. 6, Wedding D...
128 bpm • D Maj • 06:09 • -23.03db
9% Popularity • 44% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
9% Popularity • 44% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Haydn Wood
Serenade to Youth
121 bpm • D Maj • 02:51 • -25db
23% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
23% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Léo Delibes
Coppelia Ballet Suite: Music of the Auto...
122 bpm • E Maj • 05:16 • -24db
15% Popularity • 39% Danceability • 11% Energy • 13% Liveness
51% Instrumentalness • 12% Positiveness
15% Popularity • 39% Danceability • 11% Energy • 13% Liveness
51% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
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Dick Walter
Mini Hungarian 5
129 bpm • G min • 01:01 • -14.04db
15% Popularity • 33% Danceability • 29% Energy • 29% Liveness
63% Instrumentalness • 65% Positiveness
15% Popularity • 33% Danceability • 29% Energy • 29% Liveness
63% Instrumentalness • 65% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527: Overture
129 bpm • D Maj • 06:06 • -19.88db
20% Popularity • 36% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
20% Popularity • 36% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
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Coxeegan
Whit them
130 bpm • C# Maj • 01:50 • -17.05db
14% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
14% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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George Frideric Handel
Solomon, HWV 67: The Arrival of the Quee...
120 bpm • A# Maj • 03:03 • -26.88db
10% Popularity • 52% Danceability • 17% Energy • 51% Liveness
94% Instrumentalness • 92% Positiveness
10% Popularity • 52% Danceability • 17% Energy • 51% Liveness
94% Instrumentalness • 92% Positiveness
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Jean Sibelius
Sibelius: Impromptu for String Orchestra
130 bpm • E min • 05:11 • -29.71db
11% Popularity • 16% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Bonn Classical Philharmonic
La Traviata: Prelude to Act I
120 bpm • B Maj • 03:49 • -29db
22% Popularity • 31% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 31% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Tosca: E lucevan le stelle
120 bpm • B min • 03:00 • -14.58db
11% Popularity • 19% Danceability • 14% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 14% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46: No. 7 in C mi...
131 bpm • C min • 03:43 • -22.75db
7% Popularity • 35% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
7% Popularity • 35% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Philharmonia La Seine
Faure. Requiem.7 in Paradisum - Original...
119 bpm • D Maj • 03:42 • -15.62db
0% Popularity • 24% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
0% Popularity • 24% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Concerto No. 2 in G minor, Op. 8, RV 315...
131 bpm • G min • 03:08 • -18.17db
35% Popularity • 34% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
35% Popularity • 34% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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George Frideric Handel
Handel: Solomon, HWV 67, Act 3: Sinfonia...
131 bpm • A# Maj • 02:48 • -13.7db
28% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
28% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: IV. In th...
119 bpm • D Maj • 02:32 • -22.86db
2% Popularity • 42% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 68% Positiveness
2% Popularity • 42% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 68% Positiveness
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Ethel Smyth
Smyth: The Wreckers: Overture
132 bpm • D Maj • 09:31 • -20db
11% Popularity • 25% Danceability • 12% Energy • 29% Liveness
72% Instrumentalness • 9% Positiveness
11% Popularity • 25% Danceability • 12% Energy • 29% Liveness
72% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 2: "Quando me'n...
132 bpm • A Maj • 04:40 • -16db
29% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Wiener Symphoniker
Die Fledermaus Waltz
132 bpm • D Maj • 02:04 • -12.49db
12% Popularity • 42% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
12% Popularity • 42% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
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Slovak Chamber Orchestra
Orchestral Suite No. 2 in B Minor, BWV 1...
118 bpm • B min • 02:45 • -19.03db
38% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
38% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
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George Frideric Handel
Handel: Keyboard Suite in G Minor, HWV 4...
118 bpm • G min • 04:42 • -17.21db
14% Popularity • 36% Danceability • 17% Energy • 27% Liveness
80% Instrumentalness • 26% Positiveness
14% Popularity • 36% Danceability • 17% Energy • 27% Liveness
80% Instrumentalness • 26% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: V. Carmen’s E...
118 bpm • G Maj • 03:19 • -23.62db
12% Popularity • 38% Danceability • 3% Energy • 73% Liveness
8% Instrumentalness • 27% Positiveness
12% Popularity • 38% Danceability • 3% Energy • 73% Liveness
8% Instrumentalness • 27% Positiveness
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Gabriel Fauré
Pavane, Op. 50
132 bpm • F# min • 06:50 • -28db
28% Popularity • 16% Danceability • 3% Energy • 36% Liveness
85% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 3% Energy • 36% Liveness
85% Instrumentalness • 4% Positiveness
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Chor der Staatsoper Budapest
Tannhäuser: Pilgerchor
118 bpm • D# Maj • 06:23 • -17db
17% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto in G M...
133 bpm • G Maj • 02:59 • -19db
41% Popularity • 36% Danceability • 36% Energy • 25% Liveness
89% Instrumentalness • 73% Positiveness
41% Popularity • 36% Danceability • 36% Energy • 25% Liveness
89% Instrumentalness • 73% Positiveness
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Stephen Warbeck
Le lever du Roi
133 bpm • G Maj • 01:58 • -14.56db
15% Popularity • 51% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 29% Positiveness
15% Popularity • 51% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 29% Positiveness
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George Frideric Handel
The Arrival Of The Queen Of Sheba, From ...
118 bpm • A Maj • 03:11 • -18.41db
39% Popularity • 49% Danceability • 32% Energy • 29% Liveness
93% Instrumentalness • 70% Positiveness
39% Popularity • 49% Danceability • 32% Energy • 29% Liveness
93% Instrumentalness • 70% Positiveness
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Emmanuel Chabrier
España: Espana
117 bpm • F Maj • 06:44 • -16db
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
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Philharmonia La Seine
Tarrega.Recuerdos de La Alhambra
133 bpm • A Maj • 06:05 • -16.15db
0% Popularity • 22% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
0% Popularity • 22% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Ferdinand Hérold
Hérold & Lanchbery: La fille mal gardé...
134 bpm • D# Maj • 03:35 • -28db
7% Popularity • 22% Danceability • 3% Energy • 48% Liveness
58% Instrumentalness • 24% Positiveness
7% Popularity • 22% Danceability • 3% Energy • 48% Liveness
58% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
L'Autunno (Autumn) Op. 8 No. 3 in F majo...
133 bpm • F Maj • 04:43 • -11.98db
23% Popularity • 43% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 17% Positiveness
23% Popularity • 43% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 17% Positiveness
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John Keating/London Symphony Orchestra
Brahms Symphony No. 3 - 3rd Movement
116 bpm • C min • 04:58 • -18.84db
13% Popularity • 19% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Knudåge Riisager
Etudes: I. Tendus - grands battements - ...
134 bpm • C Maj • 02:00 • -19.95db
10% Popularity • 43% Danceability • 25% Energy • 11% Liveness
82% Instrumentalness • 49% Positiveness
10% Popularity • 43% Danceability • 25% Energy • 11% Liveness
82% Instrumentalness • 49% Positiveness
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Rodion Shchedrin
Carmen Suite after Bizet's Opera: 2. Dan...
116 bpm • A# Maj • 02:19 • -20db
10% Popularity • 50% Danceability • 24% Energy • 22% Liveness
76% Instrumentalness • 46% Positiveness
10% Popularity • 50% Danceability • 24% Energy • 22% Liveness
76% Instrumentalness • 46% Positiveness
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AntonÃn Dvořák
Dvořák: Humoresque in G-Flat Major, Op...
116 bpm • G Maj • 02:59 • -24db
12% Popularity • 25% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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New D'Oyly Carte Opera Orchestra
The Mikado: Overture
134 bpm • G Maj • 07:04 • -20.37db
8% Popularity • 33% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
8% Popularity • 33% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
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Franz Liszt
Don Sanche (The Castle of Love), S476/R1...
116 bpm • A Maj • 07:12 • -16.11db
12% Popularity • 32% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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George Frideric Handel
Music for the Royal Fireworks, HWV 351: ...
116 bpm • D Maj • 01:58 • -9.42db
1% Popularity • 56% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 83% Positiveness
1% Popularity • 56% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 83% Positiveness
► Preview
Alexander Rudin / Instrumental Ensemble "Musica Viva", Conductors: Nikolay Alekseyev & Alexander Rudin
Works For Cello: Andante Cantabile. Adap...
135 bpm • F# Maj • 05:49 • -25.82db
0% Popularity • 19% Danceability • 3% Energy • 9% Liveness
19% Instrumentalness • 6% Positiveness
0% Popularity • 19% Danceability • 3% Energy • 9% Liveness
19% Instrumentalness • 6% Positiveness
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Franz Lehár
Gold und Silber, Op. 79
115 bpm • C Maj • 07:53 • -21db
14% Popularity • 29% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 23% Positiveness
14% Popularity • 29% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 23% Positiveness
► Preview
Gioachino Rossini
The Barber of Seville: "Largo al factotu...
115 bpm • C Maj • 04:50 • -11db
12% Popularity • 35% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 35% Positiveness
12% Popularity • 35% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 35% Positiveness
► Preview
Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626: IIIf. Sequen...
136 bpm • D min • 03:33 • -22.61db
21% Popularity • 15% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Focus
115 bpm • C min • 01:04 • -30.94db
14% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Adelaide Symphony Orchestra
Soirées Musicales, Op. 9 (After Rossini...
115 bpm • A# Maj • 01:36 • -20.59db
20% Popularity • 61% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
20% Popularity • 61% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
► Preview
Symphonisches Orchester Berlin
5 Deutsche Tänze in C Major, D. 90
115 bpm • C Maj • 05:34 • -19.53db
9% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
9% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Alexander Glazunov
Chopiniana, Op. 46: 4. Valse (Op. 64, No...
136 bpm • D min • 03:58 • -28.22db
12% Popularity • 20% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 11% Positiveness
12% Popularity • 20% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 11% Positiveness
► Preview
Adolphe Adam
Giselle: Act I: Entree de Giselle
136 bpm • G Maj • 05:47 • -29.78db
20% Popularity • 32% Danceability • 1% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 32% Danceability • 1% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 21 in C Major, K. 467...
136 bpm • F Maj • 06:16 • -19.43db
21% Popularity • 23% Danceability • 12% Energy • 9% Liveness
45% Instrumentalness • 7% Positiveness
21% Popularity • 23% Danceability • 12% Energy • 9% Liveness
45% Instrumentalness • 7% Positiveness
► Preview
Richard Rodney Bennett
Murder On The Orient Express - Overture
114 bpm • F min • 03:00 • -14.35db
7% Popularity • 39% Danceability • 19% Energy • 17% Liveness
96% Instrumentalness • 6% Positiveness
7% Popularity • 39% Danceability • 19% Energy • 17% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
32% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
32% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
► Preview
Evergreen Symphony Orchestra
Paquita, Act II, Scene II, 8.4: "Girl’...
114 bpm • A Maj • 02:26 • -31.1db
10% Popularity • 38% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
10% Popularity • 38% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
► Preview
Eric Hammerstein
Turkish Rondo
138 bpm • A Maj • 02:13 • -10.54db
11% Popularity • 53% Danceability • 48% Energy • 10% Liveness
75% Instrumentalness • 64% Positiveness
11% Popularity • 53% Danceability • 48% Energy • 10% Liveness
75% Instrumentalness • 64% Positiveness
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Franz von Suppé
Suppé: Leichte Kavallerie: Overture
138 bpm • A Maj • 07:06 • -19db
9% Popularity • 28% Danceability • 21% Energy • 5% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 28% Danceability • 21% Energy • 5% Liveness
86% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. M...
114 bpm • G min • 07:27 • -17.14db
20% Popularity • 37% Danceability • 20% Energy • 15% Liveness
79% Instrumentalness • 18% Positiveness
20% Popularity • 37% Danceability • 20% Energy • 15% Liveness
79% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
138 bpm • C min • 11:13 • -21db
7% Popularity • 22% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
7% Popularity • 22% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Johann Strauss I
Radetzky March, Op. 228 (arr. T. Baynov)...
113 bpm • A Maj • 02:53 • -18db
8% Popularity • 73% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 93% Positiveness
8% Popularity • 73% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 93% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Annunzio Paolo Mantovani
Exodus Main Theme
139 bpm • E min • 03:10 • -17.31db
8% Popularity • 15% Danceability • 21% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 15% Danceability • 21% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Joseph Haydn
Trumpet Concerto in E Flat, H.VIIe/1: 3....
139 bpm • D# Maj • 04:25 • -19db
24% Popularity • 54% Danceability • 20% Energy • 5% Liveness
87% Instrumentalness • 49% Positiveness
24% Popularity • 54% Danceability • 20% Energy • 5% Liveness
87% Instrumentalness • 49% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. M...
113 bpm • G min • 07:19 • -17db
2% Popularity • 34% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 22% Positiveness
2% Popularity • 34% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 22% Positiveness
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Diane Hidy
Waltz in A Minor, Op. Posthumous
112 bpm • A min • 01:45 • -32.59db
23% Popularity • 42% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 24% Positiveness
23% Popularity • 42% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 24% Positiveness
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Alexander Borodin
Eine Steppenskizze aus Mittelasien: Alle...
139 bpm • A min • 07:27 • -32db
16% Popularity • 15% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Johann Strauss II
Strauss Jr., J.: Frühlingsstimmen, Op. ...
112 bpm • A# Maj • 05:51 • -22.71db
35% Popularity • 29% Danceability • 6% Energy • 34% Liveness
93% Instrumentalness • 35% Positiveness
35% Popularity • 29% Danceability • 6% Energy • 34% Liveness
93% Instrumentalness • 35% Positiveness
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Philharmonia La Seine
Gabrieli.Canzon Noni Toni
112 bpm • A min • 02:49 • -11.99db
0% Popularity • 50% Danceability • 27% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
0% Popularity • 50% Danceability • 27% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
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Johan Halvorsen
Passacaglia and Sarabande for Violin and...
112 bpm • G min • 07:02 • -19.92db
21% Popularity • 45% Danceability • 26% Energy • 67% Liveness
88% Instrumentalness • 34% Positiveness
21% Popularity • 45% Danceability • 26% Energy • 67% Liveness
88% Instrumentalness • 34% Positiveness
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Wolfgang Amadeus Mozart
The Magic Flute, K. 620, Act II: Pa-Pa-P...
112 bpm • G Maj • 02:30 • -19db
46% Popularity • 48% Danceability • 19% Energy • 13% Liveness
10% Instrumentalness • 50% Positiveness
46% Popularity • 48% Danceability • 19% Energy • 13% Liveness
10% Instrumentalness • 50% Positiveness
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Alejandro Llovet Abascal
Waltz No 2 Vera Icon
140 bpm • A# Maj • 03:12 • -20.23db
12% Popularity • 68% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 94% Positiveness
12% Popularity • 68% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 94% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Prelude...
140 bpm • C Maj • 02:00 • -13.32db
18% Popularity • 17% Danceability • 22% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 22% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Dick Walter
Mini Swan Lake Waltz
111 bpm • A Maj • 01:02 • -18.2db
16% Popularity • 31% Danceability • 26% Energy • 13% Liveness
97% Instrumentalness • 12% Positiveness
16% Popularity • 31% Danceability • 26% Energy • 13% Liveness
97% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
112 bpm • E min • 09:17 • -18.03db
14% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
14% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
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Édouard Lalo
Piano Concerto in F Minor: I. Lento - Al...
111 bpm • G# Maj • 11:20 • -18.95db
1% Popularity • 31% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
1% Popularity • 31% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Orquesta Sinfónica De Eslovaquia
Rapsodia Hungara No 2
141 bpm • C# Maj • 09:23 • -17.53db
23% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
23% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
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Charles Roland Berry
Beethoven. String Quartet in F Major, Op...
141 bpm • C Maj • 09:13 • -10.61db
2% Popularity • 42% Danceability • 31% Energy • 10% Liveness
42% Instrumentalness • 24% Positiveness
2% Popularity • 42% Danceability • 31% Energy • 10% Liveness
42% Instrumentalness • 24% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
141 bpm • G Maj • 09:45 • -26.3db
3% Popularity • 16% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
3% Popularity • 16% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Tosca: Act III: E lucevan le stelle … ...
110 bpm • B min • 03:00 • -27db
36% Popularity • 20% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 20% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
