Songs like Guaracha: Convidando está la noche by Juan Garcia de Zespedes
Based on a tempo of (+/- 10%) and a similar genre
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Juan Garcia de Zespedes
Guaracha «Ay Que Me Abraso»
90 bpm • F Maj • 02:40 • -20.06db
3% Popularity • 64% Danceability • 26% Energy • 5% Liveness
70% Instrumentalness • 86% Positiveness
3% Popularity • 64% Danceability • 26% Energy • 5% Liveness
70% Instrumentalness • 86% Positiveness
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Antonio Vivaldi
Salve Regina, R.616 (Antiphona): 1. "Sal...
90 bpm • B min • 03:48 • -28.8db
13% Popularity • 23% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 23% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Hildegard von Bingen
Kyrie, eleison
90 bpm • D Maj • 02:05 • -26.42db
19% Popularity • 31% Danceability • 4% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
19% Popularity • 31% Danceability • 4% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Montserrat Figueras
Salve regina à 8 (extrait)
90 bpm • F min • 04:14 • -21db
13% Popularity • 13% Danceability • 11% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 11% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
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Agostino Steffani
Stabat Mater: Cuius animam gementem…. ...
90 bpm • D min • 02:01 • -15db
22% Popularity • 20% Danceability • 28% Energy • 14% Liveness
3% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 28% Energy • 14% Liveness
3% Instrumentalness • 7% Positiveness
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The Hilliard Ensemble
Missa "Mille Regretz": Kyrie (Morales)
90 bpm • B Maj • 04:54 • -19.74db
13% Popularity • 10% Danceability • 24% Energy • 15% Liveness
60% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 24% Energy • 15% Liveness
60% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Three Sacred Hymns: I. Gegrüßet seist ...
90 bpm • C min • 01:35 • -30db
12% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
12% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Juan Garcia de Zespedes
Guaracha: Convidando está la noche
90 bpm • G Maj • 04:25 • -22.62db
8% Popularity • 44% Danceability • 14% Energy • 7% Liveness
12% Instrumentalness • 40% Positiveness
8% Popularity • 44% Danceability • 14% Energy • 7% Liveness
12% Instrumentalness • 40% Positiveness
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Michael Praetorius
Terpsichore*: a. Ballet des Baccanales b...
90 bpm • C Maj • 03:20 • -18.06db
18% Popularity • 42% Danceability • 24% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
18% Popularity • 42% Danceability • 24% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
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Manuel de Zumaya
Sumaya : Matins for the Virgin of Guadal...
89 bpm • C# Maj • 04:51 • -20db
9% Popularity • 34% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 34% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Traditional
A Worcester Ladymass: O Maria virgo pia
91 bpm • D Maj • 01:57 • -24.86db
31% Popularity • 22% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 22% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Philippe Jaroussky
O quam suavis (Mottetti a voce sola da d...
91 bpm • F Maj • 04:36 • -20db
14% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IX. In Paradisum
89 bpm • B Maj • 03:00 • -29.16db
7% Popularity • 10% Danceability • 3% Energy • 10% Liveness
69% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 3% Energy • 10% Liveness
69% Instrumentalness • 3% Positiveness
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Miguel de Fuenllana
Con que la lavare
91 bpm • C min • 02:48 • -23db
20% Popularity • 21% Danceability • 5% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
20% Popularity • 21% Danceability • 5% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
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Michael Praetorius
Terpsichore*: Bransle de la Torche
91 bpm • C Maj • 02:14 • -26.03db
23% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
23% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
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Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
30% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Francesco Cavalli
Cavalli: Il Xerse, Act 1: "Ombra mai fu"...
91 bpm • F Maj • 03:19 • -18db
18% Popularity • 32% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 32% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Claudio Monteverdi
Lamento D'Arianna: I. Lasciatemi Morire
89 bpm • A Maj • 01:50 • -23db
13% Popularity • 16% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Thoinot Arbeau
Belle qui tiens ma vie
92 bpm • F Maj • 03:39 • -21db
7% Popularity • 25% Danceability • 9% Energy • 9% Liveness
9% Instrumentalness • 14% Positiveness
7% Popularity • 25% Danceability • 9% Energy • 9% Liveness
9% Instrumentalness • 14% Positiveness
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Thomas Fabri
Ach Vlaendere vrie
89 bpm • A# Maj • 02:58 • -22.01db
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Jubilate Deo
88 bpm • A# min • 05:48 • -20.9db
9% Popularity • 10% Danceability • 17% Energy • 12% Liveness
11% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 17% Energy • 12% Liveness
11% Instrumentalness • 4% Positiveness
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Luis de Narváez
Cancion del Emperador
92 bpm • F# min • 01:56 • -14.17db
10% Popularity • 47% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 49% Positiveness
10% Popularity • 47% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 49% Positiveness
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Henry Purcell
Purcell: Hear My Prayer, O Lord, Z. 15
88 bpm • C min • 02:11 • -20.71db
17% Popularity • 18% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
Il secondo libro de madrigali a cinque v...
89 bpm • D# min • 04:25 • -25.81db
14% Popularity • 14% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
26% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
26% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Johann Michael Bach
Halt, was du hast
88 bpm • E min • 05:26 • -21db
16% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Cristobal de Morales
Introitus: I. Requiem aeternam
88 bpm • G# Maj • 02:43 • -21.3db
13% Popularity • 12% Danceability • 9% Energy • 10% Liveness
27% Instrumentalness • 5% Positiveness
13% Popularity • 12% Danceability • 9% Energy • 10% Liveness
27% Instrumentalness • 5% Positiveness
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Pierre Sandrin
Doulce mémoire
88 bpm • C# min • 02:49 • -22db
8% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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Gilles Binchois
Binchois: Amours mercy de trespout non p...
88 bpm • C# min • 03:55 • -23db
10% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Antonio de Salazar
O sácrum convÃvium
92 bpm • G# Maj • 02:04 • -17.94db
9% Popularity • 15% Danceability • 25% Energy • 12% Liveness
6% Instrumentalness • 11% Positiveness
9% Popularity • 15% Danceability • 25% Energy • 12% Liveness
6% Instrumentalness • 11% Positiveness
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Adrianus Valerius
La Boree
88 bpm • F Maj • 01:48 • -16.6db
13% Popularity • 76% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 76% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Johann Sebastian Bach
Ich lasse dich nicht, du segnest mich de...
92 bpm • E min • 04:21 • -32.55db
21% Popularity • 20% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 20% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Girolamo Frescobaldi
Begli occhi io non prouo, F7.18
93 bpm • G min • 02:45 • -21db
9% Popularity • 35% Danceability • 8% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 35% Danceability • 8% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Orlande de Lassus
Sacrae cantiones: Justorum animae
93 bpm • D# Maj • 02:03 • -21.62db
17% Popularity • 24% Danceability • 9% Energy • 11% Liveness
28% Instrumentalness • 10% Positiveness
17% Popularity • 24% Danceability • 9% Energy • 11% Liveness
28% Instrumentalness • 10% Positiveness
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Luis de Narváez
Diferencias sobre "Guárdame las vacas"
93 bpm • A min • 03:25 • -24.25db
11% Popularity • 33% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
11% Popularity • 33% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
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Henry Purcell
Fairest Isle
87 bpm • G# Maj • 04:40 • -23.74db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
5% Instrumentalness • 15% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
5% Instrumentalness • 15% Positiveness
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Maurice Duruflé
Quatre Motets: Ubi Caritas
93 bpm • E Maj • 02:31 • -31db
18% Popularity • 12% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 12% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Santiago De Murcia
Tarantelas
87 bpm • D min • 04:02 • -27db
12% Popularity • 34% Danceability • 8% Energy • 7% Liveness
94% Instrumentalness • 47% Positiveness
12% Popularity • 34% Danceability • 8% Energy • 7% Liveness
94% Instrumentalness • 47% Positiveness
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Adrian Willaert
Huc me sidereo
93 bpm • A min • 09:24 • -22db
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
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Gaspar Sanz
Suite Española - Arr. For Guitar By Nar...
87 bpm • D Maj • 03:11 • -22db
15% Popularity • 35% Danceability • 13% Energy • 16% Liveness
88% Instrumentalness • 59% Positiveness
15% Popularity • 35% Danceability • 13% Energy • 16% Liveness
88% Instrumentalness • 59% Positiveness
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Tylman Susato
Susato: 12 Dances from The Danserye: I. ...
87 bpm • C Maj • 01:15 • -9.67db
12% Popularity • 53% Danceability • 56% Energy • 13% Liveness
68% Instrumentalness • 25% Positiveness
12% Popularity • 53% Danceability • 56% Energy • 13% Liveness
68% Instrumentalness • 25% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629, Act III: If Lov...
87 bpm • G min • 02:08 • -16db
18% Popularity • 44% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 44% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
35% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
35% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
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Andrés Barea
Miserere mei Deus (psaume L) – à 8, a...
87 bpm • E min • 09:32 • -20db
9% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
O magnum mysterium: O Magnum Mysterium
87 bpm • A min • 04:27 • -25.77db
18% Popularity • 9% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Andrés Segovia
Keyboard Suite No. 4 in D Minor, HWV 437...
87 bpm • D min • 04:01 • -21.45db
29% Popularity • 56% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
29% Popularity • 56% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
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The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Agostino Steffani
Stabat Mater: Eja Mater, fons amoris… ...
87 bpm • G min • 04:15 • -14.39db
14% Popularity • 26% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
14% Popularity • 26% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
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The Tallis Scholars
Isaac: Optime Pastor - 1. Optime Divino
87 bpm • E min • 04:42 • -21.78db
17% Popularity • 11% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 11% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
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Traditional
All Things Are Quite Silent (arr. Kerry ...
86 bpm • F Maj • 04:10 • -31.53db
13% Popularity • 11% Danceability • 6% Energy • 28% Liveness
1% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 6% Energy • 28% Liveness
1% Instrumentalness • 5% Positiveness
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Henry Purcell
King Arthur, or The British Worthy (1691...
94 bpm • D# Maj • 04:54 • -19db
10% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
10% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
15% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Dmitry Bortniansky
Cherubic Hymn, No. 7
86 bpm • D Maj • 04:00 • -22db
15% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: I. Prélude
86 bpm • C Maj • 01:37 • -18.4db
14% Popularity • 39% Danceability • 24% Energy • 20% Liveness
76% Instrumentalness • 15% Positiveness
14% Popularity • 39% Danceability • 24% Energy • 20% Liveness
76% Instrumentalness • 15% Positiveness
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Philippe de Monte
Missa super mon coeur se recomande: Sanc...
86 bpm • C# Maj • 03:10 • -22db
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
86 bpm • F Maj • 02:16 • -20.84db
20% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
20% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
13% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Andrea Falconieri
Ciaconna
94 bpm • C Maj • 03:28 • -17db
15% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
15% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
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Hans Neusidler
Welscher Tantz Wascha mesa - Hupfauff
86 bpm • C Maj • 01:31 • -23.09db
15% Popularity • 41% Danceability • 26% Energy • 30% Liveness
96% Instrumentalness • 73% Positiveness
15% Popularity • 41% Danceability • 26% Energy • 30% Liveness
96% Instrumentalness • 73% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: I. K...
94 bpm • C Maj • 04:44 • -19.22db
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Marin Marais
4e livre de viole: Muzette
94 bpm • C# Maj • 02:19 • -31.87db
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Juan Gutiérrez de Padilla
Missa Ego flos campi: Kirie
86 bpm • G Maj • 02:10 • -20db
8% Popularity • 17% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 18% Positiveness
8% Popularity • 17% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 18% Positiveness
► Preview
Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
18% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
18% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
► Preview
Tomás Luis de Victoria
O magnum mysterium
95 bpm • F# min • 03:11 • -23db
13% Popularity • 21% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 21% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Gustav Holst
Choral Hymns from the Rig Veda, 3rd Grou...
95 bpm • A Maj • 02:25 • -21.51db
9% Popularity • 21% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act II, Scene...
86 bpm • F# Maj • 06:21 • -24db
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
95 bpm • D min • 01:42 • -27.15db
28% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
28% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
► Preview
Maurizio Cazzati
Ciaccona, Op. 23
95 bpm • C# Maj • 03:07 • -18db
15% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
15% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
► Preview
Giovanni Battista Pergolesi
Salve Regina in C minor (1736): 4. Et Je...
95 bpm • A Maj • 02:44 • -21.73db
18% Popularity • 15% Danceability • 6% Energy • 17% Liveness
15% Instrumentalness • 11% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 17% Liveness
15% Instrumentalness • 11% Positiveness
► Preview
Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
28% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Juan Garcia de Zespedes
Convidando esta la noche
85 bpm • E Maj • 05:22 • -12.52db
0% Popularity • 23% Danceability • 88% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 23% Danceability • 88% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Luigi Boccherini
Quintette à cordes No. 6 en Ut Majeur, ...
96 bpm • B min • 01:57 • -28.36db
14% Popularity • 64% Danceability • 9% Energy • 53% Liveness
8% Instrumentalness • 74% Positiveness
14% Popularity • 64% Danceability • 9% Energy • 53% Liveness
8% Instrumentalness • 74% Positiveness
► Preview
Heinrich Schütz
Herr, wenn ich nur dich habe, SWV 280
85 bpm • A min • 03:27 • -18db
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 4. Quae moerabat
95 bpm • D Maj • 02:14 • -20.9db
22% Popularity • 45% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 45% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Maurizio Cazzati
Correnti e balletti, Op. 4: No. 33, Ciac...
96 bpm • C# Maj • 02:40 • -17.08db
16% Popularity • 45% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
16% Popularity • 45% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Thomas Tallis
A Solfing Song
96 bpm • E Maj • 02:52 • -28.82db
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Edward Elgar
Ave Maria, Op. 2, No. 2
85 bpm • A# Maj • 02:45 • -28.14db
25% Popularity • 12% Danceability • 6% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 6% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
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Thomas Weelkes
As Vesta was from Latmos hill descending
84 bpm • F Maj • 03:03 • -22db
12% Popularity • 20% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 20% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Michelangelo Falvetti
Il diluvio universale, Act IV "In l’ar...
96 bpm • F# min • 03:00 • -19.17db
11% Popularity • 50% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
11% Popularity • 50% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
26% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
26% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Tarquinio Merula
Merula : Ciaccona
96 bpm • C# Maj • 02:53 • -15.79db
15% Popularity • 44% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 56% Positiveness
15% Popularity • 44% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 56% Positiveness
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Thomas Tallis
Tallis: Spem in alium
84 bpm • C# Maj • 10:18 • -18.25db
8% Popularity • 8% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
37% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Paolo Pandolfo
sopra l'anticho canto de La Spagna
96 bpm • D min • 09:49 • -21.21db
13% Popularity • 24% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
20% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: II. Kyrie eleison
96 bpm • F Maj • 03:05 • -20.42db
9% Popularity • 12% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Santiago De Murcia
Jácaras por la E
97 bpm • D min • 03:47 • -29.56db
14% Popularity • 52% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 67% Positiveness
14% Popularity • 52% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 67% Positiveness
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Antonio de Salazar
Tarará, qui yo soy Antón
97 bpm • F# Maj • 03:50 • -20.92db
4% Popularity • 44% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 44% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Marchetto Cara
Mal un muta per effecto
97 bpm • A min • 02:15 • -19.88db
24% Popularity • 44% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 44% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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John Dowland
Lachrimae Antiquae from Lachrimae, or Se...
97 bpm • G min • 04:17 • -30db
16% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Ottone in villa, RV 729, Act II Scene VI...
84 bpm • E Maj • 05:35 • -28db
20% Popularity • 16% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Quel augellin che canta
83 bpm • A# Maj • 02:06 • -23.74db
15% Popularity • 15% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 15% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Giovanni Gabrieli
Canzoni et sonate: Sonata No. 13 (arr. E...
97 bpm • G min • 02:26 • -18db
20% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
20% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
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Tylman Susato
Passe and Medio / Den iersten gaillarde
97 bpm • G min • 03:07 • -21db
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
