Songs like Handel in the Strand, RMTB 2a by Percy Grainger
Based on a tempo of (+/- 10%) and a similar genre
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Percy Grainger
Handel in the Strand, RMTB 2a
112 bpm • G Maj • 04:02 • -20db
14% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
14% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: 3 Preludes Founded on ...
112 bpm • G Maj • 03:59 • -22.63db
20% Popularity • 17% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
20% Popularity • 17% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Ron Goodwin
The Battle of Britain Suite: V. Early En...
113 bpm • G# min • 00:56 • -18.49db
16% Popularity • 29% Danceability • 18% Energy • 37% Liveness
94% Instrumentalness • 5% Positiveness
16% Popularity • 29% Danceability • 18% Energy • 37% Liveness
94% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25, Part 2: No. 30,...
111 bpm • A min • 01:57 • -25.48db
2% Popularity • 32% Danceability • 7% Energy • 8% Liveness
12% Instrumentalness • 7% Positiveness
2% Popularity • 32% Danceability • 7% Energy • 8% Liveness
12% Instrumentalness • 7% Positiveness
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Hemvärnets musikkår Lund
"Lads of Wamphray" March
111 bpm • A# Maj • 07:35 • -13.08db
0% Popularity • 38% Danceability • 40% Energy • 19% Liveness
87% Instrumentalness • 40% Positiveness
0% Popularity • 38% Danceability • 40% Energy • 19% Liveness
87% Instrumentalness • 40% Positiveness
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Igor Stravinsky
Apollon Musagète, K. 048: V. Variation ...
113 bpm • G Maj • 01:20 • -28.68db
9% Popularity • 49% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 45% Positiveness
9% Popularity • 49% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 45% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
111 bpm • F Maj • 05:39 • -15.11db
17% Popularity • 32% Danceability • 27% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
17% Popularity • 32% Danceability • 27% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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Percy Grainger
In a Nutshell: IV. The Gum-Suckers March
111 bpm • D# Maj • 03:51 • -19.64db
6% Popularity • 48% Danceability • 28% Energy • 12% Liveness
88% Instrumentalness • 54% Positiveness
6% Popularity • 48% Danceability • 28% Energy • 12% Liveness
88% Instrumentalness • 54% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Charles Gounod
March funèbre d'une marionette
110 bpm • D Maj • 04:27 • -29.3db
11% Popularity • 43% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 30% Positiveness
11% Popularity • 43% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 30% Positiveness
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Claude Debussy
La mer, L. 109: II. Play of the Waves
114 bpm • E Maj • 06:53 • -23db
27% Popularity • 21% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
27% Popularity • 21% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
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Ron Goodwin
The Trap: Main Theme
114 bpm • A# Maj • 03:20 • -18db
17% Popularity • 36% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 35% Positiveness
17% Popularity • 36% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 35% Positiveness
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Igor Stravinsky
Scherzo à la russe, K. 070
114 bpm • G Maj • 04:06 • -17.5db
8% Popularity • 66% Danceability • 26% Energy • 7% Liveness
92% Instrumentalness • 45% Positiveness
8% Popularity • 66% Danceability • 26% Energy • 7% Liveness
92% Instrumentalness • 45% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25, Part 1: No. 2, ...
110 bpm • A min • 01:55 • -29.77db
4% Popularity • 24% Danceability • 5% Energy • 7% Liveness
7% Instrumentalness • 19% Positiveness
4% Popularity • 24% Danceability • 5% Energy • 7% Liveness
7% Instrumentalness • 19% Positiveness
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Percy Grainger
Molly on the Shore, BFMS 23 (Version for...
110 bpm • C# Maj • 03:43 • -17.07db
21% Popularity • 48% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 52% Positiveness
21% Popularity • 48% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 52% Positiveness
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George Lloyd
Symphony No. 2: I. Con brio
110 bpm • C Maj • 08:16 • -24.39db
5% Popularity • 31% Danceability • 14% Energy • 6% Liveness
86% Instrumentalness • 12% Positiveness
5% Popularity • 31% Danceability • 14% Energy • 6% Liveness
86% Instrumentalness • 12% Positiveness
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Hemvärnets musikkår Lund
Lincolnshire Posy: "Dublin Bay" (Sailor'...
114 bpm • C# Maj • 01:25 • -19.14db
0% Popularity • 40% Danceability • 10% Energy • 33% Liveness
2% Instrumentalness • 34% Positiveness
0% Popularity • 40% Danceability • 10% Energy • 33% Liveness
2% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 645...
115 bpm • D# Maj • 05:27 • -30.3db
11% Popularity • 17% Danceability • 3% Energy • 17% Liveness
87% Instrumentalness • 10% Positiveness
11% Popularity • 17% Danceability • 3% Energy • 17% Liveness
87% Instrumentalness • 10% Positiveness
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Reinhold Glière
Bronze Horseman Suite: VI. Waltz. Tempo ...
109 bpm • D Maj • 03:44 • -29.06db
14% Popularity • 21% Danceability • 3% Energy • 5% Liveness
48% Instrumentalness • 6% Positiveness
14% Popularity • 21% Danceability • 3% Energy • 5% Liveness
48% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
115 bpm • G Maj • 06:32 • -11.41db
22% Popularity • 38% Danceability • 24% Energy • 13% Liveness
15% Instrumentalness • 12% Positiveness
22% Popularity • 38% Danceability • 24% Energy • 13% Liveness
15% Instrumentalness • 12% Positiveness
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JoaquÃn Turina
Danzas fantásticas, Op. 22: III. Orgia
115 bpm • D Maj • 04:33 • -21db
11% Popularity • 30% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
11% Popularity • 30% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
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Max Richter
The Twins (Prague)
116 bpm • C min • 01:58 • -31db
39% Popularity • 37% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
39% Popularity • 37% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Armide, Act 2, Scene 2: Espirits de hain...
108 bpm • B Maj • 03:02 • -18.85db
0% Popularity • 31% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 31% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
108 bpm • C Maj • 07:26 • -13db
20% Popularity • 28% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
20% Popularity • 28% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VII. Dance 2
109 bpm • A Maj • 02:15 • -19db
35% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
35% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: II. Ost...
108 bpm • C Maj • 01:59 • -27.02db
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
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Erich Wolfgang Korngold
Much Ado about Nothing Suite, Op. 11: IV...
108 bpm • C Maj • 02:10 • -27.76db
22% Popularity • 20% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Ron Goodwin
633 Squadron: Love Theme
107 bpm • A Maj • 02:07 • -16.2db
6% Popularity • 27% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
6% Popularity • 27% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Percy Grainger
In a Nutshell: IV. Gum-Suckers' March (V...
117 bpm • D# Maj • 03:39 • -14.72db
8% Popularity • 39% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 62% Positiveness
8% Popularity • 39% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 62% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (Ve...
107 bpm • G Maj • 03:40 • -21.51db
13% Popularity • 19% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Max Richter
November
117 bpm • C Maj • 06:22 • -12.1db
42% Popularity • 36% Danceability • 45% Energy • 23% Liveness
22% Instrumentalness • 7% Positiveness
42% Popularity • 36% Danceability • 45% Energy • 23% Liveness
22% Instrumentalness • 7% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: Boisterous Bourr...
106 bpm • D min • 03:20 • -26.33db
11% Popularity • 38% Danceability • 4% Energy • 9% Liveness
39% Instrumentalness • 39% Positiveness
11% Popularity • 38% Danceability • 4% Energy • 9% Liveness
39% Instrumentalness • 39% Positiveness
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Percy Grainger
Children's March "Over the Hills and Far...
118 bpm • F Maj • 01:45 • -16.23db
2% Popularity • 50% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
2% Popularity • 50% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
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Camille Saint-Saëns
Suite algérienne, Op. 60: IV. Marche mi...
118 bpm • C Maj • 04:39 • -13.2db
14% Popularity • 46% Danceability • 33% Energy • 17% Liveness
91% Instrumentalness • 54% Positiveness
14% Popularity • 46% Danceability • 33% Energy • 17% Liveness
91% Instrumentalness • 54% Positiveness
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Gerald Finzi
Romance
106 bpm • G# Maj • 07:00 • -23.62db
13% Popularity • 16% Danceability • 10% Energy • 24% Liveness
83% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 24% Liveness
83% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for String Orchestra in C Major...
106 bpm • C Maj • 09:43 • -16.19db
20% Popularity • 32% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
20% Popularity • 32% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Percy Grainger
Lincolnshire Posy: V. Lord Melbourne
106 bpm • A min • 03:25 • -12.35db
2% Popularity • 30% Danceability • 14% Energy • 19% Liveness
81% Instrumentalness • 5% Positiveness
2% Popularity • 30% Danceability • 14% Energy • 19% Liveness
81% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25, Part 2: No. 32,...
118 bpm • F Maj • 02:44 • -26.71db
2% Popularity • 17% Danceability • 6% Energy • 17% Liveness
96% Instrumentalness • 4% Positiveness
2% Popularity • 17% Danceability • 6% Energy • 17% Liveness
96% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
32% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Suite No.2, K. 038: IV. Galop. Crotchet ...
118 bpm • C Maj • 02:26 • -16db
7% Popularity • 60% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 60% Positiveness
7% Popularity • 60% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 60% Positiveness
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Arcangelo Corelli
Adagio from Violin Sonata in G Minor, Op...
106 bpm • G min • 03:46 • -33db
22% Popularity • 15% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Edward Elgar
Imperial March, Op. 32
105 bpm • A# Maj • 04:18 • -18.51db
14% Popularity • 25% Danceability • 26% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
14% Popularity • 25% Danceability • 26% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
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![Danish Folk-Music Suite (Arr. J. Kreines) [Ed. D Patterson]: IV. Jutish Medley cover art](https://i.scdn.co/image/ab67616d00001e020c6e9825e113731437294d22)
Percy Grainger
Danish Folk-Music Suite (Arr. J. Kreines...
106 bpm • A# Maj • 08:06 • -26.15db
1% Popularity • 27% Danceability • 4% Energy • 16% Liveness
89% Instrumentalness • 8% Positiveness
1% Popularity • 27% Danceability • 4% Energy • 16% Liveness
89% Instrumentalness • 8% Positiveness
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Aaron Copland
Appalachian Spring: VIII. Coda. Moderato
106 bpm • C Maj • 03:40 • -31db
29% Popularity • 15% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Armide, Act 2, Scene 5: Enfin, il est en...
105 bpm • E min • 02:48 • -23.44db
0% Popularity • 37% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 37% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 8% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 11, Venice
105 bpm • D# Maj • 01:57 • -18.97db
15% Popularity • 22% Danceability • 16% Energy • 29% Liveness
70% Instrumentalness • 7% Positiveness
15% Popularity • 22% Danceability • 16% Energy • 29% Liveness
70% Instrumentalness • 7% Positiveness
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Eric Coates
The Jester at the Wedding: IV. Valse, "T...
105 bpm • A# Maj • 04:20 • -25.15db
3% Popularity • 33% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 24% Positiveness
3% Popularity • 33% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 24% Positiveness
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Percy Grainger
Green Bushes
118 bpm • A# Maj • 08:28 • -23.3db
9% Popularity • 32% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 36% Positiveness
9% Popularity • 32% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 36% Positiveness
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Carl Orff
Carmina Burana: II. Fortune plango vulne...
120 bpm • A min • 02:49 • -22.71db
34% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Igor Stravinsky
Violin Concerto in D Major, K. 053: IV. ...
120 bpm • D Maj • 06:21 • -22.14db
11% Popularity • 58% Danceability • 17% Energy • 33% Liveness
19% Instrumentalness • 80% Positiveness
11% Popularity • 58% Danceability • 17% Energy • 33% Liveness
19% Instrumentalness • 80% Positiveness
► Preview
Felix Mendelssohn
Elijah, Op. 70, MWV A25, Part 2: No. 24,...
120 bpm • A min • 01:35 • -17.18db
3% Popularity • 29% Danceability • 30% Energy • 11% Liveness
98% Instrumentalness • 29% Positiveness
3% Popularity • 29% Danceability • 30% Energy • 11% Liveness
98% Instrumentalness • 29% Positiveness
► Preview
Ralph Vaughan Williams
English Folk Song Suite: 1. March: Seven...
121 bpm • F min • 03:21 • -17.06db
33% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
33% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
► Preview
Percy Grainger
Ramble on the Last Love Duet in Richard ...
106 bpm • A# min • 05:55 • -25.76db
4% Popularity • 38% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
4% Popularity • 38% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11,...
121 bpm • A# Maj • 06:32 • -25.13db
24% Popularity • 19% Danceability • 6% Energy • 15% Liveness
16% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 6% Energy • 15% Liveness
16% Instrumentalness • 7% Positiveness
► Preview
Christoph Willibald Gluck
Armide, Act 1, Scene 4: O ciel! O disgra...
103 bpm • G min • 03:26 • -16.74db
0% Popularity • 35% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 35% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Amy Beach
Symphony in E Minor, Op. 32, "Gaelic Sym...
122 bpm • F Maj • 07:26 • -28db
17% Popularity • 22% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Military Marches, Op. 39 "Pomp and Circu...
122 bpm • D Maj • 06:14 • -15.17db
30% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
30% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
► Preview
Ron Goodwin
Beauty and the Beast: Belle's Love Theme
102 bpm • E Maj • 02:23 • -30.41db
3% Popularity • 23% Danceability • 8% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
3% Popularity • 23% Danceability • 8% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Percy Grainger
Hill Song No. 2 (Version for Wind Ensemb...
120 bpm • F# Maj • 05:08 • -18.86db
4% Popularity • 22% Danceability • 12% Energy • 21% Liveness
93% Instrumentalness • 3% Positiveness
4% Popularity • 22% Danceability • 12% Energy • 21% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Carl Orff
Carmina Burana: I. O Fortuna
123 bpm • D Maj • 02:47 • -20db
47% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
47% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
► Preview
Christoph Willibald Gluck
Armide, Act 1, Scene 3: Armide est encor...
123 bpm • C Maj • 03:47 • -16.28db
0% Popularity • 35% Danceability • 21% Energy • 25% Liveness
18% Instrumentalness • 49% Positiveness
0% Popularity • 35% Danceability • 21% Energy • 25% Liveness
18% Instrumentalness • 49% Positiveness
► Preview
Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Malcolm Arnold
The Bridge on the River Kwai: II. Colone...
123 bpm • D Maj • 04:08 • -13db
9% Popularity • 53% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 66% Positiveness
9% Popularity • 53% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 66% Positiveness
► Preview
Ron Goodwin
Clash of Loyalties: Suite
101 bpm • A# min • 06:13 • -16.96db
4% Popularity • 28% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
4% Popularity • 28% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
John Farrar
English Pastoral Impressions: I. Spring ...
101 bpm • D# Maj • 04:59 • -31db
25% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Percy Grainger
Shepherd's Hey
105 bpm • G Maj • 02:18 • -18.72db
7% Popularity • 64% Danceability • 21% Energy • 4% Liveness
73% Instrumentalness • 81% Positiveness
7% Popularity • 64% Danceability • 21% Energy • 4% Liveness
73% Instrumentalness • 81% Positiveness
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Max Richter
Andras
124 bpm • C# min • 02:42 • -27.2db
20% Popularity • 18% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
20% Popularity • 18% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25, Part 2: No. 22,...
124 bpm • G Maj • 04:23 • -19.48db
3% Popularity • 21% Danceability • 17% Energy • 16% Liveness
95% Instrumentalness • 12% Positiveness
3% Popularity • 21% Danceability • 17% Energy • 16% Liveness
95% Instrumentalness • 12% Positiveness
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Henry Purcell
Timon of Athens, Masque: Curtain Tune on...
125 bpm • F# min • 02:20 • -27.13db
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante
100 bpm • E Maj • 09:07 • -23.48db
15% Popularity • 15% Danceability • 8% Energy • 12% Liveness
49% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 8% Energy • 12% Liveness
49% Instrumentalness • 3% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Percy Grainger
Lincolnshire Posy for Military Band: II....
104 bpm • A# min • 02:44 • -18.54db
10% Popularity • 15% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Crispian Steele-Perkins
Ayres for the Theatre: Round 0 (The Prin...
100 bpm • C# Maj • 01:04 • -17.56db
10% Popularity • 73% Danceability • 11% Energy • 5% Liveness
80% Instrumentalness • 88% Positiveness
10% Popularity • 73% Danceability • 11% Energy • 5% Liveness
80% Instrumentalness • 88% Positiveness
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Manuel de Falla
La Vida Breve, G. 35, Act II, First Tabl...
101 bpm • A Maj • 03:25 • -22db
10% Popularity • 33% Danceability • 19% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
10% Popularity • 33% Danceability • 19% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Slow Dance
100 bpm • E min • 01:55 • -26.17db
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
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Edward Elgar
Cello Concerto, Op. 85: I. Adagio
125 bpm • E min • 07:19 • -28.97db
8% Popularity • 19% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 5% Positiveness
8% Popularity • 19% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 5% Positiveness
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Percy Grainger
Let's Dance Gay in Green Meadow (Faeroe ...
123 bpm • C min • 02:31 • -19.88db
4% Popularity • 32% Danceability • 17% Energy • 12% Liveness
74% Instrumentalness • 20% Positiveness
4% Popularity • 32% Danceability • 17% Energy • 12% Liveness
74% Instrumentalness • 20% Positiveness
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Christoph Willibald Gluck
Gluck: Armide, Wq. 45: Overture (Moderat...
125 bpm • C Maj • 04:02 • -16.33db
1% Popularity • 36% Danceability • 23% Energy • 6% Liveness
83% Instrumentalness • 41% Positiveness
1% Popularity • 36% Danceability • 23% Energy • 6% Liveness
83% Instrumentalness • 41% Positiveness
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Alfonso Ferrabosco II
Pavan à 5 No. 4 "Four-Note Pavan" (Arr....
100 bpm • G min • 04:05 • -14db
12% Popularity • 14% Danceability • 9% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
12% Popularity • 14% Danceability • 9% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25, Part 1: No. 4, ...
126 bpm • D# Maj • 02:12 • -28.93db
4% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Aaron Copland
Appalachian Spring: IV. Quite Fast
127 bpm • E Maj • 03:34 • -15db
29% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
29% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
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Augusta Holmès
Ludus pro Patria, La Nuit et l'Amour: La...
99 bpm • D# Maj • 05:49 • -25db
10% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
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Percy Grainger
Children's March "Over the Hills and Far...
126 bpm • A# Maj • 06:44 • -15.5db
13% Popularity • 43% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
13% Popularity • 43% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Christoph Willibald Gluck
Armide, Act 3, Scene 3: Venez, venez, Ha...
126 bpm • C Maj • 03:17 • -16.28db
0% Popularity • 31% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 31% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
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Carl Orff
Carmina Burana: XXII. Tempus est iocundu...
127 bpm • D Maj • 02:25 • -23.06db
29% Popularity • 35% Danceability • 25% Energy • 91% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 35% Danceability • 25% Energy • 91% Liveness
0% Instrumentalness • 28% Positiveness
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Anonymous
Lisbon "Dublin Bay"
127 bpm • D# Maj • 01:19 • -19.08db
19% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
19% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: I. Balletto Detto '...
127 bpm • D Maj • 02:59 • -22.83db
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
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George Walker
Lyric for Strings
99 bpm • F# Maj • 05:23 • -31.05db
24% Popularity • 13% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Percy Grainger
La Scandinavie: III. Polska norvégien
126 bpm • D# Maj • 02:54 • -22.83db
14% Popularity • 30% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
14% Popularity • 30% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness