Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists | Pitch your song |
The Battle of Britain Suite: V. Early Encounter cover art

Ron Goodwin, Rumon Gamba, BBC Philharmonic

The Battle of Britain Suite: V. Early Encounter

The Film Music of Ron Goodwin
Preview
Home >> Ron Goodwin >> The Battle of Britain Suite: V. Early Encounter

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
113 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
G# min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-18.49db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 17% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
17%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
18%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
29%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
5%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
37%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
56%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
94%




Discover songs similar to The Battle of Britain Suite: V. Early Encounter


Parapluie - Instrumental cover art
Michael Kamen - Parapluie - Instrumental
23% popularity • 113 bpm • G min • 02:17 • 1/4
Aces High (From the Film 'Battle of Britain') - 2003 Remaster cover art
Ron Goodwin - Aces High - 2003 Remaster
8% popularity • 113 bpm • A# Maj • 03:50 • 4/4
The Longest Day cover art
The Band Of The Royal Military School - The Longest Day
16% popularity • 113 bpm • C Maj • 02:06 • 4/4
Star Trek: The Next Generation Main Title cover art
Jerry Goldsmith, Ron Jones - Star Trek: The Next Generation Main Titl...
39% popularity • 113 bpm • A# Maj • 01:44 • 4/4
Memphis Belle End Title Suite cover art
George Fenton - Memphis Belle End Title Suite
18% popularity • 113 bpm • D# Maj • 07:43 • 3/4
The Great Escape Theme cover art
Mount Royal Orchestra - The Great Escape Theme
31% popularity • 113 bpm • A# Maj • 02:15 • 4/4
Handel in the Strand, RMTB 2a cover art
Percy Grainger - Handel in the Strand, RMTB 2a
14% popularity • 112 bpm • G Maj • 04:02 • 4/4
The Battle of Britain Suite: V. Early Encounter cover art
Ron Goodwin - The Battle of Britain Suite: V. Early En...
16% popularity • 113 bpm • G# min • 00:56 • 3/4
Cockleshell Heroes cover art
The Band Of The Royal Military School - Cockleshell Heroes
7% popularity • 112 bpm • F Maj • 04:03 • 4/4
Concerto, S. 146: I. Allegretto cover art
Francis Poulenc - Concerto, S. 146: I. Allegretto
6% popularity • 112 bpm • G# Maj • 10:05 • 4/4
Star Trek: The Next Generation End Credit cover art
Jerry Goldsmith, Ron Jones - Star Trek: The Next Generation End Credi...
24% popularity • 113 bpm • A# Maj • 01:02 • 4/4
Military Marches, Op. 39
Edward Elgar - Military Marches, Op. 39 "Pomp and Circu...
6% popularity • 114 bpm • G Maj • 05:06 • 4/4
Piano Concerto No. 3, Sz. 119, BB 127: II. Adagio religioso cover art
Béla Bartók - Piano Concerto No. 3, Sz. 119, BB 127: I...
6% popularity • 112 bpm • C Maj • 10:04 • 3/4
The Last Starfighter: Main Title cover art
Craig Safan - The Last Starfighter: Main Title
25% popularity • 114 bpm • D# Maj • 03:15 • 4/4
Click to view more similar songs to The Battle of Britain Suite: V. Early Encounter
Discover more songs by Ron Goodwin
The Battle of Britain Suite: V. Early Encounter is a song by Ron Goodwin, released on 2004-11-01. It is track number 9 in the album The Film Music of Ron Goodwin. The Battle of Britain Suite: V. Early Encounter has a BPM/tempo of 113 beats per minute, is in the key of G# min and has a duration of 56 seconds, 666 milliseconds.

The Battle of Britain Suite: V. Early Encounter is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.

The Battle of Britain Suite: V. Early Encounter info

Name
The Battle of Britain Suite: V. Early Encounter
Artist(s)
Ron Goodwin, Rumon Gamba, BBC Philharmonic
Album
The Film Music of Ron Goodwin
Release Date
1st November 2004
ISRC
GBLWD0416309
Key
G# min
Tempo
113
Loudness (db)
-18.49db
Time signature
3/4
Length
00:56
Song Number
9 of 23
Explicit
No