Songs like Impromptu in E Major by Clara Schumann
Based on a tempo of (+/- 10%) and a similar genre
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Valentin Silvestrov
Bagatelles I-XIII: Bagatelle III
71 bpm • C Maj • 04:24 • -25.11db
24% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
24% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus LiebesfrĂĽhlin...
71 bpm • G# Maj • 02:09 • -32db
56% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
56% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Germaine Tailleferre
Valses pour 2 pianos: Valse lente
71 bpm • B min • 01:15 • -30.06db
46% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
46% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Frédéric Chopin
12 Études, Op. 10: No. 3 in E Major
71 bpm • E Maj • 03:54 • -23.4db
41% Popularity • 39% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
41% Popularity • 39% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
41% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
46% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
46% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 2 in B Flat Major, Op...
71 bpm • D# Maj • 09:07 • -23db
23% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
23% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Clara Schumann
Notturno in F major Op.6 No.2: Notturno ...
71 bpm • F Maj • 05:08 • -30.2db
28% Popularity • 27% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
28% Popularity • 27% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: No. 8, The G...
71 bpm • F# Maj • 02:52 • -31.07db
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Valentin Silvestrov
Bagatelle, Op. 1: No. 1, Allegretto
72 bpm • D# Maj • 02:19 • -35.31db
43% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 4 Nottu...
72 bpm • D min • 04:04 • -29.45db
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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JoaquĂn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Clara Schumann
Piano Sonata in G Minor: III. Scherzo
70 bpm • G Maj • 02:52 • -30.23db
11% Popularity • 37% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 37% Positiveness
11% Popularity • 37% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 37% Positiveness
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Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
43% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
43% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Robert Schumann
Kreisleriana, Op. 16: No. 4, Sehr langsa...
70 bpm • A# Maj • 04:22 • -32.66db
43% Popularity • 28% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
43% Popularity • 28% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 30 in E Major, Op. 109:...
72 bpm • E Maj • 02:36 • -37.31db
16% Popularity • 40% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
16% Popularity • 40% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice", Wq. 30...
70 bpm • D min • 03:52 • -31.87db
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Ignaz Friedman
Orfeo ed Euridice: Ballet des Ombres Heu...
70 bpm • F# Maj • 03:58 • -33db
45% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
45% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Robert Schumann
3 Romanzen, Op. 28: No. 2 in F-Sharp Maj...
70 bpm • F# Maj • 03:50 • -30db
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Charles-Valentin Alkan
Recueil de chants, Op. 65: No. 6, Barcar...
70 bpm • G min • 03:36 • -36.61db
49% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
49% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
46% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
46% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Luke Faulkner
Polovtsian Dances from Prince Igor (pian...
72 bpm • A Maj • 02:52 • -21.35db
47% Popularity • 34% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
47% Popularity • 34% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Chilly Gonzales
NO ROADMAP TO ADULTHOOD / Chilly Gonzale...
70 bpm • D# min • 03:02 • -31.77db
38% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Sigismond Thalberg
Les Soirees de Pausilippe, Hommage a Ros...
72 bpm • F min • 01:43 • -29db
36% Popularity • 24% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: I. Fragilité
69 bpm • D# Maj • 02:32 • -36db
37% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
37% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 3, Moderato
73 bpm • G# Maj • 04:23 • -28.44db
13% Popularity • 34% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
13% Popularity • 34% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Johannes Brahms
Sechs KlavierstĂĽcke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Francis Poulenc
Nocturnes n°4 en ut mineur
73 bpm • C Maj • 01:28 • -28.78db
46% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
46% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
50% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
50% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Mikhail Glinka
Mazurka in C Major
69 bpm • A min • 01:26 • -32.89db
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
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Edvard Grieg
7 Lyric Pieces, Op. 71: No. 4, Peace of ...
69 bpm • C# min • 05:13 • -30.08db
8% Popularity • 26% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Clara Schumann
Scherzo No. 2 in C Minor, Op. 14
69 bpm • C min • 04:52 • -24.3db
18% Popularity • 28% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 28% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
46% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
46% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Claude Debussy
Préludes / Book 1, L. 117: 8. La fille ...
73 bpm • D# min • 02:30 • -38.22db
50% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
50% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Franz Schubert
Piano Sonata No. 20 in A Major, D. 959: ...
69 bpm • B min • 08:55 • -26.58db
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Johannes Brahms
Capriccio in F-Sharp Minor, Op. 76, No. ...
69 bpm • C# Maj • 03:31 • -22db
23% Popularity • 32% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 32% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Deux Arabesques, L66: No. 1: Andantino c...
73 bpm • E Maj • 04:32 • -28.85db
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
► Preview
Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
47% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
47% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
► Preview
John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
George Frideric Handel
Sarabande Variations : Variation VIII
74 bpm • C# Maj • 01:28 • -42db
46% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
46% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
► Preview
Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
36% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
36% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Fanny Mendelssohn
Mendelssohn-Hensel: 6 MĂ©lodies, Opp. 4 ...
68 bpm • C# min • 03:08 • -29db
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: IV. Danse languide
74 bpm • D# Maj • 01:24 • -40.61db
46% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
46% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
74 bpm • G# Maj • 04:54 • -26.61db
16% Popularity • 29% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 29% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
44% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
50% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
50% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
74 bpm • G Maj • 02:50 • -39.4db
44% Popularity • 7% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Nocturnes, Op. 27: No. 2 in D Flat Major...
68 bpm • C# Maj • 07:13 • -28.52db
42% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
42% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 11 in B Major
74 bpm • B Maj • 01:43 • -33.14db
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act 2: Dance...
68 bpm • B min • 03:09 • -25.08db
36% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
36% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Clara Schumann
3 Lieder, Op. 12: No. 3, Warum willst Du...
74 bpm • G# Maj • 02:32 • -32.54db
3% Popularity • 23% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
3% Popularity • 23% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
13 Preludes, Op. 32: No. 5 in G Major. M...
74 bpm • G Maj • 03:13 • -38db
43% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
43% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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William Grant Still
Three Visions: II. Summerland
68 bpm • G Maj • 04:37 • -32.28db
42% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
42% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
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Edvard Grieg
Lyric Pieces, Livre 5, Op. 54: IV. Nottu...
68 bpm • C Maj • 04:17 • -30.4db
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Johannes Brahms
Clarinet Trio in A Minor, Op. 114: I. Al...
68 bpm • A min • 07:39 • -20db
34% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
39% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
39% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Valentin Silvestrov
Naive Music: No. 2. Nocturne
68 bpm • A# Maj • 02:35 • -36db
46% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Robert Schumann
Abendlied, Op. 85 No. 12 (Arr. Grosvenor...
68 bpm • C# Maj • 03:27 • -32.77db
48% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
48% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Clara Schumann
Soirees musicales, Op. 6: No. 2. Notturn...
74 bpm • F Maj • 04:46 • -33db
7% Popularity • 24% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
