Songs like Introductory Remarks / We Got Annie (Bonus Track) by Charles Strouse
Based on a tempo of (+/- 10%) and a similar genre
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Michael McGrath
Perspective
148 bpm • D Maj • 02:44 • -9.42db
23% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Ruffhousin' Mit Shuffhausen
148 bpm • A# Maj • 04:48 • -15.2db
13% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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John Bolton
Meant to Be
148 bpm • F Maj • 01:40 • -10.5db
38% Popularity • 29% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 29% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Charles Strouse
Introductory Remarks / We Got Annie (Bon...
148 bpm • A# Maj • 02:14 • -24.44db
15% Popularity • 55% Danceability • 9% Energy • 19% Liveness
15% Instrumentalness • 75% Positiveness
15% Popularity • 55% Danceability • 9% Energy • 19% Liveness
15% Instrumentalness • 75% Positiveness
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Terrence Mann
How Long Must This Go On?
147 bpm • F min • 00:56 • -21.37db
34% Popularity • 28% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 28% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
28% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
32% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Original Cast of Amélie
The Girl with the Glass
147 bpm • E Maj • 04:14 • -13.02db
20% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
19% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Charles Strouse
You're Never Fully Dressed Without A Smi...
149 bpm • G# Maj • 01:24 • -8.17db
24% Popularity • 52% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 52% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 92% Positiveness
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Will Brill
It’s A Scandal! It’s A Outrage!
150 bpm • D Maj • 02:51 • -8.62db
21% Popularity • 77% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 77% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Corey Reynolds
Run and Tell That!
150 bpm • A Maj • 03:49 • -6.69db
30% Popularity • 72% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 72% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
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MARTIN CHARNIN
Tomorrow
150 bpm • C# Maj • 02:29 • -5.2db
5% Popularity • 39% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
5% Popularity • 39% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Jerry Herman
A Little More Mascara (Encore)
150 bpm • F# min • 01:09 • -11.02db
17% Popularity • 43% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 43% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ramin Karimloo
You're a Funny Girl / Beekman Call
150 bpm • D# Maj • 02:02 • -16.59db
19% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Charles Strouse
Annie: Something Was Missing
150 bpm • C Maj • 03:42 • -16.86db
23% Popularity • 29% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 29% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
30% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
29% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Fred Applegate
Please Send Me Someone
145 bpm • C Maj • 02:50 • -8.89db
18% Popularity • 33% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 33% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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The Original Broadway Cast Of School Of Rock
Queen of the Night
144 bpm • D Maj • 01:58 • -8.1db
28% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Tim Curry
Laker Girls Cheer - Original Broadway Ca...
144 bpm • C# Maj • 01:17 • -6.75db
29% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Charles Strouse
Mayor: Act I: You're Not the Mayor
146 bpm • F Maj • 02:10 • -19.51db
0% Popularity • 69% Danceability • 33% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 69% Danceability • 33% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Ken Leung
Not for the Life of Me (Reprise)
152 bpm • C min • 01:05 • -12.53db
21% Popularity • 44% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 44% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Jeanine Tesori
Party Dress
144 bpm • G# Maj • 02:20 • -16.97db
22% Popularity • 60% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 60% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
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Nathan Lane
Along Came Bialy
144 bpm • G# Maj • 06:56 • -10.66db
24% Popularity • 47% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 47% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Rob McClure
She's Happy
152 bpm • D min • 01:16 • -12.16db
24% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Gwen Verdon
Me and My Baby
144 bpm • A# Maj • 03:16 • -18db
21% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Charles Strouse
Rags: The New American Musical: Hard to ...
145 bpm • D# min • 01:22 • -12.01db
1% Popularity • 43% Danceability • 64% Energy • 64% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 43% Danceability • 64% Energy • 64% Liveness
0% Instrumentalness • 60% Positiveness
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Douglas Hodge
Simply Second Nature
144 bpm • D min • 03:33 • -13.92db
23% Popularity • 40% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 40% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Christopher Sieber
The Acceptance Song
152 bpm • A# Maj • 03:14 • -5.35db
30% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
29% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Gavin Creel
Any Moment
144 bpm • F min • 02:07 • -17.41db
32% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Mindi Dickstein
Here Alone
143 bpm • C# Maj • 03:37 • -11.54db
26% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Taylor Trensch
Fie on Goodness
143 bpm • D# Maj • 03:21 • -8.29db
16% Popularity • 51% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 51% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Peter Friedman
Buffalo Nickel Photoplay, Inc.
143 bpm • A# Maj • 02:32 • -9.33db
18% Popularity • 64% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 64% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Charles Strouse
Mayor: Act I: Mayor
153 bpm • F min • 01:55 • -20.07db
0% Popularity • 59% Danceability • 28% Energy • 76% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 59% Danceability • 28% Energy • 76% Liveness
0% Instrumentalness • 84% Positiveness
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Lauren Ward
Pathetic
142 bpm • F# Maj • 01:45 • -13.22db
31% Popularity • 57% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 57% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Alix Korey
The Rumor
142 bpm • C Maj • 02:18 • -8.1db
22% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Linda Hart
(The Legend of) Miss Baltimore Crabs
142 bpm • C# Maj • 02:53 • -8.16db
29% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Peter Bartlett
A Romantic Atmosphere
142 bpm • G Maj • 04:50 • -10.65db
19% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Katlyn Carlson
Do You Wanna Hang?
141 bpm • C# Maj • 01:42 • -7.35db
23% Popularity • 58% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 58% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Charles Strouse
Mayor: Act I: You Can Be a New Yorker To...
154 bpm • G Maj • 03:06 • -20.25db
0% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Rose Hemingway
Happy To Keep His Dinner Warm (Reprise)
141 bpm • A Maj • 01:00 • -13.25db
17% Popularity • 40% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 40% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
28% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Alice Ripley
How Could I Ever Forget?
156 bpm • F# Maj • 02:50 • -15db
29% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Wartella
Hugo's First Case - Pt. 1
156 bpm • G Maj • 00:57 • -12.4db
29% Popularity • 74% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 74% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Rose
Smile Girls - Bonus Track
140 bpm • C Maj • 02:49 • -5db
10% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Charles Strouse
Mayor: Act II: Bows
141 bpm • C# Maj • 00:40 • -16.87db
1% Popularity • 62% Danceability • 41% Energy • 59% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 62% Danceability • 41% Energy • 59% Liveness
0% Instrumentalness • 96% Positiveness
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Jeanna de Waal
Prom Climax
157 bpm • C Maj • 02:07 • -6.4db
27% Popularity • 49% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 49% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Anthony Rosenthal
Miracle of Judaism
157 bpm • G Maj • 01:40 • -10.98db
36% Popularity • 59% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 59% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Alice Ripley
It's Gonna Be Good
157 bpm • C# min • 01:25 • -8.53db
33% Popularity • 71% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 71% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
39% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Rodgers + Hammerstein's Cinderella Original Broadway Ensemble
Transformations
138 bpm • G Maj • 02:10 • -9.29db
27% Popularity • 47% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 47% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Charles Strouse
Children of the Wind
140 bpm • G Maj • 02:51 • -10.25db
1% Popularity • 28% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 28% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Ragtime Orchestra
Coalhouse Demands
138 bpm • C min • 03:56 • -8.57db
19% Popularity • 62% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 62% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Roger Bart
Man About Town
137 bpm • F Maj • 01:48 • -8.75db
23% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Mindi Dickstein
Better
159 bpm • E Maj • 01:45 • -8.3db
31% Popularity • 45% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
31% Popularity • 45% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
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Jeanine Tesori
"Just Had a Good Talk with Dad..."
137 bpm • C Maj • 01:50 • -19.32db
22% Popularity • 60% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 60% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Santino Fontana
The Pursuit
138 bpm • C Maj • 04:26 • -8.98db
27% Popularity • 53% Danceability • 38% Energy • 5% Liveness
8% Instrumentalness • 32% Positiveness
27% Popularity • 53% Danceability • 38% Energy • 5% Liveness
8% Instrumentalness • 32% Positiveness
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Taylor Trensch
The Seven Deadly Virtues
137 bpm • C# Maj • 01:39 • -10.93db
19% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Charles Strouse
It's a Bird, It's a Plane, It's Superman...
139 bpm • G# Maj • 02:33 • -11.77db
2% Popularity • 54% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 54% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Charlotte Spencer as Jane Banks
The Perfect Nanny - London Cast Recordin...
136 bpm • D Maj • 01:14 • -17.77db
27% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Peter Friedman
Gliding
136 bpm • F# Maj • 03:51 • -13.73db
19% Popularity • 39% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 39% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Clarke Thorell
(It's) Hairspray
136 bpm • C Maj • 02:11 • -6db
26% Popularity • 67% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 67% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Charles Strouse
Mayor: Act I: What You See Is What You G...
139 bpm • A# Maj • 03:14 • -22.1db
0% Popularity • 68% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 68% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Baby June Baby Louise
Tomorrow's Mother's Day - Bonus Track
135 bpm • G Maj • 01:17 • -6.16db
9% Popularity • 55% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
9% Popularity • 55% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jefferson Mays
Better with a Man
162 bpm • G Maj • 03:02 • -9.84db
24% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Kevin Chamberlin
Horton Sits On The Egg / Act I Finale - ...
135 bpm • F Maj • 02:21 • -10.48db
31% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Marvin Hamlisch
It's All in Here (Bonus Track)
135 bpm • F# Maj • 06:12 • -13.48db
11% Popularity • 46% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
11% Popularity • 46% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Charles Strouse
Annie: You're Never Fully Dressed Withou...
139 bpm • G# Maj • 03:06 • -12.52db
40% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Bruce Anthony Davis
All I Care About
135 bpm • D Maj • 03:47 • -13.89db
33% Popularity • 50% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 50% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Mary Faber
Cinderella, Darling
134 bpm • B Maj • 03:48 • -9.68db
15% Popularity • 52% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 52% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Rebecca Naomi Jones
Out Of My Dreams
134 bpm • C Maj • 03:23 • -11.39db
17% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Charles Strouse
Introductory Remarks (Bonus Track)
136 bpm • G# Maj • 01:01 • -25.98db
14% Popularity • 61% Danceability • 14% Energy • 17% Liveness
7% Instrumentalness • 85% Positiveness
14% Popularity • 61% Danceability • 14% Energy • 17% Liveness
7% Instrumentalness • 85% Positiveness
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Marin Mazzie
Atlantic City
134 bpm • C Maj • 05:35 • -11.55db
19% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Ryan Foust
A Letter From Charlie Bucket
164 bpm • E Maj • 03:23 • -14.62db
27% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
36% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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MARTIN CHARNIN
An Old Man
133 bpm • D# Maj • 02:33 • -13.28db
1% Popularity • 55% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
1% Popularity • 55% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Mindi Dickstein
The Most Amazing Thing
165 bpm • G min • 02:00 • -9.69db
27% Popularity • 46% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 46% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Charles Strouse
Mayor: Act I: Hootspa
134 bpm • A# min • 02:56 • -20.16db
0% Popularity • 77% Danceability • 44% Energy • 93% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 77% Danceability • 44% Energy • 93% Liveness
0% Instrumentalness • 84% Positiveness
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Manoel Felciano
Where Will You Stand When the Flood Come...
166 bpm • A Maj • 03:28 • -6.76db
23% Popularity • 43% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 43% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
All About Ruprecht
132 bpm • G Maj • 03:51 • -15.53db
16% Popularity • 66% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 66% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Danny Burstein
Chavaleh / Tevye's Denial
132 bpm • A# Maj • 03:41 • -16.15db
20% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jenifer Lewis
Turn Back The Hands Of Time
132 bpm • F# Maj • 03:04 • -4.59db
25% Popularity • 81% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 81% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Beth Fowler
Home (Reprise)
166 bpm • G Maj • 00:54 • -22.61db
32% Popularity • 28% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 28% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Charles Strouse
Mayor: Act I: March of the Yuppies
134 bpm • F Maj • 02:40 • -18.97db
0% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Gwen Verdon
I Know a Girl
132 bpm • C Maj • 02:04 • -19.33db
22% Popularity • 68% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 68% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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'[title of show]' Original Cast
Filling out the Form
131 bpm • G# Maj • 01:52 • -10.89db
15% Popularity • 60% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 60% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Rose
Who Needs Him? - Bonus Track
131 bpm • G Maj • 01:16 • -5.7db
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Linda Hart
(Our) Family Tree
168 bpm • C# Maj • 04:09 • -6.82db
25% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Charles Strouse
Mayor: Act II: Good Times
134 bpm • C min • 02:36 • -17.69db
0% Popularity • 65% Danceability • 36% Energy • 53% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 65% Danceability • 36% Energy • 53% Liveness
0% Instrumentalness • 89% Positiveness
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Tim Curry
Come With Me - Broadway/Original Cast/20...
130 bpm • G Maj • 01:41 • -9.04db
32% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
