Songs like Jessica's Sonata II - From "The Man From Snowy River II" by Roger Woodward
Based on a tempo of (+/- 10%) and a similar genre
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 03:23 • -27.75db
11% Popularity • 26% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
11% Popularity • 26% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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François Couperin
Les Baricades Misterieuses
73 bpm • A# Maj • 02:38 • -34.72db
12% Popularity • 23% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
12% Popularity • 23% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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Franz Liszt
Liebeslied (Widmung), S. 566
73 bpm • G# Maj • 03:38 • -23.15db
22% Popularity • 16% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Jules Massenet
Mélodie "Les Érinnyes"
73 bpm • E min • 01:58 • -25.76db
15% Popularity • 43% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 35% Positiveness
15% Popularity • 43% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 35% Positiveness
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Roger Woodward
Waltz in A-Flat Major, Op. 69, No. 1 "L'...
73 bpm • G# Maj • 05:25 • -32.31db
3% Popularity • 28% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
3% Popularity • 28% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Sergei Prokofiev
Visions Fugitives, Op. 22, XII Assai
73 bpm • E min • 01:02 • -37.65db
0% Popularity • 30% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel Pollack
Mendelssohn: Venetian Boat Song Op.30 No...
73 bpm • F# min • 02:42 • -24.7db
22% Popularity • 41% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
22% Popularity • 41% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Marco Risolino
Evening Tense
73 bpm • A# Maj • 01:10 • -25.89db
19% Popularity • 31% Danceability • 0% Energy • 34% Liveness
88% Instrumentalness • 14% Positiveness
19% Popularity • 31% Danceability • 0% Energy • 34% Liveness
88% Instrumentalness • 14% Positiveness
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Agathe Backer Grøndahl
Norske folkeviser og folkedanse, Op. 33 ...
73 bpm • A Maj • 01:11 • -23.47db
18% Popularity • 36% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 37% Positiveness
18% Popularity • 36% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 37% Positiveness
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Roger Woodward
Lullaby, D. 498
72 bpm • G# Maj • 02:22 • -35.49db
9% Popularity • 44% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 24% Positiveness
9% Popularity • 44% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 24% Positiveness
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Frank Hutchens
Three Little Sketches: The Dream Castle
74 bpm • A Maj • 01:56 • -32.93db
9% Popularity • 40% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
9% Popularity • 40% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
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George Frideric Handel
Sarabande Variations : Variation VIII
74 bpm • C# Maj • 01:28 • -42db
49% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
49% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Emmanuel Chabrier
Chabrier: Feuillet d'album
72 bpm • F# min • 01:56 • -29.53db
17% Popularity • 35% Danceability • 3% Energy • 6% Liveness
76% Instrumentalness • 6% Positiveness
17% Popularity • 35% Danceability • 3% Energy • 6% Liveness
76% Instrumentalness • 6% Positiveness
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AntonĂn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
74 bpm • C# Maj • 03:16 • -32.13db
20% Popularity • 61% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
20% Popularity • 61% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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David Stanhope
ThaĂŻs: MĂ©ditation (Arr. David Stanhope...
72 bpm • D Maj • 04:54 • -26db
7% Popularity • 33% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
7% Popularity • 33% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Alexander Borodin
Petite Suite: VII. Nocturne
72 bpm • C# Maj • 02:55 • -33db
9% Popularity • 40% Danceability • 4% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 40% Danceability • 4% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Donald Sosin
Sicilienne
72 bpm • D# Maj • 02:27 • -23.61db
21% Popularity • 27% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 27% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 7 in C Major, "Reverie"
74 bpm • C Maj • 05:07 • -25.32db
8% Popularity • 23% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 23% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Giovanni Umberto Battel
Préludes, Premier livre, L. 117: No. 8,...
72 bpm • F# Maj • 02:55 • -41.52db
23% Popularity • 33% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 5% Positiveness
23% Popularity • 33% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 5% Positiveness
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Roger Woodward
Love Theme [Arr. Roger Woodward]
72 bpm • F Maj • 01:51 • -29.42db
4% Popularity • 37% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 31% Positiveness
4% Popularity • 37% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 31% Positiveness
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John Champ
Preludes, Op. 28: No. 15 Prelude in D-Fl...
74 bpm • C# Maj • 04:43 • -27.06db
14% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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John Graves
The Swans glide on the Bishop's Moat
74 bpm • A min • 01:54 • -31.95db
11% Popularity • 16% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Anton Rubinstein
Melody in F Major, Op. 3, No. 1
74 bpm • F Maj • 04:32 • -29db
19% Popularity • 36% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
19% Popularity • 36% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Toru Takemitsu
Les yeux clos: II.
72 bpm • B Maj • 10:08 • -27.2db
0% Popularity • 40% Danceability • 0% Energy • 8% Liveness
68% Instrumentalness • 3% Positiveness
0% Popularity • 40% Danceability • 0% Energy • 8% Liveness
68% Instrumentalness • 3% Positiveness
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Erik Satie
Satie / Orch. Debussy: 3 Gymnopédies: N...
74 bpm • G Maj • 04:18 • -41.1db
22% Popularity • 10% Danceability • 0% Energy • 9% Liveness
38% Instrumentalness • 7% Positiveness
22% Popularity • 10% Danceability • 0% Energy • 9% Liveness
38% Instrumentalness • 7% Positiveness
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AntonĂn Dvořák
Evening Songs, B. 61: No. 8, You Little,...
74 bpm • A Maj • 01:40 • -27.96db
33% Popularity • 44% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
33% Popularity • 44% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Pieces, Op. 19: IV. Nocturne
74 bpm • A# min • 04:55 • -30.39db
3% Popularity • 33% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
3% Popularity • 33% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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CĂ©cile Chaminade
6 Romances sans paroles, Op. 76: VI. MĂ©...
72 bpm • G# Maj • 04:36 • -31db
11% Popularity • 41% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
11% Popularity • 41% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Jean Sibelius
Ten Pensées lyriques, Op. 40: 5. Berceu...
72 bpm • D Maj • 01:42 • -30.51db
10% Popularity • 51% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 30% Positiveness
10% Popularity • 51% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 30% Positiveness
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John Field
Nocturne No. 10 in E Minor. Adagio
74 bpm • E min • 03:09 • -39.87db
12% Popularity • 27% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 21% Positiveness
12% Popularity • 27% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 21% Positiveness
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Seymour Bernstein
Intermezzo In A Major, Op. 118 No. 2
72 bpm • A Maj • 07:49 • -27.79db
8% Popularity • 31% Danceability • 5% Energy • 68% Liveness
86% Instrumentalness • 24% Positiveness
8% Popularity • 31% Danceability • 5% Energy • 68% Liveness
86% Instrumentalness • 24% Positiveness
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Jane Coop
Venetian Boat Song, Op. 30 No. 6
72 bpm • F# min • 03:24 • -31.63db
19% Popularity • 21% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Joseph Haydn
Sonata No. 13, Hob. XVI:6: Sonata No. 13...
74 bpm • G min • 04:42 • -28.44db
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Roger Woodward
Café Mozart Waltz
72 bpm • D Maj • 01:52 • -31.92db
0% Popularity • 40% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
0% Popularity • 40% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
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Amy Beach
Dreaming
74 bpm • F# Maj • 06:26 • -32db
18% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Josef Suk
Lullabies, Op. 33: 3. Lullaby, "Sentimen...
72 bpm • D# min • 03:11 • -34.65db
4% Popularity • 37% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
4% Popularity • 37% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
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George Gershwin
Love Walked In (Arr. Grainger)
71 bpm • C# Maj • 03:55 • -23.34db
19% Popularity • 34% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 34% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Lang Lang
Arirang (Arr. Schindler for Piano)
75 bpm • G Maj • 03:59 • -19.32db
22% Popularity • 29% Danceability • 12% Energy • 16% Liveness
90% Instrumentalness • 20% Positiveness
22% Popularity • 29% Danceability • 12% Energy • 16% Liveness
90% Instrumentalness • 20% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Roger Woodward
The Godfather Waltz
71 bpm • G min • 01:51 • -31.64db
3% Popularity • 46% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
3% Popularity • 46% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
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Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Cradle Song, Op. 16, No. 1
75 bpm • A# Maj • 03:46 • -33.73db
5% Popularity • 29% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
5% Popularity • 29% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
5 Morceaux de fantaisie, Op. 3: No. 1 El...
71 bpm • D# min • 04:44 • -27.5db
11% Popularity • 27% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
11% Popularity • 27% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 1
71 bpm • C Maj • 01:09 • -38.77db
2% Popularity • 41% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 55% Positiveness
2% Popularity • 41% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 55% Positiveness
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Ruth Laredo
Chopin: Grand Valse Brillante in A, Op. ...
75 bpm • G# Maj • 05:36 • -22.8db
27% Popularity • 29% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
27% Popularity • 29% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Roger Woodward
Love Theme [Arr. Roger Woodward]
71 bpm • C min • 01:36 • -32.61db
1% Popularity • 43% Danceability • 1% Energy • 6% Liveness
84% Instrumentalness • 16% Positiveness
1% Popularity • 43% Danceability • 1% Energy • 6% Liveness
84% Instrumentalness • 16% Positiveness
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Modest Mussorgsky
The Old Castle - Remastered 2022
75 bpm • G# Maj • 04:26 • -43.28db
16% Popularity • 19% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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George Butterworth
The Banks of Green Willow
71 bpm • A min • 06:25 • -32db
35% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
35% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
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Alma Deutscher
Up in the Sky
71 bpm • A Maj • 02:29 • -32.28db
25% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
25% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Sergei Prokofiev
Children's Suite, Op. 65 No. 6 Valse
71 bpm • D Maj • 01:18 • -33.66db
0% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
0% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
43% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Roger Woodward
Six Songs, Op. 34: 2. On Wings of Song (...
75 bpm • G# Maj • 03:23 • -30.83db
0% Popularity • 32% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
0% Popularity • 32% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Toru Takemitsu
Rain tree sketch
71 bpm • A Maj • 05:38 • -26.9db
1% Popularity • 44% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
1% Popularity • 44% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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George Frideric Handel
Hymn II (After a Theme from Zadok the Pr...
71 bpm • G Maj • 02:57 • -37.68db
10% Popularity • 19% Danceability • 0% Energy • 7% Liveness
82% Instrumentalness • 14% Positiveness
10% Popularity • 19% Danceability • 0% Energy • 7% Liveness
82% Instrumentalness • 14% Positiveness
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Franz Liszt
Première année: Suisse S.160: II.Au la...
71 bpm • G# Maj • 02:41 • -35db
20% Popularity • 29% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Benjamin Frith
Nocturne No. 16 In F Major, H. 62: Noctu...
71 bpm • F Maj • 04:55 • -35.64db
18% Popularity • 32% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
18% Popularity • 32% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Roger Woodward
Main Theme
75 bpm • C Maj • 02:31 • -32.09db
0% Popularity • 32% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
0% Popularity • 32% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a: No. 6, June - Barc...
71 bpm • G min • 05:49 • -29.57db
9% Popularity • 37% Danceability • 1% Energy • 7% Liveness
77% Instrumentalness • 21% Positiveness
9% Popularity • 37% Danceability • 1% Energy • 7% Liveness
77% Instrumentalness • 21% Positiveness
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Valentin Silvestrov
4 Pieces, Op. 2: No. 1. Lullaby: Moderat...
76 bpm • G# min • 02:37 • -44db
26% Popularity • 15% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 15% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Alexander Borodin
Nocturne (Arr. Cullen for Cello and Orch...
76 bpm • A Maj • 04:05 • -27db
32% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
32% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Alexander Glazunov
Les Saisons, Op. 67 (Arr. Solo Piano by ...
70 bpm • A# Maj • 03:44 • -21.63db
8% Popularity • 28% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
8% Popularity • 28% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
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John Field
Nocturne No. 3 in A-Flat Major
70 bpm • G# Maj • 04:54 • -33.76db
33% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
► Preview
Roger Woodward
Main Theme [Arr. Roger Woodward]
71 bpm • A min • 01:30 • -27.19db
1% Popularity • 39% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
1% Popularity • 39% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Selim Palmgren
Finnish Lullaby
76 bpm • C# min • 03:02 • -32.63db
6% Popularity • 38% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 15% Positiveness
6% Popularity • 38% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Alma Deutscher
For Antonia (Variations on a Melody in G...
76 bpm • B min • 05:00 • -25.18db
14% Popularity • 30% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
14% Popularity • 30% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
► Preview
AntonĂn Dvořák
Dvořák: 8 Humoresques, Op. 101, B. 187...
70 bpm • B Maj • 03:04 • -25.27db
27% Popularity • 29% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 10% Positiveness
27% Popularity • 29% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 10% Positiveness
► Preview
Sergei Prokofiev
Visions Fugitives, Op. 22, XI Con vivaci...
76 bpm • E min • 01:01 • -32.13db
0% Popularity • 43% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 49% Positiveness
0% Popularity • 43% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 49% Positiveness
► Preview
Georges Bizet
Bizet / Arr. Guiraud: Carmen Suite No. 1...
70 bpm • D# Maj • 02:31 • -30.26db
47% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
47% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
![Lento con gran espressione [Nocturne] Opus post. (1830): C sharp minor cover art](https://i.scdn.co/image/ab67616d00001e026d0cd72073084229219af200)
Roger Woodward
Lento con gran espressione [Nocturne] Op...
70 bpm • C# min • 04:12 • -31.29db
1% Popularity • 24% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
1% Popularity • 24% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Gabriel Fauré
Dolly Suite, Op. 56: 1. Berceuse (Arr. R...
70 bpm • E Maj • 03:16 • -29db
13% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
13% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Percy Grainger
British Folk-Music Settings: No. 6, Iris...
76 bpm • D# Maj • 03:34 • -23.41db
10% Popularity • 49% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
10% Popularity • 49% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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AntonĂn Dvořák
Rusalka, Op. 114, B. 203: MÄ›sĂÄŤku na ...
70 bpm • G Maj • 03:36 • -29.82db
18% Popularity • 49% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
18% Popularity • 49% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Edward Elgar
May Song
76 bpm • E Maj • 04:17 • -29.85db
10% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
10% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Sergei Prokofiev
Visions Fugitives, Op. 22, VII Pittoresc...
70 bpm • D Maj • 02:16 • -34.04db
0% Popularity • 27% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Roger Woodward
Deux Nocturnes Opus 55 (1844): F minor
70 bpm • F min • 05:12 • -27db
5% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
5% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
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George Dyson
8 Children's Pieces, Op. 12a "The Open W...
70 bpm • C Maj • 01:35 • -31db
21% Popularity • 45% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
21% Popularity • 45% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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CĂ©sar Cui
Lullaby
70 bpm • D# Maj • 02:23 • -27.92db
7% Popularity • 32% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
7% Popularity • 32% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Lang Lang
Suite bergamasque, CD 82: III. Clair de ...
70 bpm • C# Maj • 06:47 • -26.82db
34% Popularity • 32% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 32% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Carlos Marquez
Nocturne Romantique No. 1 in C Minor
70 bpm • C min • 02:43 • -18.24db
17% Popularity • 40% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 13% Positiveness
17% Popularity • 40% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a, TH 135: 6. June: B...
70 bpm • G min • 05:25 • -31.79db
22% Popularity • 42% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
22% Popularity • 42% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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Roger Woodward
Love Theme
70 bpm • G min • 02:21 • -29.79db
0% Popularity • 35% Danceability • 1% Energy • 22% Liveness
81% Instrumentalness • 15% Positiveness
0% Popularity • 35% Danceability • 1% Energy • 22% Liveness
81% Instrumentalness • 15% Positiveness
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Robert Schumann
Kinderszenen (Scenes of Childhood), Op. ...
69 bpm • G Maj • 01:27 • -37.05db
20% Popularity • 30% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 46% Positiveness
20% Popularity • 30% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 46% Positiveness
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Alexander Ilyinsky
Noure et Anitra, Op. 13: 7. Lullaby
77 bpm • F# Maj • 02:22 • -31.64db
21% Popularity • 33% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
21% Popularity • 33% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
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Christian Sinding
6 Charakterstücke, Op. 33: No. 4, Stän...
69 bpm • G# Maj • 01:41 • -40.23db
10% Popularity • 16% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Liszt
Mendelssohn - Lieder, S547/R217 (7 Liede...
69 bpm • G# Maj • 04:13 • -32db
10% Popularity • 31% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
10% Popularity • 31% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
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Takanobu Saito
Music Box
77 bpm • C Maj • 02:21 • -32db
28% Popularity • 40% Danceability • 7% Energy • 8% Liveness
22% Instrumentalness • 22% Positiveness
28% Popularity • 40% Danceability • 7% Energy • 8% Liveness
22% Instrumentalness • 22% Positiveness
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Roger Woodward
Pauline and Juliet
69 bpm • D# Maj • 04:01 • -35.42db
1% Popularity • 28% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
1% Popularity • 28% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: VII. Träumerei
77 bpm • F Maj • 03:15 • -37.79db
31% Popularity • 38% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 26% Positiveness
31% Popularity • 38% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 26% Positiveness
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Enrique Lacárcel Bautista
I - Crystal Clear
69 bpm • C Maj • 02:25 • -24.23db
13% Popularity • 52% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 52% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
Visions Fugitives, Op. 22, XVI Dolente
69 bpm • C Maj • 02:01 • -29.85db
0% Popularity • 38% Danceability • 0% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
0% Popularity • 38% Danceability • 0% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
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Franz Liszt
Schwanengesang, S. 560: VII. Ständchen ...
69 bpm • D Maj • 06:03 • -26.33db
24% Popularity • 38% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 38% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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CĂ©cile Chaminade
Sérénade, Op. 29
69 bpm • D Maj • 03:17 • -35db
10% Popularity • 30% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
10% Popularity • 30% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Roger Woodward
Four Musical Cameos: 2. Lullaby
70 bpm • F Maj • 02:18 • -34.52db
5% Popularity • 37% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 36% Positiveness
5% Popularity • 37% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 36% Positiveness
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Robert Schumann
Waldszenen, Op. 82: 3. Einsame Blumen
69 bpm • A# Maj • 02:40 • -39db
32% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
32% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness