🔥Growing Artists | Pitch your song |

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
73 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
E min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-37.65db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
1%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
30%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
4%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
10%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
100%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
92%




Discover songs similar to Visions Fugitives, Op. 22, XII Assai


Giselle / Act 2: Grand pas de deux: Adage cover art
Adolphe Adam - Giselle / Act 2: Grand pas de deux: Adag...
38% popularity • 73 bpm • D# Maj • 06:29 • 3/4
Pictures at an Exhibition (Orch. M. Ravel): Promenade II cover art
Modest Mussorgsky - Pictures at an Exhibition (Orch. M. Rave...
54% popularity • 73 bpm • G# Maj • 00:55 • 5/4
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights cover art
Sergei Prokofiev - Romeo and Juliet, Op. 64: No. 13 Dance o...
49% popularity • 73 bpm • C Maj • 05:44 • 4/4
Double Bass Concerto, Op. 3: I. Allegro cover art
Serge Koussevitzky - Double Bass Concerto, Op. 3: I. Allegro
21% popularity • 73 bpm • F# min • 05:05 • 3/4
String Quartet No. 2, JW 7/13
Leoš Janáček - String Quartet No. 2, JW 7/13 "Intimate ...
34% popularity • 73 bpm • F# Maj • 06:08 • 3/4
Don Quixote, Op. 35, TrV 184: Theme cover art
Richard Strauss - Don Quixote, Op. 35, TrV 184: Theme
46% popularity • 73 bpm • F Maj • 01:06 • 4/4
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus cover art
Slovak Philharmonic Chorus - Die Entfuhrung Aus Dem Serail (Abduction...
45% popularity • 72 bpm • D min • 01:26 • 4/4
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered cover art
Alexander Scriabin - Etude in D-Sharp Minor, Op. 8, No. 12: P...
40% popularity • 72 bpm • C# min • 02:10 • 5/4
Carmen Suite No. 1: 3. Intermezzo cover art
Georges Bizet - Carmen Suite No. 1: 3. Intermezzo
34% popularity • 74 bpm • A# Maj • 02:33 • 4/4
8 Humoresques, Op. 101, B. 187: No. 7, Poco lento e grazioso (Transcribed by Oscar Morawetz for Violin, Cello & Orchestra) cover art
Antonín Dvořák - 8 Humoresques, Op. 101, B. 187: No. 7, P...
47% popularity • 72 bpm • F# Maj • 03:30 • 4/4
Piano Concerto in G Major, M. 83: II. Adagio assai cover art
Maurice Ravel - Piano Concerto in G Major, M. 83: II. Ad...
45% popularity • 74 bpm • E Maj • 09:23 • 4/4
Symphony No. 1 in G Minor: II. Andante commodamente cover art
Vasily Kalinnikov - Symphony No. 1 in G Minor: II. Andante c...
18% popularity • 75 bpm • D# Maj • 07:12 • 4/4
String Quartet No. 2 in D Major: I. Allegro moderato cover art
Alexander Borodin - String Quartet No. 2 in D Major: I. Alle...
32% popularity • 75 bpm • D Maj • 08:09 • 4/4
4 Pieces, Op. 51: IV. Danse languide cover art
Alexander Scriabin - 4 Pieces, Op. 51: IV. Danse languide
46% popularity • 74 bpm • D# Maj • 01:24 • 3/4
Visions Fugitives, Op. 22, XII Assai is a song by Sergei Prokofiev, released on 1991. It is track number 32 in the album Sergei Sergeyewich Prokofiev: Works for Piano 1908-1935. Visions Fugitives, Op. 22, XII Assai has a BPM/tempo of 73 beats per minute, is in the key of E min and has a duration of 1 minute, 2 seconds.

Visions Fugitives, Op. 22, XII Assai is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is not very energetic, being quite a low energy/chill track and is somewhat easy to dance to.

Visions Fugitives, Op. 22, XII Assai info

Name
Visions Fugitives, Op. 22, XII Assai
Release Date
29th April 1991
ISRC
DEA741113701
Key
E min
Tempo
73
Loudness (db)
-37.65db
Time signature
4/4
Length
01:02
Song Number
32 of 40
Explicit
No