Songs like Kleine geistliche Konzerte II, SWV 306-337: No. 20, Die Seele Christi heilige mich, SWV 325 by Heinrich Schütz
Based on a tempo of (+/- 10%) and a similar genre
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 11, So...
86 bpm • C# Maj • 02:53 • -20.91db
4% Popularity • 18% Danceability • 9% Energy • 4% Liveness
0% Instrumentalness • 6% Positiveness
4% Popularity • 18% Danceability • 9% Energy • 4% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Arcadelt
Il bianco e dolce cigno
86 bpm • E Maj • 02:59 • -24.42db
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Francesco Cavalli
O quam suavis est: O quam suavis est
86 bpm • F# min • 04:54 • -17.65db
16% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 25, Qui ...
86 bpm • E min • 03:24 • -22db
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
16% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Frantisek Tuma
Stabat Mater in G Minor: III. Quis est h...
86 bpm • C# min • 01:29 • -19.51db
12% Popularity • 25% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 25% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Heinrich Schütz
O meine Seel, warum bist du betrübet, S...
86 bpm • A# min • 07:49 • -24.04db
9% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: II. Ad gen...
86 bpm • D Maj • 07:44 • -22db
8% Popularity • 18% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Gregorio Allegri
Miserere: VII. Redde mihi laetitiam ; Do...
86 bpm • B min • 01:04 • -22.54db
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Adrian Willaert
Infelix ego: I. Infelix ego
86 bpm • D Maj • 04:30 • -19.93db
8% Popularity • 9% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
8% Popularity • 9% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
85 bpm • B Maj • 01:01 • -26.52db
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: X. Dignare...
85 bpm • G Maj • 01:51 • -26.15db
8% Popularity • 31% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 31% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Heinrich Schütz
St. Matthew's Passion, SWV 479: V. Barra...
86 bpm • A# Maj • 01:30 • -21.93db
4% Popularity • 41% Danceability • 10% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
4% Popularity • 41% Danceability • 10% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Nun komm, der Heiden Heiland, BWV 61: Am...
87 bpm • G# Maj • 01:05 • -17.37db
8% Popularity • 19% Danceability • 28% Energy • 11% Liveness
34% Instrumentalness • 30% Positiveness
8% Popularity • 19% Danceability • 28% Energy • 11% Liveness
34% Instrumentalness • 30% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
87 bpm • A Maj • 01:46 • -23.83db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Befiehl dem Engel, daß er komm, BuxWV 1...
85 bpm • A min • 05:07 • -21.11db
14% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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A5 Vocal Ensemble
Guerrero: Ave virgo sanctissima
85 bpm • G# min • 03:45 • -20.45db
13% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Annibale Padovano
Missa Domine a lingua dolosa: Vb. Agnus ...
85 bpm • G# Maj • 02:21 • -20.77db
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Heinrich Schütz
Matthaus-Passion, SWV 479: Introitus
86 bpm • C Maj • 01:00 • -21.16db
23% Popularity • 14% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Liber scriptus prof...
87 bpm • F min • 00:55 • -13db
12% Popularity • 30% Danceability • 32% Energy • 34% Liveness
12% Instrumentalness • 12% Positiveness
12% Popularity • 30% Danceability • 32% Energy • 34% Liveness
12% Instrumentalness • 12% Positiveness
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Michael Haydn
Missa pro Quadragesima, MH 551: Credo
85 bpm • E Maj • 01:31 • -20.77db
20% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Dietrich Buxtehude
Ihr lieben Christen, freut euch nun, Bux...
85 bpm • D Maj • 00:59 • -22db
20% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
20% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
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John Stainer
The Crucifixion: I. Recit. – "And they...
85 bpm • E Maj • 01:19 • -29.32db
19% Popularity • 28% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 28% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: I. Introitus
86 bpm • A# min • 01:39 • -18.45db
13% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Niccolò Jommelli
Requiem in D Minor, K. 626 (Paris 1804 V...
88 bpm • E min • 02:37 • -33db
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Henri Desmarets
Te Deum "de Lyon": VII. Tu rex gloriæ, ...
87 bpm • G Maj • 01:49 • -23.9db
11% Popularity • 37% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
11% Popularity • 37% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
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Kryštof Harant
Qui confidunt
84 bpm • A min • 03:11 • -17.2db
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
88 bpm • G# min • 02:39 • -18.3db
15% Popularity • 20% Danceability • 16% Energy • 16% Liveness
3% Instrumentalness • 13% Positiveness
15% Popularity • 20% Danceability • 16% Energy • 16% Liveness
3% Instrumentalness • 13% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
84 bpm • G# Maj • 01:08 • -21.89db
8% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: I. Introitus
85 bpm • A# min • 01:45 • -20.84db
11% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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A5 Vocal Ensemble
Guerrero: Dios los extremos condena
88 bpm • E Maj • 02:12 • -17.7db
13% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIId. Ad m...
84 bpm • F# min • 01:31 • -24.34db
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
84 bpm • G# min • 03:31 • -32.54db
7% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
84 bpm • F Maj • 03:38 • -29db
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
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Pierre Sandrin
Doulce mémoire
88 bpm • C# min • 02:49 • -22db
8% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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Heinrich Schütz
Schütz: Der Schwanengesang, Op. 13: Psa...
85 bpm • C# Maj • 07:33 • -18.28db
0% Popularity • 19% Danceability • 20% Energy • 26% Liveness
6% Instrumentalness • 19% Positiveness
0% Popularity • 19% Danceability • 20% Energy • 26% Liveness
6% Instrumentalness • 19% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
84 bpm • A# Maj • 01:26 • -20.48db
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Cristobal de Morales
Kyrie: III. Kyrie
88 bpm • G# Maj • 01:10 • -17.3db
20% Popularity • 13% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 11% Positiveness
20% Popularity • 13% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 11% Positiveness
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Calmus Ensemble
Jesu, Meine Freude BWV 227: Unter Deinem...
83 bpm • C# min • 01:06 • -17.06db
15% Popularity • 33% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
15% Popularity • 33% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
88 bpm • C# min • 01:19 • -19.86db
9% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
Il secondo libro de madrigali a cinque v...
89 bpm • D# min • 04:25 • -25.81db
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Auferstehungshistorie, SWV 50: (Der Send...
86 bpm • A# min • 01:51 • -28db
2% Popularity • 28% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 10% Positiveness
2% Popularity • 28% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 10% Positiveness
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Clara Schumann
Abendfeier in Venedig
83 bpm • F Maj • 02:33 • -26.98db
10% Popularity • 20% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Introitus: I. Requiem aeternam
88 bpm • G# Maj • 02:43 • -21.3db
14% Popularity • 12% Danceability • 9% Energy • 10% Liveness
27% Instrumentalness • 5% Positiveness
14% Popularity • 12% Danceability • 9% Energy • 10% Liveness
27% Instrumentalness • 5% Positiveness
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César Franck
Sept paroles du Christ en croix: Parole ...
83 bpm • F min • 02:58 • -33.02db
10% Popularity • 16% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Johannes Brahms
Drei motetten, Op. 110: I. Ich aber bin ...
83 bpm • G Maj • 03:37 • -20.57db
8% Popularity • 10% Danceability • 20% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 20% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11, SWV 369-39...
85 bpm • D min • 03:14 • -15.47db
11% Popularity • 18% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 18% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 17% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: XIV. Miserere nostri Do...
83 bpm • A# min • 06:14 • -17.79db
14% Popularity • 10% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: III. Quomodo sed...
89 bpm • F# min • 01:11 • -17.64db
22% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
83 bpm • G min • 03:31 • -23.49db
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Canzone e Sonate 1615: Canzon XVI à 12
83 bpm • C Maj • 03:50 • -18.91db
8% Popularity • 34% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
8% Popularity • 34% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
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Johannes Brahms
Fünf Gesänge, Op. 104: II. Nachtwache ...
89 bpm • D# Maj • 01:24 • -23db
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
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Heinrich Schütz
Die mit Tränen säen
83 bpm • B min • 03:37 • -20.41db
6% Popularity • 15% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 15% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Cristobal de Morales
Graduale: III. Non timebit
83 bpm • C min • 01:04 • -20.27db
11% Popularity • 15% Danceability • 15% Energy • 14% Liveness
23% Instrumentalness • 15% Positiveness
11% Popularity • 15% Danceability • 15% Energy • 14% Liveness
23% Instrumentalness • 15% Positiveness
► Preview
Philippe Verdelot
Trist'Amarilli mia
83 bpm • F# min • 03:21 • -18.24db
11% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Claudio Monteverdi
Vespro della beata Vergine (1610): Conce...
82 bpm • G min • 04:53 • -22.01db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Giovanni Gabrieli
Cantate Domino a 6, C. 6
82 bpm • G# min • 01:32 • -23db
17% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Heinrich Schütz
Matthäus-Passion, SWV 479: "Er hat gesa...
85 bpm • D# Maj • 02:34 • -18.35db
3% Popularity • 47% Danceability • 14% Energy • 67% Liveness
0% Instrumentalness • 22% Positiveness
3% Popularity • 47% Danceability • 14% Energy • 67% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
The Royal Wind Music
Glosada LXVI
90 bpm • C# Maj • 03:08 • -36.58db
14% Popularity • 16% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 28% Positiveness
14% Popularity • 16% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 28% Positiveness
► Preview
Philippe Verdelot
Ultimi miei sospiri
82 bpm • C min • 03:25 • -21.94db
8% Popularity • 15% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 15% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Antonio Caldara
Stabat Mater: III. Quis est home
82 bpm • F# min • 04:36 • -22.88db
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
A5 Vocal Ensemble
Guerrero: Hic vir
82 bpm • G# min • 04:30 • -20.01db
12% Popularity • 12% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
12% Popularity • 12% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
MartÍn Palmeri
Misa a Buenos Aires "Misatango": Agnus D...
82 bpm • C Maj • 09:05 • -20db
8% Popularity • 12% Danceability • 10% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
8% Popularity • 12% Danceability • 10% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
► Preview
Heinrich Schütz
Schütz: Der Schwanengesang, Op. 13, Psa...
85 bpm • D# min • 07:36 • -18.91db
1% Popularity • 18% Danceability • 15% Energy • 33% Liveness
6% Instrumentalness • 11% Positiveness
1% Popularity • 18% Danceability • 15% Energy • 33% Liveness
6% Instrumentalness • 11% Positiveness
► Preview
Cristobal de Morales
Offertorium: I. Domine Jesu Christe, Rex...
91 bpm • C min • 04:46 • -20.21db
9% Popularity • 16% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
► Preview
Francisco de la Torre
Cancionero Musical de la Colombina: No. ...
91 bpm • D min • 01:08 • -29.07db
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
3 Shakespeare Choruses, Op. 39: No. 2. C...
82 bpm • A# Maj • 02:10 • -25.92db
7% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Francesca Caccini
La liberazione di Ruggiero dall'isola d'...
82 bpm • G min • 00:52 • -23.54db
23% Popularity • 13% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 13% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
George Frideric Handel
Laudate pueri, HWV 237: II. Sit nomen Do...
81 bpm • A# min • 02:33 • -24.32db
21% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
► Preview
Heinrich Schütz
Becker Psalter, Op. 5: No. 85, Wie sehr ...
85 bpm • G Maj • 04:35 • -23.31db
2% Popularity • 24% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 24% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Giovanni Gabrieli
Surrexit Christus a 11 (C66)
81 bpm • F Maj • 03:27 • -21db
24% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
24% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
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Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
27% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Chamber Choir Of Europe
Weltliche A-Cappella-Gesänge, Secular A...
81 bpm • G Maj • 01:50 • -18db
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Emilio de' Cavalieri
Prime die Lectio secunda: XI. Vau
81 bpm • G# min • 00:59 • -19.47db
18% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
81 bpm • D Maj • 01:57 • -20.85db
14% Popularity • 18% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
14% Popularity • 18% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Heinrich Schütz
Becker Psalter, Op. 5: No. 130, Ich heb ...
85 bpm • D min • 03:24 • -22.01db
1% Popularity • 19% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 19% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Alexander Agricola
De tous biens plaine I
91 bpm • F min • 01:34 • -25.12db
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245 / Part One: Ch...
81 bpm • G# Maj • 01:08 • -24.51db
10% Popularity • 13% Danceability • 12% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 12% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
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John Dowland
Lachrimae or Seven Tears: XX. Mrs Nichol...
81 bpm • B Maj • 01:10 • -20db
18% Popularity • 24% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 87% Positiveness
18% Popularity • 24% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 87% Positiveness
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Jacques Arcadelt
O pulcherrima mulierum a 5
81 bpm • A# min • 02:34 • -22db
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
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Ludwig Senfl
Ach Elslein, liebes Elselein mein
81 bpm • D Maj • 02:16 • -17db
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Heinrich Schütz
St. Matthew's Passion, SWV 479: VI. Sein...
88 bpm • D min • 10:11 • -23.27db
0% Popularity • 31% Danceability • 6% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 31% Danceability • 6% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Haydn
Missa pro Quadragesima, MH 551: Credo: E...
92 bpm • E Maj • 01:01 • -23.95db
21% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
81 bpm • B Maj • 01:37 • -20.56db
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Introitus: II. Te decet hymnus Deus in S...
81 bpm • F min • 01:26 • -16.92db
11% Popularity • 23% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
11% Popularity • 23% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
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Giacomo Carissimi
Jephte: XVIII. Coro a 6
81 bpm • G min • 03:42 • -25db
15% Popularity • 8% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
15% Popularity • 8% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
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George Frideric Handel
Nisi Dominus, HWV 238: Cum dederit
92 bpm • B Maj • 01:26 • -25.81db
13% Popularity • 31% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 31% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: VIII. Beschlu...
84 bpm • A# min • 02:34 • -20.36db
4% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye II
81 bpm • C# min • 01:16 • -24.02db
25% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
25% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
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Anónimo
Pasión: Fodérunt Manus Meas. Tenor S...
92 bpm • D Maj • 03:02 • -15.14db
11% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Johannes Eccard
Maria wallt zum Heiligtum
81 bpm • C min • 03:21 • -18.84db
16% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Henri Desmarets
Te Deum "de Lyon": XI. Te ergo quæsumus...
92 bpm • G min • 02:03 • -20.18db
10% Popularity • 14% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
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Vincenzo Ruffo
Missa Quarti Toni: Gloria
92 bpm • C Maj • 03:30 • -16db
8% Popularity • 18% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 18% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Heinrich Schütz
Auferstehungshistorie, SWV 50: (Drei Wei...
84 bpm • D# min • 01:37 • -24db
5% Popularity • 28% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 28% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: IVd. Rittorne...
80 bpm • E Maj • 01:07 • -19.44db
18% Popularity • 14% Danceability • 12% Energy • 19% Liveness
97% Instrumentalness • 15% Positiveness
18% Popularity • 14% Danceability • 12% Energy • 19% Liveness
97% Instrumentalness • 15% Positiveness
