Songs like Kleine geistliche Konzerte II, SWV 306-337: No. 27, Jubilate Deo omnis terra, SWV 332 by Heinrich Schütz
Based on a tempo of (+/- 10%) and a similar genre
► Preview
A5 Vocal Ensemble
Guerrero: Hic vir
82 bpm • G# min • 04:30 • -20.01db
12% Popularity • 12% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
12% Popularity • 12% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Heinrich Schütz
Kyrie eleison, Christe eleison, SWV 458
82 bpm • F# Maj • 09:24 • -24.27db
8% Popularity • 20% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Claudio Monteverdi
Vespro della beata Vergine (1610): Conce...
82 bpm • G min • 04:53 • -22.01db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Giovanni Gabrieli
Cantate Domino a 6, C. 6
82 bpm • G# min • 01:32 • -23db
17% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Philippe Verdelot
Ultimi miei sospiri
82 bpm • C min • 03:25 • -21.94db
8% Popularity • 15% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 15% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Antonio Caldara
Stabat Mater: III. Quis est home
82 bpm • F# min • 04:36 • -22.88db
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Heinrich Schütz
Johannes-Passion, SWV 481: V. Geißelung...
82 bpm • G# Maj • 02:02 • -17.96db
4% Popularity • 32% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 32% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
MartÍn Palmeri
Misa a Buenos Aires "Misatango": Agnus D...
82 bpm • C Maj • 09:05 • -20db
8% Popularity • 12% Danceability • 10% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
8% Popularity • 12% Danceability • 10% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
► Preview
Amy Beach
3 Shakespeare Choruses, Op. 39: No. 2. C...
82 bpm • A# Maj • 02:10 • -25.92db
7% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Francesca Caccini
La liberazione di Ruggiero dall'isola d'...
82 bpm • G min • 00:52 • -23.54db
23% Popularity • 13% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 13% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Philippe Verdelot
Trist'Amarilli mia
83 bpm • F# min • 03:21 • -18.24db
11% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Cristobal de Morales
Graduale: III. Non timebit
83 bpm • C min • 01:04 • -20.27db
11% Popularity • 15% Danceability • 15% Energy • 14% Liveness
23% Instrumentalness • 15% Positiveness
11% Popularity • 15% Danceability • 15% Energy • 14% Liveness
23% Instrumentalness • 15% Positiveness
► Preview
Heinrich Schütz
Schütz: Der Schwanengesang, Op. 13, Psa...
82 bpm • G# min • 09:17 • -18.52db
0% Popularity • 14% Danceability • 14% Energy • 22% Liveness
10% Instrumentalness • 12% Positiveness
0% Popularity • 14% Danceability • 14% Energy • 22% Liveness
10% Instrumentalness • 12% Positiveness
► Preview
Giovanni Gabrieli
Canzone e Sonate 1615: Canzon XVI à 12
83 bpm • C Maj • 03:50 • -18.91db
8% Popularity • 34% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
8% Popularity • 34% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
► Preview
George Frideric Handel
Laudate pueri, HWV 237: II. Sit nomen Do...
81 bpm • A# min • 02:33 • -24.32db
21% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
► Preview
Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
27% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Chamber Choir Of Europe
Weltliche A-Cappella-Gesänge, Secular A...
81 bpm • G Maj • 01:50 • -18db
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
► Preview
Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
83 bpm • G min • 03:31 • -23.49db
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Johannes-Passion, SWV 481: V. Geißelung...
82 bpm • A# min • 02:10 • -23.03db
7% Popularity • 26% Danceability • 6% Energy • 82% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 26% Danceability • 6% Energy • 82% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Giovanni Gabrieli
Surrexit Christus a 11 (C66)
81 bpm • F Maj • 03:27 • -21db
24% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
24% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
► Preview
Emilio de' Cavalieri
Prime die Lectio secunda: XI. Vau
81 bpm • G# min • 00:59 • -19.47db
18% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
81 bpm • D Maj • 01:57 • -20.85db
14% Popularity • 18% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
14% Popularity • 18% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
► Preview
Jean-Baptiste Lully
Te deum, LWV 55: XIV. Miserere nostri Do...
83 bpm • A# min • 06:14 • -17.79db
14% Popularity • 10% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
St. John Passion, BWV 245 / Part One: Ch...
81 bpm • G# Maj • 01:08 • -24.51db
10% Popularity • 13% Danceability • 12% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 12% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Eins bitte ich vom Herren, SWV 294
81 bpm • F# Maj • 02:26 • -24.16db
3% Popularity • 17% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
3% Popularity • 17% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
► Preview
Johannes Brahms
Drei motetten, Op. 110: I. Ich aber bin ...
83 bpm • G Maj • 03:37 • -20.57db
8% Popularity • 10% Danceability • 20% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 20% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
John Dowland
Lachrimae or Seven Tears: XX. Mrs Nichol...
81 bpm • B Maj • 01:10 • -20db
18% Popularity • 24% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 87% Positiveness
18% Popularity • 24% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 87% Positiveness
► Preview
Ludwig Senfl
Ach Elslein, liebes Elselein mein
81 bpm • D Maj • 02:16 • -17db
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Jacques Arcadelt
O pulcherrima mulierum a 5
81 bpm • A# min • 02:34 • -22db
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
81 bpm • B Maj • 01:37 • -20.56db
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Schütz: Der Schwanengesang, Op. 13, Psa...
83 bpm • F# Maj • 07:41 • -18.42db
0% Popularity • 16% Danceability • 17% Energy • 12% Liveness
11% Instrumentalness • 13% Positiveness
0% Popularity • 16% Danceability • 17% Energy • 12% Liveness
11% Instrumentalness • 13% Positiveness
► Preview
Giacomo Carissimi
Jephte: XVIII. Coro a 6
81 bpm • G min • 03:42 • -25db
15% Popularity • 8% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
15% Popularity • 8% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
► Preview
Cristobal de Morales
Introitus: II. Te decet hymnus Deus in S...
81 bpm • F min • 01:26 • -16.92db
11% Popularity • 23% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
11% Popularity • 23% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
► Preview
César Franck
Sept paroles du Christ en croix: Parole ...
83 bpm • F min • 02:58 • -33.02db
10% Popularity • 16% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Clara Schumann
Abendfeier in Venedig
83 bpm • F Maj • 02:33 • -26.98db
10% Popularity • 20% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Calmus Ensemble
Jesu, Meine Freude BWV 227: Unter Deinem...
83 bpm • C# min • 01:06 • -17.06db
15% Popularity • 33% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
15% Popularity • 33% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Heinrich Schütz
Auferstehungshistorie, SWV 50: (Jesus er...
83 bpm • D# min • 07:02 • -26.32db
4% Popularity • 17% Danceability • 3% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 3% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Girolamo Frescobaldi
Messa Della Domenica: Kyrye II
81 bpm • C# min • 01:16 • -24.02db
25% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
25% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
► Preview
Johannes Eccard
Maria wallt zum Heiligtum
81 bpm • C min • 03:21 • -18.84db
16% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
84 bpm • A# Maj • 01:26 • -20.48db
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Emilio de' Cavalieri
Repons: Caligaverunt oculi mei
80 bpm • G# Maj • 02:41 • -21.98db
9% Popularity • 8% Danceability • 6% Energy • 27% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 6% Energy • 27% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Johann Kuhnau
Christ lag in Todesbanden: IVd. Rittorne...
80 bpm • E Maj • 01:07 • -19.44db
18% Popularity • 14% Danceability • 12% Energy • 19% Liveness
97% Instrumentalness • 15% Positiveness
18% Popularity • 14% Danceability • 12% Energy • 19% Liveness
97% Instrumentalness • 15% Positiveness
► Preview
Heinrich Schütz
Die mit Tränen säen
83 bpm • B min • 03:37 • -20.41db
6% Popularity • 15% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 15% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
84 bpm • G# min • 03:31 • -32.54db
7% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Anton Bruckner
Ave Maria, WAB 6
84 bpm • F Maj • 03:38 • -29db
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIId. Ad m...
84 bpm • F# min • 01:31 • -24.34db
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Heinrich Schütz
Matthäus-Passion, SWV 479: II. Letzte L...
81 bpm • B Maj • 01:26 • -25.87db
4% Popularity • 36% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 36% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
84 bpm • G# Maj • 01:08 • -21.89db
8% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Dmitry Bortniansky
Sacred Concerto No. 27, "Hlasom moim ko ...
80 bpm • B min • 03:12 • -22.89db
8% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Kryštof Harant
Qui confidunt
84 bpm • A min • 03:11 • -17.2db
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
John Stainer
The Crucifixion: I. Recit. – "And they...
85 bpm • E Maj • 01:19 • -29.32db
19% Popularity • 28% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 28% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Maria, quid ploras
80 bpm • D min • 03:27 • -17.87db
10% Popularity • 19% Danceability • 13% Energy • 13% Liveness
16% Instrumentalness • 7% Positiveness
10% Popularity • 19% Danceability • 13% Energy • 13% Liveness
16% Instrumentalness • 7% Positiveness
► Preview
Heinrich Schütz
Johannes-Passion, SWV 481: IV. Jesus vor...
83 bpm • A# min • 06:08 • -20.63db
4% Popularity • 40% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
4% Popularity • 40% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johann Kuhnau
Christ lag in Todesbanden: IVc. Aria "Er...
79 bpm • E Maj • 00:54 • -20.92db
13% Popularity • 26% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
13% Popularity • 26% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
► Preview
Josef Rheinberger
Missa in G Major, Op. 151 "St. Crucis": ...
79 bpm • G Maj • 03:11 • -27db
7% Popularity • 10% Danceability • 4% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 4% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
► Preview
Michael Haydn
Missa pro Quadragesima, MH 551: Credo
85 bpm • E Maj • 01:31 • -20.77db
20% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Giovanni Gabrieli
Deus, qui beatum Marcum a 10, C. 36
79 bpm • G# Maj • 02:32 • -19.08db
19% Popularity • 22% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
19% Popularity • 22% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Heinrich Schütz
Schütz: Der Schwanengesang, Op. 13, Psa...
83 bpm • A# min • 06:53 • -18.59db
0% Popularity • 17% Danceability • 13% Energy • 26% Liveness
1% Instrumentalness • 10% Positiveness
0% Popularity • 17% Danceability • 13% Energy • 26% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Dietrich Buxtehude
Ihr lieben Christen, freut euch nun, Bux...
85 bpm • D Maj • 00:59 • -22db
20% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
20% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
Franz Tunder
Dominus illuminatio mea: Sinfonia
79 bpm • A min • 00:57 • -26.73db
26% Popularity • 19% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
26% Popularity • 19% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
► Preview
A5 Vocal Ensemble
Guerrero: Ave virgo sanctissima
85 bpm • G# min • 03:45 • -20.45db
13% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Annibale Padovano
Missa Domine a lingua dolosa: Vb. Agnus ...
85 bpm • G# Maj • 02:21 • -20.77db
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Carlo Gesualdo
O dolorosa gioia
79 bpm • G# Maj • 04:40 • -23.45db
11% Popularity • 8% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Heinrich Schütz
Auferstehungshistorie, SWV 50: (Der Oste...
83 bpm • D# min • 02:51 • -26db
5% Popularity • 33% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
5% Popularity • 33% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Dietrich Buxtehude
Befiehl dem Engel, daß er komm, BuxWV 1...
85 bpm • A min • 05:07 • -21.11db
14% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Credo. Crucifixu...
79 bpm • A# min • 01:27 • -23.49db
20% Popularity • 20% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 20% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Cristobal de Morales
Quando lieta sperai
79 bpm • G min • 04:13 • -23.77db
11% Popularity • 10% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
11% Popularity • 10% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: X. Dignare...
85 bpm • G Maj • 01:51 • -26.15db
8% Popularity • 31% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 31% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Heinrich Schütz
Becker Psalter, Op. 5: No. 8, Mit Dank w...
83 bpm • A# Maj • 02:59 • -21.08db
1% Popularity • 23% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 23% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
85 bpm • B Maj • 01:01 • -26.52db
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Luca Marenzio
All'imperio d'Amore: 10. Donne le celest...
79 bpm • C Maj • 02:56 • -16.32db
9% Popularity • 24% Danceability • 22% Energy • 9% Liveness
59% Instrumentalness • 17% Positiveness
9% Popularity • 24% Danceability • 22% Energy • 9% Liveness
59% Instrumentalness • 17% Positiveness
► Preview
Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
Miserere: VII. Redde mihi laetitiam ; Do...
86 bpm • B min • 01:04 • -22.54db
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: II. Ad gen...
86 bpm • D Maj • 07:44 • -22db
8% Popularity • 18% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Heinrich Schütz
Auferstehungshistorie, SWV 50: (Drei Wei...
84 bpm • D# min • 01:37 • -24db
5% Popularity • 28% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 28% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Messa a quattro voci, SV 190: III. Credo
78 bpm • E min • 05:35 • -24.68db
10% Popularity • 18% Danceability • 13% Energy • 11% Liveness
38% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 13% Energy • 11% Liveness
38% Instrumentalness • 7% Positiveness
► Preview
Marco da Gagliano
La Favolla d'Apollo: 13. Ohimè che vegg...
79 bpm • C Maj • 01:26 • -13.89db
9% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Frantisek Tuma
Stabat Mater in G Minor: III. Quis est h...
86 bpm • C# min • 01:29 • -19.51db
12% Popularity • 25% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 25% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
John Sheppard
Libera nos, salva nos I
78 bpm • F Maj • 03:59 • -19.18db
8% Popularity • 7% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Heinrich Schütz
Matthäus-Passion, SWV 479: "Und er kam ...
80 bpm • B Maj • 04:37 • -20.39db
3% Popularity • 50% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 50% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 25, Qui ...
86 bpm • E min • 03:24 • -22db
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
► Preview
Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
► Preview
Francesco Cavalli
O quam suavis est: O quam suavis est
86 bpm • F# min • 04:54 • -17.65db
16% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Jacques Arcadelt
Il bianco e dolce cigno
86 bpm • E Maj • 02:59 • -24.42db
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Gloria. Qui toll...
78 bpm • D# min • 02:13 • -26.34db
10% Popularity • 9% Danceability • 4% Energy • 10% Liveness
52% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 4% Energy • 10% Liveness
52% Instrumentalness • 3% Positiveness
► Preview
Heinrich Schütz
Johannes-Passion, SWV 481: VIII. Beschlu...
84 bpm • A# min • 02:34 • -20.36db
4% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
78 bpm • C min • 01:07 • -14db
20% Popularity • 22% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Michael Haydn
Missa Quadragesimalis, MH 552: Sanctus
78 bpm • G# min • 01:30 • -20.57db
20% Popularity • 16% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 16% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
78 bpm • G# Maj • 00:58 • -20.92db
8% Popularity • 20% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
16% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
► Preview
Adrian Willaert
Missa super Benedicta es: Agnus Dei
78 bpm • C Maj • 04:04 • -21db
16% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
16% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
► Preview
Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 26, Se...
80 bpm • G# Maj • 04:30 • -18.66db
7% Popularity • 20% Danceability • 12% Energy • 12% Liveness
13% Instrumentalness • 9% Positiveness
7% Popularity • 20% Danceability • 12% Energy • 12% Liveness
13% Instrumentalness • 9% Positiveness
