Songs like La ver l'aurora by Giovanni Pierluigi da Palestrina
Based on a tempo of (+/- 10%) and a similar genre
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
122 bpm • F# min • 03:30 • -26.6db
5% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
25% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
25% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
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Paul Hindemith
Six chansons: I. La biche
120 bpm • E Maj • 01:14 • -29.84db
10% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Giovanni Pierluigi da Palestrina
Stabat Mater
123 bpm • G# Maj • 09:19 • -26.25db
9% Popularity • 20% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Guillaume de Machaut
Qui es promesses
118 bpm • G Maj • 01:52 • -22.77db
8% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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William Croft
Burial Sentences: VI. Thou Knowest, Lord
124 bpm • A# Maj • 02:14 • -26db
17% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Mag...
125 bpm • G# min • 04:00 • -26.14db
9% Popularity • 26% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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Giovanni Pierluigi da Palestrina
Lamentations II for Holy Saturday "Sabba...
124 bpm • B Maj • 02:12 • -16.59db
23% Popularity • 18% Danceability • 21% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
23% Popularity • 18% Danceability • 21% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
26% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Philippe de Vitry
Cum statua Nabucodonasor - Hugo, Hugo, p...
125 bpm • C Maj • 01:34 • -24db
14% Popularity • 26% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 26% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Heinrich Schütz
Herr, auf dich traue ich, SWV 377
117 bpm • B min • 03:01 • -23.29db
8% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Ye choirs of new Jerusalem
126 bpm • G Maj • 04:53 • -17.6db
13% Popularity • 21% Danceability • 26% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 26% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
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Jacobus Gallus
Mirabile mysterium
125 bpm • E Maj • 03:51 • -20.32db
13% Popularity • 21% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
13% Popularity • 21% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
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Giovanni Pierluigi da Palestrina
Palestrina: Missa Papae Marcelli - 02. C...
125 bpm • B Maj • 01:54 • -24.91db
12% Popularity • 18% Danceability • 9% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 9% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: V. Agnus dei
126 bpm • E min • 05:11 • -23.31db
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Sub tuum praesidium, H. 28
126 bpm • G min • 02:18 • -26db
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: I. Full Fathom ...
127 bpm • C Maj • 03:29 • -38db
8% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
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Giovanni Pierluigi da Palestrina
Sacred Madrigals, Book 2 (Delle madrigal...
115 bpm • D min • 02:15 • -23.84db
15% Popularity • 22% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 22% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
7% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Pavel Chesnokov
All Night Vigil, Op. 9: No. 18, Bless Th...
127 bpm • C Maj • 03:07 • -26db
12% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
12% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
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USSR Ministry of Culture Chamber Choir
Lord, have mercy
127 bpm • B Maj • 03:02 • -23db
16% Popularity • 17% Danceability • 9% Energy • 30% Liveness
60% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 9% Energy • 30% Liveness
60% Instrumentalness • 3% Positiveness
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Thomas Weelkes
Alleluia, I Heard a Voice
115 bpm • B Maj • 02:52 • -20.54db
13% Popularity • 26% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 26% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Heinrich Schütz
Musicalische Exequien, SWV 279: Concert ...
115 bpm • E min • 03:58 • -22.63db
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
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Guillaume de Machaut
Chanson: Rose, liz, printemps, verdure
128 bpm • C Maj • 04:25 • -26db
12% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Al...
128 bpm • G Maj • 02:47 • -34.73db
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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William Walton
A Litany: Drop, Drop Slow Tears
128 bpm • C Maj • 03:12 • -29.79db
3% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
3% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
29% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Thomas Tomkins
When David heard
129 bpm • C Maj • 04:36 • -23.62db
12% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
129 bpm • D min • 06:04 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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John Taverner
Taverner: Missa Gloria Tibi Trinitas - B...
130 bpm • F min • 02:59 • -23db
12% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Giovanni Pierluigi da Palestrina
Nigra sum - Motets for 5-8 Voices: Book ...
113 bpm • C# min • 03:34 • -23.27db
8% Popularity • 23% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Giulio Caccini
All'imperio d'Amore: 5. Ineffabile ardor...
113 bpm • A# Maj • 01:00 • -17db
37% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Song of Cherubs: Izhe Kheruvimi (Cherubi...
130 bpm • A Maj • 04:43 • -20db
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: III...
130 bpm • A min • 06:55 • -21.28db
11% Popularity • 19% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Gilles Binchois
Veni Creator Spiritus
130 bpm • C Maj • 02:06 • -26.07db
9% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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![Palestrina : Missa pro defunctis [Requiem] : I Introitus - Requiem aeternam cover art](https://i.scdn.co/image/ab67616d00001e0281d28e2f0c3b44ffa625ee5e)
Giovanni Pierluigi da Palestrina
Palestrina : Missa pro defunctis [Requie...
130 bpm • A min • 02:20 • -36db
8% Popularity • 18% Danceability • 1% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
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William Henry Harris
Holy is the True Light
130 bpm • A# Maj • 01:53 • -30.82db
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Mattio Rampollini
Bacco, Bacco
112 bpm • F Maj • 01:08 • -16db
23% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
23% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: IV....
131 bpm • A min • 03:32 • -20.71db
11% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Giovanni Pierluigi da Palestrina
Tu es Petrus
131 bpm • F Maj • 03:10 • -17.3db
5% Popularity • 18% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
5% Popularity • 18% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Jan Pieterszoon Sweelinck
Venite exsultemus Domino
131 bpm • C Maj • 02:15 • -22.35db
7% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
131 bpm • D min • 01:39 • -35.67db
18% Popularity • 18% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
18% Popularity • 18% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Morley
Now Is the Month of Maying: Now Is the M...
111 bpm • G Maj • 01:50 • -23db
12% Popularity • 61% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
12% Popularity • 61% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Sacred Madrigals, Book 2 (Delle madrigal...
111 bpm • D min • 01:45 • -21.61db
12% Popularity • 27% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
12% Popularity • 27% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Guillaume de Machaut
Messe de Notre-Dame: IV. Graduel. Suscep...
111 bpm • E Maj • 05:09 • -24db
13% Popularity • 20% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 20% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 5b. A...
111 bpm • B Maj • 04:17 • -26db
22% Popularity • 20% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
6 Motets, Op. 79: IV. In der Passionszei...
132 bpm • D min • 01:45 • -28.07db
8% Popularity • 18% Danceability • 3% Energy • 15% Liveness
26% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 15% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
111 bpm • G# Maj • 02:24 • -25.34db
8% Popularity • 16% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 16% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
John Dowland
Mistresse Nichols Almand
132 bpm • A# Maj • 00:52 • -24.27db
33% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
33% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
► Preview
Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
11% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Than...
132 bpm • C Maj • 01:34 • -16.66db
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
► Preview
Heinrich Isaac
Chanson: Innsbruck, ich muß dich lassen
132 bpm • F Maj • 03:26 • -24db
9% Popularity • 23% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
9% Popularity • 23% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Hans Leo Hassler
Missa I super Dixit Maria: Agnus Dei
132 bpm • D Maj • 02:03 • -26db
8% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
► Preview
Ralph Vaughan Williams
Mass in G Minor: Sanctus – Osanna I �...
133 bpm • A min • 05:20 • -28.51db
9% Popularity • 17% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Palestrina : Missa pro defunctis [Requie...
110 bpm • F Maj • 04:39 • -24.65db
11% Popularity • 16% Danceability • 9% Energy • 10% Liveness
20% Instrumentalness • 7% Positiveness
11% Popularity • 16% Danceability • 9% Energy • 10% Liveness
20% Instrumentalness • 7% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
133 bpm • E Maj • 02:03 • -24.66db
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Alessandro Constantini
Confitemini Domino, IAC 1
133 bpm • A min • 01:34 • -23.32db
23% Popularity • 26% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
23% Popularity • 26% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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John Dowland
Can She Excuse My Wrongs with Virtue's C...
110 bpm • A min • 02:49 • -22.22db
11% Popularity • 48% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
11% Popularity • 48% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Intemerata Dei Mater
110 bpm • C# min • 07:43 • -22.94db
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Jacobus Gallus
O sacrum convivium
133 bpm • C min • 02:43 • -22.67db
21% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Io son ferito ahi lasso
134 bpm • G min • 06:16 • -26db
13% Popularity • 22% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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S. Serafimovich
Blessed Is The Man (Znamenny Chant, Harm...
109 bpm • A Maj • 02:07 • -28db
15% Popularity • 37% Danceability • 7% Energy • 14% Liveness
82% Instrumentalness • 19% Positiveness
15% Popularity • 37% Danceability • 7% Energy • 14% Liveness
82% Instrumentalness • 19% Positiveness
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Johannes Ockeghem
Missa Prolationum: Sanctus
133 bpm • F# Maj • 03:14 • -23.64db
12% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
12% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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Luca Marenzio
All'imperio d'Amore: 6. La dipartita e a...
109 bpm • G min • 02:13 • -19db
13% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Giovanni Pierluigi da Palestrina
Stabat mater
134 bpm • B Maj • 11:16 • -29.87db
10% Popularity • 19% Danceability • 2% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 2% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Antonio Lotti
Miserere
109 bpm • G# min • 01:30 • -19db
37% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
34% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
34% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Philippe Verdelot
Se l'ardor foss'equale
109 bpm • G# min • 02:49 • -18.69db
16% Popularity • 22% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Emilio de' Cavalieri
Rappresentatione di Anima e di Corpo (Re...
135 bpm • G Maj • 01:34 • -23db
25% Popularity • 24% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
25% Popularity • 24% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
