🔥Growing Artists | Pitch your song |
Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum cover art

Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent

Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
130 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
A min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-21.28db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 11% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
16%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
19%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
4%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
10%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
99%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum


Christe, qui lux es et dies: Christe, qui lux es et dies cover art
Robert White - Christe, qui lux es et dies: Christe, qu...
7% popularity • 130 bpm • D min • 05:55 • 4/4
Bach, JS: Mass in B Minor, BWV 232: Et in unum Dominum cover art
Johann Sebastian Bach - Bach, JS: Mass in B Minor, BWV 232: Et i...
6% popularity • 130 bpm • F# Maj • 04:57 • 4/4
Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum cover art
Carlo Gesualdo - Tenebrae Responsories, Feria quinta: III...
11% popularity • 130 bpm • A min • 06:55 • 4/4
2 Sacred Chants: No. 2, To Thee We Sing cover art
Valentin Silvestrov - 2 Sacred Chants: No. 2, To Thee We Sing
13% popularity • 130 bpm • C Maj • 03:14 • 4/4
Taverner: Missa Gloria Tibi Trinitas - Benedictus cover art
John Taverner - Taverner: Missa Gloria Tibi Trinitas - B...
11% popularity • 130 bpm • F min • 02:59 • 3/4
Sanctus cover art
Jacob Clemens non Papa - Sanctus
21% popularity • 130 bpm • D Maj • 02:31 • 4/4
Libera nos I & II: Libera nos I & II cover art
John Sheppard - Libera nos I & II: Libera nos I & II
13% popularity • 130 bpm • G# Maj • 05:36 • 4/4
Tota pulchra es, WAB 46 cover art
Anton Bruckner - Tota pulchra es, WAB 46
12% popularity • 131 bpm • C Maj • 05:20 • 3/4
Moro, lasso, al mio duolo, madrigal for 5 voices (Book 6), W. 6/74 cover art
Carlo Gesualdo - Moro, lasso, al mio duolo, madrigal for ...
7% popularity • 130 bpm • F min • 04:10 • 3/4
Holy is the True Light cover art
William Henry Harris - Holy is the True Light
9% popularity • 130 bpm • A# Maj • 01:53 • 5/4
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant cover art
Jan Dismas Zelenka - The Lamentations of Jeremiah the Prophet...
13% popularity • 131 bpm • C# Maj • 04:00 • 4/4
Adoramus te Christe, SV 289 cover art
Claudio Monteverdi - Adoramus te Christe, SV 289
9% popularity • 131 bpm • G# Maj • 03:33 • 4/4
Versa est in luctum cover art
Alonso Lobo - Versa est in luctum
7% popularity • 129 bpm • D# min • 05:19 • 3/4
Missa pro defunctis: IV. Pie Jesu cover art
Charles D'Argentil - Missa pro defunctis: IV. Pie Jesu
10% popularity • 131 bpm • B min • 01:15 • 4/4
Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum is a song by Carlo Gesualdo, released on 2013-10-07. It is track number 3 in the album Gesualdo: Responsoria 1611. Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum has a BPM/tempo of 130 beats per minute, is in the key of A min and has a duration of 6 minutes, 55 seconds.

Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum info

Name
Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum
Release Date
7th October 2013
ISRC
BER181301003
Key
A min
Tempo
130
Loudness (db)
-21.28db
Time signature
4/4
Length
06:55
Song Number
3 of 29
Explicit
No