Songs like Las Dos Hermanas in A Major - for Guitar by Francisco Tárrega
Based on a tempo of (+/- 10%) and a similar genre
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Gaspar Sanz
Canarios
103 bpm • D Maj • 02:10 • -24db
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
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Pepe Romero
Suite Espanola (arr. for guitar)
103 bpm • G Maj • 09:27 • -20.15db
14% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
14% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
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Berta Rojas
La Catedral: Preludio Saudade
103 bpm • B min • 02:13 • -20.32db
21% Popularity • 36% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 35% Positiveness
21% Popularity • 36% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 35% Positiveness
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Joaquín Rodrigo
Fantasía para un gentilhombre for Guita...
103 bpm • A Maj • 04:48 • -22.87db
14% Popularity • 36% Danceability • 9% Energy • 14% Liveness
82% Instrumentalness • 24% Positiveness
14% Popularity • 36% Danceability • 9% Energy • 14% Liveness
82% Instrumentalness • 24% Positiveness
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Francisco Tárrega
Adelita
103 bpm • E min • 02:10 • -18.66db
41% Popularity • 52% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
41% Popularity • 52% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
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Fernando Sor
Variations on a Theme by Mozart, Op. 9
104 bpm • E Maj • 07:37 • -24.98db
18% Popularity • 37% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
18% Popularity • 37% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
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Miguel Llobet Solés
El Testament d' Amelia - Rev. Celedonio ...
102 bpm • G min • 02:06 • -37.58db
18% Popularity • 45% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
18% Popularity • 45% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Manuel Ponce
3 Canciones populares mexicanas: La Paja...
102 bpm • C# min • 01:03 • -28db
34% Popularity • 52% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 62% Positiveness
34% Popularity • 52% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 62% Positiveness
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Sergio Assad
Aquarelle: II. Valseana
102 bpm • D Maj • 02:55 • -33.94db
25% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
25% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Joaquín Rodrigo
Sonata giocosa: II. Andante moderato
102 bpm • A min • 04:19 • -24.79db
33% Popularity • 48% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
33% Popularity • 48% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Francisco Tárrega
Pavana
104 bpm • E Maj • 01:48 • -18.17db
14% Popularity • 60% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
14% Popularity • 60% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
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Antonio Lauro
El Marabino
102 bpm • A Maj • 01:18 • -27.48db
38% Popularity • 48% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 90% Positiveness
38% Popularity • 48% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 90% Positiveness
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Leopold Godowsky
Triakontameron: No. 11, Alt-Wien (Arr. J...
104 bpm • G Maj • 02:16 • -17db
26% Popularity • 34% Danceability • 13% Energy • 16% Liveness
70% Instrumentalness • 23% Positiveness
26% Popularity • 34% Danceability • 13% Energy • 16% Liveness
70% Instrumentalness • 23% Positiveness
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Reynaldo Hahn
Douze valses, Le ruban dénoué: No. 1, ...
104 bpm • F# min • 01:26 • -26.49db
52% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
52% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Niccolò Paganini
24 Caprices, Op. 1: No. 1 in E Major (ar...
104 bpm • A min • 07:17 • -23.82db
21% Popularity • 44% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
21% Popularity • 44% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Francisco Tárrega
Adelita in E Minor
102 bpm • D# Maj • 01:24 • -25.74db
29% Popularity • 46% Danceability • 10% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
29% Popularity • 46% Danceability • 10% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Joaquín Rodrigo
Zapateado
102 bpm • B min • 03:09 • -26.69db
15% Popularity • 40% Danceability • 17% Energy • 15% Liveness
85% Instrumentalness • 68% Positiveness
15% Popularity • 40% Danceability • 17% Energy • 15% Liveness
85% Instrumentalness • 68% Positiveness
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Joaquín Turina
Rafaga
104 bpm • A Maj • 03:01 • -15.62db
14% Popularity • 38% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
14% Popularity • 38% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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Sylvain Luc
Âmes d'antan
102 bpm • G Maj • 02:26 • -29db
22% Popularity • 43% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
22% Popularity • 43% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Geronimo Gimenez
La boda de Luis Alonso
102 bpm • B min • 06:20 • -11.21db
17% Popularity • 45% Danceability • 40% Energy • 30% Liveness
85% Instrumentalness • 29% Positiveness
17% Popularity • 45% Danceability • 40% Energy • 30% Liveness
85% Instrumentalness • 29% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Murga
102 bpm • E min • 01:53 • -26db
26% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
26% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Francisco Tárrega
Lagrima
104 bpm • E Maj • 01:52 • -20.04db
19% Popularity • 56% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 56% Positiveness
19% Popularity • 56% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 56% Positiveness
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Antonio Lauro
La gatica
104 bpm • A min • 01:19 • -28.31db
32% Popularity • 35% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 91% Positiveness
32% Popularity • 35% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 91% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 6 in B Minor (A...
102 bpm • B Maj • 05:18 • -30.39db
9% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Jean-Philippe Rameau
Les cyclopes, RCT 3/8 (Arr. Grizard for ...
101 bpm • E min • 03:48 • -19.27db
21% Popularity • 39% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 58% Positiveness
21% Popularity • 39% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 58% Positiveness
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Johann Kaspar Mertz
Deutsche Weise (German Air)
101 bpm • F Maj • 04:19 • -31.71db
12% Popularity • 44% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 44% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 11 in G Major
101 bpm • G Maj • 01:22 • -26db
30% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
30% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
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Francisco Tárrega
Capricho arabe
102 bpm • D Maj • 06:08 • -27.67db
39% Popularity • 38% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
39% Popularity • 38% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Joaquín Rodrigo
En los trigales
105 bpm • G min • 03:57 • -26.29db
12% Popularity • 35% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 17% Positiveness
12% Popularity • 35% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 17% Positiveness
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Joaquín Turina
J.Turina: Hommage À Tarrega - 1. Garrot...
105 bpm • D Maj • 02:20 • -20.02db
27% Popularity • 44% Danceability • 15% Energy • 18% Liveness
87% Instrumentalness • 34% Positiveness
27% Popularity • 44% Danceability • 15% Energy • 18% Liveness
87% Instrumentalness • 34% Positiveness
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Niccolò Paganini
Grand Sonata in A Major, MS 3: II. Roman...
105 bpm • A min • 03:55 • -28.18db
18% Popularity • 33% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
18% Popularity • 33% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Matteo Carcassi
Carcassi op.60 n.2 moderato con espressi...
105 bpm • A min • 01:48 • -14.6db
32% Popularity • 23% Danceability • 52% Energy • 15% Liveness
86% Instrumentalness • 43% Positiveness
32% Popularity • 23% Danceability • 52% Energy • 15% Liveness
86% Instrumentalness • 43% Positiveness
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Antonio Lauro
Pasaje aragueno
106 bpm • A Maj • 02:03 • -23db
30% Popularity • 35% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 73% Positiveness
30% Popularity • 35% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 73% Positiveness
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Francisco Tárrega
Variations on The Carnival of Venice
102 bpm • A Maj • 08:09 • -23.45db
8% Popularity • 42% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
8% Popularity • 42% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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Antonio Vivaldi
12 Concertos, Op. 3 "L'estro armonico", ...
100 bpm • B min • 01:07 • -20.25db
40% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
40% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
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Emilio Pujol
E.Pujol: Tres Piezas Espanõlas - 3. Gua...
105 bpm • D Maj • 04:00 • -24.1db
23% Popularity • 37% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
23% Popularity • 37% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Jose Luis Merlin
Suite del recuerdo: I. Evocacion
100 bpm • E min • 01:17 • -24.41db
39% Popularity • 35% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
39% Popularity • 35% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
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Jorge Morel
Danza Brasileira
106 bpm • E min • 02:43 • -23.06db
23% Popularity • 37% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 40% Positiveness
23% Popularity • 37% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 40% Positiveness
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Joaquín Rodrigo
Junto al Generalife
100 bpm • D Maj • 05:33 • -19.52db
24% Popularity • 36% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
24% Popularity • 36% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Francisco Tárrega
Capricho árabe
105 bpm • D Maj • 05:09 • -19.98db
16% Popularity • 44% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
16% Popularity • 44% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
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Paulo Bellinati
Jongo
106 bpm • D Maj • 04:57 • -22.57db
10% Popularity • 35% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
10% Popularity • 35% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
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Alessandro Scarlatti
Toccata in G Minor (Arr. E. Netzer for H...
100 bpm • C min • 05:16 • -23db
11% Popularity • 36% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
11% Popularity • 36% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: Torija (Elegia)
100 bpm • D Maj • 03:34 • -35db
30% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
30% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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Paco de Lucía
Albéniz: Iberia: 1. Triana
100 bpm • F# min • 04:58 • -19.67db
19% Popularity • 62% Danceability • 20% Energy • 3% Liveness
88% Instrumentalness • 30% Positiveness
19% Popularity • 62% Danceability • 20% Energy • 3% Liveness
88% Instrumentalness • 30% Positiveness
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Claude Debussy
Preludes, Book I: VII. La fille aux chev...
100 bpm • A Maj • 02:13 • -28.01db
27% Popularity • 36% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
27% Popularity • 36% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
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Francisco Tárrega
Adelita
105 bpm • E min • 01:20 • -18db
11% Popularity • 55% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 39% Positiveness
11% Popularity • 55% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 39% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Fingals Hohle (Fin...
100 bpm • G Maj • 02:45 • -27db
15% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
15% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Joaquín Turina
Sonata, Op. 61: II. Andante
106 bpm • A min • 04:09 • -18db
24% Popularity • 57% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
24% Popularity • 57% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: No. 3. Alcaniz
100 bpm • E Maj • 01:44 • -27.18db
31% Popularity • 37% Danceability • 15% Energy • 17% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 37% Danceability • 15% Energy • 17% Liveness
85% Instrumentalness • 12% Positiveness
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Fernando Sor
Étude No. 5 (arr. of F. Sor: 24 Very Ea...
100 bpm • B min • 02:42 • -24.47db
20% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
20% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Preludio
107 bpm • D min • 01:34 • -31db
42% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
42% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Francisco Tárrega
Gran jota (Arr. Romero)
101 bpm • A Maj • 10:28 • -23.53db
14% Popularity • 38% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 26% Positiveness
14% Popularity • 38% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 26% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: XV. Presto
100 bpm • B min • 01:14 • -27db
33% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
33% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.1 Allegro
107 bpm • G Maj • 00:58 • -13.32db
30% Popularity • 42% Danceability • 60% Energy • 19% Liveness
83% Instrumentalness • 49% Positiveness
30% Popularity • 42% Danceability • 60% Energy • 19% Liveness
83% Instrumentalness • 49% Positiveness
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Miguel Llobet Solés
Canco Del Lladre
107 bpm • D Maj • 01:54 • -22.84db
28% Popularity • 36% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
28% Popularity • 36% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Carlo Domeniconi
Koyunbaba, Op. 19: II. Mosso
107 bpm • C# min • 01:30 • -31.74db
32% Popularity • 27% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
32% Popularity • 27% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Enrique Granados
12 Danzas españolas: No. 2, Oriental
107 bpm • C min • 03:52 • -25db
28% Popularity • 24% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
28% Popularity • 24% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Francisco Tárrega
Recuerdos de la Alhambra
106 bpm • A Maj • 06:54 • -16.53db
18% Popularity • 21% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
18% Popularity • 21% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
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Aram Khachaturian
Oriental Dance
99 bpm • A min • 02:13 • -18.49db
24% Popularity • 60% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
24% Popularity • 60% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Maximo Diego Pujol
Suite Buenos Aires: No. 3, San Telmo
99 bpm • E min • 03:00 • -13.79db
26% Popularity • 53% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
26% Popularity • 53% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
► Preview
Leo Brouwer
Estudios sencillos: First Series: II
107 bpm • C Maj • 01:11 • -25db
29% Popularity • 60% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
29% Popularity • 60% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
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Mark Houghton
Dance of the Orient
99 bpm • D Maj • 04:20 • -23.1db
35% Popularity • 36% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
35% Popularity • 36% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
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Roland Dyens
Revoir Paris
99 bpm • D Maj • 03:06 • -28.64db
16% Popularity • 36% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
16% Popularity • 36% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
► Preview
Francisco Tárrega
Rosita
100 bpm • D Maj • 01:51 • -28.5db
25% Popularity • 39% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 58% Positiveness
25% Popularity • 39% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 58% Positiveness
► Preview
Giulio Tampalini
Malagueña
99 bpm • C Maj • 02:44 • -20.59db
27% Popularity • 40% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
27% Popularity • 40% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
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Peter Breiner
Valses poeticos (arr. Peter Breiner): Va...
107 bpm • D Maj • 02:17 • -38db
26% Popularity • 27% Danceability • 1% Energy • 14% Liveness
41% Instrumentalness • 18% Positiveness
26% Popularity • 27% Danceability • 1% Energy • 14% Liveness
41% Instrumentalness • 18% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
47% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
47% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Ferdinando Carulli
Andante No. 1, Op. 320
99 bpm • G Maj • 02:19 • -26db
29% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
29% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
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Mario Castelnuovo-Tedesco
Capriccio, Op. 195, No. 18, "El sueno de...
107 bpm • D min • 05:14 • -24.31db
15% Popularity • 35% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
15% Popularity • 35% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Francisco Tárrega
Capricho árabe
100 bpm • D Maj • 05:59 • -18.42db
19% Popularity • 46% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
19% Popularity • 46% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 2
99 bpm • E min • 01:06 • -28.82db
40% Popularity • 29% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
40% Popularity • 29% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
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Carlos Gardel
The Day You Love Me
108 bpm • D Maj • 04:56 • -33.67db
17% Popularity • 35% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
17% Popularity • 35% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
David Tanenbaum
Suite No. 21 in E : Allemande
108 bpm • E min • 05:31 • -20.29db
14% Popularity • 46% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
14% Popularity • 46% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
► Preview
Franz Schubert
Schwanengesang, D. 957: No. 4. Standchen...
108 bpm • A Maj • 03:41 • -29.48db
28% Popularity • 50% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
28% Popularity • 50% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
Mario Castelnuovo-Tedesco
Capriccio, Op. 195, No. 18, "El sueno de...
108 bpm • A min • 03:52 • -23.9db
15% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
15% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Unruhe (Restlessne...
98 bpm • E Maj • 01:49 • -27db
32% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
32% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
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Francisco Tárrega
Las dos hermanitas
99 bpm • A Maj • 02:44 • -26.41db
13% Popularity • 46% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
13% Popularity • 46% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
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Jerónimo Giménez
La boda de Luis Alonso, o La noche del e...
108 bpm • A Maj • 05:59 • -21db
19% Popularity • 39% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 47% Positiveness
19% Popularity • 39% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 47% Positiveness
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Adam Holzman
Estrellita
98 bpm • A Maj • 02:23 • -31.18db
32% Popularity • 47% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
32% Popularity • 47% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Fernando Sor
24 Studies, Op. 35, "Exercises": Study N...
108 bpm • E min • 00:54 • -27.86db
33% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
33% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
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Antonio Lauro
Suite Venezolano: I Registro (Preludio)
98 bpm • G Maj • 01:52 • -31db
20% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
20% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
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Victor Villadangos
Hora libre (Free Hour)
98 bpm • G Maj • 01:46 • -28db
32% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
32% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
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Francisco Tárrega
Capricho árabe
108 bpm • D min • 05:09 • -30.17db
14% Popularity • 38% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 20% Positiveness
14% Popularity • 38% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 20% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.4 Allegretto
98 bpm • D Maj • 01:34 • -17db
33% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
33% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
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Miguel Llobet Solés
Romanza
109 bpm • C Maj • 05:09 • -27db
36% Popularity • 44% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
36% Popularity • 44% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Carnavalito - Evocac...
98 bpm • B min • 06:22 • -20.95db
17% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
17% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
109 bpm • F# min • 06:30 • -33.64db
35% Popularity • 41% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
35% Popularity • 41% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Joaquín Rodrigo
En los Trigales
97 bpm • C min • 04:22 • -28.25db
21% Popularity • 38% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
21% Popularity • 38% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Federico Moreno Torroba
Romance de los pinos
97 bpm • C Maj • 01:47 • -29.84db
21% Popularity • 45% Danceability • 4% Energy • 9% Liveness
63% Instrumentalness • 17% Positiveness
21% Popularity • 45% Danceability • 4% Energy • 9% Liveness
63% Instrumentalness • 17% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 10. Das Fisc...
109 bpm • D Maj • 02:09 • -27.01db
26% Popularity • 62% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
26% Popularity • 62% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
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Antonio Lauro
Angostura
97 bpm • G Maj • 02:01 • -27db
27% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
27% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
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Malcolm Arnold
Fantasy for Guitar Op. 107: III. Arietta...
109 bpm • D Maj • 02:03 • -38db
41% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
41% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Norbert Kraft
8 Etudes: 24 Studies, Op. 35, "Exercises...
109 bpm • B min • 02:52 • -25db
26% Popularity • 35% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
26% Popularity • 35% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
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Julian Arcas
Bolero
110 bpm • A min • 01:52 • -19.24db
19% Popularity • 38% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
19% Popularity • 38% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
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Regino Sáinz de la Maza
La Frontera de Dios: III. Idilio
110 bpm • B Maj • 01:29 • -25db
33% Popularity • 35% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
33% Popularity • 35% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
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Catharina Josepha Pratten
Forgotten: Impromptu
97 bpm • D Maj • 03:12 • -17.44db
16% Popularity • 51% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
16% Popularity • 51% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Francisco Tárrega
Gran Vals
97 bpm • E Maj • 02:53 • -16.42db
30% Popularity • 56% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 60% Positiveness
30% Popularity • 56% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 60% Positiveness