Songs like L'Eraclea: Dopo i nembi e le procelle by Tomaso Albinoni
Based on a tempo of (+/- 10%) and a similar genre
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Stefani Germanotta
Poker Face
137 bpm • A min • 03:56 • -13.7db
4% Popularity • 37% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
4% Popularity • 37% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Jean-Philippe Rameau
Zaïs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
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Francesco Provenzale
Provenzale: Lo schiavo di sua moglie: "N...
136 bpm • C# Maj • 01:31 • -16.11db
15% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
138 bpm • E min • 04:29 • -22.33db
42% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Concerto for 2 Oboes in D Major, Op. 7, ...
136 bpm • D Maj • 01:59 • -16db
13% Popularity • 40% Danceability • 15% Energy • 27% Liveness
40% Instrumentalness • 77% Positiveness
13% Popularity • 40% Danceability • 15% Energy • 27% Liveness
40% Instrumentalness • 77% Positiveness
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Giovanni Bononcini
Bononcini: La Nemica d'Amore fatta amant...
138 bpm • F# min • 03:14 • -18.57db
18% Popularity • 23% Danceability • 20% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
18% Popularity • 23% Danceability • 20% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigali, Libro VIII "Guerr...
136 bpm • A min • 03:13 • -19.77db
36% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In D Major, TWV 55:D15:...
135 bpm • D Maj • 01:59 • -17.23db
45% Popularity • 63% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
45% Popularity • 63% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: VI. Vidit suum
138 bpm • F min • 03:31 • -28db
35% Popularity • 17% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Concerto a 5 in G Major, Op. 9, No. 6: I...
136 bpm • G Maj • 03:17 • -15.78db
13% Popularity • 51% Danceability • 23% Energy • 12% Liveness
84% Instrumentalness • 65% Positiveness
13% Popularity • 51% Danceability • 23% Energy • 12% Liveness
84% Instrumentalness • 65% Positiveness
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Antonio Vivaldi
Concerto In D Major For 2 Violins, Strin...
139 bpm • D Maj • 03:40 • -17db
39% Popularity • 42% Danceability • 23% Energy • 28% Liveness
44% Instrumentalness • 60% Positiveness
39% Popularity • 42% Danceability • 23% Energy • 28% Liveness
44% Instrumentalness • 60% Positiveness
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Alessandro Scarlatti
Spesso vibra per suo gioco
135 bpm • G Maj • 01:03 • -22.18db
34% Popularity • 54% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
34% Popularity • 54% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
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Claudio Monteverdi
Monteverdi: Sì dolce è'l tormento, SV ...
134 bpm • G Maj • 03:48 • -22.14db
29% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Jean-François Dandrieu
Sonate en Sol Mineur, Op. 1 No. 3: IV. G...
140 bpm • F# min • 01:13 • -13db
25% Popularity • 48% Danceability • 47% Energy • 13% Liveness
4% Instrumentalness • 61% Positiveness
25% Popularity • 48% Danceability • 47% Energy • 13% Liveness
4% Instrumentalness • 61% Positiveness
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Tomaso Albinoni
L'Eraclea: Dopo i nembi e le procelle
137 bpm • D min • 05:04 • -20.84db
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Charles Avison
Concerto in D Minor; Op. 6 No. 5: I. Lar...
134 bpm • C# min • 03:01 • -15db
29% Popularity • 45% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 16% Positiveness
29% Popularity • 45% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 16% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
134 bpm • C# min • 02:28 • -21.36db
27% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
27% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Tafelmusik Baroque Orchestra
Antonio Vivaldi: Concerto For 2 Violins ...
141 bpm • G# min • 03:19 • -21.85db
31% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
31% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
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Johann Adolf Hasse
Cajo Fabricio, Act II, Scene 4: Non ha p...
140 bpm • A Maj • 06:48 • -13.83db
3% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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George Frideric Handel
Handel: Agrippina, HWV 6, Act 2: "Voi ch...
134 bpm • E min • 04:51 • -15.8db
14% Popularity • 22% Danceability • 15% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 15% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
In furore, R.626: I. In furore iustissim...
134 bpm • C min • 05:10 • -14.15db
17% Popularity • 42% Danceability • 30% Energy • 34% Liveness
2% Instrumentalness • 27% Positiveness
17% Popularity • 42% Danceability • 30% Energy • 34% Liveness
2% Instrumentalness • 27% Positiveness
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Georg Philipp Telemann
Recorder Concerto in C Major, TWV 51:C1:...
141 bpm • B Maj • 05:42 • -16db
40% Popularity • 40% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 47% Positiveness
40% Popularity • 40% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 47% Positiveness
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Carlo Pallavicino
Pallavicino: L'Antiope: "Sdegni, furori ...
133 bpm • C# Maj • 01:13 • -14.1db
15% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
132 bpm • C# min • 03:20 • -17db
29% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
29% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
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Jimmy Page
Stairway to Heaven
132 bpm • A min • 06:06 • -14.91db
3% Popularity • 30% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 30% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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George Frideric Handel
Rinaldo: Ah! Crudel (Aria)
141 bpm • F# min • 05:31 • -22.43db
3% Popularity • 22% Danceability • 4% Energy • 8% Liveness
13% Instrumentalness • 7% Positiveness
3% Popularity • 22% Danceability • 4% Energy • 8% Liveness
13% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Vivaldi: Andromeda Liberata, Anh. 117: "...
141 bpm • E min • 09:24 • -28db
27% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
27% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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![Keyboard Concerto No. 5 in F Minor, BWV 1056: I. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e02dddd97512c304f31ad525606)
Johann Sebastian Bach
Keyboard Concerto No. 5 in F Minor, BWV ...
143 bpm • A# min • 03:17 • -15.48db
41% Popularity • 27% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 53% Positiveness
41% Popularity • 27% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 53% Positiveness
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Franz Ignaz Beck
Symphony in C Major, Op. 1, No. 6, (Call...
143 bpm • G Maj • 02:05 • -19db
30% Popularity • 52% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
30% Popularity • 52% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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William Boyce
Symphony No. 5 in D Major: 1. Allegro ma...
131 bpm • C# Maj • 04:06 • -15.92db
26% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
26% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
Farnace, RV 711, Act II, Scene 5: Gelido...
133 bpm • F min • 09:54 • -17.47db
4% Popularity • 27% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 27% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Janos Sebestyen
Concerto In The Italian Style, BWV 971, ...
131 bpm • D min • 05:04 • -24db
41% Popularity • 38% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
41% Popularity • 38% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Concerto for 2 Cellos, Strings and Conti...
141 bpm • G min • 03:02 • -15.73db
31% Popularity • 40% Danceability • 37% Energy • 33% Liveness
91% Instrumentalness • 76% Positiveness
31% Popularity • 40% Danceability • 37% Energy • 33% Liveness
91% Instrumentalness • 76% Positiveness
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Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
145 bpm • G Maj • 05:14 • -24.21db
11% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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Antonio Vivaldi
Argippo, RV 697: Se lento ancora il fulm...
141 bpm • C# Maj • 03:57 • -14.88db
13% Popularity • 35% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 35% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Tomaso Albinoni
Concerto for 2 Oboes in D Major, Op. 7, ...
145 bpm • B min • 02:45 • -20.54db
12% Popularity • 13% Danceability • 12% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
12% Popularity • 13% Danceability • 12% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
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Carl Heinrich Graun
Cleopatra e Cesare, WV B:I:7: Tra le pro...
130 bpm • D# Maj • 07:24 • -13.34db
13% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
13% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater en fa mineur pour soprano, ...
129 bpm • A# min • 05:11 • -18.55db
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
129 bpm • F# min • 02:08 • -20.34db
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Antonio Vivaldi
Oboe Concerto in C Major, RV 452: II. Ad...
130 bpm • A min • 02:03 • -18db
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
145 bpm • D min • 04:33 • -17db
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
146 bpm • D Maj • 02:11 • -22.86db
46% Popularity • 43% Danceability • 10% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness
46% Popularity • 43% Danceability • 10% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness
► Preview
Francesco Geminiani
Concerto grosso, Op. 3 (revised), No. 6 ...
129 bpm • D# min • 02:29 • -20.16db
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
► Preview
Janos Sebestyen
Prelude In G Minor, BWV 930 : Praeambulu...
129 bpm • G min • 01:27 • -24.02db
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Antonio Vivaldi
Concerto for 2 Cellos in G Minor, RV 531...
130 bpm • G min • 03:10 • -17.72db
30% Popularity • 47% Danceability • 21% Energy • 23% Liveness
71% Instrumentalness • 81% Positiveness
30% Popularity • 47% Danceability • 21% Energy • 23% Liveness
71% Instrumentalness • 81% Positiveness
► Preview
Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
128 bpm • E Maj • 05:48 • -27.47db
26% Popularity • 22% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 22% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Arcangelo Corelli
Concerto grosso No. 1 in D Major, Op. 6:...
146 bpm • C# Maj • 02:24 • -14db
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
► Preview
Johann Sebastian Bach
Brandenburg Concerto No. 4 in G Major, B...
128 bpm • D min • 03:39 • -27.89db
40% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Leonardo Vinci
Semiramide riconosciuta, Act III, Scene ...
128 bpm • D Maj • 04:57 • -11.5db
4% Popularity • 49% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
4% Popularity • 49% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
► Preview
Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
► Preview
George Frideric Handel
Serse, HWV 40, Act I, Scene 1: Ombra mai...
128 bpm • F# Maj • 03:14 • -23.59db
9% Popularity • 17% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 9% Positiveness
9% Popularity • 17% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 9% Positiveness
► Preview
Arcangelo Corelli
Flute Sonata in E Minor, Op. 5, No. 8: I...
128 bpm • D min • 01:52 • -19db
38% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
38% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
► Preview
Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
128 bpm • A# Maj • 03:22 • -12.11db
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
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Johann Sebastian Bach
Suite in C Minor, BWV 997 (Arr. for Lute...
128 bpm • B min • 06:35 • -22.11db
10% Popularity • 47% Danceability • 5% Energy • 15% Liveness
81% Instrumentalness • 74% Positiveness
10% Popularity • 47% Danceability • 5% Energy • 15% Liveness
81% Instrumentalness • 74% Positiveness
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Udo Jürgens
Aber bitte mit Sahne
146 bpm • F Maj • 04:59 • -13.95db
3% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Nicola Porpora
Polifemo: Nell' attendere mio bene (Ed. ...
128 bpm • A Maj • 05:11 • -11.94db
11% Popularity • 50% Danceability • 41% Energy • 31% Liveness
1% Instrumentalness • 35% Positiveness
11% Popularity • 50% Danceability • 41% Energy • 31% Liveness
1% Instrumentalness • 35% Positiveness
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Antonio Vivaldi
Oboe Concerto in D Minor, Op. 8, No. 9, ...
129 bpm • D min • 02:52 • -18db
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
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Francesco Geminiani
Concerto Grosso in D Minor, H. 143 "La F...
147 bpm • C# min • 03:22 • -14.46db
24% Popularity • 30% Danceability • 29% Energy • 29% Liveness
92% Instrumentalness • 45% Positiveness
24% Popularity • 30% Danceability • 29% Energy • 29% Liveness
92% Instrumentalness • 45% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492: Atto Quarto:...
128 bpm • G Maj • 02:48 • -23.69db
19% Popularity • 17% Danceability • 5% Energy • 18% Liveness
87% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 5% Energy • 18% Liveness
87% Instrumentalness • 3% Positiveness
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Jean-Philippe Rameau
Tambourin
148 bpm • E min • 00:56 • -22.81db
42% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
42% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
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Ottorino Respighi
Bach - Violin Sonata in E Minor, P. 85 (...
126 bpm • D Maj • 00:58 • -32.14db
26% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
26% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
39% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Orlando furioso, RV 728: Nel profondo ci...
126 bpm • F# Maj • 04:06 • -14db
20% Popularity • 54% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
20% Popularity • 54% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Georg Philipp Telemann
Tafelmusik - Banquet Music In 3 Parts / ...
126 bpm • G# Maj • 08:18 • -18.97db
37% Popularity • 50% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 50% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Giovanni Battista Sammartini
Symphony in F Major, J-C 36: III. Allegr...
126 bpm • E Maj • 01:37 • -18.06db
47% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
47% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Overt...
125 bpm • C# Maj • 03:33 • -27db
32% Popularity • 41% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
32% Popularity • 41% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: IV. ...
125 bpm • B min • 01:41 • -19db
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
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Johann Sebastian Bach
Overture (Suite) No. 2 in B Minor, BWV 1...
125 bpm • A# min • 03:33 • -22.65db
42% Popularity • 45% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 53% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 53% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor, S. Z799: I. An...
151 bpm • D min • 03:22 • -19db
20% Popularity • 38% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 36% Positiveness
20% Popularity • 38% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 36% Positiveness
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Georg Philipp Telemann
Sonata for Violin and Basso Continuo in ...
124 bpm • C# Maj • 02:12 • -10.91db
23% Popularity • 38% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 38% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49b: Sinfonia
125 bpm • A Maj • 03:15 • -32db
41% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
41% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
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Cologne Chamber Orchestra
Brandenburg Concerto No. 2 In F Major, B...
124 bpm • D min • 03:12 • -22db
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
30% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
30% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Kyrie eleison ...
124 bpm • A# min • 09:14 • -20.27db
13% Popularity • 17% Danceability • 14% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
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Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
123 bpm • C# min • 02:47 • -20db
19% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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George Frideric Handel
Rodelinda / Act 3: Vivi, tiranno, io t'h...
123 bpm • A Maj • 05:24 • -17.68db
26% Popularity • 47% Danceability • 22% Energy • 28% Liveness
1% Instrumentalness • 59% Positiveness
26% Popularity • 47% Danceability • 22% Energy • 28% Liveness
1% Instrumentalness • 59% Positiveness
