Songs like Les baricades mystérieuses - Arranged By Göran Söllscher by François Couperin
Based on a tempo of (+/- 10%) and a similar genre
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Violin Concerto in E-Flat Major, RV 257:...
138 bpm • A Maj • 03:10 • -14.6db
37% Popularity • 46% Danceability • 33% Energy • 22% Liveness
56% Instrumentalness • 71% Positiveness
37% Popularity • 46% Danceability • 33% Energy • 22% Liveness
56% Instrumentalness • 71% Positiveness
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François Couperin
Les baricades mystérieuses - Arranged B...
138 bpm • A# Maj • 02:43 • -27.44db
35% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
35% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.32/L.423/P...
137 bpm • E min • 02:18 • -33.24db
38% Popularity • 43% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
38% Popularity • 43% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Gaspar Sanz
Canarios
136 bpm • D Maj • 02:27 • -12.15db
37% Popularity • 38% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 67% Positiveness
37% Popularity • 38% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 67% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Johann Sebastian Bach
Suite for Solo Cello No. 1 in G Major, B...
140 bpm • D# Maj • 02:40 • -24.34db
30% Popularity • 36% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
30% Popularity • 36% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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François Couperin
Pièces de clavecin, Book 3, Ordre XVII ...
137 bpm • E min • 03:19 • -25db
12% Popularity • 40% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
12% Popularity • 40% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
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Robert de Visée
De Visée / Transcr. Garcia: Pièces de ...
136 bpm • A min • 02:14 • -31db
34% Popularity • 39% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
34% Popularity • 39% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
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Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
43% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
43% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Samuel Coleridge-Taylor
Petite Suite de Concert, Op. 77: III. Un...
140 bpm • A Maj • 03:40 • -28.62db
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Recorder Concerto in C Major, TWV 51:C1:...
141 bpm • B Maj • 05:42 • -16db
40% Popularity • 40% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 47% Positiveness
40% Popularity • 40% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 47% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Lavinia Meijer
Suite bergamasque, L. 75: III. Clair de ...
141 bpm • C# Maj • 04:38 • -26db
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Paulinho Nogueira
Bachianinha No. 1 (Arr. for Guitar by S�...
142 bpm • A min • 03:20 • -21.61db
38% Popularity • 38% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
38% Popularity • 38% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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François Couperin
Pieces de clavecin, Book 2, 6th Ordre: L...
134 bpm • F Maj • 03:53 • -27db
15% Popularity • 29% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
15% Popularity • 29% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
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Benjamin Godard
Jocelyn, Op. 100: Berceuse (Arr. for Pia...
134 bpm • F Maj • 02:32 • -32db
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
142 bpm • D# Maj • 03:45 • -23db
21% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
40% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
40% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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Johann Pachelbel
Suite For Lute In F Sharp Minor - Arr. F...
133 bpm • G min • 02:55 • -23.59db
7% Popularity • 30% Danceability • 15% Energy • 14% Liveness
94% Instrumentalness • 22% Positiveness
7% Popularity • 30% Danceability • 15% Energy • 14% Liveness
94% Instrumentalness • 22% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Isaac Albéniz
Granada Op. 47, No. 1 - Transcription Se...
133 bpm • E Maj • 04:33 • -29.14db
5% Popularity • 37% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
5% Popularity • 37% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Christian Petzold
Two Minuets (attributed to Johann Sebast...
143 bpm • A# Maj • 03:34 • -24.27db
17% Popularity • 33% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
17% Popularity • 33% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
133 bpm • F Maj • 02:27 • -19db
22% Popularity • 41% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
22% Popularity • 41% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
133 bpm • D min • 02:19 • -26.37db
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
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Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
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Yukihiro Yoko
Sakura - Theme & Variations On A Japanes...
144 bpm • A min • 05:53 • -22.05db
9% Popularity • 29% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
9% Popularity • 29% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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George Frideric Handel
Water Music, Suite No. 2, HWV 349: No. 1...
132 bpm • C# Maj • 03:43 • -16.46db
41% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
41% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Vivaldi: Flute Concerto in D Major, RV 4...
131 bpm • D Maj • 01:49 • -25.17db
48% Popularity • 33% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 33% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Miguel Llobet Solés
Cançons Populars: El Testament d'Amèli...
131 bpm • D min • 01:36 • -20.79db
30% Popularity • 54% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 42% Positiveness
30% Popularity • 54% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 42% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
30% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
30% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Franz Schubert
Schubert: Schwanengesang, D. 957: No. 4,...
131 bpm • C min • 04:27 • -28.93db
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Joseph-Nicolas-Pancrace Royer
Pièces de clavecin, Book 1: No. 6, L'ai...
130 bpm • D min • 04:28 • -22.89db
23% Popularity • 38% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
23% Popularity • 38% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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François Couperin
Les Barricades Mysterieuses
146 bpm • C Maj • 03:14 • -18db
13% Popularity • 22% Danceability • 32% Energy • 16% Liveness
87% Instrumentalness • 46% Positiveness
13% Popularity • 22% Danceability • 32% Energy • 16% Liveness
87% Instrumentalness • 46% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
53% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
53% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: II...
148 bpm • C Maj • 01:47 • -24.26db
46% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
46% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
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Göran Söllscher
4 Estaciones Portenas (pour guitare): N�...
129 bpm • E min • 03:52 • -26.9db
36% Popularity • 36% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
36% Popularity • 36% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Ernst Gottlieb Baron
Sonata in B flat - Transcribed for Alto ...
148 bpm • A# Maj • 03:27 • -26db
11% Popularity • 42% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
11% Popularity • 42% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (arr. H. Busser for cello...
149 bpm • F# min • 05:42 • -22db
41% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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François Couperin
Les goûts-réunis, ou Nouveaux Concerts...
129 bpm • E Maj • 02:11 • -21.01db
8% Popularity • 34% Danceability • 10% Energy • 24% Liveness
99% Instrumentalness • 71% Positiveness
8% Popularity • 34% Danceability • 10% Energy • 24% Liveness
99% Instrumentalness • 71% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Frédéric Chopin
Waltz No. 19 in A Minor, KK IVb (Version...
127 bpm • G# min • 02:22 • -25.73db
54% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
54% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
John Dowland
The Shoemaker's Wife
151 bpm • F Maj • 01:07 • -19.58db
11% Popularity • 36% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 56% Positiveness
11% Popularity • 36% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 56% Positiveness
► Preview
Sophia Dussek
Sonata: Allegro
126 bpm • C min • 02:38 • -25db
17% Popularity • 32% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
17% Popularity • 32% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
40% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
40% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
► Preview
Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
► Preview
Antonín Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
David Kellner
Fantasia D major - Arranged by Gunnar Sp...
153 bpm • F Maj • 01:26 • -23.87db
17% Popularity • 19% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
17% Popularity • 19% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
► Preview
Göran Söllscher
Here Comes The Sun
153 bpm • E Maj • 01:56 • -24db
32% Popularity • 27% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 82% Positiveness
32% Popularity • 27% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 82% Positiveness
► Preview
Jean Sibelius
13 Pieces for Piano, Op. 76: II. Etude
124 bpm • G min • 02:48 • -28.34db
48% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
48% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
► Preview
François Couperin
Couperin, F: Second livre de pièces de ...
150 bpm • A# Maj • 02:33 • -25db
27% Popularity • 18% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
27% Popularity • 18% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
► Preview
Heitor Villa-Lobos
Suite populaire brésilienne: I. Mazurka...
124 bpm • A min • 03:41 • -32.02db
16% Popularity • 35% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
16% Popularity • 35% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Jacques Ibert
6 Pièces pour harpe à pédales: II. Sc...
123 bpm • C# Maj • 03:26 • -28.16db
28% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
28% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Antonio Vivaldi
Violin Concerto No. 3 in F Major, RV 293...
122 bpm • F Maj • 05:01 • -17db
46% Popularity • 46% Danceability • 16% Energy • 10% Liveness
26% Instrumentalness • 22% Positiveness
46% Popularity • 46% Danceability • 16% Energy • 10% Liveness
26% Instrumentalness • 22% Positiveness
► Preview
Hoagy Carmichael
Georgia on my Mind - Arr. Börje Sandqui...
122 bpm • D Maj • 03:17 • -25db
10% Popularity • 51% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
10% Popularity • 51% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Johann Anton Logy
Suite - Arranged by Göran Söllscher: 3...
122 bpm • A# Maj • 01:35 • -24.85db
12% Popularity • 37% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
12% Popularity • 37% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Heitor Villa-Lobos
Bachianas Brasileiras No. 5, W389
122 bpm • D min • 04:57 • -26.44db
20% Popularity • 25% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 25% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sheku Kanneh-Mason
Myfanwy (Arr. for Solo Cello)
121 bpm • G Maj • 03:39 • -23.89db
45% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
45% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Joaquín Rodrigo
Fantasía para un gentilhombre for Guita...
121 bpm • D min • 02:04 • -23db
23% Popularity • 69% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
23% Popularity • 69% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Anonymous
Romance d'Amour
120 bpm • E Maj • 02:21 • -23db
19% Popularity • 37% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
19% Popularity • 37% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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François Couperin
Second livre de pièces de clavecin / Si...
126 bpm • D Maj • 03:12 • -23.15db
27% Popularity • 31% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
27% Popularity • 31% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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George Frideric Handel
Solomon, HWV 67: The Arrival Of The Quee...
120 bpm • A# Maj • 03:09 • -18db
42% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
42% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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François Couperin
La Muse-Plantine: 19ème ordre, 3ème li...
126 bpm • D min • 02:19 • -24.78db
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Jean-Philippe Rameau
Les sauvages
118 bpm • G min • 01:23 • -20.31db
44% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
44% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
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![Suite antique (Version for Guitar) [Excerpts]: I. Prélude cover art](https://i.scdn.co/image/ab67616d00001e02da5d39f3a7d0c7cbe87a35e9)
John Rutter
Suite antique (Version for Guitar) [Exce...
119 bpm • A min • 02:25 • -30.87db
34% Popularity • 27% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
34% Popularity • 27% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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François Couperin
Les goûts-réunis, ou Nouveaux Concerts...
156 bpm • B Maj • 03:39 • -21.41db
7% Popularity • 30% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
7% Popularity • 30% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Oswald Russell
Three Jamaican Dances: No. 2
117 bpm • E Maj • 02:27 • -29.24db
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
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George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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Johann Anton Logy
Suite - Arranged by Göran Söllscher: 2...
164 bpm • A# Maj • 02:11 • -23.01db
12% Popularity • 21% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
12% Popularity • 21% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
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Emmanuel Pahud
Molino: Duo No. 3, Op. 16: I. Andantino
167 bpm • G Maj • 01:38 • -25.18db
44% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
44% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
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Paul Bazelaire
5 Pieces en concert (arr. P. Bazelaire f...
164 bpm • G Maj • 04:23 • -30.29db
1% Popularity • 14% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
1% Popularity • 14% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
