Songs like Mascagni: L'amico Fritz, Act 3: "Ed anche Beppe amò" (Fritz) by Pietro Mascagni
Based on a tempo of (+/- 10%) and a similar genre
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Johann Sebastian Bach
The Well-Tempered Clavier: Book I, BWV 8...
129 bpm • C Maj • 02:17 • -42db
52% Popularity • 12% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
52% Popularity • 12% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Il cavallo scalpi...
129 bpm • F# Maj • 02:18 • -17.35db
4% Popularity • 50% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 50% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 55% Positiveness
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Ennio Morricone
Love Theme From "Cinema Paradiso" (Arr. ...
129 bpm • A# Maj • 04:21 • -17.17db
25% Popularity • 20% Danceability • 25% Energy • 13% Liveness
47% Instrumentalness • 5% Positiveness
25% Popularity • 20% Danceability • 25% Energy • 13% Liveness
47% Instrumentalness • 5% Positiveness
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Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Claude Debussy
Clair de lune, CD 82/3 (Arr. Koncz)
130 bpm • C# Maj • 04:32 • -25db
21% Popularity • 23% Danceability • 4% Energy • 21% Liveness
6% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 4% Energy • 21% Liveness
6% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Scena, Santuzza e ...
130 bpm • F# Maj • 07:55 • -21.95db
7% Popularity • 38% Danceability • 12% Energy • 65% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 38% Danceability • 12% Energy • 65% Liveness
0% Instrumentalness • 10% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen!
127 bpm • G Maj • 03:30 • -29.78db
26% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Cesar Hernandez
Messa da Requiem: VII Requiem aeternam
130 bpm • D# min • 02:58 • -30db
35% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
35% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
0% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Il cavallo scalpi...
128 bpm • F# Maj • 02:29 • -15db
24% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
24% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Wolfgang Amadeus Mozart
Klavierkonzert Nr. 21 C-Dur, K. 467, "El...
126 bpm • F Maj • 06:43 • -29db
36% Popularity • 26% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
36% Popularity • 26% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
31% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Tu qui, Santuzza?
130 bpm • F Maj • 04:09 • -14db
9% Popularity • 36% Danceability • 24% Energy • 67% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 36% Danceability • 24% Energy • 67% Liveness
0% Instrumentalness • 8% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Georges Bizet
Carmen Suite No. 1: Entr'acte (Act III)
133 bpm • D# Maj • 02:38 • -26.93db
22% Popularity • 16% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Bach: Arioso (Arr. Cortot After Harpsich...
133 bpm • G# Maj • 02:54 • -30.38db
32% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
32% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: No. 8 Romance
133 bpm • C# Maj • 06:28 • -20.3db
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
127 bpm • F Maj • 02:24 • -26.32db
5% Popularity • 17% Danceability • 5% Energy • 91% Liveness
91% Instrumentalness • 9% Positiveness
5% Popularity • 17% Danceability • 5% Energy • 91% Liveness
91% Instrumentalness • 9% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: III. Intermez...
134 bpm • D# Maj • 02:40 • -24db
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
135 bpm • D Maj • 06:40 • -23.12db
46% Popularity • 16% Danceability • 3% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
46% Popularity • 16% Danceability • 3% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
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Umberto Giordano
Fedora / Act II: Intermezzo
123 bpm • E Maj • 02:03 • -18.82db
25% Popularity • 17% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: Romance
135 bpm • C# Maj • 04:16 • -15db
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
135 bpm • E Maj • 03:23 • -22db
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Easter H...
125 bpm • D# Maj • 04:37 • -16.91db
5% Popularity • 33% Danceability • 20% Energy • 7% Liveness
67% Instrumentalness • 22% Positiveness
5% Popularity • 33% Danceability • 20% Energy • 7% Liveness
67% Instrumentalness • 22% Positiveness
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Ludwig van Beethoven
Bagatelle in A Minor, WoO 59 ʻFür Elis...
122 bpm • A min • 03:23 • -37.11db
37% Popularity • 30% Danceability • 1% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
37% Popularity • 30% Danceability • 1% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
136 bpm • G Maj • 04:05 • -33db
38% Popularity • 16% Danceability • 1% Energy • 20% Liveness
54% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 1% Energy • 20% Liveness
54% Instrumentalness • 8% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114: Song to the Moon
137 bpm • F# Maj • 05:25 • -19db
34% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
137 bpm • E Maj • 04:17 • -23db
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Il cavallo scalpi...
125 bpm • B Maj • 02:58 • -16db
11% Popularity • 49% Danceability • 36% Energy • 63% Liveness
7% Instrumentalness • 40% Positiveness
11% Popularity • 49% Danceability • 36% Energy • 63% Liveness
7% Instrumentalness • 40% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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George Frideric Handel
Solomon, HWV 67: The Arrival Of The Quee...
120 bpm • A# Maj • 03:09 • -18db
41% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Giacomo Puccini
Madama Butterfly, Act 2: Humming Chorus
139 bpm • A# Maj • 03:17 • -31.99db
25% Popularity • 17% Danceability • 2% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 2% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Fior di giaggiolo...
133 bpm • F Maj • 03:22 • -24db
9% Popularity • 33% Danceability • 9% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 33% Danceability • 9% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Adolphus Hailstork
3 Spirituals for Orchestra: No. 2. Kum B...
140 bpm • D min • 02:50 • -37.57db
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
119 bpm • A# Maj • 02:50 • -20db
40% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Lewis
Rosa Mundi
141 bpm • C min • 03:37 • -20db
35% Popularity • 14% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Ah! lo vedi, che ...
133 bpm • F min • 06:46 • -13db
10% Popularity • 26% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 26% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Lavinia Meijer
Suite bergamasque, L. 75: III. Clair de ...
141 bpm • C# Maj • 04:38 • -26db
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
142 bpm • D# Maj • 03:45 • -23db
20% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Ernest Tomlinson
Little Serenade
142 bpm • A Maj • 03:23 • -29db
21% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
21% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 1. Präludium (Al...
142 bpm • G Maj • 02:45 • -21db
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
► Preview
Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Pietro Mascagni
Cavalleria Rusticana: Scena, Coro e Brin...
138 bpm • C Maj • 06:26 • -21.9db
5% Popularity • 39% Danceability • 11% Energy • 60% Liveness
1% Instrumentalness • 30% Positiveness
5% Popularity • 39% Danceability • 11% Energy • 60% Liveness
1% Instrumentalness • 30% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
Johannes Brahms
Six Songs for Cello and Piano: 4. Wiegen...
116 bpm • F Maj • 02:05 • -39db
33% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
33% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
42% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
42% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
143 bpm • C Maj • 06:03 • -22.3db
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Inneggiamo, il Si...
138 bpm • G Maj • 05:20 • -17.35db
3% Popularity • 20% Danceability • 20% Energy • 11% Liveness
18% Instrumentalness • 6% Positiveness
3% Popularity • 20% Danceability • 20% Energy • 11% Liveness
18% Instrumentalness • 6% Positiveness
► Preview
Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, Cantata...
144 bpm • D# Maj • 05:56 • -19.9db
53% Popularity • 15% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 16% Positiveness
53% Popularity • 15% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 16% Positiveness
► Preview
Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
32% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
32% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
► Preview
Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
49% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Dite, mama Lucia"
139 bpm • F# min • 03:41 • -19db
23% Popularity • 28% Danceability • 7% Energy • 39% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 28% Danceability • 7% Energy • 39% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Pietro Mascagni
Pheasants' Chorus (Cavalleria Rusticana)
141 bpm • A Maj • 08:09 • -25.63db
4% Popularity • 18% Danceability • 7% Energy • 16% Liveness
27% Instrumentalness • 13% Positiveness
4% Popularity • 18% Danceability • 7% Energy • 16% Liveness
27% Instrumentalness • 13% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
110 bpm • A# Maj • 02:52 • -12.73db
25% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
151 bpm • D Maj • 02:19 • -20.77db
36% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
36% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
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Giacomo Puccini
Turandot: Act I: Non piangere, Liù!
160 bpm • D# min • 01:56 • -16db
37% Popularity • 23% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 23% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Mascagni: Intermezzo ("Cavalleria Rustic...
114 bpm • F Maj • 03:10 • -17.09db
15% Popularity • 54% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 23% Positiveness
15% Popularity • 54% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 23% Positiveness
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AntonÃn Dvořák
Dvorák / Transc. Lenaerts: Rusalka, Op....
168 bpm • F# Maj • 05:53 • -26.4db
46% Popularity • 30% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
46% Popularity • 30% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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George Frideric Handel
Largo from 'Xerxes'
170 bpm • G Maj • 04:11 • -18db
34% Popularity • 12% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
34% Popularity • 12% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
26% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Barcarolle
171 bpm • D Maj • 03:43 • -23db
38% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
40% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Prelude
113 bpm • F Maj • 02:28 • -12.59db
6% Popularity • 20% Danceability • 29% Energy • 37% Liveness
92% Instrumentalness • 5% Positiveness
6% Popularity • 20% Danceability • 29% Energy • 37% Liveness
92% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, Cantata...
173 bpm • G Maj • 04:03 • -29.65db
47% Popularity • 24% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 31% Positiveness
47% Popularity • 24% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 31% Positiveness
► Preview
Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Strauss, R: 4 Lieder, Op. 27: No. 4, Mor...
173 bpm • D Maj • 04:47 • -31db
15% Popularity • 20% Danceability • 1% Energy • 6% Liveness
26% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 1% Energy • 6% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
► Preview
Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
174 bpm • C# Maj • 04:38 • -23db
39% Popularity • 16% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
39% Popularity • 16% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
166 bpm • F Maj • 03:54 • -23.52db
10% Popularity • 9% Danceability • 7% Energy • 29% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 7% Energy • 29% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Concerto No. 21 in C Major, K. 467...
175 bpm • F Maj • 07:15 • -27.57db
38% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
George Frideric Handel
Serse, HWV 40, Act I: Ombra mai fu
175 bpm • E Maj • 03:04 • -18.42db
39% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
