Songs like Messe de Nostre Dame: Kyrie II-III by Guillaume de Machaut
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
34% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
34% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
► Preview
Carlo Gesualdo
O vos omnes
138 bpm • D min • 03:36 • -21.99db
15% Popularity • 15% Danceability • 6% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 6% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Claudio Monteverdi
O Primavera, gioventu dell'anno
138 bpm • E Maj • 02:37 • -19.62db
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
► Preview
Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
33% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Berenguier de Palou
Tan m'abelis
137 bpm • C# Maj • 05:26 • -24db
13% Popularity • 49% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 49% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Orlande de Lassus
In monte oliveti
138 bpm • C min • 03:58 • -26.4db
12% Popularity • 15% Danceability • 5% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 5% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Bartolomeo Tromboncino
A la guerra a la guerra
138 bpm • D# min • 03:12 • -21db
15% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
15% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
► Preview
Alfonso X El Sabio
Cantigas de Santa Maria, No. 322: A Virg...
137 bpm • D# min • 06:12 • -21.28db
7% Popularity • 44% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 44% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Oxford Camerata
Ego Flos Campi
139 bpm • F# Maj • 06:00 • -27.83db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Kassia
Troparion for Holy Wednesday
137 bpm • C Maj • 05:51 • -24db
11% Popularity • 24% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 24% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Philippe de Vitry
Tuba sacre fidei - In arboris (Arr. Harr...
139 bpm • G Maj • 02:17 • -19.88db
11% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Gregorio Allegri
Miserere: X. Benigne fac Domine in bona ...
137 bpm • B min • 01:08 • -31.28db
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Guillaume de Machaut
Dame, vostre doulz viaire (Arr. for psal...
137 bpm • D min • 03:51 • -33.59db
6% Popularity • 34% Danceability • 2% Energy • 6% Liveness
66% Instrumentalness • 11% Positiveness
6% Popularity • 34% Danceability • 2% Energy • 6% Liveness
66% Instrumentalness • 11% Positiveness
► Preview
Léonin
Léonin / Pérotin: Magnus Liber / Easte...
139 bpm • A min • 10:27 • -17db
7% Popularity • 18% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 18% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Guillaume Dufay
Isorhythmic Motets: O sancte Sebastiane ...
139 bpm • D min • 04:45 • -19db
8% Popularity • 22% Danceability • 11% Energy • 6% Liveness
25% Instrumentalness • 14% Positiveness
8% Popularity • 22% Danceability • 11% Energy • 6% Liveness
25% Instrumentalness • 14% Positiveness
► Preview
Francesco Spinacino
Jay pris amours
137 bpm • A# Maj • 03:33 • -30db
24% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
24% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
► Preview
Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
14% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
14% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
► Preview
Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Guillaume de Machaut
Amour me fait désirer
136 bpm • G Maj • 05:11 • -16.16db
3% Popularity • 56% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 35% Positiveness
3% Popularity • 56% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 35% Positiveness
► Preview
Juan Arañés
Una sarao de la chacona, "A la vida bona...
140 bpm • F# Maj • 01:58 • -20.35db
14% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
14% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
► Preview
Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Francesco de la Torre
Danza alta
140 bpm • A min • 01:42 • -21db
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
► Preview
Léonin
Viderunt omnes... (2-part organum)
141 bpm • C# Maj • 02:09 • -23.08db
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Guillaume de Machaut
Doulz amis
136 bpm • A min • 02:21 • -30.43db
6% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
6% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
► Preview
Adam de Saint Victor
Jubilemus salvatori
141 bpm • A# Maj • 03:35 • -22db
8% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Francesco Spinacino
Recercare: Racercare
141 bpm • A# Maj • 01:04 • -34.65db
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
► Preview
Heinrich Isaac
Innsbruck, ich muß dich lassen
135 bpm • C Maj • 01:57 • -29.02db
17% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
17% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
► Preview
Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
24% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Guillaume de Machaut
Phyton, le mervilleus serpent
141 bpm • C Maj • 04:32 • -22.82db
0% Popularity • 29% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 29% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Philippe Verdelot
Letamini in Domino
135 bpm • F Maj • 02:06 • -26db
11% Popularity • 18% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 18% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Juan del Encina
Oy comamos y bebamos: Hoy comamos y beba...
142 bpm • D Maj • 04:07 • -17.66db
11% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Gregorio Allegri
Messe vidi turbam magnam: No. 5, credo
142 bpm • F Maj • 06:33 • -19.97db
12% Popularity • 18% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 18% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Bartolino da Padova
Qual Lege Move
141 bpm • E Maj • 04:10 • -23.06db
8% Popularity • 25% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 25% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
"Drevnerussky Rospev" Male Choir
Joy Of The Celestial Forces
134 bpm • G min • 01:22 • -32db
33% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Guillaume de Machaut
Gloria in excelsis Deo
134 bpm • B Maj • 04:59 • -23db
7% Popularity • 22% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 22% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
The Russian State Symphony Cappella
Fervent Supplication
134 bpm • C Maj • 03:49 • -17.31db
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Rosa d...
134 bpm • C Maj • 04:46 • -22.47db
12% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Guillaume Dufay
Chansons (arr. for voice and chamber ens...
134 bpm • A min • 02:26 • -19.26db
13% Popularity • 48% Danceability • 11% Energy • 8% Liveness
45% Instrumentalness • 21% Positiveness
13% Popularity • 48% Danceability • 11% Energy • 8% Liveness
45% Instrumentalness • 21% Positiveness
► Preview
Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
28% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Antoine Busnois
Amours amours amours
134 bpm • G Maj • 02:19 • -26.9db
36% Popularity • 45% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
36% Popularity • 45% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
► Preview
Nicolas Gombert
Media vita in morte sumus
143 bpm • F min • 07:11 • -22.51db
9% Popularity • 14% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
14% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Capella de Ministrers
Amoroso
134 bpm • A min • 03:00 • -17.17db
10% Popularity • 35% Danceability • 32% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
10% Popularity • 35% Danceability • 32% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
► Preview
Orlande de Lassus
Bonjour, et puis, quelles nouvelles ?
133 bpm • C Maj • 01:58 • -11db
10% Popularity • 30% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 30% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Johannes Ockeghem
Missa Prolationum: Sanctus
133 bpm • F# Maj • 03:14 • -23.64db
12% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
12% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
► Preview
Francesco Landini
Non avra ma'pieta questa mia donna
133 bpm • C Maj • 04:18 • -15db
9% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
► Preview
Orlande de Lassus
La nuict froide & sombre
132 bpm • C# min • 02:29 • -35.07db
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Guillaume de Machaut
Messe de Nostre Dame: Sanctus
132 bpm • A min • 04:55 • -23db
18% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
11% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Piffaro
Greyner, Zanner
132 bpm • A Maj • 01:16 • -17db
21% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
21% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
► Preview
Nicolas Gombert
Triste départ
132 bpm • D min • 03:16 • -14db
8% Popularity • 18% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
John Dowland
Mistresse Nichols Almand
132 bpm • A# Maj • 00:52 • -24.27db
33% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
33% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
► Preview
Jacob de Senleches
La harpe de melodie (Virelai)
132 bpm • F Maj • 03:35 • -23.71db
8% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Johannes Ciconia
Per quella strada lactea del cielo
132 bpm • D Maj • 05:14 • -20.53db
3% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Francesco da Milano
Fantasia 31
145 bpm • G Maj • 01:13 • -32.14db
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
► Preview
Santiago De Murcia
Folias Gallegas (arr. G. Herreid)
132 bpm • G# Maj • 01:35 • -28db
22% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
22% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
► Preview
Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
14% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
18% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
18% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
► Preview
Niccolò da Perugia
Il megli’ è pur tacere
131 bpm • F min • 01:50 • -27.03db
8% Popularity • 33% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 33% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Peter Abelard
Abelard and Heloise, from Saint-Denis to...
131 bpm • C min • 06:12 • -29db
15% Popularity • 28% Danceability • 1% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 28% Danceability • 1% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Jacob Clemens non Papa
Sanctus
130 bpm • D Maj • 02:31 • -29db
21% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Gilles Binchois
Veni Creator Spiritus
130 bpm • C Maj • 02:06 • -26.07db
9% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories, Feria quinta: IV....
131 bpm • A min • 03:32 • -20.71db
11% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
130 bpm • C Maj • 03:01 • -20.16db
10% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Hans Neusidler
Der ander Theil des Lautenbuchs: Der hup...
131 bpm • G# min • 01:42 • -18db
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
► Preview
John Taverner
Taverner: Missa Gloria Tibi Trinitas - B...
130 bpm • F min • 02:59 • -23db
12% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Guillaume de Machaut
J'aim sans penser
147 bpm • D# min • 02:17 • -18db
17% Popularity • 13% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
17% Popularity • 13% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
► Preview
Juan Arañés
Chacona: "Una sarao de la chacona"
129 bpm • F Maj • 01:19 • -20db
12% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
12% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories, Feria quinta: III...
130 bpm • A min • 06:55 • -21.28db
11% Popularity • 19% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Josquin des Prez
Guillaume se va chaufer
129 bpm • C Maj • 01:03 • -17.59db
15% Popularity • 26% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 26% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Guillaume Dufay
Missa L'homme arme: Illumina faciem tuam
129 bpm • C# min • 01:03 • -26.93db
13% Popularity • 26% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 26% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Guillaume de Machaut
Dix et sept, cinq, trese, quatorse et qu...
129 bpm • C# Maj • 03:34 • -22.05db
1% Popularity • 24% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
1% Popularity • 24% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
29% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ensemble Project Ars Nova
Biaute Paree De Valour
128 bpm • C Maj • 02:08 • -27db
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Volte
149 bpm • C Maj • 01:30 • -13.7db
26% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
26% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
► Preview
Jean Mouton
Tota pulchra es
128 bpm • D min • 01:44 • -15.41db
12% Popularity • 17% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Guillaume de Machaut
De bon esoir - Puis que la douce - Spera...
128 bpm • A min • 03:02 • -13.32db
0% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
USSR Ministry of Culture Chamber Choir
Lord, have mercy
127 bpm • B Maj • 03:02 • -23db
16% Popularity • 17% Danceability • 9% Energy • 30% Liveness
60% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 9% Energy • 30% Liveness
60% Instrumentalness • 3% Positiveness
► Preview
John Dowland
Mistresse Nichols Almand from Lachrimae,...
150 bpm • A# Maj • 01:23 • -24.25db
14% Popularity • 31% Danceability • 5% Energy • 14% Liveness
19% Instrumentalness • 74% Positiveness
14% Popularity • 31% Danceability • 5% Energy • 14% Liveness
19% Instrumentalness • 74% Positiveness
► Preview
The Monteverdi Choir
Missa Orbis factor: I. Kyrie eleison
127 bpm • G Maj • 01:16 • -32.48db
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Joan Ambrosio Dalza
Intabolatura de lauto, Book 4: Calata al...
126 bpm • A# Maj • 02:06 • -25.91db
39% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
39% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
► Preview
Jacob Obrecht
Den haghel ende
151 bpm • A# Maj • 01:48 • -24.61db
14% Popularity • 34% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 21% Positiveness
14% Popularity • 34% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 21% Positiveness
► Preview
Guillaume de Machaut
Chanson: Rose, liz, printemps, verdure
128 bpm • C Maj • 04:25 • -26db
12% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Thomas Morley
Joyne Hands
126 bpm • C Maj • 01:34 • -20.6db
19% Popularity • 53% Danceability • 13% Energy • 8% Liveness
28% Instrumentalness • 68% Positiveness
19% Popularity • 53% Danceability • 13% Energy • 8% Liveness
28% Instrumentalness • 68% Positiveness
► Preview
John Dowland
The Shoemaker's Wife. A Toy, P 58
151 bpm • D# Maj • 01:06 • -27.47db
34% Popularity • 29% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 84% Positiveness
34% Popularity • 29% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 84% Positiveness
► Preview
Gregorio Allegri
Messe vidi turbam magnam: No. 1, Introï...
126 bpm • D Maj • 02:50 • -25db
23% Popularity • 26% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 26% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Antonio de Cabezón
Diferencias Sobre el Canto de "La Dama l...
152 bpm • D# min • 02:40 • -30.54db
17% Popularity • 29% Danceability • 7% Energy • 15% Liveness
75% Instrumentalness • 41% Positiveness
17% Popularity • 29% Danceability • 7% Energy • 15% Liveness
75% Instrumentalness • 41% Positiveness
