Songs like Moro, lasso, al mio duolo, madrigal for 5 voices (Book 6), W. 6/74 by Carlo Gesualdo
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
22% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
22% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
► Preview
Carlo Gesualdo
Moro, lasso, al mio duolo, madrigal for ...
130 bpm • F min • 04:10 • -23.4db
7% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
John Sheppard
Libera nos I & II: Libera nos I & II
130 bpm • G# Maj • 05:36 • -27db
13% Popularity • 16% Danceability • 8% Energy • 16% Liveness
24% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 8% Energy • 16% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Frank Martin
Mass for unaccompanied double choir: I. ...
130 bpm • E min • 05:52 • -27db
13% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
► Preview
John Taverner
Taverner: Missa Gloria Tibi Trinitas - B...
130 bpm • F min • 02:59 • -23db
11% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Jacob Clemens non Papa
Sanctus
130 bpm • D Maj • 02:31 • -29db
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories, Feria quinta: III...
130 bpm • A min • 06:55 • -21.28db
11% Popularity • 19% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Tota pulchra es, WAB 46
131 bpm • C Maj • 05:20 • -23.67db
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Antoine Brumel
Tous les regretz
131 bpm • D min • 02:02 • -24.99db
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Philippe Verdelot
Madonna qual certezza
129 bpm • F# min • 02:20 • -16.12db
9% Popularity • 28% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 28% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Alonso Lobo
Versa est in luctum
129 bpm • D# min • 05:19 • -23.64db
7% Popularity • 16% Danceability • 7% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 7% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories, Feria quinta: IV....
131 bpm • A min • 03:32 • -20.71db
11% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Adoramus te Christe, SV 289
131 bpm • G# Maj • 03:33 • -20.6db
9% Popularity • 17% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
PÄ“teris Vasks
Klusas dziemas (silent songs): I. Nosapi...
129 bpm • F min • 03:38 • -31.84db
13% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
► Preview
Emilio de' Cavalieri
Prima die Lectio prima: I. Incipit
131 bpm • F# min • 00:40 • -18.82db
16% Popularity • 16% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
Miserere: III. Auditui meo
131 bpm • F min • 02:45 • -21.56db
15% Popularity • 22% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Luca Marenzio
Euridice, Prologo: Sinfonia a 5
129 bpm • F Maj • 01:37 • -27db
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Vincenzo Ruffo
Missa Quarti Toni: Agnus Dei
132 bpm • D min • 02:52 • -17.73db
15% Popularity • 16% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
► Preview
A5 Vocal Ensemble
Guerrero: Alma mirad vuestro Dios
128 bpm • G# min • 02:48 • -18.74db
8% Popularity • 29% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 29% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Anton Bruckner
Pange lingua, WAB 33
132 bpm • C Maj • 05:30 • -25.59db
13% Popularity • 18% Danceability • 5% Energy • 7% Liveness
20% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 7% Liveness
20% Instrumentalness • 3% Positiveness
► Preview
Nikolay Nikolayevich Kedrov Sr
Otche nash
128 bpm • C Maj • 03:03 • -32.25db
7% Popularity • 17% Danceability • 1% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 1% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories, Sabbato sancto: I...
128 bpm • C Maj • 05:07 • -26.47db
5% Popularity • 18% Danceability • 9% Energy • 33% Liveness
19% Instrumentalness • 4% Positiveness
5% Popularity • 18% Danceability • 9% Energy • 33% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Anonymous
Llibre Vermell de Montserrat [Catalonia,...
132 bpm • C min • 02:45 • -32.45db
15% Popularity • 20% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
9% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
132 bpm • C min • 01:31 • -23.86db
15% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
26% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Philippe Verdelot
Se mai provasti donna
128 bpm • G# min • 01:33 • -18.88db
19% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories, Sabbato sancto: I...
128 bpm • C Maj • 03:26 • -24.12db
5% Popularity • 20% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 20% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
► Preview
Heinrich Isaac
Chanson: Innsbruck, ich muß dich lassen
132 bpm • F Maj • 03:26 • -24db
8% Popularity • 23% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
8% Popularity • 23% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Loyset Compère
Quis numerare queat: I. Quis numerare qu...
128 bpm • F Maj • 01:32 • -18.87db
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Antoine Boësset
Ballet des fous et des estropiés de la ...
128 bpm • A# Maj • 02:21 • -27.25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Orlande de Lassus
La nuict froide & sombre
132 bpm • C# min • 02:29 • -35.07db
9% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jean Mouton
Tota pulchra es
128 bpm • D min • 01:44 • -15.41db
11% Popularity • 17% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Speech to Mortals
Dark November
133 bpm • D Maj • 01:13 • -36.44db
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
► Preview
Josef Rheinberger
Messe in Es, Op. 109 "Cantus Missae": Ky...
127 bpm • D# Maj • 04:32 • -25.66db
13% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
► Preview
Claudio Monteverdi
Dixit dominus I
133 bpm • C Maj • 07:41 • -22.03db
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Les fleurs et les arbres
133 bpm • E Maj • 02:00 • -23db
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Johannes Ockeghem
Missa Prolationum: Sanctus
133 bpm • F# Maj • 03:14 • -23.64db
10% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
10% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
► Preview
Jacques Arcadelt
Il bianco e dolce cigno
127 bpm • E Maj • 02:11 • -14db
16% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Anonymous
O Altissime
127 bpm • D min • 02:47 • -22.94db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Claudio Monteverdi
Anima dolorosa
133 bpm • C Maj • 03:49 • -22.99db
16% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Orlando Gibbons
The silver swan
134 bpm • F Maj • 01:27 • -22.03db
8% Popularity • 18% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Pierre de Manchicourt
Osculetur me: I. Osculetur me osculo ori...
134 bpm • C min • 03:24 • -19.62db
23% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
32% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
François-Lupien Grenet
Le Triomphe de l'Harmonie: Nous jouisson...
134 bpm • C# min • 01:01 • -23.67db
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Hildegard von Bingen
Ave generosa
134 bpm • A min • 06:32 • -28.47db
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories, Sabbato sancto: V...
134 bpm • A min • 03:36 • -25.85db
5% Popularity • 16% Danceability • 6% Energy • 6% Liveness
15% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 6% Energy • 6% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Marc-Antoine Charpentier
Sub tuum praesidium, H. 28
126 bpm • G min • 02:18 • -26db
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
126 bpm • F Maj • 01:16 • -19.41db
16% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
16% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
► Preview
Philippe Rogier
Cantantibus organis
134 bpm • A Maj • 03:42 • -18.57db
8% Popularity • 20% Danceability • 21% Energy • 15% Liveness
67% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 21% Energy • 15% Liveness
67% Instrumentalness • 9% Positiveness
► Preview
Johannes Ockeghem
Missa L'homme arme: Kyrie (Missa L' homm...
134 bpm • B Maj • 02:20 • -27.64db
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Carlo Gesualdo
Gioite voi col canto
134 bpm • A min • 04:17 • -21.45db
10% Popularity • 17% Danceability • 8% Energy • 28% Liveness
2% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 8% Energy • 28% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Nicolas Gombert
Media vita
135 bpm • D min • 07:53 • -24.11db
8% Popularity • 16% Danceability • 9% Energy • 12% Liveness
18% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 9% Energy • 12% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Jacobus Gallus
Mirabile mysterium
125 bpm • E Maj • 03:51 • -20.32db
12% Popularity • 21% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
► Preview
Claudio Monteverdi
Versicle/Response: Deus in adjutorium/Do...
135 bpm • D# Maj • 01:59 • -14db
11% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
11% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
► Preview
Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
24% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Paschal de l'Estocart
Octonaires de la vanité du monde, Livre...
135 bpm • C# min • 01:00 • -21.57db
11% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
26% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
12% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Tantum ergo, WAB 43
135 bpm • A Maj • 01:35 • -21.58db
25% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
25% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
► Preview
Antonio Lotti
Crucifixus a 8 voci
125 bpm • B min • 02:59 • -24.47db
11% Popularity • 19% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
► Preview
Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
10% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
Miserere a 9: No. 2, Et secundum multitu...
136 bpm • B min • 01:26 • -27.48db
14% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
14% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
► Preview
Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Thomas Weelkes
Noel, Adieu Thou Court's Delight
136 bpm • B Maj • 05:48 • -23.25db
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johann Christoph Bach
Der Gerechte, ob er gleich zu zeitlich s...
124 bpm • F Maj • 04:51 • -21.08db
10% Popularity • 28% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
10% Popularity • 28% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
136 bpm • D min • 01:24 • -29.98db
7% Popularity • 16% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Johannes Ockeghem
Intemerata Dei mater: III. Aspiciat faci...
124 bpm • F Maj • 02:23 • -18.71db
8% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
► Preview
Lumen Valo
Robert Pearsall: Lay a garland
124 bpm • D# Maj • 03:09 • -22db
14% Popularity • 18% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Carlo Gesualdo
Illumina faciem tuam
136 bpm • F Maj • 03:37 • -21.06db
10% Popularity • 15% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Jacques Arcadelt
Missa Noe Noe: II. Gloria
124 bpm • D min • 04:28 • -25.11db
8% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
8% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
► Preview
Firminus Caron
Leuven Chansonnier: No. 19, Cent mil esc...
137 bpm • F# Maj • 04:19 • -22.58db
20% Popularity • 28% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 28% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Johann Caspar Kerll
Missa pro defunctis: II. Kyrie
138 bpm • F Maj • 02:01 • -18.24db
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Purcell: Hear My Prayer, O Lord, Z. 15
137 bpm • C min • 02:28 • -21.91db
9% Popularity • 15% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Occhi del mio cor vita
137 bpm • D Maj • 03:28 • -21.32db
4% Popularity • 17% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Orlande de Lassus
In monte oliveti
138 bpm • C min • 03:58 • -26.4db
10% Popularity • 15% Danceability • 5% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 5% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Herr, nun lässest du deinen Diener in F...
138 bpm • A min • 03:18 • -21.46db
18% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
18% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
► Preview
Guillaume Dufay
Missa "Se la face ay pale": I. Kyrie
138 bpm • A# Maj • 03:08 • -20.39db
7% Popularity • 16% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 16% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Oxford Camerata
Ego Flos Campi
139 bpm • F# Maj • 06:00 • -27.83db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Veljo Tormis
Looduspildid: No. 3. Sugismaastikud: Tuu...
139 bpm • D min • 01:12 • -26db
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
► Preview
Carlo Gesualdo
Io parto, e non piu dissi
137 bpm • F Maj • 04:24 • -20.85db
3% Popularity • 20% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
