Songs like Nocturne In B Minor "L'océan" by Eric Christian
Based on a tempo of (+/- 10%) and a similar genre
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Eric Christian
Nocturne en C "L' Égyptien"
71 bpm • F Maj • 05:05 • -19db
20% Popularity • 36% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 36% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Emiliano Blangero
Unspoken Words
71 bpm • C min • 03:52 • -18db
31% Popularity • 40% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 40% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Leo Brouwer
An Idea
71 bpm • E min • 02:38 • -29.64db
58% Popularity • 29% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
58% Popularity • 29% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Edvard Kravchuk
New Dawn
71 bpm • G# min • 02:54 • -28db
48% Popularity • 37% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
48% Popularity • 37% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Gabriel Fauré
Pavane in F-sharp Minor, op. 50 (Piano V...
71 bpm • F# min • 03:12 • -21.22db
23% Popularity • 38% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
23% Popularity • 38% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 1 in C Major
71 bpm • C Maj • 01:02 • -21db
55% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
55% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
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Eric Christian
Nocturne In B Minor "L'océan"
71 bpm • B min • 04:47 • -20.43db
22% Popularity • 42% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 42% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Alexandre Tharaud
Main Theme
71 bpm • G min • 02:07 • -29db
24% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
24% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Emiliano Blangero
Pensieri
71 bpm • A min • 02:20 • -28db
59% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
59% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
44% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
44% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Evgeny Grinko
Velvet Elephant (Band)
71 bpm • B min • 01:38 • -18.01db
41% Popularity • 26% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
41% Popularity • 26% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Franz Gordon
Les Feuilles Jaunes
71 bpm • F Maj • 03:06 • -21.14db
32% Popularity • 35% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
32% Popularity • 35% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Austin Farwell
By the Seaside
71 bpm • C Maj • 02:01 • -22.4db
51% Popularity • 26% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
51% Popularity • 26% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Genevieve Beaumont
Pour tes yeux
70 bpm • A min • 01:57 • -19.95db
39% Popularity • 50% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
39% Popularity • 50% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Ali Toygar
Morpho
72 bpm • D Maj • 02:00 • -20.77db
36% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
36% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Cristian Vivaldi
Ashes
70 bpm • A# min • 01:30 • -32.43db
38% Popularity • 46% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
38% Popularity • 46% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Franz Liszt
Liebestraum (Love Dream)
70 bpm • G# Maj • 04:39 • -15.14db
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Gordon
In a Bar in Buenos Aires
70 bpm • A# min • 02:46 • -24.57db
41% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
41% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Toshifumi Hinata
End of the Summer
72 bpm • G min • 01:48 • -27db
46% Popularity • 43% Danceability • 0% Energy • 19% Liveness
97% Instrumentalness • 29% Positiveness
46% Popularity • 43% Danceability • 0% Energy • 19% Liveness
97% Instrumentalness • 29% Positiveness
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Trevor Kowalski
Remarkable Convictions
70 bpm • F min • 02:57 • -16db
39% Popularity • 15% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Alma Deutscher
I Think of You
72 bpm • F# Maj • 03:22 • -34.43db
27% Popularity • 27% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
27% Popularity • 27% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Władysław Szpilman
Mazurka
70 bpm • F min • 02:08 • -24.2db
27% Popularity • 36% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
27% Popularity • 36% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Emiliano Blangero
Libertà d'infanzia
72 bpm • D# Maj • 03:25 • -26.63db
39% Popularity • 32% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
39% Popularity • 32% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Kepa Lehtinen
Fall
70 bpm • F# min • 02:31 • -20.5db
23% Popularity • 49% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
23% Popularity • 49% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Chair House
the light was perfect
70 bpm • G Maj • 02:40 • -28.52db
14% Popularity • 40% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
14% Popularity • 40% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Infinity Ripple
The Streets of Belgrade
70 bpm • E min • 02:21 • -15.49db
47% Popularity • 37% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
47% Popularity • 37% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
The Swan Piano Variation
72 bpm • G Maj • 02:20 • -26.97db
42% Popularity • 37% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
42% Popularity • 37% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
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Jacob Mühlrad
In Retrospect
72 bpm • C min • 02:07 • -17.84db
25% Popularity • 25% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
25% Popularity • 25% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé: Flower Duet
70 bpm • C Maj • 01:46 • -31db
42% Popularity • 42% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 11% Positiveness
42% Popularity • 42% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 11% Positiveness
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Chafa
Toulouse
72 bpm • F Maj • 02:14 • -17.72db
31% Popularity • 48% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 48% Positiveness
31% Popularity • 48% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 48% Positiveness
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Franz Gordon
Nocturnal Daydream
70 bpm • F Maj • 03:30 • -23.41db
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Céline Aubin
Mère bien-aimée
70 bpm • D# min • 02:16 • -27.44db
40% Popularity • 49% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
40% Popularity • 49% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 7, T...
70 bpm • F Maj • 03:00 • -34.68db
40% Popularity • 41% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
40% Popularity • 41% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
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David Ross Lawn
Onward
70 bpm • C Maj • 03:10 • -25db
21% Popularity • 36% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
21% Popularity • 36% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Jef Martens
Papillons
72 bpm • F# min • 01:02 • -23.46db
41% Popularity • 38% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
41% Popularity • 38% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Bart Sunshine
Butterflies Mirabal
70 bpm • F min • 01:49 • -22.63db
39% Popularity • 48% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
39% Popularity • 48% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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S.A. Karl
Aldebaran
70 bpm • F min • 03:18 • -21.96db
47% Popularity • 37% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
47% Popularity • 37% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Frédéric Schubert
When the Love Falls
73 bpm • F min • 03:01 • -21.89db
18% Popularity • 43% Danceability • 10% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
18% Popularity • 43% Danceability • 10% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Johann Sebastian Bach
Montero: Adagio (After Bach's Violin Con...
73 bpm • F# min • 05:01 • -35.44db
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
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Johannes Brahms
Wiegenlied Variation
69 bpm • C# Maj • 01:26 • -29.74db
32% Popularity • 38% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
32% Popularity • 38% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Lang Lang
Limu, limu, lima (Arr. Schindler for Pia...
69 bpm • E min • 05:35 • -27db
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Pyotr Godunov
Erik Satie: Gymnopédie No. 1
69 bpm • G Maj • 03:32 • -28db
51% Popularity • 80% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 45% Positiveness
51% Popularity • 80% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 45% Positiveness
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Jef Martens
And So the Story Began
69 bpm • F# min • 01:01 • -26.94db
58% Popularity • 31% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 38% Positiveness
58% Popularity • 31% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 38% Positiveness
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Eric Christian
Nocturne in D-Flat Major "Un rêve"
69 bpm • C# Maj • 04:43 • -17db
48% Popularity • 37% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
48% Popularity • 37% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Milo Edale
Waltz For Tomorrow
73 bpm • E min • 02:08 • -12.17db
34% Popularity • 24% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 24% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Mercuzio Pianist
Bella - from Notre-Dame de Paris
69 bpm • C Maj • 03:07 • -25.93db
16% Popularity • 34% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
16% Popularity • 34% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
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Lucas King
The Oldest Story
69 bpm • C# min • 02:04 • -23.02db
25% Popularity • 41% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
25% Popularity • 41% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
49% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
49% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Million Eyes
A Bed of Flowers
69 bpm • F# Maj • 02:17 • -19.95db
48% Popularity • 14% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
48% Popularity • 14% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Eric Christian
Valse Sentimentale No. 2
73 bpm • D min • 04:44 • -20.4db
49% Popularity • 57% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
49% Popularity • 57% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Franz Gordon
Two Weeks in July
73 bpm • D min • 03:29 • -20.03db
46% Popularity • 34% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
46% Popularity • 34% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Mercuzio Pianist
L' Autre Valse d'Amélie
73 bpm • C# Maj • 01:30 • -23.25db
42% Popularity • 50% Danceability • 16% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
42% Popularity • 50% Danceability • 16% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
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Imaginary Poet
Old Letter
69 bpm • F Maj • 02:31 • -25.78db
52% Popularity • 55% Danceability • 2% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
52% Popularity • 55% Danceability • 2% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
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Gavin Luke
The Crossing
73 bpm • B min • 03:13 • -21.83db
40% Popularity • 37% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
40% Popularity • 37% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Aram Khachaturian
Ivan Sings "Andantino"
74 bpm • G# Maj • 01:49 • -25.63db
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Winter Flowers
Liszt-Nocturne No.3 Liebestraum
68 bpm • C min • 02:18 • -21db
37% Popularity • 30% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
37% Popularity • 30% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Martin Bloch
Chopin - Prelude E-Minor OP.28 No 4
68 bpm • E min • 02:09 • -28.79db
51% Popularity • 42% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 42% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Gabríel Ólafs
Faded Leaves Fall
68 bpm • E min • 02:42 • -37db
48% Popularity • 27% Danceability • 1% Energy • 8% Liveness
52% Instrumentalness • 14% Positiveness
48% Popularity • 27% Danceability • 1% Energy • 8% Liveness
52% Instrumentalness • 14% Positiveness
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Eric Christian
La Valse au Clair de Lune
68 bpm • A min • 03:10 • -19db
49% Popularity • 42% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
49% Popularity • 42% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Emiliano Blangero
Metamorphosis
68 bpm • A min • 04:14 • -29.63db
34% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
34% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
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Jonas Kolberg
Golden Hour
74 bpm • F min • 02:43 • -25.36db
21% Popularity • 40% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 46% Positiveness
21% Popularity • 40% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 46% Positiveness
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Aashi
Empty Room
74 bpm • G# min • 03:13 • -27.03db
51% Popularity • 40% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
51% Popularity • 40% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
74 bpm • G Maj • 02:50 • -39.4db
44% Popularity • 7% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Carlos Cipa
Today and it’s gone (Munich Session)
68 bpm • E min • 04:18 • -25.09db
48% Popularity • 30% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
48% Popularity • 30% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Eric Christian
The Farewell Waltz
74 bpm • C# min • 02:50 • -24.13db
25% Popularity • 46% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
25% Popularity • 46% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Emiliano Blangero
Risveglio
74 bpm • C Maj • 04:16 • -20db
28% Popularity • 43% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
28% Popularity • 43% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Classical Slowed + Reverb
Chopin: Nocturne No. 2 - slowed + reverb
68 bpm • C# min • 07:18 • -30.18db
36% Popularity • 28% Danceability • 1% Energy • 14% Liveness
87% Instrumentalness • 7% Positiveness
36% Popularity • 28% Danceability • 1% Energy • 14% Liveness
87% Instrumentalness • 7% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Giuseppe De Maglie
Nocturne in C Minor Op.16
74 bpm • C min • 02:02 • -28.38db
32% Popularity • 40% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
32% Popularity • 40% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 5 Gra...
68 bpm • D Maj • 03:38 • -27.55db
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Eric Christian
Valse Arabesque No. 2
74 bpm • E min • 05:19 • -15.45db
18% Popularity • 42% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 42% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Invadable Harmony
We Will Meet Again
74 bpm • A min • 01:10 • -23db
49% Popularity • 31% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
49% Popularity • 31% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
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William Grant Still
Three Visions: II. Summerland
68 bpm • G Maj • 04:37 • -32.28db
43% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
43% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
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Olga Scheps
Memories of a Promenade II
74 bpm • C min • 03:26 • -28.35db
56% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
56% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Joep Beving
Little Waltz
68 bpm • G min • 01:16 • -32db
57% Popularity • 37% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
57% Popularity • 37% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Tristan Seewer
À Bout de Souffle
74 bpm • A# min • 02:24 • -18db
42% Popularity • 14% Danceability • 17% Energy • 39% Liveness
82% Instrumentalness • 4% Positiveness
42% Popularity • 14% Danceability • 17% Energy • 39% Liveness
82% Instrumentalness • 4% Positiveness
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Eric Christian
Rue Vieille du Temple
74 bpm • C# min • 04:18 • -18.66db
20% Popularity • 34% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
20% Popularity • 34% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
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Fanny Mendelssohn
Melodie, Op. 4, No. 2
74 bpm • A Maj • 01:55 • -22.62db
14% Popularity • 28% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
14% Popularity • 28% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
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Franz Gordon
Togetherless
68 bpm • A min • 03:48 • -26.69db
35% Popularity • 49% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
35% Popularity • 49% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
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Philip Glass
The Hours: An Unwelcome Friend
74 bpm • G min • 04:16 • -36.17db
59% Popularity • 25% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
59% Popularity • 25% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Martin Bloch
Debussy - Arabesque
68 bpm • E Maj • 05:25 • -25.45db
30% Popularity • 26% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 26% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 11% Positiveness
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Rewired88
Clarinet Concerto in A Major, K, 622: II...
68 bpm • D Maj • 02:48 • -18.42db
23% Popularity • 49% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
23% Popularity • 49% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Eric Christian
Limbo
75 bpm • F min • 04:05 • -16.32db
16% Popularity • 57% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
16% Popularity • 57% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
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Lisa Chong
Lisa's waltz
67 bpm • D# Maj • 02:09 • -22.71db
41% Popularity • 47% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
41% Popularity • 47% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Jean-Michel Bernard
Vois sur ton chemin
67 bpm • D min • 02:47 • -25.64db
27% Popularity • 46% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
27% Popularity • 46% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4: No. 2. Melodie in C-S...
67 bpm • C# min • 01:47 • -31db
38% Popularity • 36% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
38% Popularity • 36% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Paulina Loseva
debussy-Moonlight
75 bpm • C# Maj • 03:33 • -23.67db
30% Popularity • 29% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
30% Popularity • 29% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Jordane Tumarinson
Ambiance Dimanche
75 bpm • D# Maj • 02:29 • -30.84db
35% Popularity • 17% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Mano Vecina
La vérité
67 bpm • B min • 02:27 • -21db
43% Popularity • 37% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
43% Popularity • 37% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Jonny Southard
3 Romances sans paroles, Op. 17: III. An...
67 bpm • G# Maj • 02:22 • -27.51db
31% Popularity • 37% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
31% Popularity • 37% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Metamorphose String Orchestra
Dinner
67 bpm • E Maj • 03:44 • -14.63db
31% Popularity • 7% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 7% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Megan Wofford
An Elevation
75 bpm • A# min • 02:53 • -22db
31% Popularity • 59% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
31% Popularity • 59% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Eric Christian
Interlude
75 bpm • D# min • 01:57 • -30.33db
16% Popularity • 23% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 19% Positiveness
16% Popularity • 23% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 19% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 1 Nar...
75 bpm • D# Maj • 01:51 • -33.24db
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Classical Slowed + Reverb
Debussy: Clair de lune - slowed + reverb
67 bpm • G# Maj • 06:47 • -30.9db
38% Popularity • 20% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Adolf von Henselt
Petite Romance
75 bpm • A# min • 01:26 • -27db
31% Popularity • 52% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
31% Popularity • 52% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
