Songs like O Come All Ye Faithful (Adeste fideles) by Choir of King's College, Cambridge
Based on a tempo of (+/- 10%) and a similar genre
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Louis Vierne
Messe solennelle pour deux orgues et cho...
73 bpm • C# min • 05:37 • -18db
16% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
16% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Monks And Choirboys Of Downside Abbey
Cantique De Jean Racine
73 bpm • C# Maj • 05:13 • -21.9db
17% Popularity • 6% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
17% Popularity • 6% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Temun�...
73 bpm • G Maj • 01:45 • -29.53db
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: Die Himmel...
73 bpm • C Maj • 04:07 • -22db
12% Popularity • 29% Danceability • 9% Energy • 6% Liveness
58% Instrumentalness • 18% Positiveness
12% Popularity • 29% Danceability • 9% Energy • 6% Liveness
58% Instrumentalness • 18% Positiveness
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Johannes Brahms
Brahms : 7 Lieder Op.62 : III Waldesnach...
73 bpm • D Maj • 05:09 • -24db
8% Popularity • 10% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Lennox Berkeley
The Lord is my Shepherd
73 bpm • A min • 04:43 • -26.59db
14% Popularity • 9% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle, Op. 16: I. Kyrie
73 bpm • C# min • 05:37 • -20.81db
10% Popularity • 7% Danceability • 14% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 14% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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John Ireland
Greater Love Hath No Man
73 bpm • D Maj • 06:13 • -22db
10% Popularity • 7% Danceability • 11% Energy • 13% Liveness
22% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 11% Energy • 13% Liveness
22% Instrumentalness • 3% Positiveness
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John Dowland
Come away, come, sweet love
73 bpm • F# Maj • 02:12 • -15.19db
13% Popularity • 32% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 32% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: III. Blazh...
74 bpm • D min • 05:15 • -31.08db
20% Popularity • 17% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 17% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Giovanni Maria Nanino
Nanino: Adoramus te, Christe
74 bpm • A# Maj • 03:16 • -25.15db
14% Popularity • 23% Danceability • 6% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
14% Popularity • 23% Danceability • 6% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
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Martin Luther
A mighty fortress is our God (Ein' feste...
74 bpm • D Maj • 05:13 • -14.41db
26% Popularity • 21% Danceability • 25% Energy • 7% Liveness
41% Instrumentalness • 16% Positiveness
26% Popularity • 21% Danceability • 25% Energy • 7% Liveness
41% Instrumentalness • 16% Positiveness
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Orlando Gibbons
Drop, Drop, Slow Tears a 4
72 bpm • E Maj • 02:05 • -43db
22% Popularity • 20% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Ä’riks EÅ¡envalds
Only in Sleep
74 bpm • F# Maj • 04:54 • -18.72db
15% Popularity • 12% Danceability • 14% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
15% Popularity • 12% Danceability • 14% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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John Bennet
Weep, O mine eyes
74 bpm • F min • 02:29 • -15db
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Lux Aurumque
72 bpm • C# min • 04:15 • -28.43db
41% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
41% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
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Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Grayston Ives
Listen sweet Dove
72 bpm • D# Maj • 03:01 • -23db
9% Popularity • 9% Danceability • 14% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 14% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
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John Rutter
Rutter: Requiem: Requiem aeternam
72 bpm • G Maj • 05:41 • -23.2db
25% Popularity • 18% Danceability • 7% Energy • 13% Liveness
84% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 7% Energy • 13% Liveness
84% Instrumentalness • 5% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Anton Bruckner
Anton Bruckner: Ave Maria
74 bpm • F Maj • 03:19 • -24db
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 148
74 bpm • C Maj • 06:32 • -27db
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Louis Bourgeois
Bourgeois: All People That on Earth Do D...
72 bpm • G Maj • 04:56 • -18.13db
23% Popularity • 14% Danceability • 21% Energy • 24% Liveness
63% Instrumentalness • 14% Positiveness
23% Popularity • 14% Danceability • 21% Energy • 24% Liveness
63% Instrumentalness • 14% Positiveness
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Henry Purcell
Purcell: Funeral Sentences: Man That Is ...
72 bpm • C min • 02:39 • -23.45db
14% Popularity • 12% Danceability • 11% Energy • 14% Liveness
51% Instrumentalness • 5% Positiveness
14% Popularity • 12% Danceability • 11% Energy • 14% Liveness
51% Instrumentalness • 5% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
23% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Gibbons: The Silver Swan
71 bpm • E Maj • 01:42 • -28.06db
32% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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The Chapel Choir of University College, Hurham
Stainer: God so loved the world
75 bpm • D Maj • 03:36 • -30db
14% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
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Anton Bruckner
Vexilla Regis
71 bpm • F Maj • 08:14 • -29.23db
15% Popularity • 7% Danceability • 2% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 2% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
20% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
20% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Gregorio Allegri
Motets: De ore prudentis
71 bpm • D min • 01:52 • -19.5db
33% Popularity • 27% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 27% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Sanctus
71 bpm • D min • 05:46 • -18.29db
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Organist Giles Taylor
Jesu Joy of Man's Desiring
71 bpm • G Maj • 03:34 • -18.99db
16% Popularity • 15% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
16% Popularity • 15% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Anton Bruckner
Locus Iste, WAB 23: Locus iste, WAB 23
75 bpm • C Maj • 03:12 • -31db
21% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
22% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae Solennes de confessore K. 339: ...
71 bpm • F Maj • 03:56 • -15.53db
17% Popularity • 10% Danceability • 14% Energy • 11% Liveness
26% Instrumentalness • 8% Positiveness
17% Popularity • 10% Danceability • 14% Energy • 11% Liveness
26% Instrumentalness • 8% Positiveness
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Samuel Barber
Barber: Agnus Dei
71 bpm • A# min • 07:40 • -21.37db
26% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Guillaume Dufay
Nuper rosarum flores
71 bpm • D min • 06:27 • -26db
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste, WAB 23
71 bpm • C Maj • 03:03 • -28.15db
30% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Gyorgy Deak-Bardos
Eli, Eli
75 bpm • C min • 03:46 • -23db
11% Popularity • 10% Danceability • 5% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 5% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Hubert Parry
Parry: I Was Glad
71 bpm • A# Maj • 06:47 • -13.17db
8% Popularity • 12% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
8% Popularity • 12% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Historia der Auferstehung Jesu Christi, ...
75 bpm • D# min • 01:04 • -22.9db
26% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
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William Henry Monk
Abide With Me (Eventide)
75 bpm • D# Maj • 04:37 • -28.53db
31% Popularity • 7% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 5% Positiveness
31% Popularity • 7% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 5% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IV. Quae moerabat
75 bpm • D# Maj • 02:49 • -25db
36% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
36% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Benjamin Britten
Benjamin Britten: A Hymn to the Virgin
71 bpm • A min • 03:21 • -25.89db
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Anton Bruckner
Vexilla regis, WAB 51
75 bpm • F Maj • 04:59 • -28.35db
13% Popularity • 12% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
16% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
38% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
38% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
16% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Agnus Dei
70 bpm • C min • 02:20 • -31.76db
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe solennelle, Op. 16: II. Gloria
70 bpm • A Maj • 07:56 • -23db
7% Popularity • 16% Danceability • 9% Energy • 31% Liveness
33% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 9% Energy • 31% Liveness
33% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Armide: Overture
70 bpm • A# Maj • 02:16 • -27.15db
40% Popularity • 43% Danceability • 9% Energy • 32% Liveness
92% Instrumentalness • 61% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 32% Liveness
92% Instrumentalness • 61% Positiveness
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Leonard Bernstein
Chichester Psalms: I. Psalm 108 vs. 2, P...
70 bpm • D min • 03:39 • -19db
22% Popularity • 24% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 24% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 2: No....
76 bpm • B min • 05:23 • -18.36db
19% Popularity • 22% Danceability • 15% Energy • 15% Liveness
76% Instrumentalness • 11% Positiveness
19% Popularity • 22% Danceability • 15% Energy • 15% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: I. Priidit...
76 bpm • C Maj • 01:52 • -23.53db
21% Popularity • 14% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 14% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Johannes Brahms
O Schöne Nacht, Op. 92, No. 1
70 bpm • E Maj • 03:29 • -18.59db
16% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
16% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
► Preview
Louis Vierne
Messe solennelle pour deux orgues et cho...
76 bpm • A Maj • 07:06 • -18db
11% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
13% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Girolamo Frescobaldi
Frescobaldi: Messa sopra l'aria della mo...
76 bpm • G min • 02:45 • -27db
13% Popularity • 21% Danceability • 7% Energy • 7% Liveness
82% Instrumentalness • 17% Positiveness
13% Popularity • 21% Danceability • 7% Energy • 7% Liveness
82% Instrumentalness • 17% Positiveness
► Preview
Bob Chilcott
A Little Jazz Mass (version for mixed ch...
76 bpm • G# Maj • 01:31 • -23.32db
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
James Whitbourn
Requiem canticorum: Lux aeterna
76 bpm • C Maj • 01:39 • -41db
32% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Purcell: Funeral Sentences: In the Midst...
77 bpm • C Maj • 04:37 • -23db
13% Popularity • 16% Danceability • 11% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 11% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
76 bpm • D# Maj • 04:52 • -25db
15% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
70 bpm • D min • 01:06 • -27.22db
35% Popularity • 18% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Sancta Maria, mater Dei, K. 273
77 bpm • F Maj • 04:02 • -24db
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
► Preview
George Malcolm
Ingrediente Domino
77 bpm • A# Maj • 02:48 • -19db
10% Popularity • 16% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 16% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Edward Miller
Miller / Arr. Rutter, Webbe: When I Surv...
77 bpm • D# Maj • 03:33 • -23.14db
21% Popularity • 9% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 9% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
14% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
► Preview
Louis Vierne
Messe solennelle pour deux orgues et cho...
69 bpm • E Maj • 02:16 • -17db
13% Popularity • 16% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Thomas Tallis
Lamentations of Jeremiah I
77 bpm • D min • 07:35 • -29.63db
11% Popularity • 7% Danceability • 7% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
11% Popularity • 7% Danceability • 7% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus
77 bpm • D Maj • 02:44 • -25.05db
45% Popularity • 21% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Sanctus
77 bpm • G# Maj • 01:32 • -17.93db
32% Popularity • 18% Danceability • 12% Energy • 17% Liveness
44% Instrumentalness • 15% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 17% Liveness
44% Instrumentalness • 15% Positiveness
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Jacobus Gallus
Pueri concinite
69 bpm • G Maj • 01:53 • -22db
28% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
28% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
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Gregorio Allegri
Miserere
77 bpm • G min • 13:08 • -34.09db
15% Popularity • 10% Danceability • 3% Energy • 21% Liveness
26% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 3% Energy • 21% Liveness
26% Instrumentalness • 4% Positiveness
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Herbert Sumsion
Nunc dimittis in A Major
69 bpm • F# min • 03:05 • -24.02db
7% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
7% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
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Max Reger
Nachtlied, Op. 138, No. 3
69 bpm • B min • 03:01 • -25.5db
17% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus
77 bpm • D Maj • 03:30 • -31.28db
12% Popularity • 7% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
11% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Allegri: Miserere - 01. Miserere mei, De...
69 bpm • F Maj • 01:08 • -26.01db
31% Popularity • 18% Danceability • 10% Energy • 16% Liveness
22% Instrumentalness • 3% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 16% Liveness
22% Instrumentalness • 3% Positiveness
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Gottfried Heinrich Stölzel
Diomedes: Anna Magdalena Notenbuch (Clav...
69 bpm • C# Maj • 03:49 • -19.08db
22% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
22% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 1. Bogoroditse devo,...
69 bpm • D# Maj • 02:04 • -32.16db
25% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Come Down, O Love Divi...
78 bpm • F Maj • 03:43 • -21.35db
25% Popularity • 11% Danceability • 18% Energy • 12% Liveness
24% Instrumentalness • 9% Positiveness
25% Popularity • 11% Danceability • 18% Energy • 12% Liveness
24% Instrumentalness • 9% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
18% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
18% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Missa solemnis in C, K.337: 6. Agnus Dei
78 bpm • D# Maj • 05:54 • -23.18db
3% Popularity • 20% Danceability • 8% Energy • 48% Liveness
1% Instrumentalness • 9% Positiveness
3% Popularity • 20% Danceability • 8% Energy • 48% Liveness
1% Instrumentalness • 9% Positiveness
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John Rutter
Requiem: IV. Sanctus
78 bpm • F Maj • 02:06 • -16.46db
22% Popularity • 28% Danceability • 15% Energy • 8% Liveness
53% Instrumentalness • 7% Positiveness
22% Popularity • 28% Danceability • 15% Energy • 8% Liveness
53% Instrumentalness • 7% Positiveness
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William Croft
O God, Our Help in Ages Past (St. Anne)
78 bpm • C Maj • 03:26 • -22.41db
16% Popularity • 20% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 9% Positiveness
16% Popularity • 20% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 9% Positiveness
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Johannes Eccard
When to the Temple Mary Went
78 bpm • D min • 03:03 • -34db
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
35% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Thomas Tallis
Tallis: Cantiones quae ab argumento sacr...
78 bpm • G min • 01:56 • -25.73db
12% Popularity • 26% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
12% Popularity • 26% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
