Songs like Philemon et Baucis (Sung in Italian): Act I: E che! perche Mercurio (Giove) by Charles Gounod
Based on a tempo of (+/- 10%) and a similar genre
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
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Emmanuel Chabrier
España - Rhapsody for Orchestra
129 bpm • F Maj • 06:09 • -17db
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen!
127 bpm • G Maj • 03:30 • -29.78db
25% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
129 bpm • A# Maj • 04:08 • -25.68db
46% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
46% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
La traviata / Act I: Prelude
127 bpm • B Maj • 03:36 • -32.77db
29% Popularity • 29% Danceability • 2% Energy • 51% Liveness
72% Instrumentalness • 6% Positiveness
29% Popularity • 29% Danceability • 2% Energy • 51% Liveness
72% Instrumentalness • 6% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31: Prélude
129 bpm • D min • 03:33 • -16.85db
38% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
38% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Charles Gounod
Mass in C Major, "Messe breve No. 7 aux ...
129 bpm • C Maj • 02:54 • -20db
9% Popularity • 20% Danceability • 11% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 11% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50
130 bpm • F# min • 06:47 • -23db
22% Popularity • 17% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Sonata No. 8 in C Minor...
126 bpm • G# Maj • 05:33 • -30.66db
38% Popularity • 38% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 38% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile: Cred...
126 bpm • C Maj • 12:03 • -24db
11% Popularity • 17% Danceability • 4% Energy • 6% Liveness
13% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 6% Liveness
13% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
31% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 3, Scene 1: "J...
126 bpm • D# Maj • 05:04 • -20db
15% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 15 in D...
130 bpm • C# Maj • 05:48 • -29.48db
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 2: "Vedi! le fosche n...
130 bpm • G Maj • 02:50 • -13.47db
40% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
40% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
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Charles Gounod
Ave Maria, CG89a
131 bpm • F Maj • 02:52 • -25.34db
14% Popularity • 18% Danceability • 10% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Habanera. "...
124 bpm • D Maj • 04:35 • -22db
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Reynaldo Hahn
A Chloris
133 bpm • E Maj • 03:00 • -18.56db
31% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
31% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
La traviata / Act I: Prelude
131 bpm • B Maj • 03:33 • -35db
44% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
44% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe solennelle de Ste. Cécile: Sanctu...
125 bpm • F Maj • 05:38 • -20db
19% Popularity • 23% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
19% Popularity • 23% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
133 bpm • D# Maj • 08:38 • -23.45db
18% Popularity • 19% Danceability • 8% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 8% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: No. 8 Romance
133 bpm • C# Maj • 06:28 • -20.3db
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 2: 2. Habanera
134 bpm • D Maj • 02:02 • -29.61db
47% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Antonio Vivaldi
Violin Concerto No. 3 in F Major, RV 293...
122 bpm • F Maj • 05:01 • -17db
46% Popularity • 46% Danceability • 16% Energy • 10% Liveness
26% Instrumentalness • 22% Positiveness
46% Popularity • 46% Danceability • 16% Energy • 10% Liveness
26% Instrumentalness • 22% Positiveness
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Giuseppe Verdi
Aida Highlights (1998 Digital Remaster),...
122 bpm • D# Maj • 04:39 • -17.08db
14% Popularity • 34% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 25% Positiveness
14% Popularity • 34% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 25% Positiveness
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Charles Gounod
Ave Maria, CG 89 (Arr. for Viola & Piano...
125 bpm • C Maj • 02:25 • -25db
24% Popularity • 19% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48 : IV. Pie Jesu (...
134 bpm • A# Maj • 03:19 • -17.84db
17% Popularity • 21% Danceability • 24% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 24% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: III. Intermez...
134 bpm • D# Maj • 02:40 • -24db
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Giacomo Puccini
La Bohème / Act I: "Quando Me'n Vò"
135 bpm • F# min • 02:38 • -16.06db
31% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: Romance
135 bpm • C# Maj • 04:16 • -15db
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Faust, Act 4: Chœur des soldats...
125 bpm • A# Maj • 03:08 • -17db
9% Popularity • 48% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
9% Popularity • 48% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto in F M...
121 bpm • A# Maj • 02:17 • -27db
43% Popularity • 22% Danceability • 6% Energy • 17% Liveness
16% Instrumentalness • 12% Positiveness
43% Popularity • 22% Danceability • 6% Energy • 17% Liveness
16% Instrumentalness • 12% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
135 bpm • E Maj • 03:23 • -22db
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F majo...
136 bpm • C Maj • 03:40 • -21db
45% Popularity • 48% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 36% Positiveness
45% Popularity • 48% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 36% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 2: "Ah !...
132 bpm • D Maj • 04:33 • -23.88db
4% Popularity • 34% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
4% Popularity • 34% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Norma, Акт I, Сцена 1: "Casta Di...
136 bpm • E Maj • 04:40 • -24.53db
28% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
28% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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George Frideric Handel
Solomon, HWV 67: The Arrival Of The Quee...
120 bpm • A# Maj • 03:09 • -18db
41% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
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Antonín Dvořák
Rusalka, Op. 114: Song to the Moon
137 bpm • F# Maj • 05:25 • -19db
34% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
137 bpm • E Maj • 04:17 • -23db
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette: Ouverture
123 bpm • D min • 02:21 • -14.9db
11% Popularity • 26% Danceability • 33% Energy • 13% Liveness
78% Instrumentalness • 30% Positiveness
11% Popularity • 26% Danceability • 33% Energy • 13% Liveness
78% Instrumentalness • 30% Positiveness
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Franz Liszt
Schwanengesang, D. 957: No. 4. Standchen...
137 bpm • D Maj • 05:31 • -28.04db
34% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
34% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Giuseppe Verdi
La traviata / Act 1: Prelude
119 bpm • B Maj • 04:07 • -24db
30% Popularity • 23% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
30% Popularity • 23% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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César Franck
Mass, Op. 12: V. Panis Angelicus
137 bpm • F Maj • 03:50 • -19.15db
20% Popularity • 24% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Charles Gounod
Le veau d'or - from Faust
121 bpm • C min • 02:01 • -10.59db
14% Popularity • 47% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 47% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice: Dance of the Blessed ...
138 bpm • F Maj • 06:08 • -27.25db
0% Popularity • 17% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
0% Popularity • 17% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
► Preview
Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
► Preview
Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
► Preview
Charles Gounod
Marche funèbre d'une marionnette
135 bpm • D Maj • 04:06 • -25.9db
5% Popularity • 53% Danceability • 2% Energy • 8% Liveness
59% Instrumentalness • 36% Positiveness
5% Popularity • 53% Danceability • 2% Energy • 8% Liveness
59% Instrumentalness • 36% Positiveness
► Preview
George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
► Preview
Giuseppe Verdi
La Traviata / Act 1: Prelude
117 bpm • B Maj • 03:43 • -31.06db
15% Popularity • 28% Danceability • 2% Energy • 39% Liveness
66% Instrumentalness • 4% Positiveness
15% Popularity • 28% Danceability • 2% Energy • 39% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
► Preview
Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
Charles Gounod
Marcha Funebre para una Marioneta / Goun...
121 bpm • D min • 03:30 • -25db
11% Popularity • 45% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
11% Popularity • 45% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
140 bpm • E Maj • 04:29 • -23.16db
43% Popularity • 26% Danceability • 7% Energy • 32% Liveness
12% Instrumentalness • 22% Positiveness
43% Popularity • 26% Danceability • 7% Energy • 32% Liveness
12% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
Concerto for Lute, 2 Violins and Continu...
117 bpm • C# Maj • 02:32 • -22.96db
46% Popularity • 46% Danceability • 14% Energy • 7% Liveness
64% Instrumentalness • 58% Positiveness
46% Popularity • 46% Danceability • 14% Energy • 7% Liveness
64% Instrumentalness • 58% Positiveness
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Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
141 bpm • A# Maj • 06:08 • -16.83db
31% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
31% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
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Léo Delibes
Sylvia, Suite: 3. Pizzicati
142 bpm • C min • 02:08 • -31db
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
142 bpm • D# Maj • 03:45 • -23db
20% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 2: "Éco...
119 bpm • G min • 01:31 • -38.7db
4% Popularity • 51% Danceability • 3% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
4% Popularity • 51% Danceability • 3% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 1. Präludium (Al...
142 bpm • G Maj • 02:45 • -21db
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
142 bpm • A# Maj • 02:08 • -24.16db
34% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
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Léo Delibes
Delibes: Coppélia, Act I: No. 1, Valse
143 bpm • D# Maj • 02:45 • -19db
27% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
27% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Charles Gounod
Faust / Act 2: No. 7 Ronde du veau d'or:...
119 bpm • F min • 01:58 • -14db
9% Popularity • 56% Danceability • 37% Energy • 3% Liveness
1% Instrumentalness • 58% Positiveness
9% Popularity • 56% Danceability • 37% Energy • 3% Liveness
1% Instrumentalness • 58% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (Arr. Cello & Pian...
144 bpm • D Maj • 03:03 • -24.24db
24% Popularity • 20% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
24% Popularity • 20% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
42% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
42% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
32% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
32% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 3: "Allo...
118 bpm • A Maj • 02:21 • -18.43db
3% Popularity • 42% Danceability • 21% Energy • 54% Liveness
0% Instrumentalness • 33% Positiveness
3% Popularity • 42% Danceability • 21% Energy • 54% Liveness
0% Instrumentalness • 33% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Edward Elgar
Elgar: Salut d'amour
144 bpm • E Maj • 02:42 • -26.47db
24% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Ave Maria
112 bpm • C Maj • 03:11 • -22.78db
38% Popularity • 28% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
38% Popularity • 28% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Charles Gounod
Faust - opera in five acts (1989 Digital...
117 bpm • A# Maj • 03:20 • -15db
5% Popularity • 43% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
5% Popularity • 43% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
