Songs like Roméo et Juliette / Act 2: "Ah! ne fuis pas encore!" by Charles Gounod
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1
105 bpm • F Maj • 06:42 • -22.11db
36% Popularity • 16% Danceability • 11% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 11% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
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Charles Gounod
Faust, CG 4: Faust - Romance
105 bpm • A Maj • 02:58 • -24.43db
9% Popularity • 23% Danceability • 3% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Leoš Janáček
Idyl for Strings - Adagio
105 bpm • G Maj • 05:37 • -27db
24% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
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![Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75)
Bedřich Smetana
Má Vlast, JB 1:112: The Moldau (Vltava)...
105 bpm • C Maj • 03:42 • -15db
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
Sir John in Love: Fantasia on Greensleev...
105 bpm • C min • 05:01 • -26db
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "Ah! l...
106 bpm • A# Maj • 02:57 • -14.99db
16% Popularity • 24% Danceability • 20% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
16% Popularity • 24% Danceability • 20% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Violin Concerto In E Minor, Op. 64, MWV ...
103 bpm • C Maj • 07:14 • -27.12db
25% Popularity • 21% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Rigoletto, Act 3: "La donna è mo...
103 bpm • F# Maj • 02:20 • -20.67db
25% Popularity • 33% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 33% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Charles Gounod
Gounod: Faust, Act 1: "Ah ! Paresseuse f...
106 bpm • A Maj • 02:39 • -23db
10% Popularity • 24% Danceability • 6% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
10% Popularity • 24% Danceability • 6% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
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Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Com'è gentil...t...
102 bpm • A Maj • 03:49 • -10.78db
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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AntonĂn Dvořák
Songs My Mother Taught Me, Op. 55, No. 4...
102 bpm • D Maj • 02:44 • -17.69db
27% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
27% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
30% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
30% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Ave Maria
109 bpm • E Maj • 03:49 • -23.34db
26% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
26% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Charles Gounod
Faust: Faust, Act I: Cavatina: Avant de ...
104 bpm • D# Maj • 03:18 • -22db
12% Popularity • 22% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 17% Positiveness
12% Popularity • 22% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 17% Positiveness
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Vincenzo Bellini
Vaga luna che inargenti
101 bpm • G# Maj • 04:00 • -26db
24% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
110 bpm • A min • 05:00 • -32db
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Concerto In G Major TWV 40:201, For 4 Vi...
110 bpm • F# Maj • 02:11 • -24.41db
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: "De g...
107 bpm • F Maj • 04:05 • -27.59db
5% Popularity • 28% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
5% Popularity • 28% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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AntonĂn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
100 bpm • C min • 03:16 • -19.13db
25% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
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Charles Gounod
Gounod: Ave Maria, CG 89a
100 bpm • G Maj • 03:15 • -15.97db
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
100 bpm • A Maj • 06:38 • -20.69db
22% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
22% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
49% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. MĂ©l...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Ave Maria
112 bpm • C Maj • 03:11 • -22.78db
38% Popularity • 28% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
38% Popularity • 28% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
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Charles Gounod
Faust: Waltz
107 bpm • A Maj • 04:46 • -16db
11% Popularity • 33% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
11% Popularity • 33% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
98 bpm • B Maj • 07:20 • -34.5db
34% Popularity • 26% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
34% Popularity • 26% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Charles Gounod
Faust, Act II: Le veau d'or
103 bpm • F min • 02:05 • -16.93db
4% Popularity • 46% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 46% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 49% Positiveness
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LĂ©o Delibes
Sylvia: Act III: Divertissement: Variati...
97 bpm • D# Maj • 01:15 • -23db
61% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
61% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Concerto No. 5 in E-Fla...
97 bpm • B Maj • 07:33 • -34db
30% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Young Prince
97 bpm • G Maj • 04:12 • -28.57db
30% Popularity • 12% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Charles Gounod
Roméo et Juliette, Act II: Ah, je veux ...
103 bpm • A# Maj • 03:49 • -23.59db
5% Popularity • 34% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 11% Positiveness
5% Popularity • 34% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 11% Positiveness
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AntonĂn Dvořák
4 Romantic Pieces, B.150: I. Allegro mod...
97 bpm • A# Maj • 03:29 • -26.42db
26% Popularity • 21% Danceability • 3% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
26% Popularity • 21% Danceability • 3% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
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LĂ©o Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
32% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
32% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
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![6 Chants polonais, S. 480: No. 2, FrĂĽhling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, FrĂĽhl...
96 bpm • G min • 02:11 • -35.91db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
96 bpm • A# Maj • 05:55 • -31.12db
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Charles Gounod
Gounod: Roméo et Juliette, Prologue: "V...
108 bpm • D Maj • 04:14 • -34db
6% Popularity • 16% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
6% Popularity • 16% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
AntonĂn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
► Preview
Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Minuet in G Major, WoO 10, No...
95 bpm • G Maj • 02:50 • -25.76db
39% Popularity • 25% Danceability • 6% Energy • 31% Liveness
70% Instrumentalness • 27% Positiveness
39% Popularity • 25% Danceability • 6% Energy • 31% Liveness
70% Instrumentalness • 27% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
CĂ©sar Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
► Preview
Charles Gounod
Gounod : Faust : Act 1 "Le veau d'or" [M...
108 bpm • G# Maj • 02:06 • -17.15db
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Antonio Vivaldi
Concerto for Lute, 2 Violins and Continu...
117 bpm • C# Maj • 02:32 • -22.96db
46% Popularity • 46% Danceability • 14% Energy • 7% Liveness
64% Instrumentalness • 58% Positiveness
46% Popularity • 46% Danceability • 14% Energy • 7% Liveness
64% Instrumentalness • 58% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
► Preview
Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Ludwig van Beethoven
Violin Romance No. 2 in F Major, Op. 50
94 bpm • F Maj • 07:57 • -26.54db
9% Popularity • 24% Danceability • 5% Energy • 24% Liveness
29% Instrumentalness • 15% Positiveness
9% Popularity • 24% Danceability • 5% Energy • 24% Liveness
29% Instrumentalness • 15% Positiveness
► Preview
Charles Gounod
Roméo et Juliet: Je veux vivre (Act I -...
108 bpm • G Maj • 03:53 • -20db
16% Popularity • 38% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
16% Popularity • 38% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
► Preview
Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
► Preview
George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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Chor der Deutschen Oper Berlin
Madame Butterfly: Coro a bocca chiusa
94 bpm • A# Maj • 02:22 • -36.58db
33% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
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LĂ©o Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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Charles Gounod
Gounod: Faust, Act 3: "Les grands seigne...
108 bpm • E Maj • 06:24 • -21.56db
18% Popularity • 36% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 36% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: Triumphal march
93 bpm • D# Maj • 01:35 • -28.24db
40% Popularity • 39% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
40% Popularity • 39% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
93 bpm • D Maj • 03:57 • -18.46db
26% Popularity • 25% Danceability • 20% Energy • 40% Liveness
96% Instrumentalness • 30% Positiveness
26% Popularity • 25% Danceability • 20% Energy • 40% Liveness
96% Instrumentalness • 30% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
19% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Enfi...
102 bpm • F# Maj • 01:17 • -24db
6% Popularity • 46% Danceability • 7% Energy • 54% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 46% Danceability • 7% Energy • 54% Liveness
0% Instrumentalness • 42% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei ...
93 bpm • F Maj • 02:30 • -23.05db
27% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
27% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
93 bpm • G# Maj • 06:37 • -15.52db
22% Popularity • 19% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 9% Positiveness
22% Popularity • 19% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14 (Arr. for Cello...
93 bpm • C# min • 06:58 • -26db
27% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Charles Gounod
Faust, CG 4 / Act 3: "Salut! demeure cha...
109 bpm • G# Maj • 04:33 • -17db
11% Popularity • 23% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 23% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Verdi: Addio del passato - Violetta
92 bpm • A min • 05:34 • -26db
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
50% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
92 bpm • D Maj • 04:28 • -31db
25% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
25% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
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Charles Gounod
March funèbre d'une marionette
110 bpm • D Maj • 04:27 • -29.3db
11% Popularity • 43% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 30% Positiveness
11% Popularity • 43% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 30% Positiveness
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Giuseppe Verdi
La traviata / Act 1: Prelude
119 bpm • B Maj • 04:07 • -24db
30% Popularity • 23% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
30% Popularity • 23% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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George Frideric Handel
Solomon, HWV 67: The Arrival Of The Quee...
120 bpm • A# Maj • 03:09 • -18db
41% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
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AntonĂn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
I Capuleti e i Montecchi: Oh quante volt...
92 bpm • G min • 04:24 • -16.85db
39% Popularity • 15% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
39% Popularity • 15% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness