Songs like Samson et Dalila, Op. 47: Bacchanale by Camille Saint-Saëns
Based on a tempo of (+/- 10%) and a similar genre
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Bacchanale
134 bpm • D min • 07:12 • -16db
20% Popularity • 26% Danceability • 28% Energy • 27% Liveness
55% Instrumentalness • 19% Positiveness
20% Popularity • 26% Danceability • 28% Energy • 27% Liveness
55% Instrumentalness • 19% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
134 bpm • G min • 04:17 • -28db
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 1: II. Polka
134 bpm • C Maj • 01:35 • -24db
31% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux: Aquarium
134 bpm • A min • 02:35 • -36db
29% Popularity • 19% Danceability • 1% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
29% Popularity • 19% Danceability • 1% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
35% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
35% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Gustav Holst
The Planets, Op. 32: IV. Jupiter, the Br...
135 bpm • G min • 07:49 • -15.11db
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 4: N...
135 bpm • B Maj • 06:40 • -16.04db
39% Popularity • 19% Danceability • 35% Energy • 35% Liveness
81% Instrumentalness • 8% Positiveness
39% Popularity • 19% Danceability • 35% Energy • 35% Liveness
81% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Charles Gounod
Marche funèbre d'une marionnette
135 bpm • D Maj • 04:06 • -25.9db
5% Popularity • 53% Danceability • 2% Energy • 8% Liveness
59% Instrumentalness • 36% Positiveness
5% Popularity • 53% Danceability • 2% Energy • 8% Liveness
59% Instrumentalness • 36% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: VII. Aq...
134 bpm • A min • 02:23 • -36.84db
17% Popularity • 25% Danceability • 1% Energy • 8% Liveness
32% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 1% Energy • 8% Liveness
32% Instrumentalness • 7% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
136 bpm • G min • 05:16 • -16db
48% Popularity • 29% Danceability • 21% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 21% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
133 bpm • C# Maj • 03:17 • -21.14db
16% Popularity • 27% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 27% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): VI...
136 bpm • E Maj • 04:48 • -24.41db
27% Popularity • 34% Danceability • 5% Energy • 6% Liveness
43% Instrumentalness • 18% Positiveness
27% Popularity • 34% Danceability • 5% Energy • 6% Liveness
43% Instrumentalness • 18% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: III. In...
132 bpm • E min • 03:55 • -18.89db
22% Popularity • 27% Danceability • 13% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
22% Popularity • 27% Danceability • 13% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
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JoaquÃn Turina
Danzas fantasticas, Op. 22: Orgia
136 bpm • D Maj • 04:49 • -14.76db
20% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
20% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R.125: 2. Poule...
136 bpm • F Maj • 00:56 • -25db
36% Popularity • 49% Danceability • 7% Energy • 9% Liveness
66% Instrumentalness • 11% Positiveness
36% Popularity • 49% Danceability • 7% Energy • 9% Liveness
66% Instrumentalness • 11% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
137 bpm • E Maj • 04:17 • -23db
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Georges Bizet
Carmen Suite No. 1: Les toréadors
131 bpm • A Maj • 02:09 • -17db
27% Popularity • 29% Danceability • 37% Energy • 51% Liveness
96% Instrumentalness • 64% Positiveness
27% Popularity • 29% Danceability • 37% Energy • 51% Liveness
96% Instrumentalness • 64% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
137 bpm • F Maj • 02:11 • -18db
20% Popularity • 44% Danceability • 12% Energy • 9% Liveness
82% Instrumentalness • 55% Positiveness
20% Popularity • 44% Danceability • 12% Energy • 9% Liveness
82% Instrumentalness • 55% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 7. Aqua...
136 bpm • A min • 02:31 • -35.4db
54% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
54% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH 13: Intr...
139 bpm • E Maj • 03:03 • -17.32db
30% Popularity • 27% Danceability • 18% Energy • 9% Liveness
60% Instrumentalness • 23% Positiveness
30% Popularity • 27% Danceability • 18% Energy • 9% Liveness
60% Instrumentalness • 23% Positiveness
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Igor Stravinsky
The Rite of Spring, Part 2: VI. Sacrific...
139 bpm • D min • 04:27 • -14db
29% Popularity • 51% Danceability • 50% Energy • 10% Liveness
74% Instrumentalness • 15% Positiveness
29% Popularity • 51% Danceability • 50% Energy • 10% Liveness
74% Instrumentalness • 15% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act I: Imploro...
132 bpm • D# Maj • 02:05 • -13.65db
5% Popularity • 33% Danceability • 32% Energy • 60% Liveness
8% Instrumentalness • 34% Positiveness
5% Popularity • 33% Danceability • 32% Energy • 60% Liveness
8% Instrumentalness • 34% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
139 bpm • G Maj • 10:04 • -19db
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
129 bpm • C min • 04:40 • -25db
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
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Joseph Haydn
Haydn: Symphony No. 94 in G Major, Hob. ...
140 bpm • G Maj • 04:01 • -16.26db
35% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
35% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
37% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
37% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Prelude...
140 bpm • C Maj • 02:00 • -13.32db
18% Popularity • 17% Danceability • 22% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 22% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Sonata op. 166: Andantino
137 bpm • D Maj • 03:08 • -23.66db
19% Popularity • 27% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 17% Positiveness
19% Popularity • 27% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 17% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): VI...
128 bpm • A Maj • 02:20 • -18.99db
35% Popularity • 32% Danceability • 31% Energy • 31% Liveness
97% Instrumentalness • 41% Positiveness
35% Popularity • 32% Danceability • 31% Energy • 31% Liveness
97% Instrumentalness • 41% Positiveness
► Preview
Felix Mendelssohn
Overture "A Midsummer Night's Dream", Op...
139 bpm • E Maj • 11:55 • -19.29db
30% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VIII. Finale
141 bpm • F Maj • 01:58 • -15db
33% Popularity • 45% Danceability • 42% Energy • 7% Liveness
77% Instrumentalness • 67% Positiveness
33% Popularity • 45% Danceability • 42% Energy • 7% Liveness
77% Instrumentalness • 67% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
128 bpm • C min • 07:39 • -16.87db
2% Popularity • 27% Danceability • 20% Energy • 18% Liveness
85% Instrumentalness • 8% Positiveness
2% Popularity • 27% Danceability • 20% Energy • 18% Liveness
85% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 2...
128 bpm • C Maj • 01:42 • -35db
14% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
14% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
► Preview
Aram Khachaturian
Masquerade Suite: Nocturne
128 bpm • A Maj • 03:53 • -25.53db
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: I. Alborada
127 bpm • A Maj • 01:13 • -16.19db
30% Popularity • 46% Danceability • 34% Energy • 22% Liveness
82% Instrumentalness • 51% Positiveness
30% Popularity • 46% Danceability • 34% Energy • 22% Liveness
82% Instrumentalness • 51% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
143 bpm • E Maj • 04:20 • -23.9db
37% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
► Preview
Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47: Ah! Leve-toi, ...
129 bpm • A# Maj • 04:17 • -16.01db
1% Popularity • 28% Danceability • 19% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 28% Danceability • 19% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
142 bpm • G Maj • 04:47 • -22.2db
23% Popularity • 16% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
32% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
32% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
► Preview
Aaron Copland
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down
125 bpm • G Maj • 03:26 • -18.64db
35% Popularity • 47% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 23% Positiveness
35% Popularity • 47% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 23% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
145 bpm • G min • 02:34 • -24.35db
47% Popularity • 19% Danceability • 11% Energy • 17% Liveness
16% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 11% Energy • 17% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47: Act I: Hymne d...
129 bpm • F Maj • 05:57 • -24.98db
2% Popularity • 18% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 18% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Jean Sibelius
Symphony No. 2 in D Major, Op. 43: I. Al...
124 bpm • D Maj • 09:48 • -21db
19% Popularity • 27% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
► Preview
Dmitri Shostakovich
Bolt, Op. 27a (Ballet Suite No. 5): I. O...
124 bpm • F min • 05:05 • -18db
22% Popularity • 35% Danceability • 19% Energy • 30% Liveness
91% Instrumentalness • 14% Positiveness
22% Popularity • 35% Danceability • 19% Energy • 30% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56 "Scott...
124 bpm • A min • 09:40 • -16.82db
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
► Preview
Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
► Preview
Camille Saint-Saëns
Introduction et Rondo capriccioso in A M...
129 bpm • C Maj • 09:02 • -26db
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Dmitry Kabalevsky
Violin Concerto, Op. 48: I. Allegro molt...
145 bpm • C Maj • 04:33 • -19.26db
22% Popularity • 36% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
22% Popularity • 36% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
146 bpm • C Maj • 10:16 • -17.61db
6% Popularity • 26% Danceability • 10% Energy • 13% Liveness
68% Instrumentalness • 17% Positiveness
6% Popularity • 26% Danceability • 10% Energy • 13% Liveness
68% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
123 bpm • G min • 04:47 • -24.84db
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: II. Hen...
140 bpm • F Maj • 00:59 • -32.05db
8% Popularity • 53% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 18% Positiveness
8% Popularity • 53% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
Symphony No. 2: II. Allegro molto
146 bpm • F Maj • 09:49 • -26db
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
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Igor Stravinsky
The Firebird - Suite (1919): 4. Infernal...
146 bpm • E min • 04:30 • -9.48db
17% Popularity • 35% Danceability • 72% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
17% Popularity • 35% Danceability • 72% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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Aram Khachaturian
Masquerade Suite: Gallop
147 bpm • A# Maj • 03:17 • -18.19db
24% Popularity • 40% Danceability • 34% Energy • 8% Liveness
42% Instrumentalness • 40% Positiveness
24% Popularity • 40% Danceability • 34% Energy • 8% Liveness
42% Instrumentalness • 40% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
123 bpm • B min • 01:03 • -26.06db
5% Popularity • 43% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
5% Popularity • 43% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Adolphe Adam
Giselle: Act II: Entree d'Hilarion, scen...
122 bpm • G Maj • 05:21 • -20.92db
20% Popularity • 42% Danceability • 14% Energy • 18% Liveness
70% Instrumentalness • 27% Positiveness
20% Popularity • 42% Danceability • 14% Energy • 18% Liveness
70% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act III: Bacch...
128 bpm • D Maj • 07:18 • -15.64db
2% Popularity • 33% Danceability • 25% Energy • 53% Liveness
90% Instrumentalness • 21% Positiveness
2% Popularity • 33% Danceability • 25% Energy • 53% Liveness
90% Instrumentalness • 21% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 4...
147 bpm • C Maj • 03:35 • -20db
9% Popularity • 20% Danceability • 17% Energy • 5% Liveness
33% Instrumentalness • 33% Positiveness
9% Popularity • 20% Danceability • 17% Energy • 5% Liveness
33% Instrumentalness • 33% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: V. Songe ...
121 bpm • G min • 10:13 • -16.94db
16% Popularity • 36% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
16% Popularity • 36% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
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Fritz Kreisler
Kreisler: Schön Rosmarin
121 bpm • G Maj • 01:57 • -15db
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
33% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
33% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
149 bpm • F Maj • 03:33 • -27db
33% Popularity • 23% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 8% Positiveness
33% Popularity • 23% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 8% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
120 bpm • E min • 08:36 • -21db
33% Popularity • 33% Danceability • 5% Energy • 9% Liveness
53% Instrumentalness • 10% Positiveness
33% Popularity • 33% Danceability • 5% Energy • 9% Liveness
53% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 3...
126 bpm • D Maj • 07:06 • -17.59db
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: 2. Aragonaise
120 bpm • D min • 02:11 • -24db
30% Popularity • 33% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
30% Popularity • 33% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
