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Something She Has to Do
Songs like
Something She Has to Do
by
Philip Glass
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
Daphnis et Chloe: Part III: Lever du jou...
77 bpm • E min • 05:29 • -17db
42% Popularity • 7% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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John Adams
Adams: Harmonielehre, Pt. III: Meister E...
77 bpm • E min • 10:35 • -21.26db
14% Popularity • 18% Danceability • 12% Energy • 23% Liveness
76% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O Virtus Sapientae (Arr. M. Beiser for C...
77 bpm • A min • 03:47 • -12db
9% Popularity • 15% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Dario Marianelli
Awaken
77 bpm • C min • 04:25 • -18db
44% Popularity • 17% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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William Duckworth
The Time Curve Preludes, Book I: XII - q...
77 bpm • F Maj • 04:54 • -23db
8% Popularity • 40% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 14% Positiveness
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Philip Glass
Opening
77 bpm • C min • 05:53 • -30.94db
52% Popularity • 18% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
Moments of Poetry and Music: No. 2, Melo...
77 bpm • B Maj • 03:45 • -37db
27% Popularity • 8% Danceability • 1% Energy • 7% Liveness
70% Instrumentalness • 3% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Adès
Arcadiana, Op. 12: VI. O Albion
77 bpm • D# Maj • 03:15 • -37db
34% Popularity • 11% Danceability • 1% Energy • 14% Liveness
74% Instrumentalness • 3% Positiveness
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Richard Wagner
Das Rheingold: Prelude
77 bpm • G# Maj • 05:31 • -28.79db
28% Popularity • 11% Danceability • 5% Energy • 22% Liveness
95% Instrumentalness • 3% Positiveness
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Philip Glass
The Screens: The French Lieutenant Dream...
77 bpm • F min • 02:12 • -22.76db
13% Popularity • 20% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Erik Satie
Première Gymnopédie
76 bpm • G Maj • 03:24 • -35.42db
55% Popularity • 59% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 31% Positiveness
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John Adams
Shaker Loops (version for string orchest...
78 bpm • C Maj • 04:09 • -29.15db
26% Popularity • 17% Danceability • 4% Energy • 22% Liveness
57% Instrumentalness • 8% Positiveness
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Henryk GĂłrecki
3 Utwory w dawnym stylu (3 Pieces in Old...
76 bpm • A min • 03:17 • -23db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
76 bpm • F# Maj • 02:23 • -33db
44% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Philip Glass
Why Does Someone Have to Die?
78 bpm • G min • 03:56 • -27.57db
31% Popularity • 27% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Peter Gregson
4.1 Prelude
76 bpm • G# Maj • 05:12 • -21.15db
25% Popularity • 17% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Erik Satie
3 Gymnopédies: No. 3, Lent et grave
76 bpm • G Maj • 02:34 • -38.69db
35% Popularity • 44% Danceability • 0% Energy • 13% Liveness
97% Instrumentalness • 48% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
78 bpm • F# Maj • 03:38 • -41db
33% Popularity • 16% Danceability • 0% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
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Frederic Rzewski
The People United Will Never Be Defeated...
78 bpm • D min • 02:46 • -19.71db
17% Popularity • 31% Danceability • 17% Energy • 7% Liveness
87% Instrumentalness • 11% Positiveness
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Max Richter
Departure (Home)
76 bpm • D# Maj • 01:54 • -30.76db
49% Popularity • 32% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Peter Gregson
6.2 Allemande
76 bpm • D Maj • 03:35 • -20.22db
23% Popularity • 13% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Thomas Adès
Arcadiana: VI. O Albion
78 bpm • D# Maj • 03:26 • -43db
32% Popularity • 16% Danceability • 0% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Erik Satie
Trois Gymnopédies: lll. "Lent et grave"
78 bpm • A min • 02:26 • -39.7db
41% Popularity • 55% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 39% Positiveness
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Amy Beach
By the Still Waters, Op. 114
76 bpm • C# Maj • 03:07 • -43db
59% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Peter Sculthorpe
Requiem for Cello Alone: VI. Lux aeterna
78 bpm • D Maj • 04:13 • -28.22db
25% Popularity • 8% Danceability • 3% Energy • 12% Liveness
40% Instrumentalness • 3% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Philip Glass
The Vivid Unknown
78 bpm • G Maj • 07:33 • -35.95db
23% Popularity • 8% Danceability • 1% Energy • 15% Liveness
29% Instrumentalness • 5% Positiveness
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Giya Kancheli
Miniature No. 7
78 bpm • F# min • 02:22 • -27.8db
34% Popularity • 14% Danceability • 2% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Frans Bak
The Mist: Pt. 1
76 bpm • C min • 04:45 • -18.33db
21% Popularity • 14% Danceability • 7% Energy • 15% Liveness
62% Instrumentalness • 6% Positiveness
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Marina Baranova
Leviathan Town
76 bpm • C# min • 02:49 • -26.08db
33% Popularity • 33% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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BĂ©la BartĂłk
Romanian Folk Dances, Sz.56: III. Andant...
75 bpm • D min • 01:17 • -40db
28% Popularity • 25% Danceability • 1% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
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Philip Glass
String Quartet No. 4, "Buczak": III. —
78 bpm • F Maj • 08:27 • -22.9db
13% Popularity • 16% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Hildur GuĂ°nadĂłttir
Bær
75 bpm • E min • 03:17 • -20db
36% Popularity • 15% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Morning Tears
75 bpm • D# min • 01:50 • -37.13db
28% Popularity • 19% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am Laid ...
79 bpm • G min • 03:09 • -21.75db
43% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Claude Debussy
Beau Soir
79 bpm • E Maj • 02:14 • -23.97db
25% Popularity • 21% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Siciliano (After "Erbarme dich" from Mat...
79 bpm • G min • 02:05 • -22.72db
56% Popularity • 30% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
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Frédéric Chopin
Piano Sonata No. 3: Largo
79 bpm • B Maj • 09:17 • -27.35db
26% Popularity • 30% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Ola Gjeilo
The Spheres
79 bpm • C min • 04:17 • -20.2db
32% Popularity • 14% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Camille PĂ©pin
The Sound of Trees: Apaisé, boisé
79 bpm • B min • 03:27 • -19db
16% Popularity • 13% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Anja Lechner
Hymne
75 bpm • D min • 01:38 • -35.57db
34% Popularity • 46% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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György Ligeti
Lontano
79 bpm • C# Maj • 09:25 • -26.7db
32% Popularity • 7% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 2% Positiveness
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Philip Glass
Tissue No. 7
75 bpm • A# Maj • 03:15 • -37.03db
46% Popularity • 11% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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Henryk GĂłrecki
Symphonie No. 3, Op. 36: II. Lento e lar...
79 bpm • A# min • 09:37 • -25db
18% Popularity • 10% Danceability • 3% Energy • 17% Liveness
93% Instrumentalness • 3% Positiveness
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Balanescu Quartet
Butterflies
75 bpm • G# min • 03:36 • -18.81db
24% Popularity • 14% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 2: Golden Butte...
79 bpm • E min • 05:57 • -19.25db
38% Popularity • 24% Danceability • 12% Energy • 28% Liveness
77% Instrumentalness • 3% Positiveness
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Olga Scheps
Memories of a Promenade II
74 bpm • C min • 03:26 • -28.35db
56% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Jonny Greenwood
Phantom Thread II
79 bpm • E min • 03:54 • -16.19db
30% Popularity • 37% Danceability • 7% Energy • 8% Liveness
28% Instrumentalness • 14% Positiveness
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Philip Glass
The Hours: An Unwelcome Friend
74 bpm • G min • 04:16 • -36.17db
59% Popularity • 25% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Alex Baranowski
Musica Universalis
74 bpm • A Maj • 02:33 • -24.59db
33% Popularity • 19% Danceability • 5% Energy • 14% Liveness
3% Instrumentalness • 6% Positiveness
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Erik Satie
3 Gymnopédies: No. 1 Lent et douloureux
74 bpm • G Maj • 03:39 • -36.5db
57% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 1: Cold Wind Va...
80 bpm • F Maj • 03:59 • -26.65db
31% Popularity • 41% Danceability • 10% Energy • 14% Liveness
70% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, Son...
74 bpm • D# Maj • 02:18 • -35db
51% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Terry Riley
Cadenza on the Night Plain: Cadenza: Cel...
80 bpm • F# min • 01:07 • -28.23db
34% Popularity • 33% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
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Simone Dinnerstein
Etude No.16
74 bpm • G min • 07:30 • -24.82db
13% Popularity • 34% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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BĂ©la BartĂłk
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
45% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Erik Satie
3 Gymnopedies (orch. Debussy): Gymnopedi...
80 bpm • A min • 02:52 • -32.39db
29% Popularity • 13% Danceability • 3% Energy • 6% Liveness
56% Instrumentalness • 5% Positiveness
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Valentin Silvestrov
Hymn - 2001
74 bpm • A# Maj • 06:05 • -31.44db
36% Popularity • 14% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 2: Cold Wind Va...
80 bpm • F Maj • 04:15 • -25.1db
23% Popularity • 36% Danceability • 9% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
46% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Alex Baranowski
Biafra
74 bpm • A# min • 02:10 • -31.21db
23% Popularity • 16% Danceability • 2% Energy • 8% Liveness
48% Instrumentalness • 8% Positiveness
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Hania Rani
Malasana
74 bpm • A# min • 05:21 • -25.63db
46% Popularity • 24% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Max Richter
Vocal
80 bpm • F Maj • 08:37 • -17.24db
29% Popularity • 17% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
74 bpm • G Maj • 02:50 • -39.4db
44% Popularity • 7% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Aram Khachaturian
Gayane Suite No. 3: IV. Gayane's Adagio
74 bpm • F min • 04:56 • -23.68db
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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John Tavener
Funeral Ikos
74 bpm • F min • 03:24 • -18.92db
24% Popularity • 11% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
51% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Luciano Berio
6 Encores: No. 3, Wasserklavier
81 bpm • A# min • 02:10 • -31db
22% Popularity • 31% Danceability • 3% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
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John Cage
Dream
74 bpm • C min • 07:48 • -49db
17% Popularity • 14% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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John Tavener
The Lamb
81 bpm • E min • 03:22 • -19.62db
13% Popularity • 8% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Karsten Gundermann
Faust / Episode 2: Nachspiel
81 bpm • C Maj • 03:47 • -27.58db
12% Popularity • 18% Danceability • 1% Energy • 9% Liveness
16% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 09:03 • -31.19db
21% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
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Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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John Tavener
Tavener: Funeral Canticle
81 bpm • F min • 05:13 • -38.75db
32% Popularity • 11% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 5% Positiveness
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Philip Glass
Violin Concerto: II. -
82 bpm • C min • 08:32 • -22db
26% Popularity • 10% Danceability • 11% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Peter Gregson
Somnia
82 bpm • G Maj • 03:18 • -23.5db
42% Popularity • 8% Danceability • 14% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Johann Paul Von Westhoff
Sonata For Violin And Continuo III: Imit...
82 bpm • A min • 02:23 • -23.09db
30% Popularity • 43% Danceability • 7% Energy • 18% Liveness
72% Instrumentalness • 18% Positiveness
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
82 bpm • G Maj • 03:10 • -38db
52% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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John Tavener
Mother Of God
81 bpm • G Maj • 03:29 • -17db
10% Popularity • 9% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Claude Debussy
RĂŞverie, L. 68 (Arr. by Badzura)
82 bpm • F Maj • 06:08 • -21.46db
37% Popularity • 16% Danceability • 7% Energy • 13% Liveness
61% Instrumentalness • 4% Positiveness
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Brian Eno
Emerald and Stone (Arr. Knoth)
82 bpm • B Maj • 02:25 • -14.89db
27% Popularity • 8% Danceability • 25% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Henryk GĂłrecki
GĂłrecki: Symphony No. 3, Op. 36, "Symph...
72 bpm • C# Maj • 05:23 • -23.5db
31% Popularity • 9% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Maurice Ravel
Deux mélodies hébraïques, M. A22: I. ...
82 bpm • C min • 04:59 • -20.98db
23% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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John Tavener
The Lamb
72 bpm • E min • 03:56 • -23db
40% Popularity • 9% Danceability • 5% Energy • 15% Liveness
77% Instrumentalness • 3% Positiveness
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Lera Auerbach
24 Preludes for Violin and Piano, Op. 46...
82 bpm • D Maj • 03:13 • -38.03db
29% Popularity • 16% Danceability • 0% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Something She Has to Do