Songs like Tchaikovsky: Serenade for Strings, Op. 48: II. Waltz by Pyotr Ilyich Tchaikovsky
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings, Op. 4...
139 bpm • G Maj • 03:40 • -22.68db
19% Popularity • 24% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 36% Positiveness
19% Popularity • 24% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 36% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
139 bpm • G Maj • 10:04 • -19db
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Gabriel Fauré
Fauré: Dolly, Op. 56: I. Berceuse
140 bpm • E Maj • 02:37 • -21.85db
25% Popularity • 42% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
25% Popularity • 42% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Prelude...
140 bpm • C Maj • 02:00 • -13.32db
18% Popularity • 17% Danceability • 22% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 22% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH 13: Intr...
139 bpm • E Maj • 03:03 • -17.32db
29% Popularity • 27% Danceability • 18% Energy • 9% Liveness
60% Instrumentalness • 23% Positiveness
29% Popularity • 27% Danceability • 18% Energy • 9% Liveness
60% Instrumentalness • 23% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
138 bpm • C Maj • 09:05 • -19.03db
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
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Samson François
Valse En La Bemol Maj Op69 N1
141 bpm • G# Maj • 04:20 • -25.77db
9% Popularity • 37% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
9% Popularity • 37% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VIII. Finale
141 bpm • F Maj • 01:58 • -15db
32% Popularity • 45% Danceability • 42% Energy • 7% Liveness
77% Instrumentalness • 67% Positiveness
32% Popularity • 45% Danceability • 42% Energy • 7% Liveness
77% Instrumentalness • 67% Positiveness
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Camille Saint-Saëns
Suite for Cello and Orchestra, Op. 16: I...
141 bpm • G min • 03:31 • -28.76db
25% Popularity • 21% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
141 bpm • F# min • 02:48 • -19.38db
29% Popularity • 28% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
29% Popularity • 28% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Edvard Grieg
4 Norwegian Dances, Op. 35: No. 2 in A-M...
142 bpm • A Maj • 02:23 • -29.17db
12% Popularity • 28% Danceability • 2% Energy • 16% Liveness
69% Instrumentalness • 38% Positiveness
12% Popularity • 28% Danceability • 2% Energy • 16% Liveness
69% Instrumentalness • 38% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Léo Delibes
Sylvia, Suite: 3. Pizzicati
142 bpm • C min • 02:08 • -31db
30% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
30% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Joseph Haydn
Symphony No. 104 in D Major, Hob.I:104, ...
136 bpm • D Maj • 05:26 • -18.62db
27% Popularity • 35% Danceability • 7% Energy • 14% Liveness
91% Instrumentalness • 21% Positiveness
27% Popularity • 35% Danceability • 7% Energy • 14% Liveness
91% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
Cello Concerto in G Minor, RV 416: III. ...
135 bpm • G min • 03:08 • -20.81db
44% Popularity • 44% Danceability • 14% Energy • 31% Liveness
86% Instrumentalness • 73% Positiveness
44% Popularity • 44% Danceability • 14% Energy • 31% Liveness
86% Instrumentalness • 73% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
143 bpm • E Maj • 04:20 • -23.9db
36% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
36% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: 2. Ad...
135 bpm • C# Maj • 06:18 • -26.76db
19% Popularity • 22% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
19% Popularity • 22% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Nicolaus Esterhazy Sinfonia
Symphony No. 7 in A major, Op. 92: II. A...
143 bpm • E min • 08:12 • -24db
39% Popularity • 22% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
39% Popularity • 22% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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![Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - cover art](https://i.scdn.co/image/ab67616d00001e02dac7aec44f97ddfc1968d1af)
Ottorino Respighi
Bach - Prelude and Fugue in D Major, P. ...
143 bpm • D Maj • 04:20 • -22.91db
23% Popularity • 17% Danceability • 9% Energy • 21% Liveness
87% Instrumentalness • 16% Positiveness
23% Popularity • 17% Danceability • 9% Energy • 21% Liveness
87% Instrumentalness • 16% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
46% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
46% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (Arr. Cello & Pian...
144 bpm • D Maj • 03:03 • -24.24db
23% Popularity • 20% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
23% Popularity • 20% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Dmitry Kabalevsky
Violin Concerto, Op. 48: I. Allegro molt...
145 bpm • C Maj • 04:33 • -19.26db
21% Popularity • 36% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
21% Popularity • 36% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: III. Alborad...
133 bpm • D# Maj • 01:09 • -19db
33% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
33% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
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Johannes Brahms
Symphony No. 1 in C Minor, Op. 68: III. ...
133 bpm • G# Maj • 04:52 • -24db
36% Popularity • 18% Danceability • 6% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
36% Popularity • 18% Danceability • 6% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
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Maurice Ravel
Tzigane, M. 76
133 bpm • E min • 09:39 • -19.74db
17% Popularity • 40% Danceability • 16% Energy • 8% Liveness
61% Instrumentalness • 20% Positiveness
17% Popularity • 40% Danceability • 16% Energy • 8% Liveness
61% Instrumentalness • 20% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70 TH 118: IV....
133 bpm • D min • 07:04 • -16.41db
12% Popularity • 37% Danceability • 25% Energy • 22% Liveness
90% Instrumentalness • 35% Positiveness
12% Popularity • 37% Danceability • 25% Energy • 22% Liveness
90% Instrumentalness • 35% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Praludium (All...
144 bpm • G Maj • 02:44 • -20.89db
26% Popularity • 28% Danceability • 11% Energy • 25% Liveness
97% Instrumentalness • 35% Positiveness
26% Popularity • 28% Danceability • 11% Energy • 25% Liveness
97% Instrumentalness • 35% Positiveness
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Sergei Rachmaninoff
Symphony No. 2: II. Allegro molto
146 bpm • F Maj • 09:49 • -26db
31% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
31% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
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Robert Schumann
Piano Quintet in E-Flat Major, Op. 44: I...
132 bpm • D# Maj • 06:48 • -18db
15% Popularity • 41% Danceability • 20% Energy • 14% Liveness
81% Instrumentalness • 38% Positiveness
15% Popularity • 41% Danceability • 20% Energy • 14% Liveness
81% Instrumentalness • 38% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
146 bpm • A# Maj • 07:13 • -12.49db
7% Popularity • 48% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
7% Popularity • 48% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: IV. Finale ...
146 bpm • G Maj • 07:46 • -18db
34% Popularity • 29% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
34% Popularity • 29% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
44% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
130 bpm • F Maj • 05:57 • -16.71db
30% Popularity • 28% Danceability • 20% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
30% Popularity • 28% Danceability • 20% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 5 in E Minor, ...
146 bpm • A Maj • 05:52 • -26.99db
13% Popularity • 20% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 20% Positiveness
13% Popularity • 20% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 20% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
149 bpm • F Maj • 03:33 • -27db
32% Popularity • 23% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 8% Positiveness
32% Popularity • 23% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
Klarinettenkonzert Nr. 1 f-Moll: I. Alle...
149 bpm • F min • 06:50 • -23db
16% Popularity • 30% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 16% Positiveness
16% Popularity • 30% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
129 bpm • F Maj • 04:13 • -22db
29% Popularity • 39% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
29% Popularity • 39% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Robert Schumann
Piano Concerto in A Minor, Op. 54: III. ...
128 bpm • E Maj • 10:12 • -19.24db
19% Popularity • 36% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
19% Popularity • 36% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
32% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
32% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Emmanuel Chabrier
España - Rhapsody for Orchestra
129 bpm • F Maj • 06:09 • -17db
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64, TH 29...
147 bpm • A Maj • 05:43 • -18db
32% Popularity • 22% Danceability • 17% Energy • 28% Liveness
93% Instrumentalness • 19% Positiveness
32% Popularity • 22% Danceability • 17% Energy • 28% Liveness
93% Instrumentalness • 19% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
151 bpm • A min • 02:28 • -24db
36% Popularity • 16% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 10% Positiveness
36% Popularity • 16% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
129 bpm • C min • 04:40 • -25db
36% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
36% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
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Percy Grainger
Youthul Suite: IV. Eastern Intermezzo
128 bpm • F Maj • 02:03 • -21.03db
5% Popularity • 48% Danceability • 21% Energy • 9% Liveness
77% Instrumentalness • 36% Positiveness
5% Popularity • 48% Danceability • 21% Energy • 9% Liveness
77% Instrumentalness • 36% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
128 bpm • C min • 07:39 • -16.87db
2% Popularity • 27% Danceability • 20% Energy • 18% Liveness
85% Instrumentalness • 8% Positiveness
2% Popularity • 27% Danceability • 20% Energy • 18% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
Edvard Grieg
4 Norwegian Dances, Op. 35: No. 1 in D-M...
127 bpm • D Maj • 06:01 • -23.41db
2% Popularity • 28% Danceability • 8% Energy • 25% Liveness
84% Instrumentalness • 28% Positiveness
2% Popularity • 28% Danceability • 8% Energy • 25% Liveness
84% Instrumentalness • 28% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 3: N...
148 bpm • F Maj • 02:29 • -15.79db
34% Popularity • 40% Danceability • 47% Energy • 9% Liveness
93% Instrumentalness • 58% Positiveness
34% Popularity • 40% Danceability • 47% Energy • 9% Liveness
93% Instrumentalness • 58% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
152 bpm • B min • 01:59 • -19db
30% Popularity • 43% Danceability • 17% Energy • 15% Liveness
67% Instrumentalness • 51% Positiveness
30% Popularity • 43% Danceability • 17% Energy • 15% Liveness
67% Instrumentalness • 51% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: I. Alborada
127 bpm • A Maj • 01:13 • -16.19db
29% Popularity • 46% Danceability • 34% Energy • 22% Liveness
82% Instrumentalness • 51% Positiveness
29% Popularity • 46% Danceability • 34% Energy • 22% Liveness
82% Instrumentalness • 51% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20, TH. 12 / Act I: No. 1...
148 bpm • A Maj • 02:57 • -15db
8% Popularity • 38% Danceability • 47% Energy • 24% Liveness
31% Instrumentalness • 42% Positiveness
8% Popularity • 38% Danceability • 47% Energy • 24% Liveness
31% Instrumentalness • 42% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 3...
126 bpm • D Maj • 07:06 • -17.59db
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
► Preview
Franz Liszt
Grand Galop chromatique in E-Flat Major,...
153 bpm • G# Maj • 03:58 • -18.42db
30% Popularity • 42% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
30% Popularity • 42% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
► Preview
Joseph Haydn
Symphony No. 92 in G Major, Hob. 1:92 "O...
126 bpm • G Maj • 07:59 • -22.12db
28% Popularity • 43% Danceability • 5% Energy • 7% Liveness
7% Instrumentalness • 36% Positiveness
28% Popularity • 43% Danceability • 5% Energy • 7% Liveness
7% Instrumentalness • 36% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
153 bpm • D Maj • 03:06 • -15.46db
35% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness
35% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness
► Preview
Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: The Sleeping Beauty, Op. 66...
130 bpm • E Maj • 02:57 • -16.53db
26% Popularity • 25% Danceability • 21% Energy • 7% Liveness
73% Instrumentalness • 15% Positiveness
26% Popularity • 25% Danceability • 21% Energy • 7% Liveness
73% Instrumentalness • 15% Positiveness
► Preview
Camille Saint-Saëns
Piano Concerto No. 2 in G minor, Op. 22:...
126 bpm • D# Maj • 05:38 • -25.09db
14% Popularity • 38% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
14% Popularity • 38% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: IV....
155 bpm • A# Maj • 07:01 • -25db
32% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Franz Liszt
19 Hungarian Rhapsodies, S. 244: No. 6 i...
124 bpm • C# Maj • 07:19 • -20.14db
27% Popularity • 42% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
27% Popularity • 42% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Gioachino Rossini
La scala di seta: Overture - Remastered
125 bpm • C Maj • 06:30 • -16.39db
9% Popularity • 36% Danceability • 23% Energy • 6% Liveness
93% Instrumentalness • 22% Positiveness
9% Popularity • 36% Danceability • 23% Energy • 6% Liveness
93% Instrumentalness • 22% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 In B Flat Minor, Op...
125 bpm • C# Maj • 06:36 • -26.37db
21% Popularity • 31% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
21% Popularity • 31% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56 "Scott...
124 bpm • A min • 09:40 • -16.82db
16% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
16% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
156 bpm • F# min • 05:40 • -17.03db
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
123 bpm • D# Maj • 01:18 • -18.76db
38% Popularity • 48% Danceability • 32% Energy • 65% Liveness
95% Instrumentalness • 54% Positiveness
38% Popularity • 48% Danceability • 32% Energy • 65% Liveness
95% Instrumentalness • 54% Positiveness
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Franz Liszt
Liebestraum No. 3 in A flat, S.541 No. 3
124 bpm • G# Maj • 05:08 • -19.98db
20% Popularity • 32% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 32% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Carl Orff
Carmina Burana: I. O Fortuna
123 bpm • D Maj • 02:47 • -20db
46% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
46% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
122 bpm • E Maj • 05:04 • -15.49db
37% Popularity • 53% Danceability • 39% Energy • 14% Liveness
62% Instrumentalness • 46% Positiveness
37% Popularity • 53% Danceability • 39% Energy • 14% Liveness
62% Instrumentalness • 46% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Cello Concerto in B-Flat Major, RV 423: ...
122 bpm • A# Maj • 03:17 • -20.89db
44% Popularity • 43% Danceability • 22% Energy • 6% Liveness
89% Instrumentalness • 68% Positiveness
44% Popularity • 43% Danceability • 22% Energy • 6% Liveness
89% Instrumentalness • 68% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
123 bpm • E Maj • 04:22 • -20db
22% Popularity • 36% Danceability • 12% Energy • 37% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 36% Danceability • 12% Energy • 37% Liveness
88% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Piano Concerto No. 1 In E Minor, Op. 11:...
122 bpm • E Maj • 09:53 • -15.92db
35% Popularity • 39% Danceability • 20% Energy • 16% Liveness
86% Instrumentalness • 19% Positiveness
35% Popularity • 39% Danceability • 20% Energy • 16% Liveness
86% Instrumentalness • 19% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
121 bpm • D# Maj • 07:49 • -21.89db
1% Popularity • 20% Danceability • 17% Energy • 16% Liveness
83% Instrumentalness • 7% Positiveness
1% Popularity • 20% Danceability • 17% Energy • 16% Liveness
83% Instrumentalness • 7% Positiveness
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Léo Delibes
Sylvia: Pizzicato
159 bpm • D# Maj • 01:45 • -39.22db
53% Popularity • 34% Danceability • 2% Energy • 6% Liveness
8% Instrumentalness • 19% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 6% Liveness
8% Instrumentalness • 19% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Fritz Kreisler
Kreisler: Schön Rosmarin
121 bpm • G Maj • 01:57 • -15db
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11,...
121 bpm • A# Maj • 06:32 • -25.13db
23% Popularity • 19% Danceability • 6% Energy • 15% Liveness
16% Instrumentalness • 7% Positiveness
23% Popularity • 19% Danceability • 6% Energy • 15% Liveness
16% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
121 bpm • F min • 11:34 • -18.28db
35% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
35% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
161 bpm • E Maj • 06:39 • -18.15db
35% Popularity • 33% Danceability • 22% Energy • 36% Liveness
18% Instrumentalness • 46% Positiveness
35% Popularity • 33% Danceability • 22% Energy • 36% Liveness
18% Instrumentalness • 46% Positiveness
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Carl Orff
Carmina Burana: II. Fortune plango vulne...
120 bpm • A min • 02:49 • -22.71db
34% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Georges Bizet
Symphony in C: Scherzo : allegro vivace
119 bpm • G Maj • 05:34 • -21.81db
11% Popularity • 34% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
11% Popularity • 34% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 3: N...
160 bpm • D Maj • 02:19 • -18.85db
33% Popularity • 34% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 64% Positiveness
33% Popularity • 34% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 64% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
