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The End
Songs like
The End
by
Harry Gregson-Williams
Based on a tempo of (+/- 10%) and a similar genre
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Junkie XL
Djinn Theme
91 bpm • A min • 01:32 • -14.84db
33% Popularity • 46% Danceability • 27% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
The End
91 bpm • D Maj • 09:36 • -20.13db
39% Popularity • 11% Danceability • 5% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Samuel Hercule
Juste un détail
91 bpm • C min • 01:52 • -13.65db
10% Popularity • 26% Danceability • 15% Energy • 15% Liveness
94% Instrumentalness • 32% Positiveness
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Klaus Badelt
Eloi
91 bpm • B min • 02:12 • -15.93db
44% Popularity • 12% Danceability • 9% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Leaving the Boardroom
90 bpm • C min • 01:01 • -19db
30% Popularity • 21% Danceability • 38% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Rolfe Kent
A dock in Norway: the originals
92 bpm • A Maj • 02:31 • -19db
12% Popularity • 28% Danceability • 17% Energy • 15% Liveness
89% Instrumentalness • 7% Positiveness
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e-soundtrax
Road to Glory
90 bpm • C min • 02:17 • -8db
12% Popularity • 35% Danceability • 54% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Christian Wibe
Training Sequence
92 bpm • F min • 02:40 • -25.39db
9% Popularity • 38% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Jean de Carrouges
90 bpm • C Maj • 01:18 • -15db
17% Popularity • 48% Danceability • 50% Energy • 34% Liveness
95% Instrumentalness • 20% Positiveness
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Jan A.P. Kaczmarek
To Train Together
90 bpm • A min • 03:26 • -18db
29% Popularity • 53% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
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Rob Simonsen
Rematch, Pt. 2
90 bpm • F Maj • 03:12 • -20.92db
18% Popularity • 54% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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Daniel Pemberton
The Counselor (Titles)
90 bpm • E min • 04:10 • -11.38db
9% Popularity • 48% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
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Whitesand
Eternity
90 bpm • G Maj • 05:50 • -14.11db
35% Popularity • 33% Danceability • 22% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Mathieu Lamboley
Le secret
92 bpm • F# min • 03:51 • -16.62db
34% Popularity • 42% Danceability • 7% Energy • 52% Liveness
86% Instrumentalness • 4% Positiveness
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Luke Richards
Riding At Dawn
90 bpm • D Maj • 02:37 • -12.68db
23% Popularity • 39% Danceability • 40% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
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Marc Streitenfeld
Hundred Percent Pure
92 bpm • E min • 02:10 • -14.78db
15% Popularity • 58% Danceability • 60% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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Rob Simonsen
Finding the Way Back
90 bpm • E Maj • 04:44 • -13.32db
22% Popularity • 58% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 16% Positiveness
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John Powell
June Spies
92 bpm • E min • 03:29 • -19.35db
7% Popularity • 23% Danceability • 28% Energy • 24% Liveness
77% Instrumentalness • 11% Positiveness
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Patrick Doyle
Sleuth
90 bpm • A min • 06:09 • -20.38db
7% Popularity • 55% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 12% Positiveness
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Harald Kloser
You Came For Me
90 bpm • F Maj • 02:06 • -19db
36% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
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Gary Lionelli
Infamous
92 bpm • A min • 01:52 • -18db
10% Popularity • 22% Danceability • 11% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Balawi
92 bpm • C# Maj • 03:15 • -19.91db
16% Popularity • 11% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 2% Positiveness
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Rob Simonsen
Rematch, Pt. 1
90 bpm • C# Maj • 03:15 • -15.86db
15% Popularity • 68% Danceability • 46% Energy • 10% Liveness
79% Instrumentalness • 37% Positiveness
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Trevor Morris
Floki Appears to Kill Athelstan
90 bpm • C# min • 03:11 • -18.25db
51% Popularity • 48% Danceability • 34% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Éric Serra
Flicking Through Time
90 bpm • G min • 02:00 • -16.24db
28% Popularity • 10% Danceability • 15% Energy • 43% Liveness
95% Instrumentalness • 6% Positiveness
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Nick Cave & Warren Ellis
Memory Time
89 bpm • B min • 02:07 • -12.89db
25% Popularity • 12% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Clannad
Do Na Dlo Sv
90 bpm • A Maj • 02:10 • -17.81db
46% Popularity • 17% Danceability • 29% Energy • 10% Liveness
52% Instrumentalness • 6% Positiveness
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Alexandre Desplat
Seals Take Off
90 bpm • C# Maj • 02:34 • -18.78db
22% Popularity • 54% Danceability • 44% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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Theodore Shapiro
Breathe Deeply Jules
93 bpm • D Maj • 02:01 • -16.99db
31% Popularity • 31% Danceability • 21% Energy • 23% Liveness
92% Instrumentalness • 18% Positiveness
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Harry Gregson-Williams
Operation Dinner Out - Original Motion P...
93 bpm • G Maj • 04:50 • -12db
27% Popularity • 28% Danceability • 41% Energy • 13% Liveness
76% Instrumentalness • 5% Positiveness
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Carter Burwell
The Good Liar
93 bpm • A min • 03:41 • -17db
9% Popularity • 17% Danceability • 18% Energy • 13% Liveness
83% Instrumentalness • 6% Positiveness
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Alan Silvestri
The Mexican - End Credits Medley
93 bpm • A Maj • 05:02 • -13.36db
8% Popularity • 29% Danceability • 17% Energy • 12% Liveness
71% Instrumentalness • 8% Positiveness
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Howard Shore
The Song of Names for Violin and Cantor
89 bpm • A min • 03:17 • -22db
14% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Steve Jablonsky
Sacrifice
89 bpm • D min • 06:46 • -18.58db
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Jamie Salisbury
Epic Emotional Trailer
89 bpm • E min • 02:17 • -10.63db
10% Popularity • 30% Danceability • 47% Energy • 35% Liveness
83% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Divenire
88 bpm • G Maj • 06:42 • -15.3db
61% Popularity • 14% Danceability • 22% Energy • 7% Liveness
86% Instrumentalness • 8% Positiveness
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James Horner
Wallace Courts Murron
94 bpm • A min • 04:25 • -29.27db
46% Popularity • 14% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
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Dario Marianelli
Knives And Bullets (And Cannons Too)
94 bpm • A# Maj • 07:33 • -16.32db
21% Popularity • 17% Danceability • 39% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Joseph Kilna MacKenzie
Flying High/Sgt. MacKenzie
94 bpm • F Maj • 02:51 • -19db
35% Popularity • 15% Danceability • 24% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Carlos Rafael Rivera
Blackdom
88 bpm • E min • 02:12 • -27.59db
24% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
Harry Gregson-Williams
Enemy Territory
95 bpm • F min • 01:47 • -19.99db
14% Popularity • 18% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Mychael Danna
Tyrant Main Title Theme
87 bpm • C Maj • 01:57 • -17.93db
10% Popularity • 24% Danceability • 26% Energy • 10% Liveness
66% Instrumentalness • 3% Positiveness
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Klaus Badelt
Elysium
88 bpm • A Maj • 02:41 • -25.28db
58% Popularity • 12% Danceability • 7% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Nico Muhly
Who Was She?
95 bpm • G min • 06:48 • -21.3db
16% Popularity • 13% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Dario Marianelli
Three Rooms
87 bpm • A# Maj • 04:21 • -18.2db
7% Popularity • 16% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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M83
Waking Up
96 bpm • C min • 04:09 • -13db
49% Popularity • 40% Danceability • 50% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
► Preview
Harry Gregson-Williams
It's All A Lie
95 bpm • E min • 10:36 • -14.83db
23% Popularity • 29% Danceability • 41% Energy • 21% Liveness
83% Instrumentalness • 4% Positiveness
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Rob Simonsen
Intolerable Reality
95 bpm • F# min • 03:50 • -19.13db
20% Popularity • 13% Danceability • 20% Energy • 23% Liveness
73% Instrumentalness • 4% Positiveness
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Sarah Class
By the Beach
87 bpm • F Maj • 03:19 • -13.11db
11% Popularity • 10% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Marc Streitenfeld
Honoring the Dead
87 bpm • G min • 02:43 • -16db
45% Popularity • 9% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Jeff Russo
Fargo Main Theme (Season 3)
96 bpm • D min • 02:28 • -17.94db
23% Popularity • 19% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Carter Burwell
Billboards On Fire
86 bpm • G min • 02:25 • -13.29db
23% Popularity • 38% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
► Preview
Harry Gregson-Williams
Explosion & Aftermath - Original Motion ...
86 bpm • G min • 02:50 • -23.23db
16% Popularity • 18% Danceability • 5% Energy • 25% Liveness
52% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Bathroom Dance
86 bpm • G# min • 02:08 • -19.22db
56% Popularity • 17% Danceability • 7% Energy • 8% Liveness
26% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Variation 15
96 bpm • D# Maj • 05:51 • -17db
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Samuel Sim
For Family
96 bpm • G Maj • 07:15 • -18.42db
7% Popularity • 16% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Viaje A Elizondo
86 bpm • A min • 01:44 • -19db
12% Popularity • 19% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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e-soundtrax
The Honorable Warrior
86 bpm • F Maj • 03:20 • -10db
16% Popularity • 24% Danceability • 57% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Christine Hals
Evacuating Narvik - (Victims of War)
86 bpm • A min • 04:41 • -19.9db
12% Popularity • 10% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Hotshots
97 bpm • D min • 02:57 • -18.59db
16% Popularity • 28% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
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Antonio Pinto
The Mosquito Coast Main Title
97 bpm • B Maj • 01:21 • -13.43db
13% Popularity • 32% Danceability • 67% Energy • 16% Liveness
76% Instrumentalness • 6% Positiveness
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Roque Baños
It's My Fault - End Credits
85 bpm • G min • 05:25 • -21db
14% Popularity • 9% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Jeff Russo
Bemidji, MN (Fargo Series Main Theme)
85 bpm • D min • 02:28 • -16.33db
38% Popularity • 17% Danceability • 10% Energy • 58% Liveness
96% Instrumentalness • 7% Positiveness
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Carlos Rafael Rivera
Where The Hell Is LaBelle?
85 bpm • F min • 07:22 • -23.79db
14% Popularity • 9% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Max Richter
Dona Nobis Pacem 2
98 bpm • A min • 03:26 • -12.02db
44% Popularity • 22% Danceability • 32% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Clinton Shorter
The Expanse
85 bpm • C Maj • 01:04 • -13.23db
45% Popularity • 9% Danceability • 36% Energy • 9% Liveness
26% Instrumentalness • 17% Positiveness
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Trevor Morris
Reflections on a Hero
85 bpm • E min • 02:23 • -17.68db
53% Popularity • 8% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
No Man's Land
98 bpm • E min • 08:52 • -14.33db
38% Popularity • 18% Danceability • 48% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Brian Tyler
1883 Main Titles
85 bpm • D min • 01:12 • -14db
30% Popularity • 13% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Mathieu Lamboley
Etretat
98 bpm • F min • 01:37 • -13.59db
31% Popularity • 58% Danceability • 24% Energy • 44% Liveness
91% Instrumentalness • 37% Positiveness
► Preview
Michael Giacchino
Getting Jimmy With It
98 bpm • C Maj • 01:38 • -22.71db
21% Popularity • 45% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Moya Brennan
Tell Me Now (What You See)
98 bpm • C Maj • 04:34 • -16db
42% Popularity • 16% Danceability • 36% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Patrick Cassidy
Vide Cor Meum
84 bpm • A Maj • 04:20 • -16db
43% Popularity • 12% Danceability • 22% Energy • 5% Liveness
59% Instrumentalness • 4% Positiveness
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Alan Silvestri
"I Feel Thankful"
98 bpm • D min • 07:19 • -20db
10% Popularity • 26% Danceability • 10% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Brian Tyler
Into Eternity
84 bpm • A# Maj • 03:41 • -18db
43% Popularity • 17% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
46% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Ennio Morricone
Volti e fantasmi
84 bpm • A min • 07:58 • -23.17db
18% Popularity • 10% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Trevor Rabin
Keys To Eleanor
84 bpm • C Maj • 01:24 • -11.78db
32% Popularity • 35% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Howard Shore
The Council of Elrond [Theme for Aragor...
84 bpm • C# Maj • 03:49 • -20.03db
62% Popularity • 10% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Jeff Beal
More Human Now - Main Title Season Three
99 bpm • G min • 04:49 • -17db
18% Popularity • 19% Danceability • 25% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Brian Tyler
Warriors Don't Cry
84 bpm • D min • 03:58 • -19db
16% Popularity • 17% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Mychael Danna
Bill Baker
99 bpm • C Maj • 02:28 • -16.59db
19% Popularity • 67% Danceability • 16% Energy • 18% Liveness
65% Instrumentalness • 24% Positiveness
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Daniele Luppi
Marco Polo Main Titles
99 bpm • C Maj • 01:34 • -14db
35% Popularity • 46% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Tom Hanks
Perdition
83 bpm • D min • 01:39 • -27.62db
24% Popularity • 47% Danceability • 1% Energy • 37% Liveness
94% Instrumentalness • 19% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Jeff Beal
House Of Cards Main Title Theme
99 bpm • A min • 01:49 • -12.68db
42% Popularity • 48% Danceability • 49% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Brian Tyler
It Was Beautiful
83 bpm • G min • 03:52 • -21.25db
19% Popularity • 13% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Mark Isham
The Accountant
100 bpm • E min • 03:43 • -17db
20% Popularity • 27% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Cliff Masterson
Orion's Return
83 bpm • A min • 03:04 • -15.31db
10% Popularity • 8% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Jeff Russo
Bemidji, MN (Reprise)
100 bpm • D min • 02:53 • -20.24db
22% Popularity • 21% Danceability • 3% Energy • 25% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Movie Soundtracks
Paradox
100 bpm • C Maj • 03:40 • -10db
15% Popularity • 21% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Dario Marianelli
Epilogue
100 bpm • E min • 05:11 • -21db
44% Popularity • 19% Danceability • 7% Energy • 7% Liveness
11% Instrumentalness • 8% Positiveness
► Preview
Paul Mottram
Honest Endeavour
100 bpm • C min • 03:36 • -14.59db
11% Popularity • 87% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
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Steve Jablonsky
We Have to Go
100 bpm • D min • 05:48 • -15db
46% Popularity • 14% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Mychael Danna
Dads In Space
100 bpm • F# Maj • 01:29 • -25.44db
33% Popularity • 49% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Carlos Varela
Una Palabra
83 bpm • D# min • 01:14 • -32db
39% Popularity • 47% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Éric Serra
Melt Into Matter
100 bpm • G min • 03:30 • -14.42db
23% Popularity • 31% Danceability • 33% Energy • 53% Liveness
93% Instrumentalness • 18% Positiveness
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The End