Songs like Theile: Gott, hilf mir by Johann Theile
Based on a tempo of (+/- 10%) and a similar genre
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Herman Finkers
Missa Sancti Georgii: I. Kyrie
74 bpm • A Maj • 03:08 • -27.9db
13% Popularity • 13% Danceability • 4% Energy • 11% Liveness
20% Instrumentalness • 5% Positiveness
13% Popularity • 13% Danceability • 4% Energy • 11% Liveness
20% Instrumentalness • 5% Positiveness
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George Frideric Handel
Handel: Solomon, HWV 67, Act 3: "Will th...
74 bpm • D# min • 05:08 • -20.4db
10% Popularity • 13% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
10% Popularity • 13% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: IV. Ad lat...
74 bpm • C# min • 08:13 • -22.74db
9% Popularity • 15% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Theile
Die Seele Christi heilige mich
74 bpm • D# min • 06:04 • -20.27db
0% Popularity • 19% Danceability • 5% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
0% Popularity • 19% Danceability • 5% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
74 bpm • F# min • 10:29 • -20.65db
7% Popularity • 15% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 8% Positiveness
7% Popularity • 15% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 8% Positiveness
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Alessandro Grandi
O Domine Jesu Christe
74 bpm • D Maj • 01:48 • -24.6db
9% Popularity • 18% Danceability • 2% Energy • 11% Liveness
48% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 11% Liveness
48% Instrumentalness • 5% Positiveness
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Anonymous
Confitemini Domino: II. De tribulatione ...
74 bpm • E min • 06:21 • -16.04db
9% Popularity • 14% Danceability • 13% Energy • 22% Liveness
57% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 22% Liveness
57% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Cosi sol d'una chiara fonte viva
75 bpm • C Maj • 04:25 • -19.07db
11% Popularity • 11% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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John Jenkins
Pavan in F-Major
75 bpm • A Maj • 04:02 • -22db
8% Popularity • 7% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 14% Positiveness
8% Popularity • 7% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 14% Positiveness
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Johann Theile
Die Seele Christi heilige mich – Canta...
74 bpm • D# min • 07:30 • -19.06db
0% Popularity • 13% Danceability • 4% Energy • 12% Liveness
22% Instrumentalness • 5% Positiveness
0% Popularity • 13% Danceability • 4% Energy • 12% Liveness
22% Instrumentalness • 5% Positiveness
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Marin Marais
Marais: Pièces de viole, Livre IV, Suit...
75 bpm • B Maj • 04:57 • -34.98db
8% Popularity • 33% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
8% Popularity • 33% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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Heinrich Schütz
Psalmen Davids: VI. An den Wassern zu Ba...
73 bpm • A# min • 05:00 • -22.97db
9% Popularity • 27% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Philippe Jaroussky
Salve Regina (Motetti a una, due vocie c...
75 bpm • G min • 03:53 • -15.6db
21% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jordi Savall
Si Dolce È Il Tormento (Libro Nono)
75 bpm • F Maj • 03:10 • -22.44db
18% Popularity • 34% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 34% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jean-Henri d'Anglebert
Les Folies d'Espagne
75 bpm • C Maj • 05:05 • -24db
9% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Johann Theile
St. Matthew Passion: No. 3, Jesus am Öl...
75 bpm • G min • 09:19 • -22.2db
0% Popularity • 23% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
0% Popularity • 23% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Sì dolce è'l tormento, SV 332
75 bpm • A# min • 04:06 • -30.97db
16% Popularity • 28% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 28% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
20% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
20% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Cipriano de Rore
Ancor che col partire
73 bpm • A min • 02:50 • -18db
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
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Michel Richard Delalande
Deitatis Majestatem: I. Deitatis Majesta...
75 bpm • C min • 04:39 • -20db
10% Popularity • 9% Danceability • 16% Energy • 35% Liveness
93% Instrumentalness • 10% Positiveness
10% Popularity • 9% Danceability • 16% Energy • 35% Liveness
93% Instrumentalness • 10% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
73 bpm • G# min • 02:45 • -16.74db
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
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Johann Theile
Sonata à 5 (II)
75 bpm • B Maj • 04:59 • -23.98db
0% Popularity • 16% Danceability • 5% Energy • 17% Liveness
8% Instrumentalness • 23% Positiveness
0% Popularity • 16% Danceability • 5% Energy • 17% Liveness
8% Instrumentalness • 23% Positiveness
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George Frideric Handel
Handel: Theodora, HWV 68, Act 2: "With D...
73 bpm • F min • 03:41 • -20.85db
13% Popularity • 15% Danceability • 6% Energy • 26% Liveness
5% Instrumentalness • 6% Positiveness
13% Popularity • 15% Danceability • 6% Energy • 26% Liveness
5% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Historia der Auferstehung Jesu Christi, ...
75 bpm • D# min • 01:04 • -22.9db
26% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
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Henry Purcell
Dido & Aeneas: Dido & Aeneas: Act III, C...
75 bpm • F# min • 01:22 • -24.01db
21% Popularity • 22% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
75 bpm • G# min • 04:02 • -24.36db
10% Popularity • 19% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 19% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: I. D...
73 bpm • D Maj • 02:21 • -16db
10% Popularity • 22% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 22% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Johann Theile
Weltlicher Arien und Canzonetten: XVII. ...
73 bpm • D Maj • 03:01 • -20.03db
0% Popularity • 22% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 22% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
76 bpm • D# Maj • 02:08 • -16.32db
19% Popularity • 21% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
19% Popularity • 21% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Jean-Henri d'Anglebert
D'Anglebert: Suite No. 3 en ré mineur: ...
76 bpm • G# min • 04:01 • -28.74db
11% Popularity • 15% Danceability • 10% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
11% Popularity • 15% Danceability • 10% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
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Marc-Antoine Charpentier
Prélude pour le Salve Regina, H. 23a
76 bpm • D# Maj • 01:04 • -23.68db
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
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Arcangelo Corelli
Concerto grosso No. 4 in D Major, Op. 6:...
72 bpm • A min • 01:48 • -29.02db
10% Popularity • 19% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
10% Popularity • 19% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
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Cristobal de Morales
Sequentia: Pie Jesu
76 bpm • D# Maj • 01:48 • -26db
26% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Johann Theile
Ach, dass ich hören sollte
76 bpm • A Maj • 07:49 • -17.46db
0% Popularity • 20% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 20% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVb. Ad la...
76 bpm • C# min • 01:05 • -24.71db
21% Popularity • 32% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 32% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Antoine Forqueray
Deuxième Suite in G Major: IV. La Lecla...
77 bpm • F# Maj • 03:39 • -20.91db
13% Popularity • 33% Danceability • 10% Energy • 14% Liveness
11% Instrumentalness • 40% Positiveness
13% Popularity • 33% Danceability • 10% Energy • 14% Liveness
11% Instrumentalness • 40% Positiveness
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Jean Boyer
Airs à quatre parties, Livre I: Que fer...
76 bpm • D min • 06:17 • -17db
8% Popularity • 14% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 14% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Andrea Falconieri
Folias echa para mi Señora Doña Taroli...
77 bpm • C Maj • 03:26 • -16db
11% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Johann Theile
St. Matthew Passion: No. 1, Eingang. Jes...
76 bpm • G min • 05:53 • -21.35db
1% Popularity • 20% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 9% Positiveness
1% Popularity • 20% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 9% Positiveness
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Giovanni Battista Pergolesi
Salve Regina in C minor (1736): 5. O cle...
71 bpm • E min • 01:40 • -21db
23% Popularity • 16% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 16% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: II. Ad Gen...
76 bpm • D# Maj • 06:46 • -13.33db
7% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Philippe Jaroussky
O intemerata (Il secondo libro de motett...
71 bpm • F Maj • 03:09 • -18db
15% Popularity • 30% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 30% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Alessandro Scarlatti
Il prigioniero fortunato: Sinfonia: III....
77 bpm • C# Maj • 01:12 • -12db
34% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
34% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
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Giovanni Legrenzi
Antioco il Grande: Se tu sarai felice (A...
77 bpm • G# Maj • 01:56 • -18.6db
12% Popularity • 25% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 25% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Johann Theile
Gott hilf mir
72 bpm • B min • 07:00 • -23.11db
0% Popularity • 22% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 22% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Jean-Féry Rebel
Les Éléments: III. Chaconne : Le Feu
77 bpm • C# Maj • 02:29 • -18db
10% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
77 bpm • D Maj • 02:15 • -23db
25% Popularity • 14% Danceability • 3% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 3% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Johann Heinrich Schmelzer
Sonatæ unarum fidium: Sonata No. 2
71 bpm • E Maj • 06:23 • -18.99db
10% Popularity • 20% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Girolamo Frescobaldi
Canzona terza a canto solo "detta la Don...
77 bpm • C Maj • 02:19 • -22db
25% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
25% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Benedetto Ferrari
Già più volte tremante (Arr. The Dowla...
77 bpm • F Maj • 03:02 • -25.55db
7% Popularity • 29% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 29% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Theile
St. Matthew Passion: No. 2, Das letzte A...
77 bpm • G min • 08:37 • -23.25db
1% Popularity • 20% Danceability • 6% Energy • 30% Liveness
1% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 6% Energy • 30% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: De torrente
77 bpm • B min • 04:08 • -22.63db
8% Popularity • 15% Danceability • 4% Energy • 17% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 4% Energy • 17% Liveness
1% Instrumentalness • 3% Positiveness
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Henry Purcell
O Solitude, my Sweetest Choice, Z.406 (a...
71 bpm • F# min • 05:20 • -23.87db
7% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Durante
Magnificat in B flat major: Et misericor...
78 bpm • F# min • 01:51 • -24.74db
22% Popularity • 14% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 14% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Cristofano Malvezzi
La Favolla d'Apollo: 11. Dal vago e bel ...
77 bpm • D min • 05:18 • -19.91db
7% Popularity • 7% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
7% Popularity • 7% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: III. Ad...
78 bpm • A Maj • 01:12 • -16.83db
27% Popularity • 23% Danceability • 14% Energy • 40% Liveness
96% Instrumentalness • 22% Positiveness
27% Popularity • 23% Danceability • 14% Energy • 40% Liveness
96% Instrumentalness • 22% Positiveness
► Preview
Philippe Jaroussky
Sanctissima Virgo (Sacrae cantiones una,...
78 bpm • G min • 03:16 • -17.89db
16% Popularity • 26% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 26% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Johann Hermann Schein
Suite No. 2 in D Minor: II. Gagliarda à ...
70 bpm • C Maj • 01:27 • -15.31db
8% Popularity • 48% Danceability • 26% Energy • 18% Liveness
36% Instrumentalness • 58% Positiveness
8% Popularity • 48% Danceability • 26% Energy • 18% Liveness
36% Instrumentalness • 58% Positiveness
► Preview
Henry Purcell
Evening Hymn, Z.193 (arr. Silas Wolston)
70 bpm • C# Maj • 04:51 • -25.58db
5% Popularity • 18% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
5% Popularity • 18% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
► Preview
Giovanni Battista Vitali
Vitali: Donde avvien che tutt’ebro di ...
78 bpm • D# Maj • 01:22 • -17.15db
16% Popularity • 25% Danceability • 15% Energy • 7% Liveness
71% Instrumentalness • 20% Positiveness
16% Popularity • 25% Danceability • 15% Energy • 7% Liveness
71% Instrumentalness • 20% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
78 bpm • C min • 01:07 • -14db
20% Popularity • 22% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
78 bpm • G# Maj • 01:34 • -20db
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
► Preview
Johann Theile
Weltlicher Arien und Canzonetten: XIII. ...
79 bpm • C# min • 04:39 • -18.43db
0% Popularity • 22% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 22% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Antonio Caldara
Stabat Mater: XII. Fac ut animae donatur
79 bpm • F# min • 02:11 • -19.81db
20% Popularity • 16% Danceability • 14% Energy • 8% Liveness
68% Instrumentalness • 7% Positiveness
20% Popularity • 16% Danceability • 14% Energy • 8% Liveness
68% Instrumentalness • 7% Positiveness
► Preview
Heinrich Schütz
Ich weiss, dass mein Erlöser lebet, SWV...
70 bpm • C# Maj • 04:29 • -18.23db
9% Popularity • 12% Danceability • 18% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
9% Popularity • 12% Danceability • 18% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
► Preview
Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: Versu...
79 bpm • D# min • 05:33 • -28.03db
17% Popularity • 9% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pectus....
79 bpm • C Maj • 02:53 • -23db
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
► Preview
Johann Theile
Weltlicher Arien und Canzonetten: XIV. S...
79 bpm • D Maj • 04:49 • -24.53db
0% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Giovanni Battista Pergolesi
Pergolesi: Confitebor: VII. Sicut erat
69 bpm • B Maj • 02:46 • -13db
19% Popularity • 37% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 37% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
François Couperin
Couperin, F: 4 versets du motet: I. Tabe...
79 bpm • C# Maj • 01:20 • -28db
12% Popularity • 28% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 28% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Marc-Antoine Charpentier
Messe de Minuit, H. 9: Agnus Dei
79 bpm • C Maj • 03:35 • -22.58db
7% Popularity • 16% Danceability • 8% Energy • 12% Liveness
37% Instrumentalness • 7% Positiveness
7% Popularity • 16% Danceability • 8% Energy • 12% Liveness
37% Instrumentalness • 7% Positiveness
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Arcangelo Corelli
Sonata in G, Op. 1, No. 9: 1. Allegro
79 bpm • C# Maj • 01:24 • -19.01db
15% Popularity • 35% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 35% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespro della Beata Virgine - Arr. Philip...
69 bpm • D Maj • 01:54 • -14.6db
8% Popularity • 28% Danceability • 17% Energy • 29% Liveness
1% Instrumentalness • 10% Positiveness
8% Popularity • 28% Danceability • 17% Energy • 29% Liveness
1% Instrumentalness • 10% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 35 Ari...
79 bpm • A# min • 04:22 • -18.24db
14% Popularity • 15% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
14% Popularity • 15% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
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Johann Theile
Jesu mein Herr und Gott
79 bpm • A Maj • 05:17 • -18.93db
0% Popularity • 22% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
0% Popularity • 22% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Franz Tunder
Dominus illuminatio mea: Sinfonia
79 bpm • A min • 00:57 • -26.73db
25% Popularity • 19% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
25% Popularity • 19% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
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Jean-Féry Rebel
Les Éléments: IV. Ramage : L’Air
80 bpm • C# Maj • 01:17 • -29.66db
20% Popularity • 45% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 69% Positiveness
20% Popularity • 45% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 69% Positiveness
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Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
31% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Claudio Monteverdi
Selva morale e spirituale, SV 252-288: C...
69 bpm • D# min • 02:09 • -19db
9% Popularity • 14% Danceability • 14% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 14% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 6 Aria...
80 bpm • E Maj • 02:53 • -19db
10% Popularity • 40% Danceability • 17% Energy • 31% Liveness
2% Instrumentalness • 45% Positiveness
10% Popularity • 40% Danceability • 17% Energy • 31% Liveness
2% Instrumentalness • 45% Positiveness
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Johann Theile
St. Matthew Passion: No. 10, Grablegung....
80 bpm • A# Maj • 06:45 • -21.46db
0% Popularity • 22% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Bach
Weint nicht um meinem Tod
68 bpm • F# min • 01:51 • -25db
18% Popularity • 26% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
18% Popularity • 26% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Jacob van Eyck
Der Fluyten Lust-Hof: 27. Engels nachteg...
68 bpm • B Maj • 03:00 • -27db
8% Popularity • 43% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
8% Popularity • 43% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
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Georg Böhm
Vater unser im Himmelreich
68 bpm • D# min • 04:54 • -24db
8% Popularity • 16% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
8% Popularity • 16% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
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Claudio Monteverdi
Maria, quid ploras
80 bpm • D min • 03:27 • -17.87db
8% Popularity • 19% Danceability • 13% Energy • 13% Liveness
16% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 13% Energy • 13% Liveness
16% Instrumentalness • 7% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 10 Ari...
68 bpm • G# Maj • 04:16 • -18.25db
9% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Johann Theile
St. Matthew Passion: No. 8, Im Richthaus
80 bpm • G min • 03:46 • -21.79db
0% Popularity • 25% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
0% Popularity • 25% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
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Radoslaw Pallarz
Super Flumina Babylonis
68 bpm • G min • 06:09 • -27.26db
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Henry Purcell
The Fairy Queen / Act 2: One Charming Ni...
80 bpm • B min • 02:24 • -22db
25% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
25% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
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Michelangelo Falvetti
Nabucco: Prologo / Siamo a riva
80 bpm • C Maj • 02:16 • -30.21db
16% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
16% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
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Christopher Tye
ln Nomine Crye
68 bpm • D# min • 01:50 • -13.72db
21% Popularity • 40% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
21% Popularity • 40% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
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Francesco Cavalli
Le Concert royal de la Nuit, Troisième ...
80 bpm • E Maj • 03:47 • -34db
8% Popularity • 8% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 7% Positiveness
8% Popularity • 8% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 7% Positiveness
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Georg Philipp Telemann
Quatuor No. 2 in A Minor: III. Légérem...
68 bpm • G# min • 02:15 • -19db
8% Popularity • 47% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 47% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Johann Michael Bach
Nun komm der Heiden Heiland
68 bpm • G# min • 01:25 • -36.98db
13% Popularity • 15% Danceability • 1% Energy • 12% Liveness
99% Instrumentalness • 19% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 12% Liveness
99% Instrumentalness • 19% Positiveness
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Giacomo Carissimi
Jephte: XVIII. Coro a 6
81 bpm • G min • 03:42 • -25db
15% Popularity • 8% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
15% Popularity • 8% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
81 bpm • D Maj • 01:57 • -20.85db
13% Popularity • 18% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
13% Popularity • 18% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
