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Tonight Eternity Alone
Songs like
Tonight Eternity Alone
by
The Singers - Minnesota Choral Artists
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Go! Tell It On the Mountain
72 bpm • E Maj • 04:45 • -23.8db
0% Popularity • 18% Danceability • 7% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
Alleluia: III. Night
72 bpm • E min • 03:30 • -35db
21% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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Z. Randall Stroope
Where the Earth Meets the Sky: No. 2, Th...
72 bpm • E Maj • 04:13 • -28.75db
7% Popularity • 16% Danceability • 4% Energy • 88% Liveness
0% Instrumentalness • 9% Positiveness
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The Tallis Scholars
Gibbons: The Silver Swan
71 bpm • E Maj • 01:42 • -28.06db
32% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gerald Finzi
7 Partsongs, Op. 17: No. 3, My Spirit Sa...
71 bpm • G min • 01:49 • -15.92db
8% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
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Jake Runestad
Come to the Woods
71 bpm • D Maj • 11:02 • -24.65db
3% Popularity • 9% Danceability • 6% Energy • 36% Liveness
29% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: I. Sa Nuit d’Été (Morten ...
72 bpm • C# Maj • 03:22 • -27.63db
8% Popularity • 13% Danceability • 2% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
Sing Me To Heaven
73 bpm • E Maj • 04:08 • -24.18db
22% Popularity • 23% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 04. Ecce Enim Verita...
71 bpm • G min • 01:07 • -33.77db
41% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
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Randall Thompson
The Pasture - Randall Thompson
73 bpm • F Maj • 02:59 • -28db
9% Popularity • 8% Danceability • 3% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
22% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Tonight Eternity Alone
72 bpm • D Maj • 04:00 • -26db
12% Popularity • 7% Danceability • 4% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Matthew Harris
Shakespeare Songs, Book 1: I. Hark! hark...
73 bpm • F min • 01:25 • -25.88db
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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The Concordia Choir
When Jesus Wept
71 bpm • E min • 01:45 • -30db
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Johannes Brahms
Wie lieblich sind deine Wohnungen
73 bpm • D# Maj • 04:50 • -21.35db
11% Popularity • 12% Danceability • 14% Energy • 13% Liveness
97% Instrumentalness • 8% Positiveness
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James Whitbourn
He carried me away in the spirit
73 bpm • C# min • 06:08 • -30db
13% Popularity • 10% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Wie Lieblich Sind Deine Wohnungen, Op. 3...
73 bpm • A# Maj • 05:43 • -26.28db
10% Popularity • 16% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Michael McGlynn
Where All Roses Go
73 bpm • B min • 04:58 • -22db
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
O Come, O Come Emmanuel
71 bpm • A min • 05:08 • -22.1db
0% Popularity • 10% Danceability • 7% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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Johannes Brahms
4 Quartette, Op. 92: I. O schöne Nacht
71 bpm • E Maj • 03:37 • -28.07db
5% Popularity • 12% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 6% Positiveness
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Benjamin Britten
Benjamin Britten: A Hymn to the Virgin
71 bpm • A min • 03:21 • -25.89db
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
73 bpm • A min • 02:56 • -24db
8% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Jake Runestad
A Silence Haunts Me
74 bpm • F# min • 10:48 • -25.53db
12% Popularity • 11% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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The Concordia Choir
Prayer
74 bpm • A Maj • 05:16 • -23.04db
12% Popularity • 8% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Afternoon On a Hill
74 bpm • A# Maj • 03:53 • -15.01db
1% Popularity • 18% Danceability • 21% Energy • 8% Liveness
6% Instrumentalness • 8% Positiveness
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Saint Ambrose
Aeterna Christi munera et martyrum victo...
70 bpm • C Maj • 01:32 • -31db
35% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Elaine Hagenberg
I Will Be a Child of Peace
70 bpm • D# Maj • 03:50 • -20.14db
18% Popularity • 20% Danceability • 5% Energy • 18% Liveness
47% Instrumentalness • 9% Positiveness
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Sjaella
O du stille Zeit
70 bpm • A# Maj • 02:29 • -23db
27% Popularity • 23% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
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Jake Runestad
Waves
74 bpm • C min • 07:27 • -23.86db
7% Popularity • 7% Danceability • 3% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
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John Bennet
Weep, O mine eyes
74 bpm • F min • 02:29 • -15db
10% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Adoramus te, Christe, LV 1083
70 bpm • F Maj • 01:43 • -29db
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
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The Singers - Minnesota Choral Artists
Arise, My Love
74 bpm • A min • 06:33 • -17.22db
2% Popularity • 19% Danceability • 10% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
27% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Jaakko Mäntyjärvi
El Hambo
74 bpm • D Maj • 02:36 • -11.32db
7% Popularity • 35% Danceability • 56% Energy • 27% Liveness
51% Instrumentalness • 26% Positiveness
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Clive Osgood
Three Shakespeare Songs: No. 2, Under th...
70 bpm • D Maj • 04:15 • -20.85db
14% Popularity • 16% Danceability • 16% Energy • 12% Liveness
40% Instrumentalness • 3% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Johannes Brahms
O Schöne Nacht, Op. 92, No. 1
70 bpm • E Maj • 03:29 • -18.59db
16% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Epilogue: N...
70 bpm • C Maj • 02:34 • -34db
11% Popularity • 22% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Hubert Parry
Crossing the Bar
70 bpm • D Maj • 02:40 • -27.74db
14% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
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Atlanta Master Chorale
The Word Was God
74 bpm • A min • 02:18 • -33.13db
17% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Elaine Hagenberg
When We Love
70 bpm • A Maj • 03:44 • -31.1db
14% Popularity • 6% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Casper Clausen
In Pace
74 bpm • D# Maj • 08:05 • -29.06db
11% Popularity • 8% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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György Orbán
Chiaro
75 bpm • D Maj • 02:26 • -24.28db
11% Popularity • 21% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 7% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Chapel Choir of University College, Hurham
Stainer: God so loved the world
75 bpm • D Maj • 03:36 • -30db
14% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
There Will Come Soft Rains
74 bpm • G Maj • 05:45 • -28.38db
20% Popularity • 8% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Millikin University Choir
Exsultate
75 bpm • D min • 03:15 • -20.51db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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Thomas Morley
Fyer Fyer
70 bpm • F Maj • 02:50 • -18db
9% Popularity • 17% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 31% Positiveness
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Gabriel Jackson
O Sacrum Convivium
69 bpm • D# Maj • 06:22 • -36.59db
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Chris Massa
All Flesh is Grass
75 bpm • A Maj • 04:35 • -31.22db
10% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
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Sjaella
Morgengesang
75 bpm • F# Maj • 03:25 • -24db
29% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
13% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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Stephen Paulus
Pilgrims' Hymn
75 bpm • F# Maj • 03:48 • -24.06db
14% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
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Edgar Leslie Bainton
And I Saw a New Heaven
75 bpm • G Maj • 05:20 • -23.58db
7% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Randall Thompson
The Last Words of David
69 bpm • G Maj • 03:48 • -28.26db
12% Popularity • 6% Danceability • 2% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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Hans Bridger Heruth
Joy (Live)
75 bpm • D Maj • 05:31 • -21db
2% Popularity • 13% Danceability • 17% Energy • 68% Liveness
86% Instrumentalness • 4% Positiveness
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Sven-David Sandström
Four Songs of Love: IV. His Left Hand
69 bpm • A min • 01:55 • -35.4db
9% Popularity • 14% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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The University Of Utah Singers
If Music Be The Food Of Love
69 bpm • G# Maj • 04:53 • -17db
16% Popularity • 27% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: III. Credo
75 bpm • A min • 05:44 • -22db
12% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Mid-Winter Songs: I. Lament For Pasipha�...
69 bpm • D# Maj • 04:44 • -17.82db
5% Popularity • 18% Danceability • 13% Energy • 10% Liveness
14% Instrumentalness • 6% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Lloyd Pfautsch
Triptych: No. 1. Musicks Empire
69 bpm • A min • 04:06 • -25db
8% Popularity • 14% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Veljo Tormis
La Kanteletar: I. Herkä neito
69 bpm • F# Maj • 02:11 • -35.53db
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Dominick Argento
Seasons: No. 1, Autumn
69 bpm • G Maj • 04:36 • -28.19db
0% Popularity • 7% Danceability • 5% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
15% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Sjaella
Abendliedchen
68 bpm • C Maj • 01:42 • -24.31db
35% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
17% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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The Cathedral Singers
Draw Us in the Spirit's Tether
76 bpm • G# Maj • 03:44 • -17.54db
17% Popularity • 8% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Samuel Barber
Reincarnations: No. 1, Mary Hynes
76 bpm • F Maj • 02:16 • -26.67db
1% Popularity • 21% Danceability • 8% Energy • 26% Liveness
30% Instrumentalness • 9% Positiveness
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Voce
The Music Of Living
68 bpm • D Maj • 03:03 • -17.6db
12% Popularity • 20% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
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The Singers - Minnesota Choral Artists
Es Ist Ein Ros' Entsprungen - 2
76 bpm • E Maj • 01:34 • -33.74db
0% Popularity • 20% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Don MacDonald
Tabula Rasa
76 bpm • D Maj • 03:54 • -19.45db
14% Popularity • 14% Danceability • 8% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Northern Lights
68 bpm • C# min • 04:26 • -30db
35% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
17% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Michael John Trotta
Behold How Good
76 bpm • G Maj • 03:28 • -26db
15% Popularity • 10% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Kin to Sorrow
76 bpm • E Maj • 05:20 • -19.84db
4% Popularity • 20% Danceability • 9% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
Stars I Shall Find
76 bpm • D# Maj • 05:34 • -19.27db
9% Popularity • 23% Danceability • 11% Energy • 13% Liveness
73% Instrumentalness • 6% Positiveness
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Z. Randall Stroope
Revelation
76 bpm • A# min • 05:27 • -19.98db
7% Popularity • 34% Danceability • 19% Energy • 96% Liveness
5% Instrumentalness • 8% Positiveness
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Jake Runestad
American Triptych: No. 3, Come to the Wo...
76 bpm • D Maj • 11:21 • -22db
7% Popularity • 12% Danceability • 8% Energy • 22% Liveness
84% Instrumentalness • 4% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
13% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Charles Hylton Stewart
Psalm 23 - "The Lord Is My Shepherd"
76 bpm • E Maj • 02:48 • -37.33db
8% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Es Ist Ein Ros' Entsprungen - 6
76 bpm • E Maj • 01:47 • -24.61db
0% Popularity • 28% Danceability • 8% Energy • 13% Liveness
98% Instrumentalness • 20% Positiveness
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Randall Thompson
Stopping By Woods On a Snowy Evening - R...
76 bpm • F min • 04:12 • -36.1db
8% Popularity • 12% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
76 bpm • D# Maj • 04:52 • -25db
15% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Michael John Trotta
I Shall See
77 bpm • E Maj • 03:38 • -28db
18% Popularity • 9% Danceability • 3% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Hugo Alfvén
Aftonen
77 bpm • F Maj • 03:58 • -40db
11% Popularity • 11% Danceability • 0% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists & Matthew Culloton
When Jesus Wept
67 bpm • D# min • 02:59 • -27.84db
18% Popularity • 27% Danceability • 3% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
► Preview
The Singers - Minnesota Choral Artists
A Spotless Rose
68 bpm • F# min • 03:10 • -27.94db
1% Popularity • 20% Danceability • 6% Energy • 9% Liveness
69% Instrumentalness • 14% Positiveness
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Dominick Argento
Seasons: No. 3, Spring
77 bpm • C Maj • 03:12 • -22.11db
2% Popularity • 22% Danceability • 12% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Across The Vast, Eternal Sky
67 bpm • B Maj • 04:38 • -17.33db
28% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
O Nata Lux
77 bpm • D Maj • 04:31 • -30db
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Jenny
77 bpm • B Maj • 03:40 • -24.27db
14% Popularity • 10% Danceability • 6% Energy • 18% Liveness
30% Instrumentalness • 4% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
21% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Four Madrigals On Renaissance Texts: III...
76 bpm • A min • 03:25 • -22.98db
2% Popularity • 17% Danceability • 4% Energy • 11% Liveness
61% Instrumentalness • 5% Positiveness
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The National Lutheran Choir
The Lord Bless You and Keep You
77 bpm • C Maj • 02:17 • -33.96db
24% Popularity • 7% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Tonight Eternity Alone