Songs like Variations on a Polish Theme, Op. 10: No. 5 Andantino by Karol Szymanowski
Based on a tempo of (+/- 10%) and a similar genre
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Alexander Scriabin
7 Preludes, Op. 17: No. 3 in D-Flat Majo...
70 bpm • C# Maj • 02:07 • -36.87db
43% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
43% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Charles-Valentin Alkan
Recueil de chants, Op. 65: No. 6, Barcar...
70 bpm • G min • 03:36 • -36.61db
48% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
48% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Robert Schumann
3 Romanzen, Op. 28: No. 2 in F-Sharp Maj...
70 bpm • F# Maj • 03:50 • -30db
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Nora Mercz
Piece en forme de habanera (arr. N. Merc...
70 bpm • G min • 02:46 • -31db
38% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Etude in C-Sharp Minor, Op. 2/1
70 bpm • C# min • 02:24 • -27.72db
26% Popularity • 19% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
26% Popularity • 19% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Karol Szymanowski
Maski (Masks), Op. 34: No. 1 Shéhéraza...
70 bpm • A Maj • 08:36 • -25.68db
4% Popularity • 26% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 3% Positiveness
4% Popularity • 26% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 1. Valse Caressante
70 bpm • D# Maj • 03:24 • -29.87db
43% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
43% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Karol Szymanowski
Maski (Masks), Op. 34: No. 2 Tantris le ...
70 bpm • G# min • 05:51 • -24.07db
3% Popularity • 34% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
3% Popularity • 34% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Erik Satie
Pieces Froides : No. 2 Trois Danses De T...
70 bpm • A min • 04:39 • -29db
41% Popularity • 30% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
41% Popularity • 30% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Francis Poulenc
MĂ©lancolie
70 bpm • D Maj • 05:25 • -25db
28% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Crisantemi
70 bpm • F# min • 07:22 • -28.12db
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
47% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
47% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
52% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
52% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Maurice Ravel
Menuet Sur Le Nom De Haydn
69 bpm • G Maj • 01:52 • -38.83db
32% Popularity • 29% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
32% Popularity • 29% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
VI. June. Barcarolle
69 bpm • G min • 05:25 • -35db
32% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
32% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Erik Satie
Gnossienne: No. 2
71 bpm • D min • 01:40 • -26.31db
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 2 in D Minor. And...
70 bpm • D# Maj • 03:43 • -25db
27% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
27% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Robert Schumann
Waldszenen, op. 82: I. Eintritt
69 bpm • A# Maj • 02:08 • -33db
38% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
38% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
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Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus LiebesfrĂĽhlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Johannes Brahms
Sechs KlavierstĂĽcke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Erik Satie
Satie: Gnossiennes - No. 3 Lent
69 bpm • A min • 02:55 • -42.22db
19% Popularity • 33% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
19% Popularity • 33% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Pieces, Op. 19: IV. Nocturne (Andante ...
69 bpm • C# min • 03:36 • -28.51db
11% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
11% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Karol Szymanowski
Stabat Mater, Op. 53: Eia Mater, fons am...
71 bpm • F Maj • 04:02 • -20.41db
2% Popularity • 12% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
2% Popularity • 12% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Germaine Tailleferre
Valses pour 2 pianos: Valse lente
71 bpm • B min • 01:15 • -30.06db
42% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
42% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Johannes Brahms
4 Ballades, Op. 10: No. 4 In B
71 bpm • B Maj • 09:27 • -32db
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 1 in C Major
71 bpm • C Maj • 01:02 • -21db
55% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
55% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
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Karol Szymanowski
20 Mazurkas, Op. 50: No. 1
69 bpm • A Maj • 02:02 • -39.03db
20% Popularity • 29% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
20% Popularity • 29% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 2 in E Major...
69 bpm • B Maj • 03:14 • -32.1db
29% Popularity • 36% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
29% Popularity • 36% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Chopin: Waltz No. 9 in A-Flat Major, Op....
69 bpm • G# Maj • 04:28 • -29.46db
48% Popularity • 35% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
48% Popularity • 35% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
44% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
44% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
49% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
49% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Maurice Ravel
Miroirs: V. La vallée des cloches
69 bpm • C# Maj • 05:22 • -40db
34% Popularity • 26% Danceability • 0% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 0% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
27% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Schubert
Piano Sonata No. 20 in A Major, D. 959: ...
69 bpm • B min • 08:55 • -26.58db
33% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
33% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Reynaldo Hahn
Poèmes "Le rossignol éperdu" (Excerpts...
68 bpm • F# Maj • 01:56 • -38db
33% Popularity • 43% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
33% Popularity • 43% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Bagatelle, Op. 1: No. 1, Allegretto
72 bpm • D# Maj • 02:19 • -35.31db
43% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Karol Szymanowski
Fantasia in C Major, Op. 14: No. 2 Non t...
68 bpm • D# min • 04:43 • -23.13db
2% Popularity • 30% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
2% Popularity • 30% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 4 Nottu...
68 bpm • C Maj • 03:52 • -28.18db
23% Popularity • 38% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
23% Popularity • 38% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Giacomo Puccini
Gianni Schicchi - Arr. Mikhashoff: O mio...
68 bpm • D# Maj • 02:52 • -29.2db
28% Popularity • 31% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
28% Popularity • 31% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Fanny Mendelssohn
Mendelssohn-Hensel: 6 MĂ©lodies, Opp. 4 ...
68 bpm • C# min • 03:08 • -29db
21% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
21% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Johannes Brahms
Brahms: 7 Fantasien, Op. 116: No. 2, Int...
72 bpm • A min • 04:35 • -31.76db
10% Popularity • 30% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
10% Popularity • 30% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Karol Szymanowski
20 Mazurkas, Op. 50: No. 7 Poco vivace (...
72 bpm • B Maj • 02:08 • -32.58db
5% Popularity • 19% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
5% Popularity • 19% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Frédéric Chopin
Nocturnes, Op. 27: No. 2 in D Flat Major...
68 bpm • C# Maj • 07:13 • -28.52db
42% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
42% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Olga Scheps
Armellodie
72 bpm • D Maj • 04:40 • -26.76db
42% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
42% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Karol Szymanowski
Maski (Masks), Op. 34: No. 3 Sérénade ...
72 bpm • G# min • 05:22 • -23.36db
2% Popularity • 26% Danceability • 8% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
2% Popularity • 26% Danceability • 8% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 5 Gra...
68 bpm • D Maj • 03:38 • -27.55db
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
William Grant Still
Three Visions: II. Summerland
68 bpm • G Maj • 04:37 • -32.28db
42% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
42% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
39% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Livre 5, Op. 54: IV. Nottu...
68 bpm • C Maj • 04:17 • -30.4db
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Karol Szymanowski
Violin Concerto No. 1, Op. 35: II. Vivac...
68 bpm • C min • 04:23 • -19.42db
6% Popularity • 22% Danceability • 22% Energy • 16% Liveness
33% Instrumentalness • 6% Positiveness
6% Popularity • 22% Danceability • 22% Energy • 16% Liveness
33% Instrumentalness • 6% Positiveness
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Jacques Ibert
Petite suite en 15 images: Berceuse aux ...
72 bpm • C Maj • 01:44 • -40db
42% Popularity • 41% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 55% Positiveness
42% Popularity • 41% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 55% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
32% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 3 Carillon
72 bpm • F Maj • 01:35 • -31.25db
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Valentin Silvestrov
Naive Music: No. 2. Nocturne
68 bpm • A# Maj • 02:35 • -36db
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Karol Szymanowski
Symphony No. 3 in B-Flat Major, Op. 27 "...
68 bpm • E min • 09:03 • -24.16db
2% Popularity • 11% Danceability • 12% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
2% Popularity • 11% Danceability • 12% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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Robert Schumann
Abendlied, Op. 85 No. 12 (Arr. Grosvenor...
68 bpm • C# Maj • 03:27 • -32.77db
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
46% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
46% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Johannes Brahms
Intermezzi, Op. 117: No. 1 in E-Flat Maj...
73 bpm • D# Maj • 05:43 • -36.94db
24% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Erik Satie
Gnossiennes: No. 2, Avec Ă©tonnement
67 bpm • D min • 02:34 • -35.96db
26% Popularity • 46% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
26% Popularity • 46% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
41% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Leoš Janáček
Intimate Sketches: No. 13, Lord Jesus Ch...
67 bpm • G Maj • 01:02 • -47db
25% Popularity • 21% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 56% Positiveness
25% Popularity • 21% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 56% Positiveness
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Maurice Ravel
Gaspard de la nuit, M. 55: I. Ondine
67 bpm • C# Maj • 07:21 • -30db
21% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Thomas Adès
Adès: Traced Overhead, Op. 15: I. Sursu...
73 bpm • C Maj • 00:45 • -44.73db
22% Popularity • 20% Danceability • 2% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
22% Popularity • 20% Danceability • 2% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Prélude in C-Sharp Minor, Op. 45
67 bpm • A Maj • 05:38 • -31.02db
26% Popularity • 32% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Franz Liszt
En rĂŞve, S. 207
67 bpm • B Maj • 02:34 • -39db
38% Popularity • 28% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 28% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: IX. Melody (Transcr. V...
67 bpm • A# Maj • 03:56 • -28.26db
21% Popularity • 35% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 35% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Johannes Brahms
Intermezzo in B-Flat Minor, Op. 117/2
67 bpm • C# Maj • 05:10 • -29db
30% Popularity • 31% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 31% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Karol Szymanowski
Symphony No. 3 in B-Flat Major, Op. 27 "...
67 bpm • G# min • 07:54 • -24.21db
5% Popularity • 7% Danceability • 8% Energy • 30% Liveness
20% Instrumentalness • 4% Positiveness
5% Popularity • 7% Danceability • 8% Energy • 30% Liveness
20% Instrumentalness • 4% Positiveness
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Federico Mompou
Damunt de tu Només les flors
73 bpm • F min • 04:12 • -27.57db
20% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Concerto No. 1 in A Minor, Op. 78, "Conc...
67 bpm • A min • 11:49 • -24.18db
2% Popularity • 17% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
2% Popularity • 17% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: No. 6...
67 bpm • F# min • 02:52 • -32.82db
37% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
37% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
67 bpm • E min • 06:29 • -31db
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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William Grant Still
3 Visions: No. 2, Summerland
67 bpm • F# Maj • 04:53 • -28.12db
58% Popularity • 46% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
58% Popularity • 46% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Karol Szymanowski
Krol Roger (King Roger), Op. 46: Act I: ...
67 bpm • C# min • 02:45 • -27.31db
4% Popularity • 16% Danceability • 7% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
4% Popularity • 16% Danceability • 7% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Erik Satie
Gnossiennes: n° 5
73 bpm • G Maj • 02:36 • -25.84db
37% Popularity • 38% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 22% Positiveness
37% Popularity • 38% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 22% Positiveness
