Songs like Vespers, Op. 37: V. "Nyne otpushchayeshi" by Sergei Rachmaninoff
Based on a tempo of (+/- 10%) and a similar genre
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9 (1961 version): In Paradi...
135 bpm • F# Maj • 03:14 • -27.06db
12% Popularity • 16% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
34% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: V. "Nyne otpushchayeshi...
135 bpm • F# Maj • 03:43 • -35db
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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St.Petersburg Chamber Choir
Our Father
136 bpm • F Maj • 03:26 • -28.28db
25% Popularity • 15% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
10% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9 (1961 version): Sanctus
136 bpm • G min • 03:09 • -21db
16% Popularity • 15% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
16% Popularity • 15% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Hildegard von Bingen
Ave generosa
134 bpm • A min • 06:32 • -28.47db
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Henry Purcell
Dido & Aeneas, Z. 626: Dido & Aeneas, Z....
134 bpm • F# min • 04:09 • -26db
24% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
134 bpm • C Maj • 03:32 • -24.89db
15% Popularity • 16% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Prelude
134 bpm • F Maj • 01:44 • -30.72db
42% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
42% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
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Pyotr Ilyich Tchaikovsky
9 Sacred Pieces: 5. "Dostoino est"
137 bpm • F Maj • 03:03 • -21.55db
5% Popularity • 16% Danceability • 10% Energy • 7% Liveness
20% Instrumentalness • 7% Positiveness
5% Popularity • 16% Danceability • 10% Energy • 7% Liveness
20% Instrumentalness • 7% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Kyrie
136 bpm • A Maj • 04:30 • -21db
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part I: Chora...
137 bpm • F# min • 09:24 • -17.84db
35% Popularity • 17% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
35% Popularity • 17% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Rejoice, O Virgin
137 bpm • F# Maj • 02:23 • -28.15db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Divine Liturgy of St John Chrysostom, Op...
137 bpm • F Maj • 02:24 • -34.62db
6% Popularity • 15% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
6% Popularity • 15% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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St.Petersburg Chamber Choir
Ektenia of Fervent Supplication
138 bpm • D# Maj • 02:15 • -21.55db
29% Popularity • 22% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
29% Popularity • 22% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9: I. Introit (1961 Version...
132 bpm • F Maj • 03:32 • -30.67db
24% Popularity • 16% Danceability • 4% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 4% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Divine Liturgy of St John Chrysostom, Op...
132 bpm • C Maj • 03:53 • -26.73db
6% Popularity • 18% Danceability • 5% Energy • 28% Liveness
56% Instrumentalness • 6% Positiveness
6% Popularity • 18% Danceability • 5% Energy • 28% Liveness
56% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 - Arr. for cello ...
131 bpm • G min • 03:54 • -27.85db
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 - Part One:...
139 bpm • E min • 08:00 • -16.88db
29% Popularity • 18% Danceability • 27% Energy • 9% Liveness
69% Instrumentalness • 16% Positiveness
29% Popularity • 18% Danceability • 27% Energy • 9% Liveness
69% Instrumentalness • 16% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (version for choir and or...
139 bpm • F# min • 07:05 • -31.97db
13% Popularity • 15% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Erik Satie
Mercure, Scene 1: La nuit
139 bpm • C Maj • 01:13 • -35.36db
58% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
58% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
9 Sacred Pieces: 7. "Blazheni, ya"
132 bpm • D# Maj • 03:25 • -23.31db
6% Popularity • 17% Danceability • 12% Energy • 20% Liveness
18% Instrumentalness • 4% Positiveness
6% Popularity • 17% Danceability • 12% Energy • 20% Liveness
18% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: XI. "Velichit dusha moy...
139 bpm • G min • 07:18 • -30.24db
7% Popularity • 14% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
From My Youth
131 bpm • G min • 03:26 • -26.71db
2% Popularity • 18% Danceability • 20% Energy • 15% Liveness
76% Instrumentalness • 6% Positiveness
2% Popularity • 18% Danceability • 20% Energy • 15% Liveness
76% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Savior of the Nations, Come, BWV 659 (Ar...
131 bpm • G min • 04:39 • -23db
43% Popularity • 19% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 5% Positiveness
43% Popularity • 19% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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St.Petersburg Chamber Choir
Sourp Sourp (Holy Holy)
130 bpm • C Maj • 03:36 • -20.23db
27% Popularity • 19% Danceability • 17% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 17% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Cesar Hernandez
Messa da Requiem: VII Requiem aeternam
130 bpm • D# min • 02:58 • -30db
33% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
33% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: XIII. "Dnes spaseniye"
140 bpm • D min • 02:12 • -23.43db
6% Popularity • 14% Danceability • 14% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
6% Popularity • 14% Danceability • 14% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Gloria
140 bpm • A Maj • 05:22 • -27.91db
25% Popularity • 15% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
25% Popularity • 15% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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St.Petersburg Chamber Choir
Chorale
130 bpm • A Maj • 02:47 • -25.26db
25% Popularity • 18% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: II. ...
130 bpm • A# min • 04:38 • -18db
35% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
35% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Frederick Delius
To Be Sung of a Summer Night on the Wate...
130 bpm • C# min • 02:26 • -21.11db
19% Popularity • 18% Danceability • 17% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 17% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: I. Kyrie
130 bpm • A Maj • 03:33 • -25.43db
33% Popularity • 16% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
33% Popularity • 16% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Konstantin Shvedov
Blagoslovi, dushe moya Gospoda (Bless th...
129 bpm • E min • 02:14 • -31.33db
3% Popularity • 17% Danceability • 4% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
3% Popularity • 17% Danceability • 4% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
► Preview
Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
St.Petersburg Chamber Choir
Alleluia, Behold the Bridegroom
141 bpm • C Maj • 05:29 • -22.28db
33% Popularity • 16% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Grea...
129 bpm • C min • 08:30 • -24.09db
15% Popularity • 19% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Pavel Chesnokov
Pod tvoyu milost pribegayem (Under thy m...
130 bpm • A# Maj • 03:36 • -29.22db
3% Popularity • 17% Danceability • 8% Energy • 14% Liveness
73% Instrumentalness • 3% Positiveness
3% Popularity • 17% Danceability • 8% Energy • 14% Liveness
73% Instrumentalness • 3% Positiveness
► Preview
Luigi Cherubini
Requiem No. 1 in C Minor: Agnus Dei
128 bpm • C Maj • 07:24 • -26db
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
24% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
128 bpm • D min • 01:35 • -22.99db
27% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Kerensa Briggs
Media Vita
143 bpm • B min • 03:00 • -25.74db
36% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, Cantata...
144 bpm • D# Maj • 05:56 • -19.9db
53% Popularity • 15% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 16% Positiveness
53% Popularity • 15% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 16% Positiveness
► Preview
Konstantin Shvedov
Priidite poklonimsya (O come let us wors...
127 bpm • G min • 01:41 • -29.49db
3% Popularity • 17% Danceability • 2% Energy • 14% Liveness
44% Instrumentalness • 3% Positiveness
3% Popularity • 17% Danceability • 2% Energy • 14% Liveness
44% Instrumentalness • 3% Positiveness
► Preview
Olivier Messiaen
O sacrum convivium!
127 bpm • F# Maj • 04:31 • -30.76db
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
► Preview
Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Oxford Camerata
Mass A 5: Kyrie
127 bpm • C min • 01:43 • -25.58db
25% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
USSR Ministry of Culture Chamber Choir
Hymn of the Cherubim (Excerpt)
126 bpm • D# min • 07:41 • -22.31db
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Alexander Gretchaninov
Vnushi, Bozhe, molitvu moyu (Give Ear to...
126 bpm • C# Maj • 11:07 • -22.07db
8% Popularity • 17% Danceability • 13% Energy • 22% Liveness
68% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 22% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Hildegard von Bingen
Spiritus Sanctus Vivificans
124 bpm • C# min • 02:50 • -29.86db
43% Popularity • 23% Danceability • 2% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
43% Popularity • 23% Danceability • 2% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Thomas Tallis
Spem in alium (The Forty-Part Motet)
125 bpm • C Maj • 09:19 • -18.1db
19% Popularity • 17% Danceability • 23% Energy • 9% Liveness
64% Instrumentalness • 6% Positiveness
19% Popularity • 17% Danceability • 23% Energy • 9% Liveness
64% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Ä’riks EÅ¡envalds
There Will Come Soft Rains
123 bpm • G# Maj • 03:55 • -23.2db
33% Popularity • 19% Danceability • 8% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 8% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
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Daniel Elder
The Heart's Reflection
123 bpm • D Maj • 05:15 • -24.07db
16% Popularity • 18% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Kolokola (The Bells), Op. 35: I. Allegro...
123 bpm • C# Maj • 06:41 • -25.83db
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
22% Instrumentalness • 5% Positiveness
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
22% Instrumentalness • 5% Positiveness
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William Byrd
Mass for Four Voices: V. Agnus Dei
123 bpm • F min • 04:03 • -24.89db
20% Popularity • 18% Danceability • 6% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 6% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Cello Sonata No. 1 in D Minor, Op. 109: ...
120 bpm • D# Maj • 06:59 • -18.9db
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
51% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
51% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: No. 6, Bog...
121 bpm • F Maj • 03:28 • -27db
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
► Preview
Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Stabat Mater, RV 621: I. Stabat Mater do...
116 bpm • E min • 02:54 • -23.96db
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
Maurice Ravel
Ma mère l'Oye, M. 60: I. Pavane de la b...
116 bpm • C Maj • 01:33 • -47.07db
46% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
46% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Symphony No. 3 in A Minor, ...
117 bpm • D# min • 12:16 • -27.36db
39% Popularity • 20% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
St.Petersburg Chamber Choir
The Little Litany
115 bpm • C Maj • 01:03 • -35.06db
14% Popularity • 17% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 3% Positiveness
► Preview
Benjamin Britten
Concord
167 bpm • A# Maj • 02:26 • -25.1db
31% Popularity • 9% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Rückert-Lieder: Ich bin der Welt abhand...
169 bpm • F Maj • 07:02 • -33db
35% Popularity • 9% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
35% Popularity • 9% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 30, Resv...
169 bpm • E min • 05:26 • -20.14db
25% Popularity • 14% Danceability • 25% Energy • 27% Liveness
19% Instrumentalness • 5% Positiveness
25% Popularity • 14% Danceability • 25% Energy • 27% Liveness
19% Instrumentalness • 5% Positiveness
