Songs like Viderunt omnes... (2-part organum) by Léonin
Based on a tempo of (+/- 10%) and a similar genre
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Adam de la Halle
Pilgrim's Prologue (after Li jus du Pele...
135 bpm • G Maj • 02:46 • -15.92db
0% Popularity • 33% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 33% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 11% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Anonymous
Psalm 115/113b - Non nobis Domine (organ...
135 bpm • D# Maj • 07:05 • -19.79db
12% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
41% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
41% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Sanctus Benedictus
135 bpm • F Maj • 01:31 • -20db
44% Popularity • 17% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Noel, Adieu Thou Court's Delight
136 bpm • B Maj • 05:48 • -23.25db
13% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
35% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
35% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Stevie Wishart
O Successores Alio Modo
135 bpm • A min • 02:29 • -16.98db
11% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Lege Artis Chamber Choir
We Praise Thee, O God No. 2 in F Major
136 bpm • F# Maj • 01:14 • -36.33db
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
12% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
12% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
12% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
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Léonin
Viderunt omnes No. 2: ...fines terre sal...
134 bpm • F min • 00:52 • -24.81db
19% Popularity • 22% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 22% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Russian State Symphony Cappella
Fervent Supplication
134 bpm • C Maj • 03:49 • -17.31db
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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"Drevnerussky Rospev" Male Choir
Joy Of The Celestial Forces
134 bpm • G min • 01:22 • -32db
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
136 bpm • D# min • 04:52 • -29.48db
12% Popularity • 15% Danceability • 2% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 2% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
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Men's Choir of the Valaam Singing Culture Institute
Let My Prayer Be Set Forth in Thy Sight
136 bpm • A# min • 07:31 • -25.34db
24% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
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Léonin
Viderunt omnes No. 3: ...fines terre sal...
134 bpm • C# Maj • 00:58 • -21.59db
19% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Kiev Chamber Choir
O Holy God
136 bpm • D min • 02:41 • -15.18db
9% Popularity • 20% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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The Russian State Symphony Cappella
Hymn of the Cherubim (Excerpt 1)
136 bpm • B min • 04:43 • -17.84db
25% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
25% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Nathan James Dearden
i breathe
134 bpm • G min • 05:40 • -27.45db
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
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USSR Ministry of Culture Chamber Choir
Amen, And with thy spirit
136 bpm • C Maj • 01:16 • -28db
31% Popularity • 22% Danceability • 6% Energy • 18% Liveness
58% Instrumentalness • 3% Positiveness
31% Popularity • 22% Danceability • 6% Energy • 18% Liveness
58% Instrumentalness • 3% Positiveness
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The Male Choir of Valaam Singing Culture Institute
Nowadays Forces Heavenly
137 bpm • F min • 03:25 • -23db
21% Popularity • 16% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
21% Popularity • 16% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
32% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Pérotin
Beata Viscera II (Arr. Paul Smith / Apol...
137 bpm • G Maj • 02:56 • -14db
18% Popularity • 16% Danceability • 16% Energy • 18% Liveness
15% Instrumentalness • 6% Positiveness
18% Popularity • 16% Danceability • 16% Energy • 18% Liveness
15% Instrumentalness • 6% Positiveness
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Blondel De Nesle
A l'entrant d'este
133 bpm • C Maj • 04:09 • -27.52db
12% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
12% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
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John Dunstable
Agnus Dei, JD 14
137 bpm • D# Maj • 05:33 • -28db
11% Popularity • 16% Danceability • 8% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 8% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Sanctus
133 bpm • F# Maj • 03:14 • -23.64db
10% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
10% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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The Russian State Symphony Cappella
Amen, Alleluia
133 bpm • F Maj • 01:05 • -19.65db
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Gregorio Allegri
Miserere: X. Benigne fac Domine in bona ...
137 bpm • B min • 01:08 • -31.28db
35% Popularity • 22% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
35% Popularity • 22% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
37% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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John Dunstable
Gloria, JD 15: Gloria (Jesu Christe Fili...
133 bpm • E Maj • 07:42 • -22.55db
11% Popularity • 18% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Kassia
Troparion for Holy Wednesday
137 bpm • C Maj • 05:51 • -24db
12% Popularity • 24% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 24% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Francesco Landini
Non avra ma'pieta questa mia donna
133 bpm • C Maj • 04:18 • -15db
10% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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William Monk of Stratford
Magnificat
137 bpm • D Maj • 14:43 • -24.89db
2% Popularity • 16% Danceability • 11% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
2% Popularity • 16% Danceability • 11% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Monks Of The Abbey Of Notre Dame
Audi Filia
133 bpm • F min • 03:50 • -26db
44% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Léonin
Amour et Biaute Parfaite: II. Alleluia
137 bpm • A min • 03:36 • -21.76db
0% Popularity • 37% Danceability • 16% Energy • 14% Liveness
77% Instrumentalness • 50% Positiveness
0% Popularity • 37% Danceability • 16% Energy • 14% Liveness
77% Instrumentalness • 50% Positiveness
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Antony Pitts
There is a green hill far away
138 bpm • C# min • 03:45 • -24.51db
1% Popularity • 17% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 17% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 4, O...
138 bpm • F min • 02:53 • -24db
19% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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Kiev Chamber Choir
To Thee We Sing - S.Rachmaninoff Version
132 bpm • D# Maj • 03:21 • -21.33db
18% Popularity • 16% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Léonin
Music Of The Gothic Era - Notre Dame Per...
132 bpm • F Maj • 06:02 • -20.58db
2% Popularity • 27% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 27% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
9% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Gregorio Allegri
Miserere: Tunc imponent
138 bpm • C min • 02:54 • -23.24db
10% Popularity • 15% Danceability • 4% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 4% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Jacob de Senleches
La harpe de melodie (Virelai)
132 bpm • F Maj • 03:35 • -23.71db
7% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
St.Petersburg Chamber Choir
Ektenia of Fervent Supplication
138 bpm • D# Maj • 02:15 • -21.55db
29% Popularity • 22% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
29% Popularity • 22% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
131 bpm • E min • 01:03 • -18.29db
1% Popularity • 30% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 30% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Bartolomeo Tromboncino
A la guerra a la guerra
138 bpm • D# min • 03:12 • -21db
14% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
14% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
► Preview
Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
20% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Oxford Camerata
Ego Flos Campi
139 bpm • F# Maj • 06:00 • -27.83db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antony Pitts
My Dove
139 bpm • C Maj • 07:22 • -27.69db
0% Popularity • 19% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Philippe de Vitry
Tuba sacre fidei - In arboris (Arr. Harr...
139 bpm • G Maj • 02:17 • -19.88db
10% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Léonin
Léonin / Pérotin: Magnus Liber / Easte...
139 bpm • A min • 10:27 • -17db
6% Popularity • 18% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
6% Popularity • 18% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Guillaume Dufay
Isorhythmic Motets: O sancte Sebastiane ...
139 bpm • D min • 04:45 • -19db
7% Popularity • 22% Danceability • 11% Energy • 6% Liveness
25% Instrumentalness • 14% Positiveness
7% Popularity • 22% Danceability • 11% Energy • 6% Liveness
25% Instrumentalness • 14% Positiveness
► Preview
La Capella Reial De Catalunya
La Folia: Yo Soy la Locura
131 bpm • A min • 02:37 • -23db
19% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Martin Codax
Ondas do mar de Vigo (Cantiga de amigo)
139 bpm • D# Maj • 05:06 • -26.11db
10% Popularity • 18% Danceability • 1% Energy • 12% Liveness
28% Instrumentalness • 26% Positiveness
10% Popularity • 18% Danceability • 1% Energy • 12% Liveness
28% Instrumentalness • 26% Positiveness
► Preview
Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
131 bpm • D Maj • 01:35 • -21.23db
20% Popularity • 26% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 26% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Léonin
Alleluya. Benedictus es Domine
139 bpm • F Maj • 07:55 • -17.24db
0% Popularity • 26% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 26% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
131 bpm • C min • 03:12 • -15.91db
0% Popularity • 20% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 20% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Jacob Clemens non Papa
Sanctus
130 bpm • D Maj • 02:31 • -29db
21% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Walter Lambe
Nesciens mater
140 bpm • G Maj • 06:02 • -26.44db
3% Popularity • 15% Danceability • 9% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
3% Popularity • 15% Danceability • 9% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories, Feria quinta: III...
130 bpm • A min • 06:55 • -21.28db
11% Popularity • 19% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
USSR Ministry of Culture Chamber Choir
We sing Thee
140 bpm • D# min • 04:08 • -27.16db
11% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Léonin
Haec dies organum
130 bpm • D# Maj • 03:00 • -28.64db
0% Popularity • 66% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
0% Popularity • 66% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
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Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
130 bpm • C Maj • 03:01 • -20.16db
8% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Song of Cherubs: Izhe Kheruvimi (Cherubi...
130 bpm • A Maj • 04:43 • -20db
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Richard James Pitts
O Lord Most High
130 bpm • E Maj • 02:39 • -18.56db
0% Popularity • 20% Danceability • 21% Energy • 42% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 20% Danceability • 21% Energy • 42% Liveness
0% Instrumentalness • 19% Positiveness
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Henryk Górecki
Miserere, Op. 44: 10. Domine Deus noster...
130 bpm • A min • 02:58 • -26.55db
8% Popularity • 16% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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John Taverner
Taverner: Missa Gloria Tibi Trinitas - B...
130 bpm • F min • 02:59 • -23db
11% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
141 bpm • C# Maj • 02:09 • -23.08db
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Adam de Saint Victor
Jubilemus salvatori
141 bpm • A# Maj • 03:35 • -22db
8% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Francesco Spinacino
Recercare: Racercare
141 bpm • A# Maj • 01:04 • -34.65db
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Bartolino da Padova
Qual Lege Move
141 bpm • E Maj • 04:10 • -23.06db
8% Popularity • 25% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 25% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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David Buckley
Strengthen ye the weak hands
129 bpm • G Maj • 02:18 • -27.58db
16% Popularity • 17% Danceability • 8% Energy • 7% Liveness
22% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 8% Energy • 7% Liveness
22% Instrumentalness • 3% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
27% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Guillaume de Machaut
Chanson: Rose, liz, printemps, verdure
128 bpm • C Maj • 04:25 • -26db
9% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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USSR Ministry of Culture Chamber Choir
Lord, have mercy
127 bpm • B Maj • 03:02 • -23db
15% Popularity • 17% Danceability • 9% Energy • 30% Liveness
60% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 9% Energy • 30% Liveness
60% Instrumentalness • 3% Positiveness
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Zdravko Mihaylov
We Sing for You, Lord
128 bpm • A# Maj • 02:16 • -25.91db
29% Popularity • 18% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
