Songs like Vox Patris: Veni de Libano by William Mundy
Based on a tempo of (+/- 10%) and a similar genre
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Gilles Binchois
Binchois: Amours mercy de trespout non p...
88 bpm • C# min • 03:55 • -23db
10% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Robert Fayrfax
Fayrfax: Magnificat "Regale": III. Depos...
88 bpm • F# Maj • 02:06 • -28.93db
7% Popularity • 15% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 15% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Pierre Sandrin
Doulce mémoire
88 bpm • C# min • 02:49 • -22db
8% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 01. Glor...
88 bpm • D# Maj • 05:32 • -21db
10% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
31% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Argentum et aurum
88 bpm • A min • 03:08 • -14.68db
16% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Thomas Morley
Pavin
87 bpm • A Maj • 04:56 • -38.39db
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Thomas Fabri
Ach Vlaendere vrie
89 bpm • A# Maj • 02:58 • -22.01db
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Adam de la Halle
Mout me fu grief li departir / Robin m'a...
89 bpm • G Maj • 01:01 • -19db
23% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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William Mundy
Beatus et sanctus
89 bpm • G# Maj • 02:07 • -17.35db
1% Popularity • 20% Danceability • 24% Energy • 10% Liveness
8% Instrumentalness • 8% Positiveness
1% Popularity • 20% Danceability • 24% Energy • 10% Liveness
8% Instrumentalness • 8% Positiveness
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Robert Parsons
Ave Maria
87 bpm • G# Maj • 04:37 • -26.03db
12% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
9% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
9% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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Andrés Barea
Miserere mei Deus (psaume L) – à 8, a...
87 bpm • E min • 09:32 • -20db
10% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Diego Pisador
Si la noche haze escura
89 bpm • G min • 02:46 • -25db
11% Popularity • 22% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: III. Quomodo sed...
89 bpm • F# min • 01:11 • -17.64db
21% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
21% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
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William Mundy
Mundy: Ah, helpless wretch
89 bpm • A Maj • 04:06 • -23.55db
0% Popularity • 21% Danceability • 12% Energy • 13% Liveness
16% Instrumentalness • 9% Positiveness
0% Popularity • 21% Danceability • 12% Energy • 13% Liveness
16% Instrumentalness • 9% Positiveness
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Antonio de Cabezón
Differencias Sobre La Gallarda Milanesa
87 bpm • F Maj • 02:19 • -20db
11% Popularity • 38% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
11% Popularity • 38% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Die deutsche Liturgie: Heilig, heilig is...
87 bpm • D Maj • 02:00 • -24db
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Isaac: Optime Pastor - 1. Optime Divino
87 bpm • E min • 04:42 • -21.78db
17% Popularity • 11% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 11% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: I. Introitus
86 bpm • A# min • 01:39 • -18.45db
14% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Philippe de Monte
Missa super mon coeur se recomande: Sanc...
86 bpm • C# Maj • 03:10 • -22db
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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William Mundy
Sive vigilem
89 bpm • F min • 03:30 • -21.44db
3% Popularity • 13% Danceability • 13% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
3% Popularity • 13% Danceability • 13% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
15% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Cantiones sacrae sex vocum: IV. Qui time...
86 bpm • D min • 02:43 • -19db
9% Popularity • 23% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 23% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
86 bpm • F Maj • 02:16 • -20.84db
20% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
20% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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Hildegard von Bingen
Kyrie, eleison
90 bpm • D Maj • 02:05 • -26.42db
19% Popularity • 31% Danceability • 4% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
19% Popularity • 31% Danceability • 4% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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William Mundy
In aeternum
87 bpm • G# min • 04:37 • -19.92db
0% Popularity • 9% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
0% Popularity • 9% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Feast...
86 bpm • G Maj • 01:32 • -16db
11% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Frank Martin
Mass for Double Choir: Gloria
86 bpm • D min • 06:10 • -27db
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
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Juan Gutiérrez de Padilla
Missa Ego flos campi: Kirie
86 bpm • G Maj • 02:10 • -20db
8% Popularity • 17% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 18% Positiveness
8% Popularity • 17% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 18% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Jacob Clemens non Papa
Magi veniunt ab oriente: II. Magi vident...
86 bpm • B min • 03:39 • -19.78db
11% Popularity • 10% Danceability • 13% Energy • 8% Liveness
48% Instrumentalness • 6% Positiveness
11% Popularity • 10% Danceability • 13% Energy • 8% Liveness
48% Instrumentalness • 6% Positiveness
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Anon
Pavana and Gallyard
86 bpm • G min • 02:27 • -17.47db
8% Popularity • 31% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
8% Popularity • 31% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Francisco de la Torre
Cancionero Musical de la Colombina: No. ...
91 bpm • D min • 01:08 • -29.07db
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Elizabethan Partsongs: I. Sweet Da...
91 bpm • E min • 02:01 • -30db
10% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
10% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
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William Mundy
Adhaesit pavimento
85 bpm • G# Maj • 07:09 • -20.59db
2% Popularity • 13% Danceability • 16% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
2% Popularity • 13% Danceability • 16% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Philippe de Monte
Miserere mei, Deus
85 bpm • F min • 03:38 • -21db
13% Popularity • 11% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 5% Positiveness
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Jheronimus Vinders
O mors inevitabili
91 bpm • G Maj • 02:44 • -18.84db
8% Popularity • 18% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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John Dowland
Captaine Digorie Piper his Galiard from ...
85 bpm • F min • 01:49 • -26db
9% Popularity • 25% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
9% Popularity • 25% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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The Tallis Scholars
Tallis: Verily, Verily I Say Unto You
91 bpm • G# min • 01:41 • -23.66db
26% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Weelkes
As Vesta was from Latmos hill descending
84 bpm • F Maj • 03:03 • -22db
11% Popularity • 20% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 20% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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William Mundy
Exsurge Christe
85 bpm • F Maj • 00:54 • -24.61db
0% Popularity • 30% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 30% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Nordic Chamber Choir - Nicol Matt
Se Per Havervi, Oime
92 bpm • C# Maj • 04:26 • -29db
9% Popularity • 13% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 13% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Requiem aeternam II
84 bpm • D Maj • 04:01 • -26db
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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John Dowland
Pavan Lachrimae Verae from Lachrimae, or...
85 bpm • G min • 04:42 • -31db
8% Popularity • 10% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
8% Popularity • 10% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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Antonio de Salazar
O sácrum convÃvium
92 bpm • G# Maj • 02:04 • -17.94db
9% Popularity • 15% Danceability • 25% Energy • 12% Liveness
6% Instrumentalness • 11% Positiveness
9% Popularity • 15% Danceability • 25% Energy • 12% Liveness
6% Instrumentalness • 11% Positiveness
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Baude Cordier
Tout par compas, Fol. 12 (Rondeau/Canon)
84 bpm • D# Maj • 02:49 • -20.68db
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Luca Marenzio
La Favolla d'Apollo: 17. O mille volte a...
92 bpm • G Maj • 02:07 • -13.15db
8% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
8% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
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Anthony Holborne
I. - Galliard: The Teares Of The Muses (...
84 bpm • G min • 02:07 • -22db
9% Popularity • 30% Danceability • 9% Energy • 11% Liveness
98% Instrumentalness • 25% Positiveness
9% Popularity • 30% Danceability • 9% Energy • 11% Liveness
98% Instrumentalness • 25% Positiveness
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John Dowland
George Whitehead
84 bpm • C Maj • 01:17 • -26.18db
14% Popularity • 57% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
14% Popularity • 57% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
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William Mundy
O Lord, the Maker of All Thing (Remaster...
84 bpm • F min • 03:10 • -31.14db
0% Popularity • 13% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 13% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Sebastián de Vivanco
O Rex gloriae, a 8
93 bpm • E min • 02:35 • -18.53db
8% Popularity • 20% Danceability • 17% Energy • 10% Liveness
25% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 17% Energy • 10% Liveness
25% Instrumentalness • 6% Positiveness
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markpowell
Christ Has Risen (2)
93 bpm • A min • 01:19 • -17.31db
11% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Claudio Monteverdi
Quel augellin che canta
83 bpm • A# Maj • 02:06 • -23.74db
15% Popularity • 15% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 15% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Adrian Willaert
Huc me sidereo
93 bpm • A min • 09:24 • -22db
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
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Filipe de Magalhães
Missa Veni Domine: IIb. Qui tollis pecca...
83 bpm • A min • 02:09 • -23.42db
15% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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William Mundy
Kyrie "Orbis factor"
93 bpm • D min • 04:02 • -30.45db
0% Popularity • 22% Danceability • 5% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 5% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
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Guillaume Dufay
J'atendray tant qu'il vous playra
83 bpm • C Maj • 01:49 • -22db
8% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Samuel Scheidt
Battle Suite: III. Gailliard Battaglia
93 bpm • G Maj • 01:39 • -16.27db
16% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
16% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
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Henry Purcell
Purcell: Funeral Sentences: Thou Know'st...
83 bpm • C min • 03:43 • -24.85db
11% Popularity • 11% Danceability • 9% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
11% Popularity • 11% Danceability • 9% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
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Jacob Clemens non Papa
Magi veniunt ab oriente: I. Magi veniunt...
83 bpm • B min • 03:06 • -20.2db
12% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
12% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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William Mundy
Beatus et sanctus
83 bpm • G# Maj • 02:28 • -27.81db
0% Popularity • 12% Danceability • 8% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
0% Popularity • 12% Danceability • 8% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
► Preview
Orlande de Lassus
Prophetiae Sibyllarum: Prologue
83 bpm • G Maj • 01:18 • -26db
28% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
► Preview
Philippe Verdelot
Trist'Amarilli mia
83 bpm • F# min • 03:21 • -18.24db
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
The Hilliard Ensemble
de Missa "Mille Regretz": Agnus Dei III ...
83 bpm • G# min • 02:13 • -23.33db
8% Popularity • 16% Danceability • 15% Energy • 20% Liveness
40% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 15% Energy • 20% Liveness
40% Instrumentalness • 4% Positiveness
► Preview
Claude Gervaise
Suite I: Bransle de Champaigne I
83 bpm • G min • 01:19 • -22.8db
10% Popularity • 47% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
10% Popularity • 47% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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William Mundy
Second Service ‘in F fa ut’: Magnifi...
94 bpm • G# Maj • 05:27 • -23.73db
0% Popularity • 15% Danceability • 17% Energy • 9% Liveness
13% Instrumentalness • 16% Positiveness
0% Popularity • 15% Danceability • 17% Energy • 9% Liveness
13% Instrumentalness • 16% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Ayleward
Preces and Responses
94 bpm • A# Maj • 01:17 • -30.11db
10% Popularity • 19% Danceability • 5% Energy • 9% Liveness
42% Instrumentalness • 23% Positiveness
10% Popularity • 19% Danceability • 5% Energy • 9% Liveness
42% Instrumentalness • 23% Positiveness
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Gerda Blok-Wilson
O Little Rose, O Dark Rose
82 bpm • G Maj • 04:39 • -28.83db
9% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
13% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
► Preview
Antoine Brumel
Missa "Et ecce terrae motus" A 12 voce: ...
82 bpm • C Maj • 01:38 • -18db
20% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
20% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
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William Mundy
Benedictus "for Trebles"
94 bpm • F# Maj • 07:50 • -26.22db
0% Popularity • 20% Danceability • 8% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 8% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Lagrime di San Pietro: II. Ma gli archi
94 bpm • F Maj • 02:25 • -26db
8% Popularity • 15% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Hear the Voice and Prayer
82 bpm • F# min • 03:02 • -27.52db
29% Popularity • 13% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
29% Popularity • 13% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Jacob Clemens non Papa
Clemens: Ego flos campi
82 bpm • G# Maj • 04:14 • -22.32db
8% Popularity • 13% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
8% Popularity • 13% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Giovanni Gabrieli
Cantate Domino a 6, C. 6
82 bpm • G# min • 01:32 • -23db
16% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
32% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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William Mundy
Veni, creator Spiritus
94 bpm • C Maj • 08:34 • -22.44db
0% Popularity • 15% Danceability • 15% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 15% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Cor meum conturbatum est, IOL 58
82 bpm • D min • 01:48 • -23.29db
25% Popularity • 20% Danceability • 10% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
25% Popularity • 20% Danceability • 10% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Antoine Brumel
Du tout plongiet/Fors seulement
82 bpm • C min • 12:28 • -26.43db
25% Popularity • 12% Danceability • 6% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
25% Popularity • 12% Danceability • 6% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
82 bpm • A# min • 01:01 • -20.84db
28% Popularity • 28% Danceability • 9% Energy • 12% Liveness
12% Instrumentalness • 35% Positiveness
28% Popularity • 28% Danceability • 9% Energy • 12% Liveness
12% Instrumentalness • 35% Positiveness
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Ralph Vaughan Williams
Valiant for Truth
82 bpm • E min • 06:06 • -26.69db
7% Popularity • 9% Danceability • 4% Energy • 4% Liveness
1% Instrumentalness • 3% Positiveness
7% Popularity • 9% Danceability • 4% Energy • 4% Liveness
1% Instrumentalness • 3% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Thomas Morley
Sing We and Chant It
95 bpm • G Maj • 01:36 • -17.23db
15% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
95 bpm • D min • 01:42 • -27.15db
27% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
27% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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William Mundy
O Mater Mundi
95 bpm • C# Maj • 03:44 • -29.29db
0% Popularity • 13% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
0% Popularity • 13% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Claudio Monteverdi
Adoramus te Christe
82 bpm • G Maj • 03:39 • -20.56db
14% Popularity • 15% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Michael Praetorius
Dances from 'Terpsichore' (1974 Digital ...
95 bpm • C Maj • 01:24 • -35.96db
19% Popularity • 52% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 51% Positiveness
19% Popularity • 52% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 51% Positiveness
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Alessandro Striggio
All'imperio d'Amore: 9. O Giovenil ardir...
95 bpm • G Maj • 02:16 • -16db
11% Popularity • 31% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 10% Positiveness
11% Popularity • 31% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 10% Positiveness
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Jean Mouton
Mouton: Ave Maria, Virgo Serena - 1. Ave...
82 bpm • G Maj • 04:49 • -24db
10% Popularity • 12% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Adam de la Halle
De ma dame vient
82 bpm • C Maj • 02:23 • -18.68db
6% Popularity • 39% Danceability • 16% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
6% Popularity • 39% Danceability • 16% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
