Songs like Wiegenlied, K.350 - Arranged By Nicholas Ellis: Schlafe, mein Prinzchen, schlaf ein by Friedrich Anton Fleischmann
Based on a tempo of (+/- 10%) and a similar genre
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
120 bpm • A Maj • 02:06 • -24db
42% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
42% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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George Frideric Handel
Solomon, HWV 67: The Arrival Of The Quee...
120 bpm • A# Maj • 03:09 • -18db
41% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
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Wolfgang Amadeus Mozart
Wiegenlied, K.350 - Arranged By Nicholas...
120 bpm • F Maj • 03:38 • -18.88db
10% Popularity • 31% Danceability • 11% Energy • 12% Liveness
31% Instrumentalness • 9% Positiveness
10% Popularity • 31% Danceability • 11% Energy • 12% Liveness
31% Instrumentalness • 9% Positiveness
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Lang Lang
Minuet No. 1 in G Major (Formerly Attrib...
119 bpm • G Maj • 01:44 • -27db
40% Popularity • 49% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 78% Positiveness
40% Popularity • 49% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 78% Positiveness
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Pierre Rode
Violin Concerto No. 11 in D Major, Op. 2...
121 bpm • D Maj • 05:57 • -16.41db
26% Popularity • 49% Danceability • 27% Energy • 10% Liveness
46% Instrumentalness • 55% Positiveness
26% Popularity • 49% Danceability • 27% Energy • 10% Liveness
46% Instrumentalness • 55% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
121 bpm • D min • 02:04 • -23db
23% Popularity • 69% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
23% Popularity • 69% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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I Musici Di San Marco
Concerto Grosso Op.25-2 D Major 'Watermu...
119 bpm • D Maj • 04:51 • -15db
22% Popularity • 72% Danceability • 29% Energy • 18% Liveness
94% Instrumentalness • 68% Positiveness
22% Popularity • 72% Danceability • 29% Energy • 18% Liveness
94% Instrumentalness • 68% Positiveness
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George Frideric Handel
Concerto Grosso in B-Flat Major, Op. 3, ...
121 bpm • A# Maj • 02:26 • -15.97db
33% Popularity • 47% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 76% Positiveness
33% Popularity • 47% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 76% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
49% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
49% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Joseph Haydn
Keyboard Sonata No. 60 in C Major, Hob.X...
121 bpm • C Maj • 10:08 • -25db
24% Popularity • 39% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
24% Popularity • 39% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Louis-Nicolas Clérambault
Simphonia V: Chaconne in D Major
121 bpm • C# Maj • 05:39 • -23db
18% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Giovanni Battista Sammartini
Symphony in A Major, J-C 62: I. Presto
119 bpm • G# Maj • 02:26 • -17db
38% Popularity • 53% Danceability • 26% Energy • 16% Liveness
91% Instrumentalness • 46% Positiveness
38% Popularity • 53% Danceability • 26% Energy • 16% Liveness
91% Instrumentalness • 46% Positiveness
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Christian Petzold
Minuet in G Major, BWV Anh. 114 (Noteboo...
122 bpm • G Maj • 01:45 • -37.45db
25% Popularity • 34% Danceability • 1% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
25% Popularity • 34% Danceability • 1% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
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Arcangelo Corelli
Sonata Da Chiesa No. 4 in F Major, Op. 5...
122 bpm • E Maj • 02:23 • -14db
31% Popularity • 43% Danceability • 38% Energy • 12% Liveness
41% Instrumentalness • 39% Positiveness
31% Popularity • 43% Danceability • 38% Energy • 12% Liveness
41% Instrumentalness • 39% Positiveness
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Jeffrey Tate
MOZART: SYMPHONY NO. 40 IN G MINOR, K.55...
122 bpm • G min • 07:25 • -16.14db
5% Popularity • 50% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
5% Popularity • 50% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Johann Christian Bach
Quintet in F Major, Op. 22, No. 2: I. Al...
122 bpm • E Maj • 08:30 • -21db
11% Popularity • 41% Danceability • 11% Energy • 36% Liveness
90% Instrumentalness • 40% Positiveness
11% Popularity • 41% Danceability • 11% Energy • 36% Liveness
90% Instrumentalness • 40% Positiveness
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Carl Maria von Weber
Aufforderung zum Tanz, Op. 65 (Orch. Ber...
122 bpm • D Maj • 08:47 • -18db
22% Popularity • 31% Danceability • 13% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
22% Popularity • 31% Danceability • 13% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
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Giovanni Battista Pergolesi
Sicilienne
122 bpm • E min • 02:30 • -23.44db
14% Popularity • 26% Danceability • 6% Energy • 13% Liveness
98% Instrumentalness • 20% Positiveness
14% Popularity • 26% Danceability • 6% Energy • 13% Liveness
98% Instrumentalness • 20% Positiveness
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Wilhelm Friedemann Bach
Sinfonia in F major, F. 67: IV. Menuetto...
122 bpm • F Maj • 02:33 • -24db
25% Popularity • 39% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
25% Popularity • 39% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
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Peter-Lukas Graf
Double Concerto For Flute, Harp & Orches...
122 bpm • C Maj • 09:56 • -19db
10% Popularity • 48% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
10% Popularity • 48% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
122 bpm • F Maj • 03:12 • -30db
11% Popularity • 24% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
11% Popularity • 24% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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Georg Philipp Telemann
Quartet in G major / Sol majeur / G-dur:...
123 bpm • F# Maj • 03:38 • -20.75db
32% Popularity • 32% Danceability • 11% Energy • 26% Liveness
6% Instrumentalness • 30% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 26% Liveness
6% Instrumentalness • 30% Positiveness
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George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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Arcangelo Corelli
Sonata a violono e violone e cimbalo, Op...
117 bpm • D# Maj • 02:54 • -16db
31% Popularity • 46% Danceability • 27% Energy • 8% Liveness
23% Instrumentalness • 57% Positiveness
31% Popularity • 46% Danceability • 27% Energy • 8% Liveness
23% Instrumentalness • 57% Positiveness
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Lang Lang
Piano Sonatina in C Major, Op. 20 No. 1:...
117 bpm • C Maj • 02:47 • -20.87db
17% Popularity • 32% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 64% Positiveness
17% Popularity • 32% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 64% Positiveness
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Frédéric Chopin
Chopin: Cello Sonata in G Minor, Op. 65:...
117 bpm • A# Maj • 03:37 • -36.08db
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Johann Pachelbel
Partie 5 en si bémol majeur: Gigue
123 bpm • A Maj • 02:39 • -13.64db
21% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Georg Philipp Telemann
Overture in G Major, TWV 55:10 "Burlesqu...
117 bpm • G Maj • 02:00 • -24db
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
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Christian Petzold
The Notebook for Anna Magdalena Bach: No...
117 bpm • G min • 01:47 • -23.43db
36% Popularity • 42% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 60% Positiveness
36% Popularity • 42% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 60% Positiveness
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Michel Blavet
Concerto in A Minor for Flute and String...
116 bpm • G# min • 05:38 • -19db
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
116 bpm • G Maj • 01:06 • -19db
50% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
50% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
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Louis Spohr
Spohr : Sonata for Cello & Harp in G maj...
116 bpm • D Maj • 09:26 • -25.32db
12% Popularity • 41% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
12% Popularity • 41% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
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Georg Philipp Telemann
Sonata for Violin and Basso Continuo in ...
116 bpm • F# Maj • 02:32 • -12db
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 In B Flat Minor, Op...
125 bpm • C# Maj • 06:36 • -26.37db
22% Popularity • 31% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
22% Popularity • 31% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
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Adelaide Symphony Orchestra
Orphée Et Eurydice, Wq.41: Dance of the...
115 bpm • F Maj • 02:07 • -22db
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
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Joseph Haydn
Symphony No. 85 in B-Flat Major, Hob.I:8...
116 bpm • D# Maj • 04:47 • -25.36db
27% Popularity • 34% Danceability • 1% Energy • 18% Liveness
23% Instrumentalness • 21% Positiveness
27% Popularity • 34% Danceability • 1% Energy • 18% Liveness
23% Instrumentalness • 21% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49b: Sinfonia
125 bpm • A Maj • 03:15 • -32db
40% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
40% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
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Academy of St. Martin in the Fields
Water Music, HWV 349, Suite No. 2 in D M...
115 bpm • D Maj • 06:02 • -15db
19% Popularity • 63% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
19% Popularity • 63% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Friedrich Burgmüller
Inquietude, Op. 100, No. 18
115 bpm • A min • 01:00 • -20db
34% Popularity • 36% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 32% Positiveness
34% Popularity • 36% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 32% Positiveness
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Niccolò Paganini
Cantabile, MS.109
126 bpm • A Maj • 03:33 • -27.93db
12% Popularity • 23% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 15% Positiveness
12% Popularity • 23% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 15% Positiveness
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Franz Schubert
An die Musik, D. 547 (Op. 88/4)
126 bpm • C Maj • 03:13 • -25.61db
24% Popularity • 21% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Henry Purcell
Amphitryon, or The Two Sosias, Z.572: Ho...
115 bpm • E Maj • 02:15 • -16db
26% Popularity • 53% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 53% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Overt...
125 bpm • C# Maj • 03:33 • -27db
32% Popularity • 41% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
32% Popularity • 41% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Domenico Cimarosa
Oboe Concerto in C Major: II. Allegro (A...
114 bpm • C Maj • 02:34 • -13.99db
21% Popularity • 53% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 54% Positiveness
21% Popularity • 53% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 54% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: No. 1, Ari...
114 bpm • D# Maj • 01:16 • -31.78db
34% Popularity • 44% Danceability • 1% Energy • 25% Liveness
81% Instrumentalness • 18% Positiveness
34% Popularity • 44% Danceability • 1% Energy • 25% Liveness
81% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Berceuse for Violin and Orchestra, Op. 1...
114 bpm • D Maj • 04:16 • -26db
19% Popularity • 23% Danceability • 8% Energy • 10% Liveness
15% Instrumentalness • 10% Positiveness
19% Popularity • 23% Danceability • 8% Energy • 10% Liveness
15% Instrumentalness • 10% Positiveness
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Francois-Joseph Gossec
Sinfonia In B Flat Major: III. Allegro
127 bpm • A# Maj • 01:56 • -18db
32% Popularity • 46% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 62% Positiveness
32% Popularity • 46% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 62% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
114 bpm • D Maj • 01:35 • -32db
38% Popularity • 62% Danceability • 2% Energy • 64% Liveness
10% Instrumentalness • 32% Positiveness
38% Popularity • 62% Danceability • 2% Energy • 64% Liveness
10% Instrumentalness • 32% Positiveness
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Johann Stamitz
Symphony in D Major, Op. 3, No. 2: II. A...
113 bpm • G Maj • 02:16 • -32db
34% Popularity • 33% Danceability • 1% Energy • 22% Liveness
34% Instrumentalness • 32% Positiveness
34% Popularity • 33% Danceability • 1% Energy • 22% Liveness
34% Instrumentalness • 32% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
19% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
19% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
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Amy Woodforde-Finden
Kashmiri Love Song
127 bpm • A# Maj • 03:18 • -21.45db
17% Popularity • 24% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 24% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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The Jane Austen Era
Quintet In A Major Trout - Adante - Tema...
112 bpm • D Maj • 03:01 • -26db
18% Popularity • 30% Danceability • 5% Energy • 17% Liveness
6% Instrumentalness • 40% Positiveness
18% Popularity • 30% Danceability • 5% Energy • 17% Liveness
6% Instrumentalness • 40% Positiveness
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Lang Lang
The Merry Shepherd Boy
112 bpm • G min • 01:33 • -21.82db
31% Popularity • 36% Danceability • 18% Energy • 15% Liveness
95% Instrumentalness • 73% Positiveness
31% Popularity • 36% Danceability • 18% Energy • 15% Liveness
95% Instrumentalness • 73% Positiveness
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Giovanni Paisiello
Piano Concerto No. 4 in G Minor: III. (R...
112 bpm • G min • 07:41 • -18.14db
13% Popularity • 43% Danceability • 20% Energy • 16% Liveness
92% Instrumentalness • 27% Positiveness
13% Popularity • 43% Danceability • 20% Energy • 16% Liveness
92% Instrumentalness • 27% Positiveness
► Preview
Gabriel Fauré
Dolly Suite, Op. 56: 1. Berceuse (Transc...
129 bpm • D# Maj • 02:54 • -25.94db
9% Popularity • 34% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
9% Popularity • 34% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Antonio Salieri
Concerto for Piano and Orchestra in C Ma...
129 bpm • C Maj • 05:51 • -20db
14% Popularity • 47% Danceability • 11% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
14% Popularity • 47% Danceability • 11% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
► Preview
Carl Maria von Weber
Bassoon Concerto in F, Op. 75: III. Rond...
129 bpm • F Maj • 04:37 • -21db
8% Popularity • 43% Danceability • 10% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
8% Popularity • 43% Danceability • 10% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
► Preview
Felix Mendelssohn
Mendelssohn: Songs Without Words, Book I...
130 bpm • B Maj • 04:12 • -26db
23% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
23% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
41% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
► Preview
Franz Schubert
Wiegenlied, D. 498 (Arr. Queyras & Thara...
111 bpm • G# Maj • 01:45 • -34.58db
27% Popularity • 26% Danceability • 1% Energy • 10% Liveness
28% Instrumentalness • 27% Positiveness
27% Popularity • 26% Danceability • 1% Energy • 10% Liveness
28% Instrumentalness • 27% Positiveness
► Preview
Francisco António de Almeida
Il trionfo d'amore, Introduzione: Introd...
111 bpm • A Maj • 04:08 • -28.27db
17% Popularity • 28% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 6% Positiveness
17% Popularity • 28% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 6% Positiveness
► Preview
George Frideric Handel
Serse, HWV 40: Largo
130 bpm • G Maj • 05:29 • -20.21db
7% Popularity • 16% Danceability • 11% Energy • 44% Liveness
93% Instrumentalness • 5% Positiveness
7% Popularity • 16% Danceability • 11% Energy • 44% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Academy of St. Martin in the Fields
Les Quatres Saisons: Concerto En Fa Mine...
130 bpm • A# Maj • 02:21 • -18.06db
21% Popularity • 22% Danceability • 20% Energy • 10% Liveness
35% Instrumentalness • 9% Positiveness
21% Popularity • 22% Danceability • 20% Energy • 10% Liveness
35% Instrumentalness • 9% Positiveness
► Preview
Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
► Preview
Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
36% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Joseph Haydn
Keyboard Sonata No. 53 in E Minor, Hob.X...
131 bpm • E Maj • 03:24 • -26db
27% Popularity • 41% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 58% Positiveness
27% Popularity • 41% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 58% Positiveness
► Preview
Georg Philipp Telemann
Recorder Concerto in C Major, TWV 51:C1:...
131 bpm • F# Maj • 05:39 • -19db
27% Popularity • 46% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 46% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Itzhak Perlman
3 Violin Duets (1996 Digital Remaster): ...
110 bpm • A Maj • 02:15 • -20.6db
24% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
William Boyce
Symphony No. 5 in D Major: 1. Allegro ma...
131 bpm • C# Maj • 04:06 • -15.92db
25% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
25% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
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Johann Nepomuk Hummel
Adagio, Variations and Rondo on Schone M...
110 bpm • A Maj • 01:41 • -19db
33% Popularity • 38% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 38% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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George Frideric Handel
Music for the Royal Fireworks, HWV 351: ...
131 bpm • D Maj • 08:09 • -13.5db
7% Popularity • 43% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
7% Popularity • 43% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
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Muzio Clementi
Keyboard Sonatina In F Major, Op. 36, No...
132 bpm • A# Maj • 01:30 • -28.05db
51% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
51% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
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Luigi Boccherini
Boccherini: Cello Concerto No. 8 in C Ma...
110 bpm • C Maj • 04:15 • -19.73db
16% Popularity • 40% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 57% Positiveness
16% Popularity • 40% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 57% Positiveness
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Johann Christian Bach
Amadis de Gaule, W. G39: Act II Scene V:...
132 bpm • E Maj • 02:25 • -21.08db
26% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
26% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Carl Stamitz
Clarinet Concerto No. 5 in B-Flat Major:...
132 bpm • A# Maj • 04:38 • -22.47db
15% Popularity • 30% Danceability • 4% Energy • 28% Liveness
26% Instrumentalness • 18% Positiveness
15% Popularity • 30% Danceability • 4% Energy • 28% Liveness
26% Instrumentalness • 18% Positiveness
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Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. J.S. B...
133 bpm • D# Maj • 03:29 • -30db
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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George Frideric Handel
Handel / Arr. Mackerras & Rothwell: Oboe...
132 bpm • A# Maj • 02:06 • -16.02db
26% Popularity • 44% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 62% Positiveness
26% Popularity • 44% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 62% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
30% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
30% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Lang Lang
Piano Sonatina in C Major, Op. 20 No. 1:...
133 bpm • F Maj • 03:03 • -29db
17% Popularity • 50% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 23% Positiveness
17% Popularity • 50% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 23% Positiveness
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Maria João Pires
Sonata No. 15 in C Major, II. Andante
108 bpm • G Maj • 04:22 • -28db
34% Popularity • 40% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 41% Positiveness
34% Popularity • 40% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 41% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 54: IV. Notturno
108 bpm • C Maj • 05:40 • -29.69db
15% Popularity • 41% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
15% Popularity • 41% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Bernhard Henrik Crusell
Concerto in E-Flat Major, Op. 1: II. Ada...
133 bpm • G# Maj • 03:40 • -31db
18% Popularity • 16% Danceability • 0% Energy • 10% Liveness
19% Instrumentalness • 11% Positiveness
18% Popularity • 16% Danceability • 0% Energy • 10% Liveness
19% Instrumentalness • 11% Positiveness
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George Frideric Handel
Handel / Arr. Mackerras & Rothwell: Oboe...
108 bpm • A# Maj • 03:52 • -15.76db
19% Popularity • 36% Danceability • 19% Energy • 18% Liveness
94% Instrumentalness • 37% Positiveness
19% Popularity • 36% Danceability • 19% Energy • 18% Liveness
94% Instrumentalness • 37% Positiveness
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Karoly Botvay
Sinfonia in E major, RV 132: I. Allegro
108 bpm • E Maj • 04:13 • -21db
41% Popularity • 57% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 54% Positiveness
41% Popularity • 57% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 54% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: No. 8 Romance
133 bpm • C# Maj • 06:28 • -20.3db
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: Berceuse
108 bpm • G Maj • 03:14 • -23.71db
14% Popularity • 22% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
134 bpm • E min • 10:23 • -20.11db
16% Popularity • 36% Danceability • 10% Energy • 13% Liveness
77% Instrumentalness • 20% Positiveness
16% Popularity • 36% Danceability • 10% Energy • 13% Liveness
77% Instrumentalness • 20% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
39% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
39% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
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AntonÃn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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Bedřich Smetana
Louisina Polka in E-Flat Major, JB 1:1
107 bpm • D# Maj • 03:11 • -18db
24% Popularity • 60% Danceability • 12% Energy • 17% Liveness
86% Instrumentalness • 61% Positiveness
24% Popularity • 60% Danceability • 12% Energy • 17% Liveness
86% Instrumentalness • 61% Positiveness
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Ignaz Pleyel
String Quartet in E-Flat Major, Op. 2, N...
134 bpm • G# Maj • 01:22 • -27db
28% Popularity • 45% Danceability • 2% Energy • 16% Liveness
1% Instrumentalness • 48% Positiveness
28% Popularity • 45% Danceability • 2% Energy • 16% Liveness
1% Instrumentalness • 48% Positiveness
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Péter Nagy
5 Lieder, Op. 49: No. 4. Wiegenlied (arr...
134 bpm • D# Maj • 02:15 • -33db
44% Popularity • 55% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
44% Popularity • 55% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
