🔥Growing Artists | Pitch your song |
Tansman: Musique de cour d'après Robert de Visée: VIII. Finale cover art

Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse

Tansman: Musique de cour d'après Robert de Visée: VIII. Finale

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
119 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
A Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-21.08db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 11% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
16%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
46%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
44%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
3%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
13%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
95%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
90%




Discover songs similar to Tansman: Musique de cour d'après Robert de Visée: VIII. Finale


Dowland: The Firste Booke of Songes: No. 17, Come Again! Sweet Love Doth Now Invite cover art
John Dowland - Dowland: The Firste Booke of Songes: No....
13% popularity • 119 bpm • D Maj • 02:54 • 4/4
Tansman: Inventions: I. Passepied (Allegro con moto) cover art
Alexandre Tansman - Tansman: Inventions: I. Passepied (Alleg...
7% popularity • 119 bpm • D min • 02:11 • 4/4
25 Etudes, Op. 38: No. 6 in A Major: Andantino cover art
Napoléon Coste - 25 Etudes, Op. 38: No. 6 in A Major: And...
29% popularity • 119 bpm • D Maj • 01:46 • 4/4
Aux Confins de l'orage: II. Sylphes rouges cover art
Camille Pépin - Aux Confins de l'orage: II. Sylphes roug...
7% popularity • 119 bpm • C# min • 04:51 • 4/4
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro cover art
Johann Gottlieb Graun - Concerto a violono e viola da gamba in C...
23% popularity • 120 bpm • B min • 07:53 • 4/4
Keyboard Sonata in D Major, K.178/L.162/P.392 (arr. Kyuhee Park for guitar) cover art
Domenico Scarlatti - Keyboard Sonata in D Major, K.178/L.162/...
32% popularity • 119 bpm • A Maj • 02:17 • 1/4
Rossini / Transcr. Garcia: Tancredi, Act I:
Gioachino Rossini - Rossini / Transcr. Garcia: Tancredi, Act...
7% popularity • 119 bpm • E Maj • 02:39 • 4/4
Tansman: Musique de cour d'après Robert de Visée: VIII. Finale cover art
Alexandre Tansman - Tansman: Musique de cour d'après Robert...
11% popularity • 119 bpm • A Maj • 02:08 • 3/4
Koyunbaba, Op. 19: IV. Presto cover art
Carlo Domeniconi - Koyunbaba, Op. 19: IV. Presto
12% popularity • 118 bpm • C# min • 04:04 • 4/4
Guitar Sonata No. 30 in A Major: Minuet - Allegro cover art
Niccolò Paganini - Guitar Sonata No. 30 in A Major: Minuet ...
16% popularity • 117 bpm • A Maj • 03:11 • 1/4
3 Nocturnes for Cello and Guitar: Nocturne No. 3 in C Major - Allegro moderato cover art
Friedrich Burgmüller - 3 Nocturnes for Cello and Guitar: Noctur...
14% popularity • 121 bpm • C Maj • 02:20 • 4/4
Keyboard Sonata in C Major, Kk. 159 cover art
Domenico Scarlatti - Keyboard Sonata in C Major, Kk. 159
52% popularity • 120 bpm • C Maj • 02:23 • 4/4
Sinfonia in A Major: I. Presto cover art
Giovanni Battista Sammartini - Sinfonia in A Major: I. Presto
37% popularity • 117 bpm • A Maj • 02:28 • 4/4
Cavatine: III. Scherzino cover art
Alexandre Tansman - Cavatine: III. Scherzino
1% popularity • 119 bpm • D Maj • 02:59 • 3/4
Tansman: Musique de cour d'après Robert de Visée: VIII. Finale is a song by Alexandre Tansman, released on 2020-10-02. It is track number 15 in the album Aranjuez. Tansman: Musique de cour d'après Robert de Visée: VIII. Finale has a BPM/tempo of 119 beats per minute, is in the key of A Maj and has a duration of 2 minutes, 8 seconds.

Tansman: Musique de cour d'après Robert de Visée: VIII. Finale is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is somewhat easy to dance to.


Tansman: Musique de cour d'après Robert de Visée: VIII. Finale info

Name
Tansman: Musique de cour d'après Robert de Visée: VIII. Finale
Release Date
2nd October 2020
ISRC
GBAYC2001938
Key
A Maj
Tempo
119
Loudness (db)
-21.08db
Time signature
3/4
Length
02:08
Song Number
15 of 21
Explicit
No