A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
Discover songs similar to Vanessa, Op. 32, Act IV, Scene 2: "To Leave, to Break"
Giacomo Puccini -
Turandot: Signor, ascolta
20% popularity • 88 bpm • F# Maj • 02:54 • 4/4
Pietro Mascagni -
Cavalleria rusticana: "Regina coeli, lae...
23% popularity • 88 bpm • G Maj • 02:35 • 4/4
Richard Strauss -
Der Rosenkavalier op. 59: Quinquin, es i...
0% popularity • 88 bpm • F Maj • 01:52 • 4/4
Jacques Offenbach -
Offenbach: La vie parisienne, Act 4: Fin...
7% popularity • 88 bpm • G Maj • 03:12 • 4/4
Chorus of the Metropolitan Opera, NY -
Nessuno si confessa mai nato in povertà ...
0% popularity • 88 bpm • G min • 04:23 • 4/4
Georges Bizet -
Les Pêcheurs de perles: C'est elle! Ell...
13% popularity • 88 bpm • A Maj • 04:08 • 4/4
Giacomo Puccini -
Gianni Schicchi: Ecco la cappellina!
13% popularity • 88 bpm • F Maj • 03:23 • 4/4
Pietro Mascagni -
Cavalleria rusticana: "Viva il vino spum...
11% popularity • 88 bpm • C Maj • 03:03 • 4/4
Benjamin Britten -
Spring Symphony, Op. 44, Part I: The Dri...
14% popularity • 88 bpm • F min • 01:59 • 5/4
Eleanor Steber -
Vanessa, Op. 32, Act IV, Scene 2: "To Le...
0% popularity • 88 bpm • A# min • 03:49 • 5/4
Richard Rodgers -
Oh, What a Beautiful Mornin': Oklahoma!:...
0% popularity • 88 bpm • C# Maj • 03:25 • 3/4
Gustav Mahler -
Rückert-Lieder: Liebst du um Schönheit
9% popularity • 87 bpm • D# Maj • 02:15 • 3/4
Giacomo Puccini -
Tosca: Act I: Quale occhio al mondo
0% popularity • 89 bpm • G min • 05:29 • 4/4
Gaetano Donizetti -
Lucia di Lammermoor / Act 3: Spargi d'am...
1% popularity • 89 bpm • D# Maj • 04:29 • 3/4
Vanessa, Op. 32, Act IV, Scene 2: "To Leave, to Break" is a song by Eleanor Steber, released on 2013-05-23. It is track number 3 in the album Adagio for Strings: Samuel Barber, Aaron Copland, and the Greatest American Composers. Vanessa, Op. 32, Act IV, Scene 2: "To Leave, to Break" has a BPM/tempo of 88 beats per minute, is in the key of A# min and has a duration of 3 minutes, 49 seconds.
Vanessa, Op. 32, Act IV, Scene 2: "To Leave, to Break" is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.