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Io parto e non piu dissi
Songs like
Io parto e non piu dissi
by
Carlo Gesualdo
Based on a tempo of (+/- 10%) and a similar genre
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
23% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: III. Eripe me
80 bpm • D Maj • 04:11 • -23.81db
9% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Blessed Are They That Fear the ...
80 bpm • G min • 09:45 • -30.03db
8% Popularity • 21% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
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Cyrillus Kreek
Taaveti laulud 22, "Mu Jumal! Mu Jumal!"...
80 bpm • G Maj • 04:26 • -26db
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Klusas dziemas (silent songs): II. Dusi ...
80 bpm • A Maj • 01:35 • -35.5db
30% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Belta, Poi che t'assenti
80 bpm • A# Maj • 03:20 • -22.61db
6% Popularity • 17% Danceability • 9% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Alma Redemptoris Mater
80 bpm • F Maj • 02:09 • -24.16db
12% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 08. Hosa...
80 bpm • D# Maj • 01:35 • -18db
22% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 27, "Hlasom moim ko ...
80 bpm • B min • 03:12 • -22.89db
8% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Guillaume Costeley
J'ayme trop mieux souffrir la mort
80 bpm • C Maj • 02:09 • -26.87db
13% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
80 bpm • B Maj • 02:02 • -20.38db
6% Popularity • 18% Danceability • 9% Energy • 5% Liveness
10% Instrumentalness • 4% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
20% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Maurice Bourbon
Tempus secundus - Le temps s'en va ...
79 bpm • D min • 01:37 • -24.67db
0% Popularity • 21% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Petite Messe solennelle, Kyrie: II. Chri...
81 bpm • F min • 01:49 • -32.62db
30% Popularity • 16% Danceability • 2% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
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Anton Bruckner
Pange lingua, WAB 33
79 bpm • A min • 04:46 • -31db
27% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
13% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Juan de Araujo
Los coflades de la estleya
81 bpm • F# Maj • 04:09 • -22.24db
4% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Giacomo Carissimi
Jephte: XVIII. Coro a 6
81 bpm • G min • 03:42 • -25db
14% Popularity • 8% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
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Richard Farrant
Call to remembrance
81 bpm • F min • 01:55 • -23.99db
14% Popularity • 13% Danceability • 13% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
43% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Henry Purcell
Evening Service in G Minor, Z. 231: No. ...
79 bpm • A min • 04:03 • -21.42db
12% Popularity • 16% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Jacques Arcadelt
O pulcherrima mulierum a 5
81 bpm • A# min • 02:34 • -22db
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Blessed Be the Man
79 bpm • D# min • 05:37 • -25.91db
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
O dolorosa gioia
79 bpm • G# Maj • 04:40 • -23.45db
11% Popularity • 8% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Palestrina: Sicut Lilium Inter Spinas 1
79 bpm • B min • 04:42 • -24.11db
19% Popularity • 8% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Begi...
81 bpm • C Maj • 02:32 • -21db
22% Popularity • 10% Danceability • 9% Energy • 12% Liveness
47% Instrumentalness • 4% Positiveness
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François Couperin
Couperin, F: 4 versets du motet: I. Tabe...
79 bpm • C# Maj • 01:20 • -28db
11% Popularity • 28% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Carlo Gesualdo
Deus, refugium et virtus
81 bpm • B min • 03:07 • -19.32db
0% Popularity • 13% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Giulio Caccini
L'Euridice, prologo: Aria di Romanesca
79 bpm • G min • 01:17 • -33db
20% Popularity • 24% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Giovanni Gabrieli
Surrexit Christus a 11 (C66)
81 bpm • F Maj • 03:27 • -21db
23% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Gregorio Allegri
Motets: Repleti sunt omnes
81 bpm • D min • 01:41 • -17.4db
32% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Dignare me laudare te
79 bpm • G min • 02:19 • -21.53db
1% Popularity • 16% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Francis Poulenc
Quatre petites prières de Saint Franço...
81 bpm • E Maj • 01:22 • -29.32db
16% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Martin Luther
Mit Fried und Freud fahr ich dahin
82 bpm • E min • 03:28 • -21.2db
11% Popularity • 13% Danceability • 7% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
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Henry Purcell
Oedipus (1692), Z. 583)
82 bpm • F min • 04:05 • -25.5db
8% Popularity • 23% Danceability • 4% Energy • 8% Liveness
2% Instrumentalness • 12% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
79 bpm • G# min • 01:09 • -24.77db
5% Popularity • 17% Danceability • 8% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Jean Mouton
Mouton: Ave Maria, Virgo Serena - 1. Ave...
82 bpm • G Maj • 04:49 • -24db
10% Popularity • 12% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Carlo Gesualdo
Illumina faciem tuam
79 bpm • G Maj • 03:10 • -17.84db
0% Popularity • 15% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Maurice Bourbon
Prologus - Tempus fugit ...
78 bpm • A min • 02:13 • -23.06db
0% Popularity • 22% Danceability • 10% Energy • 46% Liveness
5% Instrumentalness • 4% Positiveness
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Christophe Ballard
J'avois crû qu'en vous aymant
78 bpm • G min • 04:40 • -24db
9% Popularity • 23% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Maddalena Casulana
Maddalena Casulana : Morir non può il m...
78 bpm • C Maj • 01:29 • -23.96db
15% Popularity • 34% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Clément Janequin
Le chant des oiseaux
78 bpm • A# Maj • 05:35 • -21.93db
14% Popularity • 30% Danceability • 21% Energy • 7% Liveness
79% Instrumentalness • 23% Positiveness
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Antoine Brumel
Du tout plongiet/Fors seulement
82 bpm • C min • 12:28 • -26.43db
25% Popularity • 12% Danceability • 6% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Carlo Gesualdo
O Crux benedicta
78 bpm • A# Maj • 03:10 • -18.45db
1% Popularity • 8% Danceability • 17% Energy • 6% Liveness
12% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
35% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Herbert Howells
Requiem aeternam (1)
78 bpm • E min • 02:53 • -32.84db
25% Popularity • 15% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Philippe Jaroussky
Sanctissima Virgo (Sacrae cantiones una,...
78 bpm • G min • 03:16 • -17.89db
16% Popularity • 26% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Adrian Willaert
Missa super Benedicta es: Agnus Dei
78 bpm • C Maj • 04:04 • -21db
16% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
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Carlo Gesualdo
Sancti Spiritus, Domine
82 bpm • A# Maj • 02:03 • -22.02db
1% Popularity • 10% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Paul Hindemith
6 Chansons: No. 2. Un cygne
82 bpm • E min • 02:04 • -26db
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Timothy Brown
Funeral Sentences For Queen Mary: Thou K...
82 bpm • C min • 02:54 • -37.04db
4% Popularity • 21% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 10% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
24% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
18% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Francesco Durante
Magnificat in B flat major: Et misericor...
78 bpm • F# min • 01:51 • -24.74db
21% Popularity • 14% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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Carlo Gesualdo
Tribularer si nescirem
78 bpm • A# Maj • 03:18 • -17.6db
0% Popularity • 13% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Claude Debussy
Trois chansons de Charles d'Orleans L. 9...
78 bpm • G# min • 02:29 • -24db
10% Popularity • 12% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Philippe Verdelot
Ogn'hor per voi sospiro
78 bpm • G min • 02:22 • -22db
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
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Anton Bruckner
Os justi, WAB 30
82 bpm • C Maj • 04:14 • -29db
16% Popularity • 13% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Finale: In principio
78 bpm • A min • 04:08 • -24db
13% Popularity • 13% Danceability • 4% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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John Dowland
Now, O Now I Needs Must Part
83 bpm • G Maj • 05:07 • -19db
13% Popularity • 19% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 17% Positiveness
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Gregorio Allegri
Motets: Cantate domino
77 bpm • F Maj • 03:11 • -18db
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Count Alexander Sheremetiev
Now ye heavenly powers
77 bpm • E Maj • 03:42 • -24.35db
19% Popularity • 11% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
83 bpm • D min • 05:28 • -22.65db
16% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Prophetiae Sibyllarum: Prologue
83 bpm • G Maj • 01:18 • -26db
29% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
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Maurice Duruflé
4 Motets sur des themes gregoriens, Op. ...
77 bpm • F# min • 01:53 • -28.7db
12% Popularity • 19% Danceability • 5% Energy • 24% Liveness
59% Instrumentalness • 4% Positiveness
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Barbara Strozzi
"Lagrime mie" (Lamento), Op. 7
83 bpm • D# min • 08:43 • -24db
9% Popularity • 30% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Agostino Steffani
Stabat Mater: Quis est homo qui non fler...
77 bpm • G min • 02:48 • -21db
14% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
► Preview
The Tallis Scholars
Josquin: Missa Gaudeamus - 05. Qui Tolli...
83 bpm • G# min • 03:54 • -22.36db
20% Popularity • 9% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Orlande de Lassus
Mon cœur se recommande à vous
77 bpm • F Maj • 01:53 • -22.1db
11% Popularity • 24% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
83 bpm • G# min • 01:07 • -21.85db
5% Popularity • 18% Danceability • 13% Energy • 16% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Yevhen Savchuk
Vespers, Op. 37: Bless The Lord, O My So...
83 bpm • C# Maj • 04:51 • -23db
5% Popularity • 20% Danceability • 15% Energy • 9% Liveness
28% Instrumentalness • 6% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: VI. Gimel
77 bpm • F# min • 00:51 • -24.97db
18% Popularity • 7% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:15 • -18.87db
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Funeral Sentences: In the Midst...
77 bpm • C Maj • 04:37 • -23db
13% Popularity • 16% Danceability • 11% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 3. T...
84 bpm • F Maj • 02:59 • -25.56db
11% Popularity • 21% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Jean Boyer
Airs à quatre parties, Livre I: Que fer...
76 bpm • D min • 06:17 • -17db
9% Popularity • 14% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Hildegard von Bingen
Alleluia! O virga mediatrix
76 bpm • C Maj • 02:28 • -26.68db
7% Popularity • 29% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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John Taverner
Quemadmodum
76 bpm • C min • 06:30 • -24db
9% Popularity • 7% Danceability • 11% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
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Io parto e non piu dissi